Carlos Moya
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Carlos Moya

Spain
Active Retired #1 career high 20 titles Right-handed Two-Handed BH 190cm
1 Grand Slams
  • Roland Garros 1
Heavy topspin forehand specialist who thrived on clay. Strong first serve and powerful baseline game with patient point construction.

Coaches: Alberto Tous

Video Library (453 videos)

Name FPS Duration
BH Slice → Approach → FH Volley · Court-level-rear Carlos Moya's backhand slice approach and forehand volley from the center of the court, filmed from a court-level rear angle. After contact he keeps his non-hitting hand back for balance and moves forward into a compact ready position near the net, preparing for the next shot.
6.4s
BH Approach → BH Volley · Court-level-side Carlos Moya's backhand approach shot from the center of the court, filmed from a court-level side angle. His two-handed backhand grip is firm with the dominant hand in a semi-western position and the off-hand driving the racquet, while the wrists stay laid back through the swing before a late, compact release at contact.
5.7s
BH Approach → OH · Court-level-side Carlos Moya's backhand approach shot from a neutral court position, filmed from a court-level side angle. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates forward and upward on a compact two-handed swing path.
5.9s
FH Approach → FH Volley · Court-level-side Carlos Moya's forehand approach shot from a neutral court position, filmed from a court-level side angle. His hips stay low with a deep knee bend during the loading phase, then drive forward as his back leg extends to carry momentum into the court.
5s
FH Approach → OH · Court-level-side #1 Carlos Moya's forehand approach shot from a neutral court position, filmed from a court-level side angle. His footwork includes a small adjustment hop into a semi-open stance before moving forward, followed by quick recovery steps that align his body toward the net after contact.
7.2s
FH Approach → OH · Court-level-side #2 Carlos Moya's forehand approach shot from a neutral court position, filmed from a court-level side angle. At contact, his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward along a low-to-high path to impart heavy topspin.
6.8s
FH Approach → OH · Court-level-side #3 Carlos Moya's forehand approach shot moving into an overhead from the center of the court, filmed from a court_level_side angle. His semi-western forehand grip is evident with a laid-back wrist creating lag before the approach shot, followed by a firmer, more neutral wrist position as he transitions into the overhead.
5.5s
FH Approach → BH Volley · Front Carlos Moya's forehand approach shot from a neutral court position, filmed from the front. His follow-through finishes high with the non-hitting arm counterbalancing in front as he steps through the court and quickly organizes his feet into a compact ready position for the backhand volley.
5.8s
FH Approach → FH Volley → OH · Front Carlos Moya's forehand approach shot from a central court position, filmed from the front. His shoulders load with a pronounced coil relative to the hips before uncoiling through contact, making the trunk rotation and sequencing into the volley and overhead easy to distinguish.
7.7s
BH Center · Court-level-front · Closed Carlos Moya's backhand from the center of the court in a closed stance, filmed from a front court-level angle. His racket meets the ball slightly in front of his body with a moderately vertical swing path, and the racket face is angled to impart heavy topspin at a contact point near waist height.
2.8s
BH Center · Court-level-front #1 Carlos Moya's backhand from the center of the court, filmed from a front court-level angle. His footwork includes a small adjustment hop into a neutral stance before contact, followed by a quick recovery step that returns him to a ready position on the baseline.
2.9s
BH Center · Court-level-front #2 Carlos Moya's backhand from the center of the court, filmed from a front court-level angle. His compact split step leads into a neutral stance on contact, followed by a small adjustment hop that sets up an efficient recovery back to his ready position.
3s
BH Running Down The Line · Court-level-front Carlos Moya's running backhand down the line from a neutral position, filmed from a court-level front angle. His hips stay relatively closed as he sprints, with a pronounced knee bend and strong push off the outside leg to stabilize and drive through the shot.
5.3s
BH Wide Down The Line · Court-level-front #1 Carlos Moya's backhand wide from the deuce side, filmed from court level front. His shoulders and trunk show a pronounced coil with the front shoulder dipping slightly forward before a sharp uncoiling that starts from the hips and continues through the torso into the two-handed follow-through.
2.7s
BH Wide Down The Line · Court-level-front #2 Carlos Moya's wide backhand from the deuce side, filmed from a court_level front angle. His two-handed backhand contact is made slightly in front of his body with a closed racket face, and the racket head accelerates steeply upward to impart heavy topspin.
2.9s
BH Center · Court-level-rear · Closed Carlos Moya's backhand from the center of the court in a closed stance, filmed from a rear court-level angle. His shoulders rotate well past perpendicular to the baseline on the unit turn, with a pronounced trunk coil that uncoils sequentially from hips to shoulders into contact.
2.3s
BH Moves Back · Court-level-rear Carlos Moya's backhand while moving back from a neutral baseline position, filmed from a court-level rear angle. His footwork features quick adjustment steps as he retreats and sets into a neutral stance, with his weight transferring from the back foot to the front as he strikes.
2.8s
BH Wide · Court-level-rear · Open Carlos Moya's backhand from a wide position, filmed from a court-level rear angle. He plants in an open stance with his outside foot loading first, then uses quick lateral recovery steps to push back toward the center after contact.
2.6s
BH · Arm-action · Court-level-side #1 Carlos Moya's backhand from the middle of the court, filmed from a court-level side angle. His hips stay relatively closed through the loading phase with a deep knee bend, then unwind in sync with a strong leg drive that pushes up and into the shot.
2.3s
BH · Arm-action · Court-level-side #2 Carlos Moya's backhand from the baseline, filmed from a court-level side angle. His shoulders rotate as a single unit with the trunk on the unit turn, then the upper body uncoils ahead of the arms, making the delayed extension of the hitting arm and racket easy to distinguish.
2.3s
BH Center · Court-level-side #1 Carlos Moya's backhand from the center of the court, filmed from a court-level side angle. His two-handed grip is firm with the dominant hand driving while the non-dominant hand guides the racket, and you can see a pronounced wrist lag that unwinds into a compact snap through contact.
2.9s
BH Center · Court-level-side #2 Carlos Moya's backhand from the center of the court, filmed from a court-level side angle. His two-handed backhand uses a mostly neutral stance with a small adjustment step to set spacing, followed by a quick recovery step that brings him back toward the center after contact.
2.3s
BH Center · Court-level-side #3 Carlos Moya's backhand from the center of the court, filmed from a court-level side angle. His shoulders rotate well past perpendicular to the net on the unit turn, with a pronounced trunk coil that uncoils sequentially from hips to shoulders through contact.
3.9s
BH Center · Court-level-side #4 Carlos Moya's backhand from the center of the court, filmed from a court-level side angle. His two-handed grip is clearly visible, with the dominant right hand set in a strong semi-western position and the wrist staying laid back through the swing before releasing slightly through contact.
2.6s
BH Center · Court-level-side #5 Carlos Moya's backhand from the center of the court, filmed from a court-level side angle. At contact his racket face is slightly closed with the ball meeting the strings around waist height, and the swing path drives steeply upward, accelerating the racket head through the hitting zone.
2.6s
BH Center · Court-level-side #6 Carlos Moya's backhand from the center of the court, filmed from a court-level side angle. His hips stay relatively closed at the start of the swing, with a pronounced knee bend and upward leg drive that uncoils through contact.
2.5s
BH Center · Court-level-side #7 Carlos Moya's backhand from the center of the court, filmed from a court-level side angle. His follow-through finishes high with the racket over his front shoulder as his weight transfers onto his front foot, quickly bringing both hands back toward a neutral ready position.
3.4s
BH Center · Court-level-side · Open Carlos Moya's backhand from the center of the court in an open stance, filmed from a court-level side angle. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward along a vertical swing path to impart heavy topspin.
3s
BH Half Volley · Court-level-side Carlos Moya's backhand half-volley from a neutral court position, filmed from a court-level side angle. From this side view, his two-handed grip stays firm with limited wrist flexion, keeping the racquet face stable through impact with only a subtle release of the dominant wrist after contact.
2.6s
BH Moves Back · Court-level-side #1 Carlos Moya's backhand while moving back from a neutral baseline position, filmed from a court_level_side angle. His hips stay relatively closed as he retreats, with a deep knee bend and strong rear-leg load before he drives upward and slightly forward into the shot.
2.8s
BH Moves Back · Court-level-side #2 Carlos Moya's backhand while moving back from a neutral court position, filmed from a court-level side angle. The racket face is slightly closed at a contact point around waist height, with the racket head accelerating steeply upward to impart heavy topspin.
2s
BH Moves Back · Court-level-side #3 Carlos Moya's backhand while moving back from a neutral baseline position, filmed from a court_level_side angle. His follow-through finishes high with the racket wrapping around his left shoulder as he transfers weight onto his back foot, then he quickly resets his stance with both hands bringing the racket back to a neutral ready position.
3.6s
BH Running · Court-level-side #1 Carlos Moya's running backhand from the deuce side, filmed from a court-level side angle. His footwork features quick lateral strides into the shot followed by a semi-open stance, with an immediate crossover recovery step back toward the center of the baseline.
2.6s
BH Running · Court-level-side #2 Carlos Moya's running backhand from the ad side, filmed from a court-level side angle. His hips stay relatively closed to the net as he sprints wide, with a deep knee bend on the outside leg providing the base for his push back into the court.
2.8s
BH Running · Court-level-side #3 Carlos Moya's running backhand from the deuce side, filmed from a court-level side angle. His two-handed backhand grip is clearly visible, with a firm bottom hand and a relaxed top hand that allows noticeable wrist lag before a compact, controlled release through contact.
2.9s
BH Running · Court-level-side #4 Carlos Moya's running backhand from the side on the run, filmed from a court-level side angle. His follow-through finishes high with the non-hitting hand counterbalancing behind him as he recovers back toward a neutral ready position.
2.8s
BH Short · Court-level-side Carlos Moya's backhand from the short court, filmed from a court-level side angle. His feet set in a mostly neutral stance with a small adjustment step before contact, followed by a quick shuffle forward to recover into the court.
2.5s
BH Wide · Court-level-side · Open #1 Carlos Moya's wide backhand from the deuce side in an open stance, filmed from a court-level side angle. His racket face is slightly closed at contact with the ball meeting the strings around waist height, and the swing path accelerates steeply upward to impart heavy topspin.
2.7s
BH Wide · Court-level-side · Open #2 Carlos Moya's wide backhand from the deuce side in an open stance, filmed from a court-level side angle. After contact his follow-through wraps high across his body while his weight continues to shift into the court, bringing him quickly back toward a neutral ready position.
3s
BH Center · Front #1 Carlos Moya's backhand from the center of the court, filmed from the front. His two-handed grip is clearly visible with the dominant hand in a semi-western position and the off-hand driving the stroke, while the wrists stay firm with only a slight release through contact.
2.8s
BH Center · Front #2 Carlos Moya's backhand from the center of the court, filmed from the front. After contact his follow-through finishes high with both hands in front of his body, and he quickly resets his feet into a neutral ready position for the next shot.
2.3s
BH Lob · Front Carlos Moya's backhand lob from the center of the court, filmed from the front. His shoulders rotate as a unit with the trunk on the takeback, then uncoil upward with noticeable spinal extension to lift the ball over the opponent.
2.5s
BH Running · Front Carlos Moya's running backhand from the front court position, filmed from the front. His follow-through finishes high with the non-hitting hand helping him regain balance as he plants his outside leg and quickly recovers toward a neutral ready position.
2.3s
BH Running · Front · Open Carlos Moya's running two-handed backhand from an open stance, filmed from the front. After contact he lets the racquet wrap high across his body while his non-hitting hand drops back for balance, then he quickly re-centers his feet into a neutral ready position.
3.6s
BH Wide · Front · Closed #1 Carlos Moya's wide backhand from a closed stance, filmed from the front. His two-handed grip is firm with the non-dominant hand driving the racquet, while the dominant wrist stays relatively quiet with only a subtle release through contact.
3.1s
BH Wide · Front · Closed #2 Carlos Moya's wide backhand from the front, filmed from a front angle. After contact he lets the racquet wrap fully across his body while his weight continues moving back toward the center and his non-hitting hand readies in front for the next shot.
3.2s
BH Wide · Front · Closed #3 Carlos Moya's backhand wide from the front. His closed stance is clear as his front foot steps across his body while he uses small adjustment steps to reach the wide ball before planting.
3.1s
BH Wide · Front · Open #1 Carlos Moya's backhand from a wide position in an open stance, filmed from the front. His hips stay relatively open to the net while his knees bend deeply to load the legs before driving up into the shot.
3s
BH Wide · Front · Open #2 Carlos Moya's wide backhand from an open stance, filmed from the front. His hips stay relatively open to the net while his knees flex deeply to load on the outside leg before driving laterally into the shot.
2.9s
BH Center · Front · Closed #1 Moya's backhand from the center of the court, filmed from the front. His closed stance is clear as his front foot steps across his body before contact, with a small recovery shuffle bringing him back toward a neutral position after the swing.
3s
BH Center · Front · Closed #2 Moya's backhand from the center of the court in a closed stance, filmed from the front. His two-handed grip is firm with the non-dominant hand driving the racquet, while the dominant wrist stays relatively firm with minimal wrist snap through contact.
3.1s
BH Center · Front · Open Moya's backhand from the center of the court in an open stance, filmed from the front. His two-handed grip is clearly visible, with the non-dominant hand driving the racket and a firm but relaxed wrist structure that stays stable through contact.
3.3s
BH · Front Moya's backhand from the center of the court, filmed from the front. His shoulders rotate as a unit with the trunk into a deep coil on the takeback, then uncoil in sequence from hips to shoulders to arm for the down-the-line swing.
2.9s
BH Half Volley · Front Moya's backhand half-volley from a neutral court position, filmed from the front. At contact the racket face is slightly open with the ball meeting the strings just below hip height, and the compact swing path keeps the racket head moving mostly forward with minimal backswing.
5.1s
BH Moves Back · Front Moya's backhand while moving back from a central baseline position, filmed from the front. His follow-through finishes high with the non-hitting hand extending back for balance before he recovers into a compact ready stance.
2.3s
BH Running · Front Moya's running backhand from the middle of the court, filmed from the front. His quick adjustment steps into a semi-open stance are visible as he chases the ball wide and then crosses his outside leg over to recover toward the center.
3.3s
BH Short · Front Moya's backhand from the center of the court, filmed from the front. His shoulders turn as a unit with the trunk, and you can clearly see the upper body uncoil from a closed position into contact with the chest rotating toward the net.
6.8s
BH Wide · Front · Closed #1 Moya's wide backhand from the front, filmed from a front angle. His closed stance is clear as he steps across with his front foot toward the ball, using a strong lateral push-off and a small recovery step back toward the center after contact.
3s
BH Wide · Front · Closed #2 Moya's backhand from a wide ball in a closed stance, filmed from the front. His hips stay more closed to the net while his legs show a deep outside knee bend and strong lateral push-off to reach the wide ball.
3.7s
BH Lob Wide · Front Moya's wide backhand lob from the baseline, filmed from the front. His follow-through carries the racquet up and across his body while his non-hitting hand extends back for balance as he recovers toward a ready position.
3s
BH Wide · Front · Open #1 Moya's wide backhand from the deuce side in open stance, filmed from the front. His hips stay relatively open to the net while his knees bend deeply to load the outside leg before pushing into the shot.
2.4s
BH Wide · Front · Open #2 Moya's wide backhand from the open-stance position, filmed from the front. His shoulders rotate as a unit with the trunk on the unit turn, then uncoil ahead of the arm swing so the torso leads the racquet through contact.
2.6s
BH Center Down The Line · Rear · Open Carlos Moya's backhand from the center of the court in an open stance, filmed from a rear angle. His hips stay relatively closed at the start, then unwind with a strong knee bend and upward leg drive that helps him load and push through the shot.
2.6s
BH Center · Rear Carlos Moya's backhand from the center of the court, filmed from a rear angle. After contact his follow-through finishes high with the racket wrapping around his left shoulder as he pushes off his back leg and quickly returns both hands to the ready position.
3.3s
BH Lob Running · Rear Carlos Moya's running backhand lob from a neutral court position, filmed from a rear angle. His hips stay relatively closed to the net while his outside leg drives upward, with a deep knee bend that helps him lift the ball high over his opponent.
2.3s
BH Running Cross Court · Rear Carlos Moya's running cross-court backhand from a neutral court position, filmed from the rear. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward along a pronounced low-to-high swing path.
2.8s
BH Running · Rear Carlos Moya's running backhand down the line from a neutral position, filmed from a court-level rear angle. His shoulders and trunk coil aggressively against his hip line on the sprint, then uncoil in a pronounced rotational sequence that drives the racquet up the back of the ball for heavy topspin.
3.5s
BH Running · Rear #1 Carlos Moya's running backhand from the center of the court, filmed from the rear. At contact his racket face is slightly closed with the ball meeting the strings just above net height, and his racket head accelerates steeply upward along a vertical swing path to impart heavy topspin.
3s
BH Running · Rear #2 Carlos Moya's running two-handed backhand from a neutral position, filmed from the rear. His relatively relaxed top hand grip is visible as he runs, with the wrist staying laid back through the swing and only subtly releasing just after contact.
2.5s
BH Wide Cross Court · Rear #1 Carlos Moya's wide backhand from the center court area, filmed from the rear. From this angle, his two-handed grip shows the non-dominant (left) hand controlling the racket face while the dominant (right) wrist stays relatively firm with only a slight lag before contact.
2.6s
BH Wide Cross Court · Rear #2 Carlos Moya's wide backhand from the rear. His shoulders and trunk rotate together into a deep coil before contact, then uncoil with the chest finishing fully turned toward the opposite sideline.
2.8s
BH Wide Down The Line · Rear Carlos Moya's wide backhand from the deuce side, filmed from a rear angle. At contact his racket face is slightly closed with the ball struck around waist height, and the swing path accelerates steeply upward, indicating heavy topspin from a fully extended two-handed frame.
3.1s
BH Running · Side #1 Carlos Moya's running two-handed backhand from the deuce side, filmed from the side. His shoulders rotate well past perpendicular to the net on the unit turn, then uncoil in sequence with a noticeable delay between trunk rotation and the release of the arms through contact.
2.5s
BH Running · Side #2 Carlos Moya's running backhand from the side, filmed from a side angle. His footwork features quick adjustment steps as he sprints laterally, setting into a slightly open stance before contact and using a pronounced recovery step to get back toward the center.
2.2s
BH Short · Side Carlos Moya's backhand from the center of the baseline, filmed from the side. The racket face is slightly closed at a contact point around waist height, with the racket head accelerating steeply upward to impart heavy topspin.
3.2s
BH Drop Shot · Front #1 Moya's backhand drop shot from a central baseline position, filmed from the front. His hips stay relatively square to the net while a pronounced knee bend and subtle weight shift onto the front leg control the soft touch on the ball.
2.6s
BH Drop Shot · Front #2 Moya's backhand drop shot from a central position, filmed from the front. The racket face is noticeably open at contact with the ball struck below net height, and the swing path is short with a clear deceleration just after impact.
2.7s
FH Drop Shot · Front #1 Moya's forehand drop shot from the middle of the court, filmed from the front. His follow-through stays compact with the racquet head finishing low in front as he quickly brings both hands back toward a neutral ready position.
2.9s
FH Drop Shot · Front #2 Moya's forehand drop shot from a central court position, filmed from the front. His shoulders stay relatively closed with a compact trunk rotation, and the uncoil is abbreviated, with minimal upper-body follow-through to soften the ball.
3.9s
BH Drop Shot · Rear Carlos Moya's backhand drop shot from the center of the court, filmed from a rear angle. His shoulders stay relatively closed with a subtle trunk rotation, and the uncoil is compact and abbreviated to soften racket acceleration into the ball.
2.7s
First Serve · Ad · Arm-action · Court-level-front #1 Carlos Moya's first serve from the Ad side, filmed from a court-level front angle. After contact his hitting arm extends fully toward the target while his non-hitting arm drops and his weight moves into the court, bringing him quickly back toward a balanced ready position.
2.7s
First Serve Down The Middle · Ad · Court-level-front #1 Carlos Moya's first serve from the Ad side down the middle, filmed from a court-level front angle. At contact his racket face is nearly square to the ball with a slightly pronated wrist, meeting the ball at full extension above his head to maximize racket head speed up and through the hitting zone.
1.9s
First Serve · Ad · Leg-action · Court-level-front #1 Carlos Moya's first serve from the Ad court, filmed from a court-level front angle. His deep knee bend and strong upward leg drive are clearly visible, with the hips uncoiling toward the target as he extends off the ground.
4.6s
First Serve · Ad · Toss · Court-level-front #1 Carlos Moya's first serve from the Ad court, filmed from a court-level front angle. He sets up with a stable platform stance, using a small front-foot adjustment before the toss and a pronounced knee bend that drives his upward motion into the court.
2.6s
First Serve Wide · Ad · Court-level-front #1 Carlos Moya's first serve from the Ad court, hit wide, filmed from a court-level front angle. His shoulders and trunk show a pronounced coil during the trophy phase, then uncoil in a clear sequence from hips to shoulders as he drives up into the serve.
2.6s
First Serve Wide · Ad · Court-level-front #2 Carlos Moya's first serve from the Ad court, hit wide, filmed from a court-level front angle. His shoulders rotate as a single unit with the trunk during the toss and then uncoil aggressively toward the target, showing a clear sequential opening of the torso before the arm whips up to contact.
2.4s
First Serve · Deuce · Arm-action · Court-level-front #1 Carlos Moya's first serve from the deuce side, filmed from a court-level front angle. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, making the wrist snap especially clear from this angle.
2.6s
First Serve Down The Middle · Deuce · Court-level-front #1 Carlos Moya's first serve from the deuce court, filmed from a court-level front angle. His feet set in a slightly staggered stance before a compact knee bend, and after contact he lands on his front foot with a small recovery step that squares his body to the baseline.
2.3s
First Serve · Deuce · Toss · Court-level-front #1 Carlos Moya's first serve from the deuce side, filmed from a court level front angle. After contact he lands on his front leg with his tossing arm dropping quickly to his side, then brings both hands back toward a compact ready position as he recovers into the court.
2.6s
First Serve Wide · Deuce · Court-level-front #1 Carlos Moya's first serve from the deuce court, filmed from a court-level front angle. His continental grip is firm with a relaxed wrist that pronates sharply through contact, making the wrist snap especially clear from this angle.
2.4s
First Serve · Deuce · Leg-action · Court-level-rear #1 Carlos Moya's first serve from the deuce court, filmed from a court-level rear angle. From this view, his shoulder line turns well past perpendicular to the baseline as his trunk coils over the back hip, then uncoils in sequence with the leg drive to initiate upward racket acceleration.
3.6s
First Serve · Deuce · Toss · Court-level-rear #1 Carlos Moya's first serve from the deuce court, filmed from a court-level rear angle. At contact his racket face is slightly tilted forward with the ball struck just above full extension, and the upward swing path and racket head acceleration are clearly visible from behind.
2.4s
First Serve · Ad · Court-level-side #1 Carlos Moya's first serve from the Ad court, filmed from a court-level side angle. At contact his racket face is slightly tilted forward with the ball struck just above full extension, and the racket head accelerates steeply up and across the ball for a pronounced upward swing path.
2.7s
First Serve · Ad · Court-level-side #2 Carlos Moya's first serve from the Ad court, filmed from a court-level side angle. His deep knee bend and explosive leg drive upward are clearly visible, along with strong hip rotation leading the motion into the court.
3s
First Serve · Ad · Toss · Court-level-side #1 Carlos Moya's first serve from the Ad court, filmed from a court-level side angle. After contact, he lands on his front (left) foot with his hitting arm finishing across his body while his non-hitting hand drops to help him transition back toward a neutral ready position.
2.6s
First Serve · Ad · Toss · Court-level-side #2 Carlos Moya's first serve from the Ad court, filmed from a court-level side angle. His racket comes up with a slightly closed face at contact, meeting the ball at full extension above his head with a pronounced upward swing path that accelerates rapidly through the hitting zone.
2.4s
First Serve · Deuce · Arm-action · Court-level-side #1 Carlos Moya's first serve from the deuce court, filmed from a court-level side angle. His shoulder line rotates significantly away from the court during the trophy phase, then the trunk uncoils in sequence with the upward arm action, making the shoulder-over-shoulder motion and torso rotation timing easy to distinguish.
2.4s
First Serve · Deuce · Arm-action · Court-level-side #2 Carlos Moya's first serve from the deuce side, filmed from a court-level side angle. His shoulder line rotates significantly away from the net during the trophy phase, then the trunk uncoils in sync with the upward arm swing, creating a clear sequential rotation from hips to shoulders.
2.6s
First Serve · Deuce · Body-rotation · Court-level-side #1 Carlos Moya's first serve from the deuce side, filmed from a court-level side angle. His follow-through carries his hitting arm across his body while his back leg swings forward, leaving him in a balanced, forward-weighted position ready to move for the next shot.
2.6s
First Serve · Deuce · Court-level-side #1 Carlos Moya's first serve from the deuce side, filmed from a court-level side angle. His footwork shows a controlled platform stance with a clear weight transfer from back to front foot as he drives up into the serve.
2.9s
First Serve · Deuce · Court-level-side #2 Carlos Moya's first serve from the deuce court, filmed from a court-level side angle. The racket contacts the ball slightly in front of his body with a mostly square face and pronounced upward pronation, creating a high contact point well above shoulder height and noticeable racket head acceleration through the ball.
3s
First Serve · Deuce · Leg-action · Court-level-side #1 Carlos Moya's first serve from the deuce court, filmed from a court-level side angle. From this side view, you can clearly see his continental grip stay firm while his wrist pronates aggressively through contact, with a distinct snap just after impact.
3.3s
First Serve · Deuce · Toss · Court-level-side #1 Carlos Moya's first serve from the deuce side, filmed from a court-level side angle. His hips load with a noticeable knee bend before driving upward, with the rear leg pushing off the ground to initiate strong hip rotation into the court.
2.5s
First Serve · Deuce · Toss · Court-level-side #2 Carlos Moya's first serve from the deuce side, filmed from a court-level side angle. His footwork shows a steady platform stance with a controlled knee bend and a clear weight transfer from the back to the front foot as he drives up into the ball.
3.1s
First Serve Down The Middle · Ad · Front #1 Carlos Moya's first serve from the Ad court down the middle, filmed from the front. His front-on footwork includes a pronounced knee bend with a platform stance and a clear forward weight transfer into the court after contact.
2.6s
First Serve · Ad · Front #1 Carlos Moya's first serve from the Ad side, filmed from the front. His shoulders rotate as a unit with the trunk during the toss and then uncoil aggressively toward the target, with the chest opening up just after the racquet drops into the throwing position.
2.3s
First Serve · Ad · Front #2 Carlos Moya's first serve from the Ad court, filmed from the front. His deep knee bend and aggressive leg drive into the court are clearly visible, with the hips opening toward the net as he uncoils upward into contact.
2s
First Serve · Ad · Toss · Front #1 Carlos Moya's first serve from the Ad side, filmed from the front. His shoulders and trunk coil significantly away from the target line before uncoiling in a unified rotation toward contact, with the chest finishing square or slightly past the baseline.
2.6s
First Serve Down The Middle · Deuce · Front #1 Carlos Moya's first serve from the deuce court, filmed from the front. After contact he lands into the court with his weight moving forward and his non-hitting arm dropping back to help him square up quickly into a ready position.
3s
First Serve · Deuce · Front #1 Carlos Moya's first serve from the deuce court, filmed from the front. His shoulders and trunk rotate as a single unit during the toss and loading phase, then uncoil sharply toward the target with the hitting shoulder driving up and through the ball.
2.5s
First Serve · Deuce · Toss · Front #1 Carlos Moya's first serve from the deuce court, filmed from the front. His continental grip is firm with minimal grip change and his wrist stays relaxed into a pronounced lag, then snaps up through contact as the toss drops into his hitting window.
2.3s
First Serve Wide · Deuce · Front #1 Carlos Moya's first serve from the Deuce side, hit wide, filmed from the front. His forward stride into a neutral stance and quick landing on the front foot make it easy to see how he times his split-step and immediately readies a small recovery hop toward the center.
2.3s
First Serve · Ad · Front #1 Carlos Moya's first serve from the Ad court, filmed from a front angle. His follow-through brings his racquet down across his body as his weight lands on his front foot, quickly bringing both hands back to a neutral ready position.
2.9s
First Serve · Deuce · Front #1 Moya's first serve from the deuce side, filmed from the front. At contact his racket face is slightly tilted forward with the ball struck just above head height, and the racket head accelerates steeply upward along the hitting arm's line.
2.7s
First Serve · Deuce · Toss · Front #1 Moya's first serve from the deuce court, filmed from the front. His shoulder and trunk coil together as the tossing arm rises, then the trunk uncoils ahead of the hitting shoulder to start the upward kinetic chain into contact.
2.9s
First Serve · Ad · Rear #1 Carlos Moya's first serve from the Ad court, filmed from a rear angle. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a pronounced wrist snap visible from behind.
2.4s
First Serve · Deuce · Arm-action · Rear #1 Carlos Moya's first serve from the deuce court, filmed from a rear angle. His follow-through finishes across his body with his tossing arm dropping quickly to his side, and he lands on his front foot before recovering into a balanced ready position.
2.4s
First Serve · Deuce · Rear #1 Carlos Moya's first serve from the deuce court, filmed from a rear angle. After contact he lets his hitting arm finish across his body while his back leg swings forward into the court, bringing him quickly into a balanced ready position for the next shot.
3.4s
First Serve · Ad · Arm-action · Side #1 Carlos Moya's first serve from the Ad court, filmed from the side. The side view makes it easy to see his racket drop into a deep backscratch position before accelerating up to contact at full extension well above his head.
2.6s
First Serve · Ad · Arm-action · Side #2 Carlos Moya's first serve from the Ad side, filmed from a side angle. His stance stays mostly sideways through the toss with a pronounced knee bend and clear upward leg drive into the ball before landing inside the court.
2.7s
First Serve · Ad · Leg-action · Side #1 Carlos Moya's first serve from the Ad court, filmed from the side. His deep knee bend and aggressive leg drive upward into the court are clearly visible, with the hips extending fully as he pushes off the ground.
2.7s
First Serve · Ad · Side #1 Carlos Moya's first serve from the Ad side, filmed from the side. After contact he drives his weight into the court and finishes with his tossing arm dropping quickly as he lands balanced on his front leg, ready to move into the next shot.
2.6s
First Serve · Deuce · Arm-action · Side #1 Carlos Moya's first serve from the deuce court, filmed from the side. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a distinct wrist snap as the racquet accelerates up and through the ball.
2.9s
First Serve · Deuce · Body-rotation · Side #1 Carlos Moya's first serve from the deuce side, filmed from the side. His shoulder line turns well past perpendicular to the baseline, creating a pronounced trunk coil that uncoils sequentially from hips to shoulders into the hitting arm.
2.6s
First Serve · Deuce · Side #1 Carlos Moya's first serve from the deuce side, filmed from the side. He uses a rhythmic platform stance with a pronounced knee bend and upward drive, finishing with a couple of small recovery steps that bring him quickly toward a ready position behind the baseline.
3.2s
First Serve · Deuce · Side #2 Carlos Moya's first serve from the deuce court, filmed from the side. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a pronounced wrist snap just after impact.
2.4s
First Serve · Deuce · Toss · Side #1 Carlos Moya's first serve from the deuce side, filmed from the side. His feet stay grounded through the ball toss with a clear platform stance, then his back leg drives up and into the court as he lands well inside the baseline for recovery.
2.1s
FH Center · Court-level-front #1 Carlos Moya's forehand from the center of the court, filmed from a front court-level angle. His hips load in a semi-open position with a deep knee bend, and then uncoil as his legs drive upward through contact.
2.8s
FH Center · Court-level-front #2 Carlos Moya's forehand from the center of the court, filmed from a front court-level angle. His footwork includes a small hop into a split-step before setting into a semi-open stance, followed by a quick recovery shuffle back to his ready position.
2.6s
FH Inside In · Court-level-front #1 Carlos Moya's forehand InsideIn from the center of the court, filmed from a court_level front angle. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward on a pronounced low-to-high swing path.
2.5s
FH Inside In · Court-level-front #2 Carlos Moya's forehand InsideIn from the center of the court, filmed from a court_level front angle. His footwork features a quick split-step into a small adjustment hop and a semi-open stance, followed by a balanced recovery step back toward the middle.
2.7s
FH Inside In · Court-level-front #3 Carlos Moya's forehand InsideIn from the center of the court, filmed from a court_level front angle. His shoulders and trunk coil deeply before contact, with a pronounced uncoiling sequence where the hips initiate the rotation and the upper torso and hitting shoulder follow through aggressively into the court.
2.6s
FH Inside In · Court-level-front #4 Carlos Moya's forehand InsideIn from the middle of the court, filmed from a court_level front angle. After contact his follow-through wraps high over his shoulder with his weight driving into the court, and he quickly brings both hands back toward his torso to reset into a ready position.
2.7s
FH Inside Out · Court-level-front #10 Carlos Moya's forehand InsideOut from the center of the court, filmed from a court_level front angle. His footwork includes a small adjustment hop into an open stance, followed by a quick recovery step back toward the middle after contact.
2.4s
FH Inside Out · Court-level-front #11 Carlos Moya's forehand InsideOut from the center of the court, filmed from a court_level front angle. After contact his follow-through wraps high over his shoulder with his weight moving into the court, and he quickly resets his feet into a neutral ready position with both hands on the racquet.
2.2s
FH Inside Out · Court-level-front #2 Carlos Moya's forehand InsideOut from the center of the court, filmed from a court_level front angle. His shoulders and trunk coil deeply with a pronounced upper-body turn, then uncoil in sequence so the chest rotates fully toward the target well after the hips have initiated the forward motion.
2.2s
FH Inside Out · Court-level-front #3 Carlos Moya's forehand from the center of the court, filmed from a front court-level angle. At contact his racket face is slightly closed with the ball meeting the strings around waist height, and the racket head accelerates steeply upward on a low-to-high path for heavy topspin.
2s
FH Inside Out · Court-level-front #4 Carlos Moya's forehand InsideOut from the center of the court, filmed from CourtLevelFront. His shoulders load into a deep coil relative to his hips before uncoiling in sequence, with the trunk rotation clearly driving the racket through the InsideOut contact.
2.7s
FH Inside Out · Court-level-front #6 Carlos Moya's forehand InsideOut from the center of the court, filmed from CourtLevelFront. His semi-western grip is evident in the strong wrist lag on the takeback, followed by a pronounced upward wrist snap through contact to impart heavy topspin.
2s
FH Inside Out · Court-level-front #7 Carlos Moya's forehand from the middle of the court, filmed from a front court_level angle. His compact adjustment steps set up an open stance before contact, with a small hop and quick recovery step bringing him back to a neutral position on the baseline.
2.4s
FH Inside Out · Court-level-front #8 Carlos Moya's forehand InsideOut from the center of the court, filmed from a court_level front angle. After contact his follow-through finishes high across his body while his weight moves into the court, and he quickly brings both hands back on the racquet preparing for the next shot.
2s
FH Inside Out · Court-level-front #9 Carlos Moya's forehand InsideOut from the center of the court, filmed from a court_level front angle. His hips load in a coiled position with a deep knee bend before driving upward and uncoiling through contact, with the outside leg providing a strong push off the ground.
2.7s
FH Running Cross Court · Court-level-front #1 Carlos Moya's running forehand from the center of the court, filmed from a court-level front angle. His hips stay closed as he sprints laterally, then rotate explosively through contact as his outside leg drives upward from a deep knee bend.
2.9s
FH Running Cross Court · Court-level-front #2 Carlos Moya's running forehand from the middle of the court, filmed from a court-level front angle. After contact his follow-through wraps high across his body while his weight continues moving toward the sideline, and he quickly brings both hands back in front of his torso to reset into a ready position.
2.6s
FH Running Down The Line · Court-level-front Carlos Moya's running forehand down the line from a neutral position, filmed from a court-level front angle. After contact his follow-through wraps high across his body while his weight continues moving forward into the court, and he quickly brings both hands back toward the racket to recover into a ready position.
3.3s
FH Short · Court-level-front #1 Carlos Moya's forehand from the short court, filmed from a front court-level angle. The racket face is slightly closed at contact with the ball struck around waist height, and the racket head accelerates steeply upward to impart heavy topspin.
2.1s
FH Short · Court-level-front #2 Carlos Moya's forehand from the middle of the court, filmed from a court-level front angle. His semi-western grip is evident in the closed racquet face on the backswing, with pronounced wrist lag maintained until just before contact.
2.2s
FH Wide · Court-level-front Carlos Moya's wide forehand from the middle of the court, filmed from a court-level front angle. At contact his racket face is slightly closed with the ball meeting the strings around waist height, and the racket head accelerates steeply upward along a low-to-high path to impart heavy topspin.
2.4s
FH Wide Cross Court · Court-level-front #1 Carlos Moya's wide forehand from the deuce side, filmed from a court-level front angle. His shoulders load with a deep turn relative to his hips, creating a pronounced trunk coil that then uncoils sequentially from hips to shoulders into the contact zone.
3.2s
FH Wide Cross Court · Court-level-front #2 Carlos Moya's forehand from a wide position on the court, filmed from a court_level front angle. His semi-western grip is evident in the closed racket face, with noticeable wrist lag on the takeback that unwinds into a strong pronation through contact.
3.4s
FH Wide Cross Court · Court-level-front #3 Carlos Moya's forehand from a wide position on the court, filmed from a court_level front angle. His footwork shows a quick adjustment step out to the ball followed by an open stance loading on the outside leg before rotating through the shot.
2.7s
FH Wide Down The Line · Court-level-front Carlos Moya's wide forehand from the Deuce side, filmed from a court-level front angle. His racket contacts the ball slightly in front of his lead hip with a closed face and a steep low-to-high swing path, producing heavy topspin with noticeable racket head acceleration through contact.
2.9s
FH · Arm-action · Court-level-rear Carlos Moya's forehand from the center of the court, filmed from a court-level rear angle. His follow-through wraps high over his shoulder with the non-hitting arm staying back for counterbalance before he recovers into a neutral ready position.
2.2s
FH Running · Court-level-rear Carlos Moya's running forehand from a neutral court position, filmed from a court-level rear angle. His follow-through wraps high over his shoulder while his weight continues moving toward the baseline center, and his non-hitting hand quickly returns in front of his body to help him recover into a ready position.
2.6s
FH Wide · Court-level-rear Carlos Moya's wide forehand from the middle of the court, filmed from a rear court-level angle. His follow-through finishes high over his shoulder with his non-hitting hand extending back for balance as he recovers toward a neutral ready position.
3s
FH · Arm-action · Court-level-side #1 Carlos Moya's forehand from the middle of the court, filmed from a court-level side angle. His semi-western grip is evident with the racket face closed and a pronounced wrist lag that unwinds into a strong pronation through contact.
2.5s
FH · Arm-action · Court-level-side #2 Carlos Moya's forehand from the baseline, filmed from a court-level side angle. His shoulders rotate well past perpendicular to the net on the unit turn before the trunk uncoils in sequence, with the hitting-side shoulder finishing high and around his body.
2.7s
FH · Arm-action · Court-level-side #3 Carlos Moya's forehand from the baseline, filmed from a court-level side angle. His shoulders turn well past perpendicular to the net before contact, then the trunk uncoils ahead of the arm swing, making the delayed shoulder rotation and torso-driven kinetic chain easy to distinguish.
2.3s
FH · Arm-action · Court-level-side #4 Carlos Moya's forehand from the middle of the court, filmed from a court-level side angle. His hips load in a closed position with a deep knee bend, then drive upward and unwind aggressively through contact, clearly showing strong leg push-off into the shot.
2.3s
FH · Arm-action · Court-level-side #5 Carlos Moya's forehand from the center of the court, filmed from a court-level side angle. His follow-through wraps high over his shoulder with the non-hitting arm tucking in toward his body, and he quickly re-centers his stance to recover into a ready position.
2.7s
FH · Arm-action · Court-level-side #6 Carlos Moya's forehand from the center of the court, filmed from a court-level side angle. His racket drops well below the ball before contact, with a closed racket face and a steep low-to-high swing path that produces heavy topspin at a contact point around waist height.
2.1s
FH · Arm-action · Court-level-side #7 Carlos Moya's forehand from the center of the baseline, filmed from a court level side angle. His hips load with a pronounced coil while his knees bend deeply, and you can clearly see the legs driving up and through the shot as the hips uncoil into contact.
2.9s
FH Center · Court-level-side #1 Carlos Moya's forehand from the center of the court, filmed from a court-level side angle. After contact, his follow-through wraps high over his shoulder while his weight drives forward into the court, leaving him quickly reloading his feet into a neutral ready position.
2.5s
FH Center · Court-level-side #2 Carlos Moya's forehand from the center of the court, filmed from a court-level side angle. His semi-western grip is clear, with pronounced wrist lag on the take-back that unwinds into a strong pronation through contact.
2.3s
FH Center · Court-level-side #3 Carlos Moya's forehand from the center of the court, filmed from a court-level side angle. His shoulders rotate well past perpendicular to the net on the unit turn, with a clearly visible trunk coil that uncoils ahead of the arm swing in a smooth kinetic chain.
2.5s
FH Center · Court-level-side #4 Carlos Moya's forehand from the center of the court, filmed from a court-level side angle. At contact his racket face is slightly closed with the ball meeting the strings around waist to chest height, and the racket head accelerates steeply upward along a low-to-high path to impart heavy topspin.
3.5s
FH Center · Court-level-side #5 Carlos Moya's forehand from the center of the court, filmed from a court-level side angle. After contact his follow-through finishes high across his body while his weight continues moving into the court, and he quickly brings both hands back toward the racket to reset into a ready position.
2.6s
FH Center · Court-level-side #6 Carlos Moya's forehand from the center of the court, filmed from a court-level side angle. After contact his follow-through wraps high across his body while his weight continues moving into the court, and he quickly brings both hands back toward the racket to recover into a ready position.
2.8s
FH Half Volley · Court-level-side #1 Carlos Moya's forehand half-volley from a neutral position, filmed from court_level_side. His semi-western grip is evident with the racket face slightly closed, and the limited wrist hinge stays firm through contact to control the low incoming ball.
2.6s
FH Half Volley · Court-level-side #2 Carlos Moya's forehand half-volley from the court level side, filmed from a side angle. The racket face is slightly closed at contact with the ball meeting the strings just in front of his lead hip at a low height, and the compact swing path keeps racket head speed controlled through the short bounce.
3.1s
FH Half Volley · Court-level-side #3 Carlos Moya's forehand half-volley from the middle of the court, filmed from a court-level side angle. His follow-through stays compact with the racquet finishing around hip height as he quickly brings both hands back toward the center line to recover into a ready position.
2.1s
FH Inside In · Court-level-side #1 Carlos Moya's forehand InsideIn from the center of the court, filmed from a court_level_side angle. His open stance is clear as he plants his outside foot, then uses small adjustment steps to load on the right leg before uncoiling into the shot and recovering along the baseline.
3.6s
FH Inside In · Court-level-side #2 Carlos Moya's forehand InsideIn from the center of the court, filmed from a court_level_side angle. His hips stay closed during the initial unit turn, then unwind aggressively as his legs drive upward from a deep knee bend to transfer force through the shot.
3.2s
FH Inside In · Court-level-side #3 Carlos Moya's forehand InsideIn from the Deuce side, filmed from court_level_side. His follow-through wraps high over his shoulder with his weight transferring into the court, and he quickly resets his feet into a neutral ready position for the next shot.
2.7s
FH Inside In · Court-level-side #4 Carlos Moya's forehand InsideIn from the center of the court, filmed from a court_level_side angle. His footwork features a quick adjustment hop into a semi-open stance, followed by a pronounced pivot on the outside leg that sets up efficient recovery steps back toward the middle.
2.1s
FH Inside Out · Court-level-side #1 Carlos Moya's forehand InsideOut from the center of the court, filmed from a court_level_side angle. His open stance is clear as he plants his outside leg firmly before rotating through the shot, then uses small adjustment steps to recover back toward his ready position.
2.1s
FH Inside Out · Court-level-side #2 Carlos Moya's forehand InsideOut from the Deuce side, filmed from court_level_side. His hips stay closed during the unit turn and then rotate aggressively into the court as his legs drive upward from a deep knee bend on the outside leg.
2.1s
FH Inside Out · Court-level-side #3 Carlos Moya's forehand from the center of the court, filmed from a court-level side angle. His hips stay closed during the unit turn before driving open through contact, with a deep knee bend and strong upward leg drive clearly visible from the side.
2.6s
FH Inside Out · Court-level-side #5 Carlos Moya's forehand InsideOut from the center of the court, filmed from a court_level_side angle. His semi-western grip is evident with pronounced wrist lag on the takeback that unwinds into a strong pronation through contact.
2.4s
FH Inside Out · Court-level-side #6 Carlos Moya's forehand InsideOut from the center of the court, filmed from a court_level_side angle. He sets up in a strong neutral stance after a small adjustment shuffle, then uses a pronounced pivot on his right leg to load before driving into the shot and taking a couple of quick recovery steps back toward the middle.
2.9s
FH Inside Out · Court-level-side #7 Carlos Moya's forehand from the middle of the court, filmed from a court-level side angle. His hips load in a closed position with a pronounced knee bend before driving up and unwinding into contact, showing strong leg drive through the shot.
2.8s
FH Inside Out · Court-level-side #8 Carlos Moya's forehand InsideOut from the center of the court, filmed from a court_level_side angle. His semi-western grip is evident with a pronounced wrist lag on the take-back that unwinds into a strong pronation through contact.
3.2s
FH Moves Back · Court-level-side #1 Carlos Moya's forehand while moving back from a neutral baseline position, filmed from a court-level side angle. His footwork includes a quick adjustment step backward into an open stance, followed by a strong push off the outside leg to recover toward the center of the court.
2.8s
FH Moves Back · Court-level-side #2 Carlos Moya's forehand while moving back from a neutral position, filmed from court-level side. His shoulders coil well past 90 degrees relative to the net and the trunk uncoils sequentially ahead of the arm, making the upper body rotation easy to track from this side angle.
2.3s
FH Moves Back · Court-level-side #3 Carlos Moya's forehand while moving back from a neutral court position, filmed from a court-level side angle. His semi-western grip is evident in the closed racket face, with noticeable wrist lag that releases into a late pronation through contact.
2.9s
FH Moves Back · Court-level-side #4 Carlos Moya's forehand while moving back from a neutral position, filmed from a court-level side angle. His shoulders and trunk coil deeply away from the net before contact, then uncoil in a clear sequence from hips to shoulders that finishes with a pronounced upper-body rotation toward the target.
2.4s
FH Moves Back · Court-level-side #5 Carlos Moya's forehand while moving back from a neutral position, filmed from a court-level side angle. His follow-through finishes high with the non-hitting arm extending back for counterbalance before he recovers into a ready stance.
3.1s
FH Running · Court-level-side #1 Carlos Moya's forehand on the run from a neutral court position, filmed from a court-level side angle. His hips stay low with a pronounced knee bend before driving off the outside leg, creating strong hip rotation into contact even while moving laterally.
3.3s
FH Running · Court-level-side #2 Carlos Moya's running forehand from the deuce side, filmed from a court-level side angle. His shoulders rotate well past perpendicular to the net on the unit turn, then uncoil in sync with a pronounced trunk rotation that continues through contact into the follow-through.
2.8s
FH Running · Court-level-side #3 Carlos Moya's running forehand from the middle of the court, filmed from a court-level side angle. The racket face is slightly closed at a contact point around waist to chest height, with a steep low-to-high swing path that produces heavy topspin and visible racket head acceleration through the ball.
2.1s
FH Running · Court-level-side #4 Carlos Moya's forehand on the run from a neutral court position, filmed from a court-level side angle. His semi-western grip is evident with a pronounced wrist lag on the take-back that unwinds into strong pronation through contact.
2.8s
FH Short · Court-level-side #1 Carlos Moya's forehand from the short court, filmed from a court-level side angle. His hips load with a noticeable coil before uncoiling into contact, and his knees stay deeply flexed to drive up through the legs on this shorter, more compact swing.
2.9s
FH Short · Court-level-side #2 Carlos Moya's forehand from the short court, filmed from a court-level side angle. His semi-western grip and relaxed wrist lag are clearly visible before he whips the racket through with a pronounced wrist snap at contact.
2.4s
FH Short · Court-level-side #3 Carlos Moya's forehand from the short court, filmed from a court-level side angle. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils ahead of the arm swing, making the sequential shoulder and torso rotation easy to distinguish.
3s
FH Short · Court-level-side #4 Carlos Moya's forehand from the short court, filmed from a court-level side angle. His footwork features a compact adjustment step into an open stance, followed by a quick recovery shuffle back toward his ready position.
2.8s
FH Short · Court-level-side #5 Carlos Moya's forehand from the short court, filmed from a court-level side angle. His follow-through wraps high over his shoulder with his non-hitting hand extending back for balance before he recovers into a compact ready position.
2.6s
FH Short · Court-level-side #6 Carlos Moya's forehand from the short court, filmed from a court-level side angle. His footwork features a quick split-step into a semi-open stance, with small adjustment steps to position his body behind the ball before rotating into the shot.
2.6s
FH Short · Court-level-side #7 Carlos Moya's forehand from the short court, filmed from a court-level side angle. His legs load with a deep knee bend and strong hip rotation into the shot, with the rear hip driving forward as he uncoils through contact.
3.1s
FH Short · Court-level-side #8 Carlos Moya's forehand from the middle of the court, filmed from a court-level side angle. His deep knee bend and strong leg drive into the shot are clearly visible as his hips rotate aggressively through contact while staying low to the clay.
2.4s
FH Short Down The Line · Court-level-side Carlos Moya's forehand short down the line from the deuce side, filmed from a court level side angle. His footwork features a quick adjustment shuffle into a semi-open stance, with a pronounced load on the outside leg before a strong pivot and recovery step back toward the center.
3.1s
FH Wide · Court-level-side #1 Carlos Moya's forehand from the deuce side, filmed from a court-level side angle. His semi-western grip is evident with the racquet laid back and strong wrist lag before contact, followed by a pronounced wrist pronation through the ball.
2.4s
FH Wide · Court-level-side #2 Carlos Moya's forehand wide from the deuce side, filmed from court_level_side. His shoulders rotate well past perpendicular to the baseline on the unit turn, then the trunk uncoils ahead of the arm to drive the racket through the contact zone.
2.7s
FH Wide · Court-level-side #3 Carlos Moya's wide forehand from the Deuce side, filmed from a court-level side angle. After contact his follow-through wraps high over his shoulder while his weight continues moving toward the sideline before he re-loads the racket into a neutral ready position.
3.2s
FH Wide · Court-level-side #4 Carlos Moya's wide forehand from the deuce side, filmed from a court-level side angle. His hips stay closed during the initial unit turn, then rotate explosively through contact as his knees drive upward from a deep bend to push him out toward the wide ball.
3.3s
FH Wide · Court-level-side #5 Carlos Moya's wide forehand from the deuce side, filmed from a court-level side angle. His feet plant in a strong open stance as he loads on the outside leg, then he uses a small recovery shuffle back toward the center after contact.
2.7s
FH Wide · Court-level-side #6 Carlos Moya's wide forehand from the deuce side, filmed from a court-level side angle. His shoulders turn well past 90 degrees relative to the baseline, creating a pronounced trunk coil that uncoils sequentially from hips to shoulders just before contact.
2.6s
FH Center · Front #1 Carlos Moya's forehand from the center of the court, filmed from the front. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils ahead of the arm so the racket lags and whips through contact.
2.6s
FH Center · Front #2 Carlos Moya's forehand from the center of the court, filmed from the front. After contact his follow-through finishes high across his body while his weight continues moving into the court, and he quickly brings both hands back toward the racket handle to re-establish a ready position.
2.4s
FH Center · Front #3 Carlos Moya's forehand from the center of the court, filmed from the front. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward on a low-to-high path to impart heavy topspin.
3.3s
FH Center · Front · Neutral Carlos Moya's forehand from the center in a neutral stance, filmed from the front. His hips stay relatively closed during the unit turn before uncoiling through contact, with a noticeable knee bend and upward leg drive that lifts his body into the shot.
2.6s
FH Inside In · Front #1 Carlos Moya's forehand InsideIn from the center of the court, filmed from the front. At contact his racket face is slightly closed with the ball struck around waist to chest height, and the racket head accelerates steeply upward on a low-to-high path to produce heavy topspin.
2.9s
FH Inside In · Front #2 Carlos Moya's forehand InsideIn from the center of the court, filmed from the front. His shoulders and trunk load with a pronounced coil against the hips, then uncoil in sequence so the chest rotates square to the net shortly after contact.
1.9s
FH Inside In · Front #3 Carlos Moya's forehand InsideIn from the center of the court, filmed from the front. His hips load in a closed position with a deep knee bend before driving upward and unwinding through contact, with the legs pushing strongly off the ground.
3.2s
FH Inside In · Front #4 Carlos Moya's forehand InsideIn from the center of the court, filmed from a front angle. His semi-western grip is evident with the racket hand positioned well under the handle, and you can see pronounced wrist lag before contact followed by a sharp wrist snap up the back of the ball.
2.9s
FH Inside Out · Front #1 Carlos Moya's forehand InsideOut from the center court position, filmed from the front. At contact his racket face is slightly closed with the ball meeting the strings around waist to chest height, and the racket head accelerates steeply upward along a low-to-high swing path.
2.7s
FH Inside Out · Front #2 Carlos Moya's forehand InsideOut from the center of the court, filmed from a front angle. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward on a low-to-high path for heavy topspin.
2.4s
FH Inside Out · Front #3 Carlos Moya's forehand InsideOut from the center court position, filmed from the front. His follow-through finishes high across his body with the non-hitting hand extending back for counterbalance before he regroups into a neutral ready position.
3.8s
FH Inside Out · Front #4 Carlos Moya's inside-out forehand from the center of the court, filmed from the front. His shoulders and trunk coil deeply against the hips before uncoiling in sequence, with the front shoulder pulling back and the chest rotating aggressively toward the target through contact.
3.3s
FH Lob · Front #1 Carlos Moya's forehand lob from the center of the court, filmed from the front. After contact his follow-through finishes high over his shoulder while his weight shifts slightly backward, and he quickly regains a neutral ready position with both hands on the racquet.
2.5s
FH Lob · Front #2 Carlos Moya's forehand lob from the center of the court, filmed from the front. The racket face is noticeably open at contact with the ball struck well above shoulder height, and the upward swing path is clearly visible as the racket head accelerates steeply toward the sky.
3.9s
FH Moves Back · Front #1 Carlos Moya's forehand from the center while moving back, filmed from the front. His hips stay relatively closed as he retreats, with a noticeable knee bend and upward leg drive as he plants and pushes into the ball.
3.2s
FH Moves Back · Front #2 Carlos Moya's forehand while moving back from a neutral position, filmed from the front. At contact, his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward to impart heavy topspin.
2.2s
FH Running Cross Court · Front Carlos Moya's running cross-court forehand from the center, filmed from the front. His semi-western grip and relaxed wrist create noticeable lag on the racquet head before a sharp wrist release through contact.
2.6s
FH Running · Front #1 Carlos Moya's running forehand from the center of the court, filmed from the front. His shoulders rotate well past perpendicular to the net on the unit turn, then uncoil in sync with a pronounced trunk rotation that continues through contact into the follow-through.
3.6s
FH Running · Front #2 Carlos Moya's running forehand from the front court position, filmed from a front angle. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils aggressively ahead of the arm to drive the racket through the ball.
3.2s
FH Running · Front #3 Carlos Moya's running forehand from the center of the court, filmed from the front. His footwork features a quick split step into long lateral strides and a semi-open stance, followed by a pronounced recovery step that readies him to move back toward the middle.
3.3s
FH Running · Front #4 Carlos Moya's running forehand from the center of the court, filmed from the front. His quick adjustment steps into an open stance and the crossover recovery step back toward the middle are clearly visible from this angle.
2.9s
FH Short Down The Line · Front #1 Carlos Moya's forehand from the center of the court, hit short down the line, filmed from the front. At contact his racket face is slightly closed with the ball meeting the strings around waist to chest height, and the racket head accelerates steeply upward to impart heavy topspin.
3.4s
FH Short Down The Line · Front #2 Carlos Moya's forehand from the center of the court, filmed from the front. After contact he finishes with a high, whippy follow-through and quickly brings both hands back toward his torso as he regains a neutral ready position.
4.7s
FH Short · Front #1 Carlos Moya's forehand from the middle of the court, filmed from the front. After contact his follow-through finishes high across his body while his weight moves forward and he quickly re-centers his stance into a ready position with both hands back on the racquet.
2.4s
FH Short · Front #2 Carlos Moya's forehand from the center court position, filmed from a front angle. His shoulders and trunk coil strongly away from the target before uncoiling in sequence, with a pronounced rotation of the torso leading the arm through contact.
3.7s
FH Wide Down The Line · Front Carlos Moya's wide forehand from the center, filmed from the front. His hips stay relatively closed through the loading phase with a deep knee bend, then drive up and around as his legs extend into the shot.
2.9s
FH Center · Front · Neutral Moya's forehand from the center of the court in a neutral stance, filmed from the front. His follow-through finishes high across his body with the non-hitting hand extending back for counterbalance before he returns to a ready position.
2.4s
FH Center · Front · Open #1 Moya's forehand from the center in an open stance, filmed from the front. His semi-western grip is clear from the racket face angle, and you can see a pronounced wrist lag that unwinds into a strong pronation through contact.
2.9s
FH Center · Front · Open #2 Moya's forehand from the center of the court, filmed from the front. His open stance is clear as he plants his outside foot, loads on the right leg, and uses a small recovery hop to reset toward the center after contact.
3.9s
FH Center · Front · Open #3 Moya's forehand from the center of the court in an open stance, filmed from the front. The racket face is slightly closed at a contact point around waist height, with the racket head accelerating steeply upward along the inside-out swing path.
2.7s
FH Inside In · Front #1 Carlos Moya's forehand InsideIn from the middle of the court, filmed from the front. His follow-through finishes high across his body while his non-hitting hand extends back for balance before he quickly resets into a ready position.
3s
FH Inside In · Front #2 Moya's forehand InsideIn from the center of the court, filmed from the front. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward through the hitting zone.
2.3s
FH Inside In · Front #3 Moya's forehand InsideIn from the middle of the court, filmed from the front. His split-step into a semi-open stance is followed by a quick pivot and cross-step recovery back toward the center baseline.
2.6s
FH Inside In · Front #4 Moya's forehand InsideIn from the center of the court, filmed from the front. His shoulders load with a pronounced unit turn before contact, then the trunk uncoils ahead of the arm to drive the racquet through the InsideIn line.
2.5s
FH Inside In · Front #5 Moya's forehand InsideIn from the center of the court, filmed from the front. His follow-through finishes high across his body while his non-hitting hand quickly returns to a neutral position as he recovers toward the center.
2.1s
FH Inside In · Front #6 Moya's forehand InsideIn from the center of the court, filmed from the front. His hips stay closed during the unit turn, then rotate aggressively toward the target as his legs drive up from a deep knee bend.
2.5s
FH Inside In · Front #7 Moya's forehand InsideIn from the center of the baseline, filmed from the front. His feet load in a wide semi-open stance before he drives forward, then he takes a small crossover recovery step back toward the middle after contact.
5s
FH Inside Out · Front #1 Moya's forehand InsideOut from the center of the baseline, filmed from the front. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils ahead of the arm to drive the racket through contact.
3.2s
FH Inside Out · Front #2 Moya's forehand InsideOut from the center of the court, filmed from the front. His semi-western grip is clear with the racket face closed slightly at the wrist, which stays laid back through the swing before releasing just after contact.
2.3s
FH Inside Out · Front #3 Moya's forehand InsideOut from the center of the court, filmed from the front. His hips stay closed during the unit turn and then drive aggressively into an open position as his legs push up and forward through contact.
4.4s
FH Inside Out · Front #4 Moya's forehand InsideOut from the center of the court, filmed from the front. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils ahead of the arm to drive the racket through the InsideOut line.
2.6s
FH Moves Back · Front #1 Moya's forehand while moving back from the center of the court, filmed from the front. His follow-through finishes high across his body as his weight stays mostly on the back foot before he quickly resets the non-hitting hand into a ready position.
3.7s
FH Moves Back · Front #2 Moya's forehand while moving back from a neutral court position, filmed from the front. His shoulders turn significantly beyond his hips on the unit turn, then the trunk uncoils ahead of the arm swing, making the upper body rotation easy to see from this angle.
4.7s
FH Moves Back · Front #3 Moya's forehand while moving back from the center of the baseline, filmed from the front. His semi-western grip is evident in the closed racket face on the takeback, with a clear wrist lag maintained before uncoiling into contact.
2.6s
FH Running · Front #1 Moya's running forehand from the Deuce side, filmed from the front. His hips stay relatively closed as he sprints forward, with a pronounced knee bend on the outside leg that drives him into the contact.
3s
FH Running · Front #2 Moya's running forehand from the center, filmed from the front. His follow-through finishes high across his body as he continues moving forward, with his non-hitting hand extending back to aid balance before he resets into a ready position.
2.5s
FH Running · Front #3 Moya's running forehand from the center of the court, filmed from the front. His follow-through finishes high across his body while his weight continues moving forward, and he quickly brings both hands back to a neutral ready position after contact.
3.3s
FH Running · Front #4 Moya's running forehand from the deuce side, filmed from the front. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward along a low-to-high path.
2.7s
FH Running · Front #5 Moya's running forehand from the deuce side, filmed from the front. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils aggressively with the chest finishing fully rotated toward the target.
2.8s
FH Running · Front #6 Moya's running forehand from the center, filmed from the front. His shoulders turn significantly away from the net on the unit turn, then uncoil ahead of the hips with a noticeable trunk rotation driving the forward swing.
3.1s
FH Short · Front Moya's forehand from the center of the court, filmed from the front. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward along a low-to-high swing path.
2.8s
FH Wide · Front · Open #1 Moya's forehand from a wide ball on the deuce side in an open stance, filmed from the front. His shoulders turn significantly away from the net before contact and then uncoil in sync with his trunk, making the chest clearly rotate through toward the target.
2.6s
FH Wide · Front · Open #2 Moya's forehand from a wide position on the deuce side, filmed from the front. His follow-through finishes high across his body while his non-hitting hand extends back to help him recover quickly toward the center of the court.
2.7s
FH Wide · Front · Open #3 Moya's forehand from a wide position on the deuce side, filmed from the front. His open stance features strong external hip rotation with a deep load on the outside leg before he drives laterally into the ball.
2.6s
FH Wide · Front · Open #4 Moya's forehand from the center of the baseline, filmed from the front. He uses an open stance with a wide base, planting his outside foot early and using small adjustment steps to reach the wide ball before rotating into contact.
3s
FH Wide · Front · Open #5 Moya's wide forehand from the center moving to the Deuce side, filmed from the front. He plants in a strong open stance with his outside leg loading as he pushes laterally, then uses a quick recovery step to start moving back toward the middle.
3.2s
FH Wide · Front · Open #6 Moya's forehand from a wide ball in the Ad court, filmed from the front. His semi-western grip is evident with the racket face closed and a pronounced wrist lag maintained well into the forward swing before uncoiling toward contact.
2.6s
FH Wide · Front · Open #7 Moya's wide forehand from the deuce side in an open stance, filmed from the front. His shoulders close significantly relative to his hips on the unit turn, then the trunk uncoils ahead of the arm swing, with the lead shoulder driving across the body toward contact.
3s
FH Wide · Front · Open #8 Moya's forehand from a wide ball on the deuce side, filmed from the front. His hips stay noticeably open to the net as his outside leg loads with a deep knee bend before driving into the shot.
3.1s
FH Center · Rear · Neutral Carlos Moya's forehand from the center of the court in a neutral stance, filmed from a rear angle. The racket meets the ball slightly in front of his lead hip with a closed racket face and a steep low-to-high swing path that accentuates heavy topspin.
2.9s
FH Center · Rear · Open Carlos Moya's forehand from the center of the court in an open stance, filmed from a rear angle. His semi-western grip is evident in the strong wrist lag on the takeback and the pronounced pronation of the wrist through contact to produce heavy topspin.
2s
FH Center · Rear #1 Carlos Moya's forehand from the center of the court, filmed from a rear angle. His shoulders rotate well past perpendicular to the net on the backswing, creating a pronounced trunk coil that uncoils sequentially from hips to shoulders through contact.
3s
FH Center · Rear #2 Carlos Moya's forehand from the center of the court, filmed from a rear angle. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward on a low-to-high path to impart heavy topspin.
2.6s
FH Inside In · Rear #1 Carlos Moya's forehand InsideIn from the center of the court, filmed from a rear angle. His follow-through wraps high over his shoulder with his non-hitting hand extending back for counterbalance before he recovers into a ready position.
3.2s
FH Inside In · Rear #2 Carlos Moya's forehand Inside-In from the center of the court, filmed from a rear angle. His hips stay closed through the unit turn with a deep knee bend, then drive explosively upward and into the court as his legs extend through contact.
2.3s
FH Inside In · Rear #3 Carlos Moya's forehand InsideIn from the center court position, filmed from a rear angle. His footwork features a small adjustment hop into an open stance before contact, followed by a pronounced crossover recovery step back toward the middle.
3.3s
FH Inside In · Rear #4 Carlos Moya's inside-in forehand from the rear court, filmed from a rear angle. His shoulders rotate well past perpendicular to the baseline on the unit turn, then his trunk uncoils aggressively ahead of the arm swing, showing clear separation between hip and shoulder rotation.
3.5s
FH Inside In · Rear #5 Carlos Moya's forehand InsideIn from the center of the court, filmed from a rear angle. His contact point is well in front of his body with the racket face slightly closed and a steep low-to-high swing path indicating heavy topspin.
2.4s
FH Inside In · Rear #6 Carlos Moya's forehand hit Inside-In from the center of the court, filmed from a rear angle. His semi-western grip is evident in the strong wrist lag on the takeback that unwinds into a pronounced wrist pronation through contact.
2.7s
FH Inside In · Rear #7 Carlos Moya's forehand Inside-In from the center of the court, filmed from a rear angle. His semi-western grip is evident in the strong wrist lag on the takeback that unwinds into a pronounced upward wrist snap at contact.
3.1s
FH Inside Out · Rear #1 Carlos Moya's inside-out forehand from the middle of the court, filmed from a rear angle. His shoulders rotate well past perpendicular to the baseline on the unit turn, with a pronounced trunk coil that uncoils sequentially from hips to shoulders into contact.
2.5s
FH Inside Out · Rear #2 Carlos Moya's forehand InsideOut from the center of the court, filmed from a rear angle. His footwork uses a quick adjustment hop into an open stance, followed by a strong pivot and crossover recovery step back toward the middle.
2.9s
FH Inside Out · Rear #3 Carlos Moya's forehand InsideOut from the center of the court, filmed from a rear angle. After contact his follow-through wraps high over his hitting shoulder while his non-hitting hand extends back for balance before he recovers to a neutral ready position.
3.3s
FH Inside Out · Rear #4 Carlos Moya's forehand InsideOut from the Rear, filmed from a rear angle. His hips load in a closed position with a deep knee bend before uncoiling into the shot, and his legs drive upward and forward to help rotate his torso through contact.
2.8s
FH Moves Back · Rear Carlos Moya's forehand while moving back from a neutral baseline position, filmed from the rear. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward to impart heavy topspin.
3s
FH Running Cross Court · Rear Carlos Moya's running forehand from the center on a cross-court ball, filmed from a rear angle. His semi-western grip is evident in the closed racquet face, with pronounced wrist lag on the forward swing before a strong upward snap through contact.
2.3s
FH Running Down The Line · Rear Carlos Moya's running forehand down the line from the deuce side, filmed from a rear angle. At contact his racket face is slightly closed with the ball struck around waist height, and the upward, low-to-high swing path produces heavy topspin with noticeable racket head acceleration through the hitting zone.
3s
FH Running · Rear Carlos Moya's running forehand from the center of the court, filmed from a rear angle. His footwork includes a quick adjustment shuffle into an open stance followed by strong recovery steps back toward the middle after contact.
2.7s
FH Short Down The Line · Rear Carlos Moya's forehand from the center of the court, hit short down the line, filmed from a rear angle. His semi-western grip is evident in the way his wrist lags heavily on the takeback before uncoiling into a pronounced upward snap through contact.
3.3s
FH Short · Rear Carlos Moya's forehand from the center of the court, filmed from a rear angle. His shoulders rotate well past perpendicular to the baseline on the backswing, then uncoil in sync with his hips so the trunk leads the arm into contact.
3.3s
FH Wide · Rear Carlos Moya's forehand from a wide position, filmed from the rear. His footwork features a quick adjustment step out toward the sideline followed by an open-stance setup, with a pronounced recovery step back toward the center after contact.
2.5s
FH · Arm-action · Side #1 Carlos Moya's forehand from a neutral position, filmed from the side. His shoulders load with a pronounced trunk coil before uncoiling in sequence from hips to shoulders, making the degree of upper-body rotation and timing of the shoulder turn especially clear.
2s
FH · Arm-action · Side #2 Carlos Moya's forehand from a central baseline position, filmed from the side. His footwork features a small adjustment hop into a semi-open stance, with a pronounced weight transfer from the back leg to the front leg as he rotates into the shot.
3.7s
FH · Arm-action · Side #4 Carlos Moya's forehand from the center of the baseline, filmed from the side. His footwork includes a small adjustment hop into a semi-open stance, with his outside leg loading before he steps through the court on the follow-through.
3.5s
FH · Arm-action · Side #5 Carlos Moya's forehand from the center of the baseline, filmed from the side. At contact his racket face is slightly closed with the ball struck around waist height, and you can clearly see the racket head accelerating upward on a steep low-to-high path.
3s
FH Center · Side · Open Carlos Moya's forehand from the center of the court in an open stance, filmed from the side. From this angle, his semi-western grip and pronounced wrist lag are evident as the racket head trails behind before a strong pronation through contact.
3.1s
FH Center · Side #1 Carlos Moya's forehand from the center of the court, filmed from the side. His hips load in a closed position with a deep knee bend, then uncoil as his legs drive upward and forward through contact.
2.7s
FH Center · Side #2 Carlos Moya's forehand from the center of the baseline, filmed from the side. His feet set into a strong open stance after a small adjustment step, with a clear weight transfer from the back leg to the front as he uncoils into the shot.
2.4s
FH Center · Side #3 Carlos Moya's forehand from the center of the court, filmed from the side. His footwork features a small hop into a split-step before setting into a semi-open stance, with a pronounced weight transfer from the back leg as he rotates through the shot.
2.6s
FH Inside In · Side #1 Carlos Moya's forehand Inside-In from the Deuce court, filmed from the side. His hips stay closed during the unit turn, then unwind aggressively as his legs drive up from a deep knee bend into contact.
2.4s
FH Inside In · Side #2 Carlos Moya's forehand InsideIn from the Deuce side, filmed from the side. The racket face is slightly closed at a contact point around waist to chest height, with a steep low-to-high swing path producing heavy topspin and notable racket head acceleration through the ball.
3s
FH Inside Out · Side #1 Carlos Moya's forehand InsideOut from the Deuce side, filmed from the Side. From this angle you can clearly see his semi-western grip with a pronounced wrist lag that unwinds into a strong pronation through contact.
3.2s
FH Inside Out · Side #2 Carlos Moya's forehand InsideOut from the center of the baseline, filmed from the side. At contact his racket face is slightly closed with the ball meeting the strings just above net height, and the racket head accelerates steeply upward along a low-to-high path to impart heavy topspin.
2.7s
FH Inside Out · Side #3 Carlos Moya's forehand InsideOut from the Deuce side, filmed from the Side. His shoulders rotate well past 90 degrees relative to the baseline before uncoiling, with the trunk clearly leading the forward swing before the arm whips through.
2.9s
FH Moves Back · Side #1 Carlos Moya's forehand while moving back from a neutral court position, filmed from the side. His footwork features small adjustment hops as he retreats and sets up in a semi-open stance, with a clear loading on the outside leg before rotating into the shot.
2.5s
FH Moves Back · Side #2 Carlos Moya's forehand while moving back from a neutral position, filmed from the side. His follow-through wraps high over his shoulder as his weight transfers slightly backward, and he quickly resets his stance with both hands coming back toward the racket in a compact ready position.
2.6s
FH Moves Back · Side #3 Carlos Moya's forehand while moving back from a neutral baseline position, filmed from the side. His semi-western grip is evident in the strong wrist lag on the takeback and the pronounced upward wrist release through contact to impart heavy topspin.
3.1s
FH Moves Back · Side #4 Carlos Moya's forehand while moving back from a neutral court position, filmed from the side. His hips stay closed as he retreats, with a deep knee bend and strong rear-leg load before driving up through contact.
3s
FH Moves Back · Side #5 Carlos Moya's forehand while moving back from a neutral position, filmed from the side. His semi-western grip is evident in the strong wrist lag on the takeback and the pronounced upward wrist release through contact to produce heavy topspin.
2.3s
FH Running · Side Carlos Moya's forehand on the run from a neutral court position, filmed from the side. His hips stay closed as he loads off the outside leg, with a deep knee bend and strong lateral push driving him into contact.
3.1s
FH Short · Side Carlos Moya's forehand from the middle of the court, filmed from the side. At contact his racket face is slightly closed with the ball meeting the strings around waist to chest height as the racket accelerates steeply upward for heavy topspin.
4.2s
Forehand · Arm-action #3 Carlos Moya's forehand from the center of the court, filmed from the side. His semi-western grip is evident in the strong wrist lag on the takeback that smoothly unwinds into a pronounced wrist pronation through contact.
2.6s
FH Wide Down The Line · Side Carlos Moya's wide forehand from the deuce court, filmed from the side. After contact his racket wraps high over his shoulder while his weight continues moving into the court, and he quickly brings both hands back toward a neutral ready position for the next shot.
3s
FH Wide · Side #1 Carlos Moya's wide forehand from the deuce side, filmed from the side. His hips stay closed during the unit turn and then unwind aggressively as his legs drive up from a deep knee bend into contact.
2.9s
FH Wide · Side #2 Carlos Moya's wide forehand from the deuce court, filmed from the side. His semi-western grip is evident with a pronounced wrist lag on the takeback that unwinds into a strong pronation through contact.
2.9s
BH Return 1st Serve · Ad · Court-level-front #1 Carlos Moya's first serve return from the Ad court, filmed from a court-level front angle. After contact he finishes with his weight moving into the court and his hands quickly resetting into a neutral ready position for the next shot.
4.3s
BH Return 2nd Serve · Ad · Court-level-front #2 Carlos Moya's second serve from the Ad court, filmed from a front court-level angle. At contact, his racket face is slightly tilted up with the ball struck just above head height, and the upward swing path creates a pronounced racket-head acceleration through the ball.
3.3s
BH Return 2nd Serve · Deuce · Court-level-front #1 Carlos Moya's second serve from the deuce side, filmed from a court-level front angle. His continental grip is clearly visible, with a relaxed wrist that pronates through contact to add spin rather than flat pace.
3.2s
BH Return 2nd Serve · Deuce · Court-level-front #2 Carlos Moya's second serve from the deuce court, filmed from a court-level front angle. After contact he lands balanced with his weight moving into the court, his tossing arm dropping quickly as he brings both hands together in front of his body to reset into a compact ready position.
3.7s
BH Return 2nd Serve · Deuce · Court-level-front #3 Carlos Moya's second serve from the deuce court, filmed from a court-level front angle. His shoulders stay relatively closed through the toss and initial knee bend, then the trunk uncoils sharply upward and into the court as the hitting shoulder rotates through contact.
3.3s
FH Return 1st Serve · Ad · Court-level-front #1 Carlos Moya's first serve from the Ad court, filmed from a court-level front angle. His shoulder line turns well past perpendicular to the baseline, with a pronounced trunk coil that uncoils sequentially from hips to shoulders as he drives up into the serve.
3s
FH Return 1st Serve · Deuce · Court-level-front #1 Carlos Moya's first serve from the deuce court, filmed from a court-level front angle. His legs load with a deep knee bend before driving upward, and his hips turn aggressively toward the court as he uncoils into the serve.
4.6s
FH Return 1st Serve · Deuce · Court-level-front #2 Carlos Moya's first serve from the deuce court, filmed from a court-level front angle. After contact he lands on his front foot with his torso uncoiling into the court, and his non-hitting arm drops back as he quickly regains a neutral ready position for the next ball.
4.3s
FH Return 2nd Serve · Ad · Court-level-front #1 Carlos Moya's second serve from the Ad side, filmed from a front court-level angle. At contact his racket face is slightly closed with the ball struck just above shoulder height, and the upward swing path indicates strong topspin being imparted on the serve.
2s
FH Return 2nd Serve · Ad · Court-level-front #2 Carlos Moya's second serve from the Ad court, filmed from a court-level front angle. His compact service motion is followed by a small hop into a neutral stance and a quick adjustment step that sets his feet to recover toward the center of the baseline.
2.8s
FH Return 2nd Serve · Deuce · Court-level-front #1 Carlos Moya's second serve from the deuce side, filmed from a court-level front angle. After contact he lands slightly inside the court with his weight moving forward, his non-hitting arm dropping to his side as he quickly brings both hands back to the racket in a compact ready position.
4.4s
FH Return 2nd Serve · Deuce · Court-level-front #2 Carlos Moya's second serve from the deuce side, filmed from a court-level front angle. His legs show a deep knee bend before the upward drive, with the hips staying relatively closed until just after contact as he pushes off the ground.
3.1s
FH Return 2nd Serve · Ad · Court-level-rear #2 Carlos Moya's second serve from the Ad court, filmed from a court-level rear angle. His continental grip is firm with a relaxed wrist that pronates smoothly through contact, making the wrist snap clearly visible from behind.
5.6s
FH Return 2nd Serve · Deuce · Court-level-rear #1 Carlos Moya's second serve from the deuce side, filmed from a court-level rear angle. From this angle you can clearly see his continental grip stay stable while his wrist pronates through contact to impart spin.
3s
FH Return 2nd Serve · Deuce · Court-level-rear #2 Carlos Moya's second serve from the deuce side, filmed from a court-level rear angle. At contact his racket face is slightly tilted upward with a brushing motion up the back of the ball, indicating a topspin-oriented serve struck just above head height.
2.4s
BH Return 1st Serve · Ad · Court-level-side #1 Carlos Moya's first serve from the Ad court, filmed from a court-level side angle. His shoulder line turns well past perpendicular to the baseline and the trunk coils deeply before uncoiling in sync with the upward leg drive, making the chest square to the net only after contact.
2.9s
BH Return 1st Serve · Ad · Court-level-side #2 Carlos Moya's first serve from the Ad side, filmed from a court-level side angle. His knees dip deeply before the upward drive, and you can clearly see his hips uncoil aggressively toward the court as the legs extend into the hit.
3.2s
BH Return 1st Serve · Ad · Court-level-side #3 Carlos Moya's first serve from the Ad court, filmed from a court-level side angle. His deep knee bend and strong upward leg drive into the court are clearly visible, with his hips uncoiling aggressively toward the target as he extends off the ground.
2.9s
BH Return 1st Serve · Deuce · Court-level-side #1 Carlos Moya's first serve from the deuce court, filmed from a court-level side angle. From this side view, you can clearly see his continental grip stay firm as his wrist pronates aggressively through contact, with a pronounced snap just after impact.
3s
BH Return 1st Serve · Deuce · Court-level-side #2 Carlos Moya's first serve from the deuce court, filmed from a court-level side angle. At contact his racket face is slightly tilted forward with the ball struck just above head height, and the racket head accelerates up and across his body along a pronounced upward swing path.
2.3s
BH Return 1st Serve · Deuce · Court-level-side #3 Carlos Moya's first serve from the deuce side, filmed from a court-level side angle. His hips stay closed through the knee bend and then drive up aggressively with strong leg extension into the court during the upward swing.
2.9s
BH Return 1st Serve · Deuce · Court-level-side #4 Carlos Moya's first serve return from the deuce court, filmed from a court-level side angle. His compact split step into a slightly open stance lets him load on the outside leg before driving diagonally forward to recover toward the center.
2.9s
BH Return 1st Serve · Deuce · Court-level-side #5 Carlos Moya's first serve from the deuce court, filmed from a court-level side angle. His shoulder line rotates substantially away from the court during the toss, creating a pronounced trunk coil that then uncoils sequentially from hips to shoulders into contact.
3s
BH Return 2nd Serve · Ad · Court-level-side #1 Carlos Moya's second serve from the Ad side, filmed from a court-level side angle. His hips stay relatively closed through the knee bend before driving up and into the court, with the rear leg pushing off to initiate upward extension.
3.7s
BH Return 2nd Serve · Ad · Court-level-side #2 Carlos Moya's second serve from the Ad court, filmed from a court-level side angle. At contact his racket face is slightly closed with the ball struck just above head height, and the upward brushing swing path creates noticeable topspin and kick.
2.6s
BH Return 2nd Serve · Ad · Court-level-side #3 Carlos Moya's second serve from the Ad court, filmed from a court-level side angle. His shoulder line turns noticeably away from the court before contact, with a pronounced trunk coil that unwinds sequentially from hips to shoulders into the hitting arm.
2.2s
BH Return 2nd Serve · Ad · Leg-kick · Court-level-side #2 Carlos Moya's second serve from the Ad court, filmed from a court-level side angle. His footwork includes a rhythmic leg kick into the trophy position, with a pronounced knee bend and upward drive off the front leg before landing slightly inside the baseline.
2.2s
BH Return 2nd Serve · Deuce · Court-level-side #1 Carlos Moya's second serve from the deuce side, filmed from a court-level side angle. His legs show a deep knee bend during the loading phase, with a strong upward leg drive that extends fully through contact, while his hips stay relatively closed until just after ball strike.
2.9s
BH Return 2nd Serve · Deuce · Court-level-side #2 Carlos Moya's second serve from the deuce court, filmed from a court-level side angle. At contact, the racket face is slightly closed with the ball struck just above head height, and you can see the upward brushing motion that increases racket head speed through the hit.
3.6s
BH Return 2nd Serve · Deuce · Court-level-side #3 Carlos Moya's second serve from the deuce side, filmed from a court-level side angle. His footwork includes a rhythmic rock onto the front foot before driving up into the serve, with a balanced landing on his left leg that sets up an efficient first recovery step toward the baseline.
3.7s
BH Return Slice 1st Serve · Ad · Court-level-side #1 Carlos Moya's first serve from the Ad side, filmed from a court-level side angle. His footwork includes a small front-foot adjustment into a platform stance before the toss, with a pronounced knee bend and upward drive that is clearly visible from the side.
2.9s
BH Return Slice 1st Serve · Ad · Court-level-side #2 Carlos Moya's first serve from the Ad side, filmed from a court-level side angle. At contact his racket face is slightly closed with the ball struck just above head height, and the racket head whips upward along a steep swing path for pronounced spin.
2.9s
FH Return 1st Serve · Ad · Court-level-side #1 Carlos Moya's first serve from the Ad side, filmed from a court-level side angle. After contact he drives his weight into the court and quickly brings his non-hitting arm back in front of his body to help him recover into a balanced ready position.
2.8s
FH Return 1st Serve · Ad · Court-level-side #2 Carlos Moya's first serve from the Ad side, filmed from a court-level side angle. His deep knee bend and strong upward leg drive into the court are clearly visible as his hips extend and rotate toward the target.
3.1s
FH Return 1st Serve · Deuce · Court-level-side #1 Carlos Moya's first serve from the deuce court, filmed from a court-level side angle. From this side view, you can clearly see his continental grip stay firm while his wrist pronates aggressively through contact to drive the serve.
3s
FH Return 1st Serve · Deuce · Court-level-side #2 Carlos Moya's first serve from the deuce court, filmed from a court-level side angle. At contact his racket face is slightly tilted forward with the ball struck just above head height, and the upward swing path creates visible racket head acceleration through the hitting zone.
4s
FH Return 2nd Serve · Ad · Court-level-side #2 Carlos Moya's second serve from the Ad side, filmed from a court-level side angle. After contact he lands on his front foot and quickly brings his non-hitting hand back to the racket throat as he recovers toward a neutral ready position on the baseline.
2.8s
FH Return 2nd Serve · Deuce · Court-level-side #2 Carlos Moya's second serve from the deuce court, filmed from a court-level side angle. His continental grip is clear with a relaxed hand, and you can see pronounced wrist pronation through contact as the racket accelerates up and across the ball.
2.6s
BH Return 1st Serve · Ad · Front #1 Carlos Moya's first serve from the Ad court, filmed from the front. After contact he lands on his front foot with his tossing arm dropping back as he quickly brings both hands together in front of his body to recover into a ready position.
2.5s
BH Return 1st Serve · Ad · Front #2 Carlos Moya's first serve from the Ad court, filmed from the front. His shoulder line rotates as a unit with the trunk during the trophy phase, then uncoils aggressively through contact with a pronounced chest rotation toward the target.
3.5s
BH Return 1st Serve · Ad · Front #3 Carlos Moya's first serve from the Ad side, filmed from the front. From this angle you can clearly see his continental grip stay firm as his wrist pronates aggressively through contact to drive the serve.
2s
BH Return 2nd Serve · Ad · Front #1 Carlos Moya's second serve from the Ad court, filmed from the front. After contact he lands balanced on his front foot and quickly brings both hands together in front of his body, transitioning into a compact ready position for the next shot.
1.8s
BH Return 2nd Serve · Ad · Front #2 Carlos Moya's second serve from the Ad court, filmed from the front. After contact he lands balanced on his front foot and quickly brings both hands back toward a compact ready position to recover for the next shot.
2.8s
BH Return 2nd Serve · Deuce · Front #1 Carlos Moya's second serve from the deuce side, filmed from the front. His continental grip is firm with a relaxed wrist that pronates clearly through contact, making the wrist snap easy to see from this angle.
3s
BH Return 2nd Serve · Deuce · Front #2 Carlos Moya's second serve from the deuce court, filmed from the front. His knees flex noticeably during the loading phase, and his hips drive upward and into the court as he pushes off the ground toward the ball.
2.7s
FH Return 1st Serve · Ad · Front #1 Carlos Moya's first serve from the Ad court, filmed from the front. His footwork includes a controlled pinpoint stance with the back foot drawing up to the front before the explosive upward drive, and a small hop into the court for recovery.
4.1s
FH Return 1st Serve · Deuce · Front #1 Carlos Moya's first serve from the deuce side, filmed from the front. His shoulder line rotates noticeably so that the front (left) shoulder points toward the net before uncoiling, with the trunk driving upward and forward in sequence before the arm whips through.
2.5s
FH Return 2nd Serve · Ad · Front #2 Carlos Moya's second serve from the Ad court, filmed from the front. His shoulder line turns slightly away from the target before contact, with a noticeable but compact trunk coil that uncoils upward through the toss to initiate the kinetic chain.
2.5s
BH Return 1st Serve · Ad · Front #1 Moya's first serve from the ad court, filmed from the front. His shoulder line turns significantly away from the target before contact, with a pronounced trunk coil that uncoils upward and into the court in clear sequence from legs to torso to arm.
3s
FH Return 2nd Serve · Ad · Front #1 Moya's second serve from the Ad side, filmed from the front. His continental grip is clearly visible, with a relaxed wrist that pronates through contact to add spin.
3.6s
FH Return 2nd Serve · Ad · Front #2 Moya's forehand return of second serve from the Ad side, filmed from the front. His shoulders rotate as a unit with the trunk into a deep coil on the unit turn, then uncoil in sync with his hips to drive through the return.
3.3s
BH Return 1st Serve · Ad · Rear #1 Carlos Moya's first serve from the Ad court, filmed from a rear angle. His continental grip is clear with a relaxed hand and pronounced wrist pronation through contact, finishing with the wrist fully turned inward toward the court.
3.8s
BH Return 1st Serve · Ad · Rear #2 Carlos Moya's first serve from the Ad court, filmed from a rear angle. At contact his racket face is only slightly tilted upward with the ball struck just above head height, and the racket head accelerates steeply up and across the ball along a pronounced right-to-left swing path.
2.5s
BH Return 2nd Serve · Ad · Rear #1 Carlos Moya's second serve from the Ad court, filmed from a rear angle. From this view, his continental grip is evident with a relaxed wrist that pronates aggressively through contact to impart spin.
3.7s
BH Return 2nd Serve · Ad · Rear #2 Carlos Moya's second serve from the Ad court, filmed from a rear angle. His shoulders rotate as a unit with the trunk during the toss and loading phase, then uncoil together into contact with a pronounced upper-body rotation toward the court.
4.3s
BH Return 2nd Serve · Ad · Rear #3 Carlos Moya's second serve from the Ad court, filmed from a rear angle. After contact he lets his hitting arm relax down while his back leg swings through into the court, bringing him quickly back toward a balanced ready position on the baseline.
2.4s
BH Return 2nd Serve · Ad · Rear #4 Carlos Moya's second serve from the Ad court, filmed from a rear angle. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, making the wrist snap clearly visible from behind.
5.2s
BH Return 2nd Serve · Deuce · Rear #1 Carlos Moya's second serve from the deuce court, filmed from a rear angle. His shoulders and trunk rotate as a unit during the trophy phase, then uncoil in sequence so the chest opens toward the target just after contact, emphasizing upper-body contribution to serve speed.
5.1s
BH Return 2nd Serve · Deuce · Rear #2 Carlos Moya's second serve from the deuce court, filmed from a rear angle. At contact his racket face is slightly angled upward with a clear brushing motion up the back of the ball, producing a higher contact point and pronounced topspin action.
4.2s
BH Return 1st Serve · Ad · Rear #1 Carlos Moya's first serve return from the Ad court, filmed from the rear. From this angle, his continental grip is evident with a firm but relaxed wrist that stays stable through contact, showing only a subtle pronation after impact.
2.9s
FH Return 1st Serve · Ad · Rear #1 Carlos Moya's first serve from the Ad court, filmed from a rear angle. At contact his racket face is slightly tilted forward with the ball struck high above his head, and the racket head accelerates upward along a pronounced pronation path.
3.1s
FH Return 1st Serve · Ad · Rear #2 Carlos Moya's first serve from the Ad court, filmed from the rear. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, making the wrist snap clearly visible from behind.
3.8s
FH Return 1st Serve · Deuce · Rear #1 Carlos Moya's first serve from the deuce court, filmed from the rear. His footwork includes a rhythmic rocking motion into a pinpoint stance, with a controlled knee bend and upward drive that keeps his back foot aligned behind the baseline before landing inside the court.
4.2s
FH Return 1st Serve · Deuce · Rear #2 Carlos Moya's first serve from the deuce court, filmed from a rear angle. From this view, his shoulders and trunk show a deep coil with the front shoulder dipping and the torso rotating significantly away from the court before uncoiling in a clearly sequenced motion from hips to shoulders into contact.
3.6s
FH Return 2nd Serve · Ad · Rear #1 Carlos Moya's second serve from the Ad court, filmed from a rear angle. At contact, his racket face is slightly tilted up with the ball struck just above head height, and the upward swing path creates pronounced spin as the racket accelerates through the hitting zone.
2.9s
FH Return 2nd Serve · Ad · Rear #2 Carlos Moya's second serve from the Ad court, filmed from a rear angle. His hips stay relatively closed through the toss and loading phase, with a deep knee bend and strong upward leg drive that uncoils his lower body into the court.
2.4s
FH Return 2nd Serve · Deuce · Rear #1 Carlos Moya's second serve from the deuce court, filmed from a rear angle. His footwork includes a rhythmic rocker motion into a pinpoint stance, with a pronounced knee bend and upward leg drive synchronized with his ball toss.
3.2s
FH Return 2nd Serve · Deuce · Rear #2 Carlos Moya's second serve from the deuce court, filmed from a rear angle. His shoulder line turns noticeably away from the court during the toss, creating a clear trunk coil that then uncoils in sequence from hips to shoulders as he drives up to the ball.
3.6s
BH Return 1st Serve · Ad · Side #1 Carlos Moya's first serve return backhand from the Ad court, filmed from the side. His split-step is timed just before the opponent’s contact, leading into a compact pivot and neutral stance as he plants his outside foot to drive into the return.
3.2s
BH Return 2nd Serve · Ad · Arm-action · Side #1 Carlos Moya's second serve from the Ad court, filmed from the side. His rhythmic footwork into the serve uses a controlled knee bend with a stable, mostly platform stance that keeps his weight centered before driving up to contact.
4.5s
BH Return 2nd Serve · Ad · Arm-action · Side #2 Carlos Moya's second serve from the Ad court, filmed from the side. His legs show a deep knee bend before driving upward, with the hips extending and uncoiling in sync with the leg push to initiate the service motion.
4.5s
BH Return 2nd Serve · Deuce · Arm-action · Side #1 Carlos Moya's second serve from the deuce side, filmed from a side angle. His follow-through finishes with his hitting arm relaxing down in front of his body as his weight lands on his front leg, quickly bringing both hands back toward a ready position for the next shot.
2.9s
BH Return 2nd Serve · Deuce · Arm-action · Side #2 Carlos Moya's second serve from the deuce side, filmed from the side. His footwork is compact with a small adjustment step into a platform stance before the toss, keeping his weight loaded on the back leg before driving up into the serve.
2.9s
FH Return 1st Serve · Ad · Side #1 Carlos Moya's first serve from the ad court, filmed from the side. After contact he lands well inside the court with his tossing arm dropping back as his shoulders uncoil, then quickly brings both hands toward the racket to transition into a balanced ready position.
4.5s
FH Return 1st Serve · Deuce · Side #1 Carlos Moya's first serve from the deuce court, filmed from the side. His deep knee bend and aggressive leg drive upward into the court are clearly visible, with the hip uncoiling in sync with the push off the ground.
2.5s
FH Return 2nd Serve · Ad · Side #2 Carlos Moya's second serve from the Ad side, filmed from a side angle. His rhythmic bounce-to-toss sequence leads into a pronounced knee bend and upward drive, with his feet landing inside the court to aid quick recovery toward the baseline.
3s
FH Return 2nd Serve · Deuce · Side #2 Carlos Moya's second serve from the deuce side, filmed from the side. His shoulder line turns noticeably away from the court before impact, then uncoils in sync with a strong trunk rotation to drive up through the ball.
5.3s
Second Serve · Ad · Arm-action · Court-level-front #2 Carlos Moya's second serve from the Ad side, filmed from a court-level front angle. His tossing arm extends fully upward before dropping as the racket accelerates up and across the ball, with contact made slightly above head height and the strings brushing up for added spin.
2.6s
Second Serve · Ad · Court-level-front #1 Carlos Moya's second serve from the Ad court, filmed from a court-level front angle. His compact service motion includes a small adjustment hop into a semi-open stance, with a controlled landing on the front foot that sets up an immediate split-step for the next shot.
2.7s
Second Serve · Ad · Court-level-front #2 Carlos Moya's second serve from the ad court, filmed from a court-level front angle. His shoulders and trunk coil noticeably during the toss, then uncoil in sequence so the left shoulder opens first as the torso rotates up and into the serve motion.
2.6s
Second Serve Wide · Ad · Court-level-front #2 Carlos Moya's second serve from the Ad side out wide, filmed from a court-level front angle. His shoulder line closes noticeably during the trophy phase before the trunk uncoils aggressively upward and into the court in a clear kinetic sequence from legs through torso to serving arm.
2.6s
Second Serve · Deuce · Arm-action · Court-level-front #2 Carlos Moya's second serve from the deuce side, filmed from a court-level front angle. At contact, his racket face is slightly tilted upward with the ball struck just above head height, and his arm extends fully upward as the racket accelerates along a pronounced upward swing path.
2.6s
Second Serve · Deuce · Court-level-front #2 Carlos Moya's second serve from the deuce side, filmed from a court-level front angle. At contact his racket face is slightly tilted upward with a pronounced brushing motion up the back of the ball, creating visible spin as the racket head accelerates through the strike zone.
2.9s
Second Serve Down The Middle · Deuce · Court-level-front #2 Carlos Moya's second serve from the deuce side, filmed from a court-level front angle. His knees dip noticeably during the loading phase, with a strong upward leg drive that straightens the hips into contact.
2.7s
Second Serve · Ad · Court-level-rear #2 Carlos Moya's second serve from the Ad court, filmed from a court-level rear angle. His hips stay relatively closed through the toss and knee bend before uncoiling upward with a strong leg drive that lifts him into the court.
2.3s
Second Serve · Ad · Leg-action · Court-level-rear #2 Carlos Moya's second serve from the ad side, filmed from a court-level rear angle. His footwork includes a rhythmic knee bend and upward leg drive into the court, finishing with a small recovery step to stabilize his stance after landing.
3.1s
Second Serve · Deuce · Leg-action · Court-level-rear #2 Carlos Moya's second serve from the deuce side, filmed from court-level rear. After contact he lands on his front foot with his weight moving into the court, and his non-hitting arm drops back as he quickly brings both hands toward the racket handle to recover into a ready position.
3.4s
Second Serve · Ad · Arm-action · Court-level-side #2 Carlos Moya's second serve from the Ad side, filmed from a court-level side angle. His hips stay relatively closed through the toss and loading phase, with a pronounced knee bend that drives upward into contact before his back leg swings forward into the court.
2.8s
Second Serve · Ad · Court-level-side #2 Carlos Moya's second serve from the Ad court, filmed from a court-level side angle. His shoulders coil well past perpendicular to the baseline before uncoiling in sync with trunk rotation, creating a clear sequence from hip turn through torso unwinding into the serving arm.
3.6s
Second Serve · Ad · Leg-action · Court-level-side #2 Carlos Moya's second serve from the Ad side, filmed from a court-level side angle. The side view makes it easy to see his contact point slightly above head height with a pronounced upward racket path and closed racket face brushing up the back of the ball.
4.5s
Second Serve · Ad · Toss · Court-level-side #2 Carlos Moya's second serve from the Ad court, filmed from a court-level side angle. His shoulders rotate well past perpendicular to the baseline on the trophy phase, then the trunk uncoils in sequence with the upward leg drive, making the shoulder-over-shoulder action easy to track from this side view.
2.5s
Second Serve · Deuce · Arm-action · Court-level-side #2 Carlos Moya's second serve from the deuce side, filmed from a court-level side angle. His follow-through arm action extends fully across his body while his weight continues moving into the court, bringing him quickly back toward a compact ready position.
2.6s
Second Serve · Deuce · Body-rotation · Court-level-side #2 Carlos Moya's second serve from the deuce court, filmed from a court-level side angle. From this side view you can clearly see his continental grip stay firm while his wrist pronates through contact, with a late but distinct snap as he drives up and across the ball.
2.7s
Second Serve · Deuce · Court-level-side #1 Carlos Moya's second serve from the deuce side, filmed from a court-level side angle. After contact he drives his weight forward into the court and quickly brings his non-hitting hand back to the racket throat as he settles into a compact ready position for the next shot.
3.3s
Second Serve · Deuce · Court-level-side #2 Carlos Moya's second serve from the deuce court, filmed from a court-level side angle. At contact his racket face is slightly closed with the ball struck just above head height, and the upward brushing motion creates noticeable racket head acceleration up and across the ball.
2.6s
Second Serve · Deuce · Toss · Court-level-side #2 Carlos Moya's second serve from the deuce side, filmed from a court-level side angle. The video shows his toss brought slightly in front of his body with a closed racket face at contact and a pronounced upward swing path to impart heavy spin.
2.7s
Second Serve Down The Middle · Ad · Front #2 Carlos Moya's second serve from the Ad court down the middle, filmed from the front. After contact he lands with his weight moving into the court, his non-hitting arm dropping to his side as he quickly brings both hands back to the racket to reset into a ready position.
2.7s
Second Serve · Ad · Front #2 Carlos Moya's second serve from the Ad side, filmed from the front. The racket face can be seen tilting slightly to the left at contact with a pronounced upward swing path, indicating topspin emphasis and a contact point just above shoulder height.
3.1s
Second Serve · Ad · Toss · Front #2 Carlos Moya's second serve from the Ad court, filmed from the front. His follow-through finishes across his body with his weight landing on his front foot, and he quickly brings both hands back to a neutral ready position after the serve.
2.4s
Second Serve Wide · Ad · Front #2 Carlos Moya's second serve from the Ad court, hit wide, filmed from the front. At contact his racket face is slightly closed with the ball struck just above head height, and the upward brushing motion of the racket head is clearly visible as it accelerates along a diagonal swing path.
2.8s
Second Serve Down The Middle · Deuce · Front #2 Carlos Moya's second serve from the deuce court, filmed from the front. His knees are visibly flexed during the loading phase and his hips drive upward and into the court as he extends through the serve.
2.5s
Second Serve · Deuce · Front #2 Carlos Moya's second serve from the deuce side, filmed from the front. After contact his weight moves into the court and his non-hitting arm drops naturally as he quickly regains a balanced ready position for the next shot.
2.9s
Second Serve · Deuce · Toss · Front #2 Carlos Moya's second serve from the deuce side, filmed from the front. His knees flex deeply before the toss, and you can see his hips stay closed to the court as his legs drive upward into the serve.
2.4s
Second Serve Wide · Deuce · Front #1 Carlos Moya's second serve from the deuce side out wide, filmed from the front. His continental grip is evident with a relaxed hand, and you can see clear wrist pronation through contact as the racket face turns outward toward the wide target.
2.6s
Second Serve Wide · Deuce · Front #2 Carlos Moya's second serve from the deuce court, hit wide and filmed from the front. His hips stay relatively closed through the toss and loading phase, with a clear knee bend and upward leg drive into the court as he uncoils into the serve.
2.4s
Second Serve · Ad · Body-rotation · Front #2 Moya's second serve from the Ad court, filmed from the front. His feet stay grounded through the toss with a clear knee bend, then he drives up into the ball from a platform stance before landing inside the court on his front foot.
3s
Second Serve · Deuce · Body-rotation · Front #2 Moya's second serve from the deuce side, filmed from the front. His shoulders and trunk coil strongly away from the court before uncoiling in a clear sequence from hips to torso to hitting arm.
3.1s
Second Serve · Ad · Arm-action · Rear #2 Carlos Moya's second serve from the Ad court, filmed from a rear angle. His hips stay relatively closed through the toss and loading phase, with a deep knee bend and strong upward leg drive that uncoils his lower body into the court.
2.6s
Second Serve · Ad · Rear #2 Carlos Moya's second serve from the Ad side, filmed from a rear angle. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, making the wrist snap clearly visible from behind.
2.4s
Second Serve · Deuce · Arm-action · Rear #2 Carlos Moya's second serve from the deuce court, filmed from a rear angle. From this view, his continental grip is evident with a relaxed hand and a pronounced wrist pronation through contact to add spin.
3s
Second Serve · Deuce · Rear #2 Carlos Moya's second serve from the deuce court, filmed from a rear angle. His footwork includes a rhythmic rocking motion into the trophy position followed by a controlled landing on his front foot that sets up an immediate small recovery adjustment toward the center.
2.7s
Second Serve · Deuce · Toss · Rear #2 Carlos Moya's second serve from the deuce side, filmed from the rear. From this angle you can clearly see his continental grip stay firm as his wrist pronates up and through the ball after the toss reaches its apex.
2.7s
Second Serve · Ad · Body-rotation · Side #1 Carlos Moya's second serve from the Ad court, filmed from the side. At contact his racket face is slightly tilted up with the ball struck just above head height, and you can see the racket head accelerate up and across his body to impart spin.
2.5s
Second Serve · Ad · Body-rotation · Side #2 Carlos Moya's second serve from the Ad side, filmed from a side angle. His hips load with a deep knee bend and then drive up and into the court, with the back hip clearly rotating through as the legs extend into the serve.
2.6s
Second Serve · Ad · Side #1 Carlos Moya's second serve from the Ad side, filmed from a side angle. His hips stay closed through the knee bend and then uncoil upward as his back leg drives off the ground into the court.
2.7s
Second Serve · Ad · Side #2 Carlos Moya's second serve from the Ad side, filmed from the side. His hips stay closed longer during the toss and loading phase, with a pronounced knee bend and upward leg drive that uncoils his lower body into the court.
2.9s
Second Serve · Ad · Side #3 Carlos Moya's second serve from the Ad side, filmed from the side. His shoulders rotate as a unit with the trunk during the toss and trophy phase, then uncoil sequentially from hips to shoulders to arm, making the degree of upper-body coil and release easy to distinguish.
2.5s
Second Serve · Deuce · Arm-action · Side #2 Carlos Moya's second serve from the deuce court, filmed from the side. His footwork is compact with a small adjustment step into a platform stance before the toss, and he drives up off both legs in a coordinated knee bend and extension.
2.6s
Second Serve · Deuce · Body-rotation · Side #2 Carlos Moya's second serve from the deuce court, filmed from the side. His footwork features a rhythmic rocking motion into the pinpoint stance, with a pronounced knee bend and upward leg drive that syncs closely with his torso rotation into the court.
2.5s
Second Serve · Deuce · Side #1 Carlos Moya's second serve from the deuce side, filmed from the side. His continental grip is clearly visible, with a loose wrist that pronates through contact to add spin and control on the second delivery.
2.6s
Second Serve · Deuce · Side #2 Carlos Moya's second serve from the deuce side, filmed from the side. His continental grip is firm with a relaxed hand, enabling clear wrist pronation through contact that is easy to see from this angle.
2.8s
BH Slice Running · Court-level-front Carlos Moya's running backhand slice from the center of the court, filmed from a court-level front angle. His footwork features quick adjustment steps into a semi-open stance, with his outside foot planting early as he stretches wide and slightly across his body to stay balanced through the slice.
2.5s
BH Slice Wide · Court-level-front Carlos Moya's backhand slice from the wide position, filmed from a court-level front angle. His stance stays mostly neutral as he steps slightly out toward the sideline, using small adjustment steps before the slice and a couple of quick recovery steps back toward the center.
3.2s
BH Slice Short · Court-level-rear #1 Carlos Moya's backhand slice from the center of the court, filmed from a court-level rear angle. At contact, his racket face is slightly open with the ball struck around waist height, and the racket travels on a distinctly downward, slightly diagonal path to impart underspin.
3.3s
BH Slice Short · Court-level-rear #2 Carlos Moya's backhand slice from the center of the court, filmed from a rear court-level angle. His initial shoulder turn brings the hitting-side shoulder well behind the baseline while the trunk stays coiled, then the torso gently uncoils through contact with minimal upper-body rotation to keep the slice compact.
2.9s
BH Slice · Arm-action · Court-level-side #1 Carlos Moya's backhand slice from the baseline, filmed from a court-level side angle. His slightly open stance and small adjustment steps into the shot are easy to see as he plants his outside foot before carving the slice.
2.8s
BH Slice · Arm-action · Court-level-side #2 Carlos Moya's backhand slice from the side of the court, filmed from a court-level side angle. His hips stay relatively closed with a pronounced knee bend on the outside leg, providing a stable base as he glides laterally through the shot.
2.9s
BH Slice · Arm-action · Court-level-side #3 Carlos Moya's backhand slice from the center of the baseline, filmed from a court-level side angle. His continental grip is firm with a slightly laid-back wrist, and you can clearly see the stable wrist position maintained through contact with minimal wrist snap.
2s
BH Slice Center · Court-level-side Carlos Moya's backhand slice from the center of the court, filmed from a court-level side angle. His continental grip is clearly visible, with a firm but relaxed wrist that stays stable through contact before slightly opening the racquet face on the follow-through.
2.7s
BH Slice Running · Court-level-side Carlos Moya's running backhand slice from a neutral court position, filmed from a court-level side angle. His continental grip is evident with a slightly laid-back wrist, maintaining a firm but relaxed wrist angle through contact to keep the racquet face stable on the low, skidding slice.
3.6s
BH Slice Wide · Court-level-side Carlos Moya's backhand slice from a wide position, filmed from a court-level side angle. The racket face is noticeably open at contact with the ball struck slightly below net height, and the swing path moves from high to low with a controlled deceleration through impact.
2.7s
BH Slice Center · Front Carlos Moya's backhand slice from the center of the court, filmed from the front. His shoulders stay relatively closed through contact while the trunk rotates minimally, with a clear separation between upper-body turn and a more stable lower body.
2.1s
BH Slice Running · Front Carlos Moya's running backhand slice from the center of the court, filmed from the front. His hips stay relatively closed to the net as his outside knee bends deeply to support a wide base and low contact while moving laterally.
2.4s
BH Slice Short · Front Carlos Moya's backhand slice from the center, filmed from the front. His shoulders stay relatively closed through contact while the trunk uncoils gradually, with a noticeable upper-body tilt that supports the descending, knifing motion of the slice.
2.1s
BH Slice Center · Front Moya's backhand slice from the center, filmed from the front. His follow-through finishes high with the racquet face open while his non-hitting hand stays back helping his shoulders unwind into a balanced recovery stance.
2.9s
BH Slice Moves Back · Front #1 Moya's backhand slice while moving back from the center of the baseline, filmed from the front. His feet adjust with small retreating steps into a neutral stance before contact, followed by a controlled recovery step to re-center.
2.9s
BH Slice Moves Back · Front #2 Moya's backhand slice while moving back from a neutral position, filmed from the front. His hips stay relatively closed as he retreats, with a noticeable knee bend on the outside leg to stabilize before carving up through the ball.
3.4s
BH Slice Wide · Front #1 Moya's backhand slice from a wide position, filmed from the front. His shoulders stay relatively closed as the trunk rotates minimally, with the upper body staying stable while the hitting arm carves under the ball.
2.6s
BH Slice Wide · Front #2 Moya's backhand slice from a wide position, filmed from the front. His feet plant in a slightly open stance as he reaches out wide, with a small recovery step back toward center immediately after contact.
2.9s
BH Slice Center · Rear Carlos Moya's backhand slice from the center of the court, filmed from a rear angle. After contact his racquet finishes out in front as his weight shifts slightly forward, and he quickly brings both hands back toward the ready position while recovering to the middle.
2.4s
BH Slice Center · Side Carlos Moya's backhand slice from the center of the court, filmed from the side. His follow-through finishes with the racquet hand extended forward while his weight transfers onto the front foot, and he quickly straightens up into a neutral ready position.
3s
BH Slice Wide · Side Carlos Moya's backhand slice from a wide position, filmed from the side. His hips stay relatively closed with a pronounced knee bend on the outside leg, providing a stable base as he steps out wide and carves through the ball.
3.2s

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