BH Approach → FH Volley · Front
Guillermo Canas's forehand approach shot from a neutral court position, filmed from the front. His hips stay relatively closed through the loading phase with a noticeable knee bend, then drive forward with a strong push off the outside leg as he moves into the court.
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5s |
FH Approach → BH Half Volley · Rear
Guillermo Canas's forehand approach and backhand half volley from the center of the court, filmed from a rear angle. At contact his racket face stays relatively square to the target with a slightly closed angle, and the ball is struck around waist height as the racket head accelerates forward on a compact, controlled swing path.
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13.3s |
FH Approach → BH Volley · Rear
Guillermo Canas's forehand approach shot from a neutral court position, filmed from a rear angle. After contact he drives his weight forward into the court and quickly brings both hands back to the racquet handle, settling into a compact ready position for the ensuing backhand volley.
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6.6s |
BH Approach → FH Volley · Side
Guillermo Canas's forehand approach shot from a neutral position, filmed from the side. His semi-western forehand grip is paired with a laid-back wrist that stays in lag through the forward swing before a compact, late wrist release at contact.
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5.8s |
FH Approach → BH Half Volley · Side
Guillermo Canas's forehand approach with a backhand half volley from the baseline to the net, filmed from the side. His footwork includes a small adjustment hop into a semi-open stance on the approach, followed by quick, compact shuffle steps that set up a stable base for the backhand half volley and an immediate recovery step toward the center of the court.
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8s |
FH Approach → BH Volley · Side #1
Guillermo Canas's forehand approach shot from a neutral position, filmed from the side. His semi-western forehand grip is paired with a relaxed wrist that stays laid back through the forward swing before a late, compact release at contact.
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5.7s |
FH Approach → BH Volley · Side #2
Guillermo Canas's forehand approach shot followed by a backhand volley from the center of the court, filmed from the side. His weight drives forward through the forehand into the court, and he quickly brings both hands back up on the racquet to set a compact, ready position for the backhand volley recovery.
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5.2s |
FH Approach → FH Drop Volley · Side
Guillermo Canas's forehand approach shot followed by a forehand drop volley from the deuce side, filmed from the side. The racket face is slightly open at contact on the drop volley, with the ball met just below net height and the swing path abbreviated to soften racket head speed.
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5.2s |
BH Center · Arm-action · Court-level-front
Guillermo Canas's backhand from the center of the baseline, filmed from a court_level front angle. His shoulders rotate as a single unit with a pronounced trunk coil on the unit turn, then uncoil in sequence so the hips initiate slightly before the shoulders to drive the two-handed swing through contact.
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2.1s |
BH Running · Arm-action · Court-level-front
Guillermo Canas's running backhand from the baseline, filmed from a court-level front angle. His footwork features quick adjustment steps into a semi-open stance before contact, with a pronounced forward recovery step that carries him back toward the center of the court.
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2.8s |
BH Wide · Court-level-front · Open
Guillermo Canas's backhand wide from the baseline, filmed from a court-level front angle. His open stance is clear as he plants his outside foot, uses a small adjustment shuffle, and then takes a couple of recovery steps back toward the center after contact.
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2.3s |
BH Center · Arm-action · Front #1
Guillermo Canas's backhand from the center of the court, filmed from the front. His compact split step into a neutral stance is followed by a small adjustment hop and controlled recovery steps that keep his weight centered on the baseline.
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2.5s |
BH Center · Arm-action · Front #2
Guillermo Canas's backhand from the center of the baseline, filmed from the front. After contact his two-handed follow-through finishes high with the non-dominant hand guiding the racquet while his weight moves forward and he quickly resets his feet into a neutral ready position.
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2.4s |
BH Center · Front · Closed #1
Guillermo Canas's backhand from the center of the court in a closed stance, filmed from the front. His closed hips and strong knee bend show how he loads on the front leg before driving upward and across into the shot.
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2.8s |
BH Center · Front · Closed #2
Guillermo Canas's backhand from the center of the court in a closed stance, filmed from the front. From this angle you can clearly see his relatively firm two-handed grip with minimal wrist lag, and a compact wrist snap through contact that keeps the racquet face stable.
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2.6s |
BH Center Cross Court · Front #1
Guillermo Canas's backhand from the center of the court, filmed from the front. After contact his two-handed follow-through finishes high in front of his body as he transfers weight onto his front foot and quickly resets the racquet to a neutral ready position.
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2.6s |
BH Center Cross Court · Front #2
Guillermo Canas's backhand from the center of the court, filmed from the front. His knees stay deeply flexed through the loading phase while his hips remain relatively closed, then unwind late as his legs drive upward into the shot.
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2.3s |
BH Center Down The Line · Front #1
Guillermo Canas's backhand from the center of the court, hit down the line, filmed from the front. From this angle you can clearly see his firm two-handed grip with minimal wrist break, keeping the wrists quiet through contact for a stable, controlled strike.
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2.7s |
BH Center Down The Line · Front #2
Guillermo Canas's backhand from the center of the court, hit down the line, filmed from the front. His shoulders rotate as a single unit with a pronounced trunk coil on the takeback, then uncoil sequentially from hips to shoulders to arms through contact.
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3.3s |
BH Center · Front · Neutral #1
Guillermo Canas's backhand from the center of the baseline, filmed from the front. His neutral stance is easy to see as he plants both feet on the baseline after a small split-step and uses short adjustment steps before and after contact.
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2.7s |
BH Center · Front · Neutral #2
Guillermo Canas's two-handed backhand from the center of the baseline in a neutral stance, filmed from the front. At contact his racket face is nearly square to the ball with the strike point around waist height, and the racket head accelerates on a slightly upward path through the hitting zone.
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2.8s |
BH Center · Front · Open
Guillermo Canas's backhand from the center of the baseline in an open stance, filmed from the front. His shoulders and trunk rotate as a unit on the unit turn, then uncoil through contact with the front (left) shoulder staying relatively closed toward the net longer, emphasizing a compact, sequential trunk rotation.
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2.3s |
BH Half Volley Center · Front
Guillermo Canas's backhand half-volley from the center of the court, filmed from the front. After contact he keeps the racquet head out in front with a compact follow-through and quickly brings both hands back toward his body as he straightens up into a neutral ready position for the next shot.
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3s |
BH Inside In · Front · Neutral
Guillermo Canas's backhand InsideIn from a neutral stance, filmed from the front. His follow-through finishes high with the racket wrapping toward his non-dominant side as he transfers weight onto his front leg and quickly resets his hands into a compact ready position.
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3.5s |
BH Moves Back · Front #1
Guillermo Canas's backhand from the center baseline, filmed from the front. His two-handed backhand grip shows a firm, locked wrist structure with minimal wrist snap at contact, emphasizing stability over added whip.
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3s |
BH Moves Back · Front #2
Guillermo Canas's backhand from the center baseline, filmed from the front. His shoulders rotate as a unit with a pronounced trunk coil on the takeback, then uncoil sequentially from hips to shoulders through contact, making the degree of upper-body rotation easy to compare between preparation and follow-through.
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2.9s |
BH Running · Front · Closed
Guillermo Canas's running two-handed backhand from a closed stance, filmed from the front. The racket face is slightly closed at contact with the ball struck around waist height, and the compact forward swing path keeps the racket head accelerating straight through the hitting zone.
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2.9s |
BH Running · Front #1
Guillermo Canas's running two-handed backhand from a neutral position, filmed from the front. His semi-western left hand grip is clear from the front view, with a noticeable laid-back wrist angle on the left hand that stays firm through contact before a controlled, compact release.
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2.8s |
BH Running · Front #2
Guillermo Canas's running backhand from the front, filmed from a front angle. His shoulders rotate as a single unit with the trunk into contact, then uncoil together with minimal independent shoulder lag, making the torso rotation the primary driver of the stroke.
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2.6s |
BH Running · Front #3
Guillermo Canas's running backhand from the center baseline, filmed from the front. After contact he extends his follow-through high across his body while his weight continues moving toward the court, quickly bringing both hands back to a neutral ready position for the next shot.
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2.5s |
BH Running · Front · Open #1
Guillermo Canas's running two-handed backhand from a neutral baseline position, filmed from the front. His shoulders and trunk show a late but pronounced coil against the direction of movement, then uncoil together with minimal independent shoulder rotation, emphasizing a compact, torso-driven swing.
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2.7s |
BH Running · Front · Open #2
Guillermo Canas's running two-handed backhand from an open stance, filmed from the front. His semi-western left-hand grip and firm but relaxed right-hand support create a noticeable wrist lag before contact, with the wrists stabilizing as the racquet squares up to the ball.
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3s |
BH Running · Front · Open #3
Guillermo Canas's running backhand from the front of the court, filmed from a front angle. After contact he releases his non-dominant hand off the racquet and uses it for balance while his weight continues moving laterally, finishing in a compact ready position for the next shot.
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2.8s |
BH Running · Front · Open #4
Guillermo Canas's running two-handed backhand from the baseline in an open stance, filmed from the front. After contact he lets the racquet finish high across his body while his weight continues moving sideways, quickly bringing both hands back toward the center to re-establish a compact ready position.
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2.7s |
BH Short · Front #1
Guillermo Canas's backhand from the center baseline, filmed from a front angle. His hips stay relatively closed with a deep knee bend on both legs, showing strong leg drive upward as he uncoils through contact.
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3.5s |
BH Short · Front #2
Guillermo Canas's backhand from the middle of the court, filmed from a front angle. From this view you can see his relatively firm two-handed grip with limited wrist extension, as the racquet tracks through contact with minimal wrist snap and a stable lead wrist position.
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3.2s |
BH Short · Front #3
Guillermo Canas's backhand from the center baseline, filmed from the front. His hips stay relatively closed with a pronounced knee bend on both legs, and he drives upward off the back leg before uncoiling through contact.
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2.7s |
BH Short · Front #4
Guillermo Canas's backhand from the center baseline, filmed from a front angle. His two-handed backhand uses a firm continental left-hand grip with noticeable wrist lag on the takeback that stabilizes into a relatively quiet wrist at contact.
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5s |
BH Wide · Arm-action · Front #1
Guillermo Canas's wide backhand from the front, filmed from a front court-level angle. His two-handed racket face stays relatively closed at contact with the ball struck around waist height, and the racket head accelerates steeply upward along a vertical swing path.
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2.7s |
BH Wide · Arm-action · Front #2
Guillermo Canas's wide backhand from the center, filmed from the front. His two-handed racket stays relatively closed at contact with the ball struck around waist height, and you can see the racket head accelerate low-to-high across his body.
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2.8s |
BH Wide · Front · Closed #1
Guillermo Canas's backhand from a wide ball in a closed stance, filmed from the front. From this angle you can clearly see his firm two-handed grip with minimal wrist flex, keeping the wrists stable through contact with only a slight pronation of the dominant hand after impact.
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2.3s |
BH Wide · Front · Closed #2
Guillermo Canas's backhand from a wide ball in a closed stance, filmed from the front. From this angle you can clearly see his firm two-handed grip with the non-dominant hand driving the racquet and a stable, minimal wrist break through contact.
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3.3s |
BH Wide Cross Court · Front #1
Guillermo Canas's wide backhand from the front court position, filmed from a front angle. His two-handed backhand contact is made around waist height with a slightly closed racket face, and the racket head accelerates steeply up the back of the ball on a pronounced low-to-high path.
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2.6s |
BH Wide Cross Court · Front #2
Guillermo Canas's wide backhand from the baseline, filmed from the front. After contact he extends the racquet out toward the target with both hands while his weight continues to move back toward the center of the court, finishing in a compact ready position.
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2.9s |
BH Wide Cross Court · Front #3
Guillermo Canas's wide backhand from the center baseline, filmed from the front. From this angle you can see him plant in a mostly neutral stance with his outside (left) foot bracing as he shuffles laterally into position before initiating the two-handed swing.
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2.4s |
BH Wide Down The Line · Front #1
Guillermo Canas's backhand from the center baseline, filmed from the front. His hips stay relatively closed with a deep knee bend on the outside leg, then both legs drive up and across to recover back toward the court after striking the wide ball.
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2.6s |
BH Wide Down The Line · Front #2
Guillermo Canas's wide backhand down the line from the baseline, filmed from the front. After contact his follow-through finishes high with the racquet pointing toward the target while his weight transfers back toward the center of the court and his non-hitting hand helps him recover into a ready position.
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3.1s |
BH Wide Down The Line · Front #3
Guillermo Canas's wide backhand from the front. His follow-through finishes high with both hands on the racquet while his weight shifts back toward the center of the baseline, bringing him quickly into a ready position.
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2.6s |
BH Wide · Front · Neutral #1
Guillermo Canas's backhand from a neutral stance in a wide-ball situation, filmed from the front. His hips stay relatively closed as he steps across into the ball, with a deep knee bend on the outside leg providing a stable base before driving up through contact.
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2.3s |
BH Wide · Front · Neutral #2
Guillermo Canas's wide backhand from a neutral stance, filmed from the front. From this angle you can clearly see his early shoulder turn creating a strong trunk coil, followed by a coordinated uncoiling of the torso that drives the two-handed swing through contact.
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2.4s |
BH Wide · Front · Neutral #3
Guillermo Canas's backhand from a wide position, filmed from the front. His neutral stance is clear as he plants both feet on the baseline before rotating his hips, with a small adjustment step taken out toward the wide ball before contact.
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2.8s |
BH Wide · Front · Open #1
Guillermo Canas's backhand from a wide position, filmed from the front. His open stance shows his hips staying relatively square to the net while his knees stay deeply flexed as he pushes off the outside leg to recover back toward the court.
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2.6s |
BH Wide · Front · Open #2
Guillermo Canas's backhand from the middle in an open stance, filmed from the front. From this angle you can clearly see his firm two-handed grip with the non-dominant hand controlling the racquet face while the hitting wrist stays laid back and then subtly releases through contact.
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3s |
BH Center · Rear · Neutral
Guillermo Canas's backhand from the center of the baseline, filmed from a rear angle. His neutral stance is clear as both feet plant on the baseline before he drives through the ball and then uses small recovery steps to re-center for the next shot.
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2.7s |
BH Center · Rear · Open
Guillermo Canas's backhand from the center of the baseline, filmed from a rear angle. His open stance is clear as he plants his outside foot, rotates his hips, and uses small recovery steps to quickly re-center after contact.
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2.7s |
BH Moves Back · Rear #1
Guillermo Canas's backhand while moving back from a central baseline position, filmed from a rear angle. His hips stay relatively closed to the net as he loads, with a deep knee bend and strong push off the outside leg to stabilize his backward movement during the swing.
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2.4s |
BH Moves Back · Rear #2
Guillermo Canas's backhand while moving back from the baseline, filmed from a rear angle. His hips stay relatively closed as he retreats, with a deep knee bend and strong rear-leg load clearly visible before he drives upward into the shot.
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3s |
BH Moves Back · Rear #3
Guillermo Canas's backhand while moving back from the baseline, filmed from the rear. His hips stay relatively closed to the net as he retreats, with a deep knee bend and strong push off the outside leg to stabilize and transfer weight into the shot despite moving backward.
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3.1s |
BH Moves Back · Rear #4
Guillermo Canas's backhand while moving back from the baseline, filmed from a rear angle. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils ahead of the arms so the racquet lags slightly behind the torso through contact.
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3.7s |
BH Running · Rear · Open #1
Guillermo Canas's running two-handed backhand from an open stance, filmed from a rear angle. At contact his racket face stays almost square to the baseline with the ball struck around waist height, and the upward swing path of the racket head is clearly visible as it accelerates through the hitting zone.
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3.4s |
BH Running · Rear · Open #2
Guillermo Canas's running two-handed backhand from an open stance, filmed from a rear angle. The contact point is slightly in front of his lead hip with the racket face nearly square to the baseline and the racket head accelerating upward on a steep, topspin-heavy path.
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2.8s |
BH Running · Rear #1
Guillermo Canas's running backhand from the baseline, filmed from a rear angle. His hips stay relatively closed to the net while his outside leg plants deeply with noticeable knee bend to stabilize and drive through the shot on the move.
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2.7s |
BH Running · Rear #2
Guillermo Canas's running backhand from the baseline, filmed from a rear angle. His hips stay relatively closed to the net while his outside leg plants and pushes off strongly, showing a deep knee bend as he drives laterally into the shot.
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2.4s |
BH Running · Rear #3
Guillermo Canas's running backhand from the rear court position, filmed from a rear angle. His hips stay relatively closed to the baseline while his outside leg plants deeply with a pronounced knee bend before driving his body through the shot.
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2.8s |
BH Short · Rear
Guillermo Canas's backhand from a central baseline position, filmed from a rear angle. After contact his follow-through finishes high with the racket toward his right shoulder as his weight moves slightly forward and he quickly resets his feet into a compact ready position.
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2.8s |
BH Wide · Arm-action · Rear
Guillermo Canas's wide backhand from the baseline, filmed from a rear angle. His follow-through finishes high with the racket traveling across his body while his outside leg plants and pushes him back toward a neutral recovery position.
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2.4s |
BH Wide · Rear · Closed #1
Guillermo Canas's wide backhand from a closed stance, filmed from the rear. His two-handed racket contact is made slightly in front of his body with the racket face nearly square to the baseline, and the swing path extends low-to-high with noticeable racket head acceleration through the ball.
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2.7s |
BH Wide · Rear · Closed #2
Guillermo Canas's wide backhand from a closed stance, filmed from a rear angle. His two-handed backhand contact is made slightly in front of his body with a relatively vertical racket face and a low-to-high swing path that accelerates the racket head through the ball.
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2.9s |
BH Wide Cross Court · Rear #1
Guillermo Canas's wide backhand from the baseline, filmed from a rear angle. His footwork features a quick adjustment shuffle out toward the sideline into a stable neutral stance before he plants and drives through the stroke.
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3.3s |
BH Wide Cross Court · Rear #2
Guillermo Canas's backhand from a wide position, filmed from a rear angle. His shoulders rotate well past perpendicular to the baseline on the unit turn, then the trunk uncoils ahead of the arms to start the kinetic chain into contact.
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2.7s |
BH Wide Down The Line · Rear #1
Guillermo Canas's wide backhand down the line from the baseline, filmed from a rear angle. After contact his follow-through finishes high with the racquet wrapping around his left shoulder while his weight continues moving back toward the center of the court into a balanced ready position.
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2.5s |
BH Wide Down The Line · Rear #2
Guillermo Canas's wide backhand from the baseline, filmed from a rear angle. His two-handed backhand contact is made slightly above waist height with a closed racket face and a long, accelerating swing path through the line of the shot.
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2.8s |
BH Wide · Rear · Neutral #1
Guillermo Canas's wide backhand from a neutral stance, filmed from a rear angle. His shoulders and trunk coil significantly against the hips on the unit turn, then uncoil in sequence so the chest finishes rotated well toward the sideline after contact.
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2.9s |
BH Wide · Rear · Neutral #2
Guillermo Canas's wide backhand from a neutral stance, filmed from a rear angle. His shoulders rotate well past perpendicular to the net on the unit turn, then uncoil in sequence with the hips so the trunk stays closed through contact before finishing with a compact two-handed rotation.
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2.6s |
BH Wide · Rear · Open #1
Guillermo Canas's wide backhand from the open stance, filmed from the rear. After contact his follow-through finishes high with the racket wrapping around his left shoulder while his weight stays mostly on the outside leg before he pushes back toward a neutral ready position.
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2.7s |
BH Wide · Rear · Open #2
Guillermo Canas's backhand from a wide position in an open stance, filmed from a rear angle. His shoulders and trunk are heavily coiled against the hips on the unit turn, then uncoil in sequence with the hips leading and the upper torso following through the contact zone.
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3s |
BH Center · Arm-action · Side #1
Guillermo Canas's backhand from the center of the baseline, filmed from the side. His hips stay relatively closed at the start with a deep knee bend, then unwind as his legs drive upward through contact, showing strong use of the rear leg to push off the ground.
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2.7s |
BH Center · Arm-action · Side #2
Guillermo Canas's backhand from the center of the baseline, filmed from the side. From this angle you can clearly see his firm two-handed grip with limited wrist deviation, as the wrists stay relatively quiet through contact with only a subtle extension of the hitting (right) wrist after impact.
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2.2s |
BH Center · Arm-action · Side #3
Guillermo Canas's backhand from the center of the baseline, filmed from the side. His hips stay closed through the loading phase with a deep knee bend, then unwind gradually as his legs drive up and forward into the shot.
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3.4s |
BH Center · Arm-action · Side #4
Guillermo Canas's backhand from the center of the baseline, filmed from the side. After contact his follow-through continues forward with his upper body driving into the court and both hands staying on the racquet before he releases into a compact ready position.
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3.1s |
BH Center · Arm-action · Side #5
Guillermo Canas's backhand from the center of the baseline, filmed from the side. His compact split step into a semi-open stance is followed by a small adjustment hop and controlled pivot that keeps his weight moving into the court during the swing.
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2.9s |
BH Center · Arm-action · Side #6
Guillermo Canas's backhand from the center of the baseline, filmed from the side. His feet set in a neutral stance with a small adjustment step into contact, and he uses a compact recovery step back toward his ready position after the swing.
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2.6s |
BH Center · Arm-action · Side #7
Guillermo Canas's backhand from the center of the baseline, filmed from the side. The racket face stays slightly closed at a contact point around waist to hip height, with the racket head accelerating forward on a relatively flat swing path through the ball.
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2s |
BH Center · Arm-action · Side #8
Guillermo Canas's backhand from the center of the baseline, filmed from the side. His shoulders rotate well past 90 degrees on the takeback, then the trunk uncoils ahead of the arms so the torso leads the racquet through contact.
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2.8s |
BH Center · Side · Closed
Guillermo Canas's backhand from the center of the baseline in a closed stance, filmed from the side. After contact he extends his racquet forward along the baseline while his weight transfers onto the front foot and his hands return together in front of his body into a compact ready position.
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2.8s |
BH Center · Side · Neutral #1
Guillermo Canas's backhand from the center of the baseline in a neutral stance, filmed from the side. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils ahead of the arms so the shoulders lead the racquet through contact.
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2.8s |
BH Center · Side · Neutral #10
Guillermo Canas's backhand from the center of the baseline in a neutral stance, filmed from the side. His hips stay relatively closed through the loading phase with a deep knee bend, then unwind as his back leg drives forward to transfer weight into the court.
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2.9s |
BH Center · Side · Neutral #2
Guillermo Canas's backhand from the center of the baseline in neutral stance, filmed from the side. His hips stay relatively closed to the net with a deep knee bend on the back leg, then drive upward and slightly forward as both legs extend through contact.
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2.6s |
BH Center · Side · Neutral #3
Guillermo Canas's backhand from the center of the baseline in a neutral stance, filmed from the side. The racket face stays relatively square to the ball at a contact point around waist to mid-torso height, with the racket head accelerating forward on a compact, slightly upward swing path.
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2.2s |
BH Center · Side · Neutral #4
Guillermo Canas's backhand from the center of the baseline in neutral stance, filmed from the side. His shoulders rotate well past perpendicular to the net on the takeback, then his trunk uncoils sequentially from hips to shoulders through contact, with minimal extra upper-body rotation after the hit.
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3s |
BH Center · Side · Neutral #5
Guillermo Canas's backhand from the center of the baseline in a neutral stance, filmed from the side. The side view makes it clear that he contacts the ball slightly in front of his lead hip with a closed racket face and a compact, upward swing path through contact.
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3.1s |
BH Center · Side · Neutral #6
Guillermo Canas's backhand from the center of the baseline in neutral stance, filmed from the side. After contact he extends his follow-through toward the target with his weight transferring into the court, then quickly returns both hands to the racquet in a compact ready position.
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3s |
BH Center · Side · Neutral #7
Guillermo Canas's backhand from the center of the baseline in a neutral stance, filmed from the side. His footwork includes a small adjustment hop into a neutral stance followed by a firm plant of the front foot before rotating through the shot and then taking a recovery step back to the center.
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2.4s |
BH Center · Side · Neutral #8
Guillermo Canas's backhand from the center in a neutral stance, filmed from the side. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils ahead of the arms so the chest opens toward the court before contact.
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3.3s |
BH Center · Side · Neutral #9
Guillermo Canas's backhand from the center of the court in a neutral stance, filmed from the side. From this angle you can see his firm two-handed grip with the left hand driving the racquet and a stable, quiet wrist structure that maintains lag until just before contact.
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2.6s |
BH Center · Side · Open #1
Guillermo Canas's backhand from the center of the baseline in an open stance, filmed from the side. The racket face is slightly closed at a contact point around waist to mid-torso height, with the racket head accelerating forward on a relatively level path through the ball.
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3.3s |
BH Center · Side · Open #2
Guillermo Canas's backhand from the center of the court in an open stance, filmed from the side. After contact he extends his two-handed follow-through forward with his weight gradually transferring onto his front foot before resetting into a compact ready position.
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2.8s |
BH Center · Side · Open #3
Guillermo Canas's backhand from the center of the court in an open stance, filmed from the side. After contact his follow-through finishes high with the racquet wrapping around his left shoulder as his weight transfers slightly forward and he quickly resets his feet into a neutral ready position.
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2.6s |
BH Center · Side · Open #4
Guillermo Canas's backhand from the center of the court in an open stance, filmed from the side. His two-handed grip stays firm with a noticeable laid-back wrist position on the dominant hand that straightens through contact for a controlled, stable hit.
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2.6s |
BH Center · Side · Open #5
Guillermo Canas's backhand from the center of the court in an open stance, filmed from the side. The racket face stays relatively square through contact at about waist height, with the racket head accelerating forward and slightly upward along a controlled, linear swing path.
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2s |
BH Center · Side · Open #6
Guillermo Canas's backhand from the center of the baseline in an open stance, filmed from the side. His two-handed grip shows the non-dominant hand firmly on top with a stable wrist structure, while the dominant wrist stays laid back through the swing and straightens closer to contact.
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2.6s |
BH Lob Running · Side #1
Guillermo Canas's running backhand lob from the baseline, filmed from the side. His hips stay relatively closed to the net while his knees stay flexed and driving forward, showing strong leg push-off as he moves through the shot.
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3.6s |
BH Lob Running · Side #2
Guillermo Canas's running backhand lob from the baseline, filmed from the side. His footwork features quick crossover steps to chase the ball wide before planting in an open stance, with a noticeable recovery step starting immediately after contact.
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3.8s |
BH Moves Back · Leg-action · Side
Guillermo Canas's backhand while moving back from a neutral baseline position, filmed from the side. At contact his racket face stays almost square to the ball with a slightly rising swing path, meeting the ball around waist height as the racket head accelerates through the hitting zone.
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2.2s |
BH Moves Back · Side
Guillermo Canas's backhand from the baseline while moving back, filmed from the side. His footwork features small adjustment steps as he retreats and sets into a mostly neutral stance, with a clear weight transfer from the back foot to the front as he swings.
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2.2s |
BH Moves Back · Side #1
Guillermo Canas's backhand while moving back from a central baseline position, filmed from the side. His footwork features small adjustment steps as he retreats and sets up in a mostly neutral stance, with a clear weight transfer from back to front foot during the swing.
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3.3s |
BH Moves Back · Side #2
Guillermo Canas's backhand while moving back from the baseline, filmed from the side. His follow-through finishes high with the non-hitting hand releasing the racquet early as he transfers weight onto his back foot before recovering toward a neutral ready position.
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3s |
BH Moves Back · Side #3
Guillermo Canas's backhand while moving back from the baseline, filmed from the side. His follow-through finishes high with both hands on the racquet and his weight settling onto his back foot before he recovers toward a neutral ready position.
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2.3s |
BH Moves Back · Side #4
Guillermo Canas's backhand while moving back from a neutral baseline position, filmed from the side. From this angle you can clearly see his firm two-handed grip with the left hand driving the racket and a stable, minimally flexing right wrist that stays laid back through contact.
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2.6s |
BH Moves Back · Side #5
Guillermo Canas's backhand from the baseline while moving back, filmed from the side. His shoulders rotate well past perpendicular to the net on the unit turn, then uncoil in sync with his hips so the trunk leads the racquet into contact.
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2.8s |
BH Moves Back · Side #6
Guillermo Canas's backhand while moving back from a neutral baseline position, filmed from the side. His two-handed backhand contact is made around waist to mid-torso height with a slightly closed racket face and a compact, forward-directed swing path through the ball.
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2.9s |
BH Moves Back · Side #7
Guillermo Canas's backhand while moving back from the baseline, filmed from the side. From this angle you can see his firm two-handed grip with the dominant hand in a strong eastern backhand position and the non-dominant hand driving the stroke, while his wrists stay laid back through the loop and only uncoil slightly at contact.
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2.2s |
BH Running · Arm-action · Side #1
Guillermo Canas's running two-handed backhand from a neutral position, filmed from the side. His semi-western left-hand grip and firm right-hand support create a stable hitting structure, with visible wrist lag on the takeback that unwinds into a controlled, minimal wrist snap through contact.
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2.9s |
BH Running · Arm-action · Side #2
Guillermo Canas's running backhand from the side. His hips stay relatively closed to the net while his outside leg plants and drives, with a noticeable knee bend that loads before he pushes through the shot.
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2.5s |
BH Running · Side · Open #1
Guillermo Canas's running two-handed backhand in open stance from the baseline, filmed from the side. His compact grip structure is evident as both hands stay firmly on the handle with minimal grip change, and his wrists remain laid back through the swing before a late, controlled release at contact.
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3s |
BH Running · Side · Open #2
Guillermo Canas's running two-handed backhand in open stance from the baseline, filmed from the side. From this angle you can see his shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils ahead of the arms so the racquet lags and whips through contact.
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2.6s |
BH Running · Side · Open #3
Guillermo Canas's running two-handed backhand in open stance from the baseline, filmed from the side. From this angle you can see his shoulders rotate well past perpendicular to the net on the unit turn, then his trunk uncoils ahead of the arms so the racquet lags and whips through contact in sequence.
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3.1s |
BH Running · Side #1
Guillermo Canas's running two-handed backhand from a neutral baseline position, filmed from the side. The racket contacts the ball slightly in front of his lead hip with a closed racket face and a steep low-to-high swing path that accelerates the racket head through contact.
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2.6s |
BH Running · Side #10
Guillermo Canas's running two-handed backhand from a neutral court position, filmed from the side. His racket meets the ball slightly in front of his body with a closed racket face and a low-to-high swing path that accelerates quickly through contact.
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2.9s |
BH Running · Side #11
Guillermo Canas's running two-handed backhand from the baseline, filmed from the side. His follow-through finishes high with his weight transferring into the court, and he quickly brings both hands back toward his body to re-establish a compact ready position after contact.
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3s |
BH Running · Side #2
Guillermo Canas's running two-handed backhand from a neutral court position, filmed from the side. His compact grip structure is evident as the non-dominant left hand stays firm on the handle while the right wrist maintains a laid-back position into contact with only a subtle release after impact.
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3.5s |
BH Running · Side #3
Guillermo Canas's running two-handed backhand from a neutral baseline position, filmed from the side. His follow-through finishes high with the racket wrapping around his left shoulder as his weight carries forward into the court and he quickly resets his feet toward a ready position.
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3.1s |
BH Running · Side #4
Guillermo Canas's running backhand from the side, filmed from a side angle. His footwork features quick adjustment steps as he sprints laterally and plants into a semi-open stance before pushing off strongly to recover back toward the baseline.
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5.2s |
BH Running · Side #5
Guillermo Canas's running backhand from the side, filmed from a side angle. His hips stay relatively closed to the net as he loads off the outside leg, with a deep knee bend and strong lateral push driving him through the shot while still moving along the baseline.
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3.4s |
BH Running · Side #6
Guillermo Canas's running backhand from the side, filmed from a side angle. His footwork features quick adjustment steps as he runs laterally and sets into a slightly open stance, with a pronounced recovery step back toward the center after contact.
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2.9s |
BH Running · Side #7
Guillermo Canas's running backhand from the side, filmed from a side angle. His footwork features quick adjustment steps as he sprints laterally, then plants into a semi-open stance with a strong outside leg brace before recovering back toward the baseline.
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2.9s |
BH Running · Side #8
Guillermo Canas's running backhand from the baseline, filmed from the side. His footwork features a quick adjustment shuffle into a semi-open stance, with noticeable crossover recovery steps after contact to regain baseline position.
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2.9s |
BH Running · Side #9
Guillermo Canas's running backhand from the side, filmed from a side angle. His footwork features quick adjustment steps as he moves laterally and sets into a semi-open stance, with a pronounced recovery step pushing him back toward the center after contact.
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2.8s |
BH Short · Side #1
Guillermo Canas's backhand from the side, filmed from a side angle. His shoulders rotate as a single unit with the trunk into a deep coil on the backswing, then uncoil sequentially from hips to shoulders to arms, making the degree of upper-body rotation and timing easy to distinguish.
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2.9s |
BH Short · Side #2
Guillermo Canas's backhand from the side, filmed from a side angle. At contact his two-handed backhand meets the ball around waist height with a slightly closed racket face and a compact, forward-driving swing path through the hitting zone.
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2.9s |
BH Short · Side #3
Guillermo Canas's backhand from the baseline on the ad side, filmed from the side. His feet set in a neutral stance with a small adjustment step before contact and a clear recovery step back toward the center after the short ball.
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3.7s |
BH Short · Side #4
Guillermo Canas's backhand from the side, filmed from a side angle. His shoulders rotate well past perpendicular to the net on the takeback, then the trunk uncoils ahead of the arms so the torso leads the racket through contact.
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4.6s |
BH Short · Side #5
Guillermo Canas's backhand from the middle of the baseline, filmed from the side. His compact two-handed swing is supported by a neutral stance with small adjustment steps before contact and a quick recovery step that re-centers him on the baseline.
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4s |
BH Wide · Arm-action · Side #1
Guillermo Canas's backhand wide from the side. His two-handed grip stays compact with minimal wrist lag, and the non-dominant wrist stays firm through contact with only a slight, controlled release after impact.
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2.8s |
BH Wide · Arm-action · Side #2
Guillermo Canas's wide backhand from the side, filmed from a lateral court-level angle. His shoulders rotate early as he coils the trunk on the unit turn, then uncoil in sequence from hips to shoulders with the upper body staying closed toward the sideline through contact.
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3s |
BH Wide · Arm-action · Side #3
Guillermo Canas's wide backhand from the side, filmed from a side angle. After contact his follow-through wraps across his body while his weight continues moving toward the sideline, and he quickly brings both hands back toward the racket throat to re-form a compact ready position.
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2.6s |
BH Wide · Arm-action · Side #4
Guillermo Canas's wide backhand from the baseline, filmed from the side. His hips stay relatively closed as he loads with a deep knee bend on the outside leg, then drive through with a strong lateral push to reach the wide ball.
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3s |
BH Wide · Arm-action · Side #6
Guillermo Canas's wide backhand from the side. His shoulders rotate early to load the stroke, with a pronounced trunk coil that uncoils sequentially from hips to shoulders as he extends out to the wide ball.
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2.2s |
BH Wide · Arm-action · Side #7
Guillermo Canas's wide backhand from the side, filmed from a lateral court-level angle. His racket contacts the ball slightly in front of his lead hip with a closed racket face and a steep, low-to-high swing path that accelerates the racket head through contact.
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3.2s |
BH Wide · Arm-action · Side #8
Guillermo Canas's wide backhand from the baseline, filmed from the side. His two-handed grip stays firm with minimal grip change while his wrists remain laid back through the swing, then uncoil together into contact with a controlled, compact snap.
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2.7s |
BH Wide · Side · Closed #1
Guillermo Canas's wide backhand from a closed stance on the baseline, filmed from the side. From this angle his two-handed grip is firm with the dominant hand slightly under the handle, and you can see a pronounced wrist lag that unwinds into a compact, controlled wrist release through contact.
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3s |
BH Wide · Side · Closed #2
Guillermo Canas's wide backhand from the baseline, filmed from the side. His closed stance is clear as he steps across with his front foot, using a strong lateral push-off and recovery shuffle back toward the center after contact.
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2.6s |
BH Wide · Side · Closed #3
Guillermo Canas's wide backhand from a closed stance on the baseline, filmed from the side. After contact his two-handed follow-through finishes high across his body while his weight continues moving into the court, and he quickly brings both hands back toward the racket throat to re-establish a compact ready position.
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2.6s |
BH Wide · Leg-kick · Side
Guillermo Canas's wide backhand from the baseline, filmed from the side. The racket face stays relatively closed at contact with the ball struck around waist height, and the forward swing extends out toward the target before his legs kick back for recovery.
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3.2s |
BH Wide · Side · Neutral #1
Guillermo Canas's two-handed backhand from a wide ball in neutral stance, filmed from the side. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils ahead of the arms so the torso leads the racquet through contact.
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2.8s |
BH Wide · Side · Neutral #2
Guillermo Canas's backhand from a neutral stance on a wide ball, filmed from the side. His hips stay relatively closed to the net as he loads, with a deep knee bend and strong push off the outside leg to drive into the shot.
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3.2s |
BH Wide · Side · Neutral #3
Guillermo Canas's backhand from a wide position in a neutral stance, filmed from the side. The racket face is slightly closed at contact with the ball struck around waist height, and the two-handed swing path continues forward with noticeable racket head acceleration through the hitting zone.
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2.8s |
BH Wide · Side · Open #1
Guillermo Canas's backhand from an open stance on a wide ball, filmed from the side. From this angle you can see his firm two-handed grip with the non-dominant hand driving the racquet and the dominant wrist staying relatively quiet with minimal wrist snap through contact.
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3s |
BH Wide · Side · Open #2
Guillermo Canas's backhand from a wide position, filmed from the side. His open stance shows strong knee flexion on the outside leg with the hips staying relatively closed to the net before uncoiling through contact.
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2.8s |
BH Wide · Side · Open #3
Guillermo Canas's two-handed backhand from a wide position in an open stance, filmed from the side. His semi-western left-hand grip and firm right-hand support create a pronounced wrist lag on the takeback that gradually unwinds into a stable, laid-back wrist at contact.
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2.6s |
FH Drop Shot → FH Volley · Front
Guillermo Canas's forehand drop shot from the center court position, filmed from the front. His hips stay relatively square to the net while a pronounced knee bend and subtle push from the legs support a soft, controlled forward weight transfer into the ball.
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7.3s |
FH Drop Shot · Front #1
Guillermo Canas's forehand drop shot from the middle of the court, filmed from the front. His compact split step transitions quickly into a small adjustment hop and semi-open stance, with a short recovery step forward as he moves into the court after contact.
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3.2s |
FH Drop Shot · Front #2
Guillermo Canas's forehand drop shot from the center of the court, filmed from the front. He uses a compact adjustment step pattern into a semi-open stance, with a soft, abbreviated forward weight transfer and minimal recovery step after contact.
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3.2s |
FH Drop Shot · Front #3
Guillermo Canas's forehand drop shot from the middle of the court, filmed from the front. His shoulders rotate only minimally with a compact trunk coil, then gently uncoil as the racket comes under the ball, making the upper body stay relatively quiet through contact.
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2.7s |
FH Drop Shot · Rear #1
Guillermo Canas's forehand drop shot from the center of the baseline, filmed from a rear angle. After contact his racquet finishes low in front of his body with his non-hitting hand extending back for counterbalance as he lightly pushes forward and quickly recovers toward a compact ready position.
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3.4s |
FH Drop Shot · Rear #2
Guillermo Canas's forehand drop shot from the center of the baseline, filmed from a rear angle. His racket face is noticeably open at a low contact point below net height, with a short, decelerating swing path that creates a soft touch on the ball.
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2.4s |
FH Drop Shot · Rear #3
Guillermo Canas's forehand drop shot from the center of the baseline, filmed from a rear angle. After contact his racquet finishes softly out in front with his weight staying mostly on the front foot as he quickly brings both hands back toward a compact ready position.
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2.1s |
FH Drop Shot → BH Volley · Side
Guillermo Canas's forehand drop shot and backhand volley exchange from a neutral position, filmed from the side. His shoulders and trunk show a compact coil with minimal rotation on the drop shot, followed by a subtle, sequential uncoil through the torso that stays mostly vertical to keep the touch soft.
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6.6s |
FH Drop Shot → FH Volley · Side
Guillermo Canas's forehand drop shot from a neutral court position, filmed from the side. After contact his racquet finishes low in front of his body as he keeps his non-hitting hand slightly extended for balance and quickly regains a compact ready position with his weight settling forward.
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8s |
FH Drop Shot · Side #1
Guillermo Canas's forehand drop shot from the baseline, filmed from the side. From this angle you can see a relaxed eastern forehand grip with a softening of grip pressure and an early laid-back wrist that stays stable through contact to gently take pace off the ball.
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2.9s |
FH Drop Shot · Side #2
Guillermo Canas's forehand drop shot from a neutral baseline position, filmed from the side. The racket face is noticeably open at contact with the ball struck around waist height, and the short, decelerating swing path emphasizes a soft touch with minimal racket head speed.
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3.1s |
FH Drop Shot · Side #3
Guillermo Canas's forehand drop shot from a central baseline position, filmed from the side. The racket face is noticeably open at contact with the ball struck below net height, and the swing path shortens abruptly as the racket head decelerates in front of his body.
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3.7s |
FH Drop Shot · Side #4
Guillermo Canas's forehand drop shot from the baseline, filmed from the side. His semi-western forehand grip is paired with a very soft hand and a laid-back wrist that stays relaxed through contact to take pace off the ball.
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2.7s |
FH Drop Shot · Side #5
Guillermo Canas's forehand drop shot from the baseline, filmed from the side. His feet plant in a slightly open stance with a small adjustment step forward as he softens the swing, and there is minimal recovery movement as he stays near the baseline after contact.
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2.7s |
FH Drop Shot · Side #6
Guillermo Canas's forehand drop shot from the baseline, filmed from the side. His hips stay relatively closed with a pronounced knee bend and reduced leg drive, emphasizing a soft, compact motion rather than a full rotational weight transfer.
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3.4s |
FH Drop Shot · Side #7
Guillermo Canas's forehand drop shot from the baseline, filmed from the side. His knees are deeply flexed with a low center of gravity, and his hips stay relatively closed with only a small forward weight transfer off the back leg into the shot.
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3.7s |
FH Drop Shot · Side #8
Guillermo Canas's forehand drop shot from the baseline, filmed from the side. His shoulders rotate only minimally with a compact trunk coil, then uncoil softly as the kinetic chain decelerates early to take pace off the ball.
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3.1s |
First Serve · Ad · Body-rotation · Front #1
Guillermo Canas's first serve from the ad court, filmed from the front. His footwork shows a controlled pinpoint stance with a small hop into the trophy position and a clear front-leg drive into the court before landing on his left foot.
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2.7s |
First Serve · Ad · Body-rotation · Front #2
Guillermo Canas's first serve from the Ad court, filmed from the front. His continental grip is firm with minimal grip change during the motion, and you can see a pronounced wrist pronation through contact as the racket face squares to the target.
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2.7s |
First Serve · Ad · Front #1
Guillermo Canas's first serve from the ad court, filmed from the front. From this angle you can see a pronounced shoulder tilt with the tossing shoulder high and a delayed trunk uncoil that begins only after full racquet drop, emphasizing clear separation between upper body rotation and arm swing.
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2.8s |
First Serve · Ad · Front #2
Guillermo Canas's first serve from the Ad court, filmed from the front. From this angle you can see a pronounced shoulder tilt with the tossing shoulder higher and a delayed trunk uncoil that begins only after full racquet drop, emphasizing a clear separation between upper body rotation and the initial leg drive.
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2.6s |
First Serve · Ad · Front #3
Guillermo Canas's first serve from the Ad court, filmed from the front. His hips stay relatively closed through the toss with a deep knee bend, then drive upward as his back leg straightens to initiate hip rotation into the court.
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4.2s |
First Serve · Ad · Toss · Front #1
Guillermo Canas's first serve from the ad court, filmed from the front. His footwork features a measured pinpoint stance with the back foot drawing up to the front before a controlled vertical push into the court.
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2.7s |
First Serve · Deuce · Body-rotation · Front #1
Guillermo Canas's first serve from the deuce side, filmed from the front. His shoulders and trunk coil noticeably away from the target line during the toss, then uncoil in a sequenced rotation that brings the front shoulder down and across as the hitting arm accelerates.
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2.6s |
First Serve · Deuce · Body-rotation · Front #2
Guillermo Canas's first serve from the deuce court, filmed from the front. After contact he lets his hitting arm finish across his body while his back leg swings through so he can land balanced and settle quickly into a neutral ready position.
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2.6s |
First Serve · Deuce · Front #1
Guillermo Canas's first serve from the Deuce side, filmed from the front. His continental grip is firm with minimal grip change during the motion, and you can clearly see his wrist pronating through contact to direct the serve into the deuce box.
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3.8s |
First Serve · Deuce · Front #2
Guillermo Canas's first serve from the Deuce court, filmed from the front. His knees load deeply with a pronounced bend before driving upward, and his hips stay closed toward the net until just after contact when they unwind into the court.
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2.7s |
First Serve · Deuce · Toss · Front #1
Guillermo Canas's first serve from the deuce side, filmed from the front. From this angle you can see his continental grip stay firm while his wrist remains relatively quiet during the toss and then pronates late through contact.
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2.5s |
First Serve · Deuce · Toss · Front #2
Guillermo Canas's first serve from the deuce side, filmed from the front. From this angle you can see his continental grip stay firm while the wrist remains relatively neutral through the toss and initial motion, with only a slight pronation beginning as the racket moves up toward contact.
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2.7s |
First Serve · Ad · Body-rotation · Rear #1
Guillermo Canas's first serve from the ad court, filmed from a rear angle. His continental grip stays firm with minimal grip change while the wrist pronates aggressively through contact, creating a distinct snap as the racket accelerates up and across the ball.
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3s |
First Serve · Ad · Rear #1
Guillermo Canas's first serve from the Ad court, filmed from a rear angle. His footwork includes a small adjustment hop into a pinpoint stance before the toss, with a pronounced front-leg drive that lands him slightly inside the baseline for recovery.
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2.6s |
First Serve · Ad · Rear #2
Guillermo Canas's first serve from the Ad court, filmed from a rear angle. His footwork includes a measured pinpoint stance with the back foot drawing up to the front before an upward drive, and he lands slightly inside the baseline with a small recovery step preparing to move toward the backhand side.
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2.8s |
First Serve · Ad · Toss · Rear #1
Guillermo Canas's first serve from the Ad court, filmed from a rear angle. After contact he lets his hitting arm finish across his body while his back leg swings forward into the court, bringing him into a balanced, upright position ready for the next shot.
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3.9s |
First Serve · Ad · Toss · Rear #2
Guillermo Canas's first serve from the Ad court, filmed from a rear angle. After contact he lets his tossing arm drop as his weight moves into the court and he lands on his front foot, quickly bringing both hands back toward a neutral ready position.
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3.6s |
First Serve · Deuce · Body-rotation · Rear #1
Guillermo Canas's first serve from the deuce court, filmed from a rear angle. At contact his racket face is slightly tilted upward with the ball struck just above full extension, and the upward swing path produces noticeable racket head speed through the hitting zone.
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2.9s |
First Serve · Deuce · Body-rotation · Rear #2
Guillermo Canas's first serve from the deuce court, filmed from a rear angle. His hips load into a strong coil with a clear knee bend, then uncoil upward as his back leg drives through the court to initiate trunk rotation into the serve.
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2.9s |
First Serve · Deuce · Rear #1
Guillermo Canas's first serve from the deuce side, filmed from a rear angle. From this view you can clearly see his continental grip stay firm while his wrist pronates aggressively through contact, with the racket face turning outward after impact.
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2.7s |
First Serve · Deuce · Rear #2
Guillermo Canas's first serve from the deuce court, filmed from a rear angle. His legs load with a deep knee bend before driving upward, and his hips uncoil from a closed position into an open alignment toward the court during the swing.
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3s |
First Serve · Deuce · Toss · Rear #1
Guillermo Canas's first serve from the deuce side, filmed from a rear angle. His shoulder line rotates significantly away from the court during the toss, creating a pronounced trunk coil that then uncoils in sequence from hips to shoulders as he drives up into the serve.
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2.8s |
First Serve · Ad · Arm-action · Side #1
Guillermo Canas's first serve from the ad court, filmed from the side. His shoulder line turns significantly away from the net during the toss, creating a clear trunk coil that then uncoils in sequence from hips to shoulders as he drives up to contact.
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2.6s |
First Serve · Ad · Arm-action · Side #2
Guillermo Canas's first serve from the Ad court, filmed from the side. The side angle makes the upward racket acceleration and pronation at contact clear, with the racket face slightly tilted forward as it meets the ball at a height just above his outstretched tossing hand.
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2.9s |
First Serve · Ad · Arm-action · Side #3
Guillermo Canas's first serve from the Ad court, filmed from the side. His footwork shows a controlled platform stance with minimal leg drive, keeping his back foot grounded through the loading phase before a short forward step into the court.
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3.1s |
First Serve · Ad · Arm-action · Side #4
Guillermo Canas's first serve from the Ad court, filmed from the side. The side view makes it easy to see his racket dropping deep into the backscratch position before driving up to contact at full extension with a slightly closed racket face.
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3.1s |
First Serve · Ad · Body-rotation · Side #1
Guillermo Canas's first serve from the Ad court, filmed from the side. His shoulders turn well past 90 degrees relative to the baseline, creating a pronounced trunk coil that uncoils sequentially from hips through torso to shoulder before arm acceleration.
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3.1s |
First Serve · Ad · Leg-action · Side #1
Guillermo Canas's first serve from the Ad court, filmed from the side. His shoulder line rotates well past perpendicular to the baseline on the trophy phase, then the trunk uncoils ahead of the arm swing, showing a clear separation between hip and shoulder rotation.
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2.8s |
First Serve · Ad · Leg-action · Side #2
Guillermo Canas's first serve from the Ad court, filmed from the side. His footwork shows a deliberate pinpoint stance with the back foot drawing up to the front foot before driving up into the court and landing well inside the baseline for recovery.
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3.2s |
First Serve · Ad · Side #1
Guillermo Canas's first serve from the Ad side, filmed from the side. His footwork includes a measured platform stance with a controlled knee bend, and from this angle you can clearly see his front foot pivot and weight transfer into the court as he drives up to the ball.
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4.2s |
First Serve · Ad · Side #2
Guillermo Canas's first serve from the Ad side, filmed from the side. After contact he lands on his front (left) leg with his hitting arm finishing across his body while his non-hitting arm drops to help him transition quickly back toward a neutral ready position.
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2.7s |
First Serve · Ad · Side #3
Guillermo Canas's first serve from the Ad side, filmed from the side. The racket contacts the ball at full extension slightly in front of his body with a clearly pronated racket face driving up and into the court.
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3.1s |
First Serve · Ad · Side #4
Guillermo Canas's first serve from the Ad side, filmed from the side. His shoulders rotate well past perpendicular to the baseline in the trophy position, then the trunk uncoils sequentially from hips through shoulders into the upward swing.
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3.2s |
First Serve · Ad · Toss · Side #1
Guillermo Canas's first serve from the Ad court, filmed from the side. The racket moves up to contact with a slightly closed face at a contact point just above head height, showing a steep upward swing path and accelerating racket head through the ball.
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3.1s |
First Serve · Ad · Toss · Side #2
Guillermo Canas's first serve from the ad court, filmed from the side. His deep knee bend and strong upward leg drive are clearly visible as his hips stay closed through the toss and then rotate into the court during the swing.
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2.6s |
First Serve · Deuce · Arm-action · Side #1
Guillermo Canas's first serve from the deuce court, filmed from the side. After contact he lets his hitting arm decelerate across his body while his back leg swings forward into the court, bringing him into a balanced ready position for the next shot.
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4.3s |
First Serve · Deuce · Arm-action · Side #2
Guillermo Canas's first serve from the deuce court, filmed from the side. His hips load with a pronounced knee bend before driving upward, with the back leg extending strongly as the hips uncoil into the court.
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2.8s |
First Serve · Deuce · Arm-action · Side #3
Guillermo Canas's first serve from the deuce side, filmed from a side angle. The racket moves upward on a steep swing path with a slightly closed face at contact, meeting the ball at a point clearly above his fully extended tossing arm.
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2.1s |
First Serve · Deuce · Arm-action · Side #4
Guillermo Canas's first serve from the Deuce side, filmed from a side angle. His continental grip is paired with a pronounced wrist pronation through contact, with the racket head clearly turning outward as his forearm rotates.
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3.3s |
First Serve · Deuce · Leg-action · Side #1
Guillermo Canas's first serve from the deuce court, filmed from the side. After contact he lands on his front leg with his back leg kicking through behind him and quickly brings both hands back toward a compact ready position.
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2.5s |
First Serve · Deuce · Leg-action · Side #2
Guillermo Canas's first serve from the deuce side, filmed from the side. His deep knee bend and strong upward leg drive into the court are clearly visible, along with his hips uncoiling from a loaded, closed position into a more open alignment at contact.
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2.9s |
First Serve · Deuce · Side #1
Guillermo Canas's first serve from the deuce court, filmed from the side. His shoulder line turns significantly away from the net during the trophy phase, with a pronounced trunk coil that uncoils sequentially from hips to shoulders into contact.
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2.8s |
First Serve · Deuce · Side #001
Guillermo Canas's first serve from the deuce court, filmed from the side. From this angle you can see his continental grip stay firm while his wrist pronates aggressively through contact to drive the serve.
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2.7s |
First Serve · Deuce · Side #2
Guillermo Canas's first serve from the deuce side, filmed from the side. After contact he drives his weight into the court with his back leg kicking up and then quickly regathers his stance to move into a neutral ready position for the next shot.
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2.7s |
First Serve · Deuce · Side #001
Guillermo Canas's first serve from the deuce side, filmed from the side. The racket contacts the ball slightly in front of his body with a closed racket face and a pronounced upward swing path that accelerates rapidly through impact.
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2.9s |
First Serve · Deuce · Side #3
Guillermo Canas's first serve from the deuce side, filmed from the side. His footwork shows a measured stance with a controlled knee bend and a small forward drive off the back leg into the court before landing on his front foot.
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3.1s |
First Serve · Deuce · Side #4
Guillermo Canas's first serve from the deuce court, filmed from the side. At contact his racket face is nearly vertical with a slightly closed angle, meeting the ball just above head height as the racket accelerates steeply upward along the right side of his body.
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2.6s |
First Serve · Deuce · Side #5
Guillermo Canas's first serve from the deuce court, filmed from the side. From this angle you can clearly see his continental grip stay firm while his wrist pronates aggressively through contact to direct the serve into the box.
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2.7s |
First Serve · Deuce · Side #6
Guillermo Canas's first serve from the deuce side, filmed from the side. His hips load by turning away from the court as his back knee flexes deeply, then his legs drive upward together to uncoil the hips into contact.
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2.9s |
FH Wide · Open #1
Guillermo Canas's forehand from a wide position, filmed from the front. His open stance is clear as he plants his outside foot first, then uses small adjustment steps to load on the right leg before rotating through the shot.
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2.2s |
FH Wide · Open #3
Guillermo Canas's forehand from a wide ball in an open stance, filmed from the front. His semi-western grip is evident with the racket face slightly closed, and the front view makes the early wrist lag and controlled forearm pronation through contact clearly visible.
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2.6s |
FH Wide · Open #2
Guillermo Canas's forehand from a wide position in the deuce court with an open stance, filmed from the side. His semi-western grip is evident with a pronounced wrist lag on the racquet head that releases into a subtle forward wrist pronation through contact.
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2.7s |
FH Wide · Open #4
Guillermo Canas's forehand from a wide position in an open stance, filmed from the side. His shoulders rotate well past perpendicular to the net on the backswing before the trunk uncoils ahead of the arm, showing clear separation between hip and shoulder rotation through contact.
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3s |
FH Wide · Open #7
Guillermo Canas's forehand from a wide position on the baseline, filmed from the side. His follow-through finishes high across his body with his weight staying mostly on the outside leg before he recovers back toward a neutral ready position.
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3s |
FH Wide · Open #8
Guillermo Canas's wide forehand from an open stance on the baseline, filmed from the side. After contact he lets the racquet wrap high across his body while his weight continues moving toward the sideline, then quickly drops the racquet and brings both hands in front to re-establish a compact ready position.
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2.7s |
FH Inside In · Court-level-front
Guillermo Canas's forehand InsideIn from the center of the court, filmed from a court_level front angle. His hips stay relatively closed through the load with a deep knee bend, then unwind as his legs drive upward and forward into the court.
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2.8s |
FH Center Cross Court · Front
Guillermo Canas's forehand from the center of the court, filmed from the front. At contact his racket face is slightly closed with the ball meeting the strings around waist height, and the forward swing path drives low to high with noticeable racket head acceleration through the hitting zone.
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2.6s |
FH Center Down The Line · Front #1
Guillermo Canas's forehand from the center of the court, filmed from the front. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils in sequence with a noticeable delay between hip rotation and the shoulders catching up through contact.
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2.6s |
FH Center Down The Line · Front #2
Guillermo Canas's forehand from the center of the court, hit down the line, filmed from a front angle. From this view, his semi-western grip and firm but relaxed wrist lag into contact are evident, with a pronounced wrist release as the racquet accelerates through the hitting zone.
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2.4s |
FH Center · Front #1
Guillermo Canas's forehand from the center of the court, filmed from the front. His shoulders rotate as a unit with a pronounced trunk coil on the takeback, then uncoil sequentially from hips to shoulders so that the chest finishes facing the target at the end of the swing.
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2.7s |
FH Center · Front #2
Guillermo Canas's forehand from the center of the court, filmed from a front angle. At contact his racket face is only slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward along a low-to-high path through the hitting zone.
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2.4s |
FH Center · Front #3
Guillermo Canas's forehand from the center of the court, filmed from a front angle. His semi-western forehand grip is paired with noticeable wrist lag on the takeback that unwinds into a firm, stable wrist at contact.
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2.7s |
FH Center · Front · Neutral
Guillermo Canas's forehand from the center of the baseline in a neutral stance, filmed from the front. His hips stay relatively closed through the loading phase with a noticeable knee bend, then unwind in sync with a strong push off the legs into the shot.
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2.9s |
FH Center · Front · Open
Guillermo Canas's forehand from the center of the baseline in an open stance, filmed from the front. His semi-western forehand grip is paired with a pronounced wrist lag on the forward swing that releases into a controlled pronation through contact.
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2.7s |
FH Inside In · Arm-action · Front #1
Guillermo Canas's forehand from a central position, filmed from the front. His shoulders rotate well past perpendicular to the net on the unit turn, then uncoil in sync with a strong trunk rotation that continues through contact into a full, across-body finish.
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2.8s |
FH Inside In · Arm-action · Front #2
Guillermo Canas's forehand from the center of the baseline, filmed from a front angle. His compact split step leads into a small adjustment hop and a semi-open stance, with quick recovery steps bringing him back toward a neutral position on the baseline.
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2.6s |
FH Inside In · Front #1
Guillermo Canas's forehand inside-in from the center of the baseline, filmed from the front. After contact his follow-through finishes high across his body with his weight moving into the court, and he quickly resets both hands on the racquet in a neutral ready position.
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2.3s |
FH Inside In · Front #2
Guillermo Canas's forehand InsideIn from the baseline, filmed from the front. His split-step is followed by a quick pivot into an open stance, with small adjustment steps to line up the ball before a balanced recovery back toward the center.
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2.5s |
FH Inside In · Front #3
Guillermo Canas's forehand InsideIn from the baseline, filmed from the front. His compact split step into an open stance is followed by a controlled lateral push off the outside leg, with small recovery steps preparing him to move back toward the center.
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2.9s |
FH Inside In · Front #4
Guillermo Canas's forehand from the center of the court, filmed from a front angle. His shoulders and trunk coil noticeably away from the target before uncoiling in sequence, with the hips initiating the forward turn followed closely by a pronounced shoulder rotation through contact.
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2.8s |
FH Inside In · Front #5
Guillermo Canas's forehand InsideIn from the center of the baseline, filmed from the front. After contact his racquet finishes high across his body while his weight moves into the court, and he quickly resets both hands on the racquet in a compact ready position.
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3s |
FH Inside In · Front #6
Guillermo Canas's forehand InsideIn from the center court area, filmed from the front. After contact his follow-through finishes high across his body as his weight moves into the court and his non-hitting hand extends back to help him recover into a ready position.
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3.5s |
FH Inside In · Front #7
Guillermo Canas's forehand InsideIn from the center of the baseline, filmed from the front. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward along a low-to-high path.
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2.4s |
FH Inside In · Front #8
Guillermo Canas's forehand InsideIn from the baseline, filmed from the front. The racket face is slightly closed at a contact point around waist to mid-torso height, with the racket head accelerating steeply upward through the ball for heavy topspin.
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2.4s |
FH Inside In · Front #9
Guillermo Canas's forehand InsideIn from the baseline, filmed from the front. After contact his follow-through wraps fully across his body with his non-hitting hand settling near his torso as he transfers weight forward and quickly resets into a compact ready position.
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3s |
FH Inside In · Front · Neutral
Guillermo Canas's forehand from a neutral stance, filmed from the front. His shoulders rotate as a unit with a noticeable trunk coil on the turn, then uncoil in sequence so the torso leads the arm into contact.
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3s |
FH Inside Out · Arm-action · Front #1
Guillermo Canas's forehand InsideOut from the center of the court, filmed from the front. His follow-through finishes high across his body while his non-hitting hand extends back for counterbalance before he quickly resets into a neutral ready position.
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3.3s |
FH Inside Out · Arm-action · Front #2
Guillermo Canas's forehand from the center of the court, filmed from a front angle. After contact his follow-through finishes high across his body while his non-hitting hand extends back for counterbalance before he quickly squares his stance into a compact ready position.
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2.6s |
FH Inside Out · Front #1
Guillermo Canas's forehand InsideOut from the center of the baseline, filmed from the front. His semi-western grip is evident with a laid-back wrist creating clear lag on the racquet head before it whips forward into contact.
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3.1s |
FH Inside Out · Front #2
Guillermo Canas's forehand from the center of the court, filmed from the front. His hips stay relatively closed through the loading phase with a pronounced knee bend, then unwind in sync with a strong push off the right leg into the shot.
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3s |
FH Inside Out · Front #3
Guillermo Canas's forehand InsideOut from the center of the baseline, filmed from the front. His follow-through finishes high across his body while his non-hitting hand extends back for counterbalance before he recovers into a compact ready position.
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2.4s |
FH Inside Out · Front #4
Guillermo Canas's forehand InsideOut from the center of the baseline, filmed from the front. After contact his follow-through finishes high across his body while his weight continues moving into the court, and he quickly brings both hands back to a neutral ready position.
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2.4s |
FH Inside Out · Front #5
Guillermo Canas's forehand inside-out from the center of the court, filmed from the front. At contact his racket face is only slightly closed with the ball struck around waist to mid-torso height, and the racket head accelerates steeply upward along an inside-out path.
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3.3s |
FH Inside Out · Front #6
Guillermo Canas's forehand InsideOut from the baseline, filmed from the front. His compact split step into a semi-open stance is followed by small adjustment steps before contact and a quick recovery shuffle back to his ready position.
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3.1s |
FH Inside Out · Front #7
Guillermo Canas's forehand InsideOut from the center baseline, filmed from the front. His contact point is slightly in front of his lead hip with the racket face moderately closed, and the racket head accelerates on a low-to-high path producing heavy topspin.
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3.4s |
FH Inside Out · Front #8
Guillermo Canas's forehand from the middle of the court, filmed from the front. His contact point is well in front of his body with the racket face slightly closed, and the swing path accelerates upward and across his body for the inside-out direction.
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2.3s |
FH Inside Out · Front · Neutral #1
Guillermo Canas's forehand from a neutral stance, filmed from the front. His semi-western forehand grip is evident with a pronounced wrist lag on the racquet head before it snaps forward into contact.
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2.5s |
FH Inside Out · Front · Neutral #2
Guillermo Canas's forehand inside-out from a neutral stance, filmed from the front. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates upward on a low-to-high path for heavy topspin.
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2.9s |
FH Running · Arm-action · Front #1
Guillermo Canas's running forehand from the center of the court, filmed from the front. His semi-western grip is easy to see as his wrist stays laid back through the forward swing before a late, relaxed release after contact.
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3s |
FH Running · Arm-action · Front #2
Guillermo Canas's forehand while running from a central baseline position, filmed from the front. His hurried footwork into the shot leads to an open stance with a pronounced last adjustment step before contact and a quick crossover recovery toward the center.
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2.8s |
FH Running · Front #1
Guillermo Canas's running forehand from the center of the court, filmed from the front. His hips stay relatively closed as he sprints forward, with a pronounced knee bend on the outside leg that loads before he drives up and across into the shot.
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2.9s |
FH Running · Front #2
Guillermo Canas's running forehand from the center of the court, filmed from the front. His semi-western forehand grip is evident with the racquet laid back and a pronounced wrist lag that unwinds into a strong pronation through contact.
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2.7s |
FH Running · Front #3
Guillermo Canas's running forehand from the center of the court, filmed from the front. His semi-western grip is clearly visible with a pronounced wrist lag on the forward swing that releases into a firm, stable wrist at contact.
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2.7s |
FH Running · Front #4
Guillermo Canas's running forehand from the center of the court, filmed from the front. After contact his follow-through finishes high across his body while his weight continues moving forward, and he quickly repositions his feet into a balanced ready stance for the next shot.
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2.6s |
FH Running · Front #5
Guillermo Canas's running forehand from the center of the court, filmed from the front. His hips stay relatively closed as he sprints forward, with a pronounced knee bend on the outside leg before pushing up into contact.
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2.8s |
FH Running · Front #6
Guillermo Canas's running forehand from the center of the court, filmed from the front. After contact his follow-through finishes high across his body while his non-hitting hand extends back for counterbalance before he regains a neutral ready position.
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3s |
FH Running · Front #7
Guillermo Canas's running forehand from the center of the court, filmed from the front. His hips stay relatively closed as he drives forward, with a deep right-knee bend and strong push-off from the outside leg to chase the ball on the run.
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2.8s |
FH Running · Front #8
Guillermo Canas's running forehand from the center of the court, filmed from the front. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward along a low-to-high path.
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2s |
FH Short · Front #1
Guillermo Canas's forehand from the center court position, filmed from the front. His hips stay relatively closed at the start with a deep knee bend, then unwind as his legs drive upward and forward into the ball.
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4.6s |
FH Short · Front #2
Guillermo Canas's forehand from the middle of the court, filmed from the front. His follow-through finishes high across his body while his non-hitting hand quickly returns to the racket throat as he resets into a balanced ready position.
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3.6s |
FH Wide Cross Court · Front #1
Guillermo Canas's forehand from a wide court position, filmed from the front. His footwork includes a quick adjustment shuffle into an open stance followed by a pronounced recovery step back toward the center after contact.
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3.4s |
FH Wide Cross Court · Front #2
Guillermo Canas's forehand from a wide position, filmed from the front. The racket face is slightly closed at a contact point around waist to mid-torso height, with the racket head accelerating low to high along a clear inside-out swing path.
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2.7s |
FH Wide Down The Line · Front #1
Guillermo Canas's forehand from a wide position, filmed from the front. His hips stay relatively closed as he loads with a deep knee bend on the outside leg before driving up and out toward the wide ball.
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2.3s |
FH Wide Down The Line · Front #2
Guillermo Canas's forehand from a wide position, filmed from the front. From this angle you can clearly see his semi-western grip setting up early with a pronounced wrist lag that unwinds into a firm but not exaggerated wrist snap through contact.
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2.5s |
FH Wide · Front
Guillermo Canas's forehand from a wide position, filmed from the front. His split step leads into a quick lateral push-off and open-stance setup, followed by a crossover recovery step back toward the center.
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2.6s |
FH Wide · Front · Open #1
Guillermo Canas's forehand from the Deuce side, filmed from the front. His open-stance contact is made around waist height with the racket face slightly closed, and the racket head accelerates on a low-to-high path that finishes across his body.
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2.7s |
FH Wide · Front · Open #2
Guillermo Canas's wide forehand from the center in an open stance, filmed from the front. His shoulders rotate significantly past his hips on the unit turn, then the trunk uncoils ahead of the arm swing, making the separation and sequencing through contact easy to see from this angle.
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2.8s |
FH Wide · Front · Open #3
Guillermo Canas's forehand from a wide position in the deuce court, filmed from the front. His racket contacts the ball slightly in front of his body with the racket face moderately closed, and the swing path accelerates low to high with noticeable racket head speed through contact.
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2.3s |
FH Wide · Front · Open #4
Guillermo Canas's forehand from a wide position on the baseline, filmed from the front. His contact point is well in front of his body with the racket face slightly closed, and the racket head accelerates upward on a steep low-to-high path.
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2.2s |
FH Wide · Front · Open #5
Guillermo Canas's wide forehand from the front, hit from an open stance. From this angle you can clearly see his shoulders staying turned longer than his hips during the unit turn, then the trunk uncoiling ahead of the arm to start the forward swing.
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2.6s |
FH Center Cross Court · Rear
Guillermo Canas's forehand from the center of the court, filmed from a rear angle. His footwork includes a small hop into a split-step followed by a couple of adjustment shuffles into a semi-open stance before rotating into the forehand.
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2.6s |
FH Center · Rear · Open
Guillermo Canas's forehand from the center of the court in an open stance, filmed from a rear angle. At contact his racket face is slightly closed with the ball meeting the strings around waist to mid-torso height, and the swing path accelerates low to high with notable racket head speed through the contact zone.
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2.5s |
FH Inside In · Rear #1
Guillermo Canas's forehand InsideIn from the center of the baseline, filmed from a rear angle. After contact his follow-through wraps high across his body while his weight transfers into the court, and he quickly brings both hands back toward a compact ready position for the next shot.
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2.8s |
FH Inside In · Rear #2
Guillermo Canas's forehand InsideIn from the baseline, filmed from a rear angle. His feet set up in a mostly neutral stance with a small adjustment step just before contact, followed by a quick recovery shuffle back toward the center.
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2.7s |
FH Inside In · Rear #3
Guillermo Canas's forehand InsideIn from the center of the baseline, filmed from a rear angle. At contact his racket face is only slightly closed with the ball struck around waist to chest height, and the racket head accelerates low to high along an inside-out swing path before wrapping over his shoulder.
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2.8s |
FH Inside In · Rear #4
Guillermo Canas's forehand Inside In from the rear. His semi-western grip is evident with a clear wrist lag on the forward swing that releases into a subtle pronation through contact.
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2s |
FH Inside In · Rear #5
Guillermo Canas's forehand Inside-In from the rear. His hips stay relatively closed through the loading phase with a deep knee bend, then unwind late as his right leg drives up and into the court.
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3s |
FH Inside Out · Rear · Neutral
Guillermo Canas's forehand from a neutral stance, filmed from a rear angle. His shoulders rotate well past perpendicular to the net on the unit turn, then his trunk uncoils in sequence with the hips leading and the shoulders following through the inside-out swing path.
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2.9s |
FH Inside Out · Rear #1
Guillermo Canas's forehand InsideOut from the center of the baseline, filmed from a rear angle. His contact point is slightly in front of his body with the racket face moderately closed, and the swing path accelerates low to high with noticeable racket head speed through contact.
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2.7s |
FH Inside Out · Rear #2
Guillermo Canas's forehand InsideOut from the center of the baseline, filmed from a rear angle. His semi-western grip is evident with a pronounced wrist lag on the takeback that unwinds into a controlled, late wrist release through contact.
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2.5s |
FH Inside Out · Rear #3
Guillermo Canas's forehand InsideOut from the baseline, filmed from a rear angle. His footwork features a small adjustment hop into an open stance followed by a couple of quick recovery steps that return him toward the center after contact.
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3.3s |
FH Inside Out · Rear #4
Guillermo Canas's forehand InsideOut from the baseline, filmed from a rear angle. His footwork features a small adjustment hop into an open stance, followed by a quick recovery shuffle back toward the center after contact.
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3s |
FH Running · Rear #1
Guillermo Canas's running forehand from the rear court position, filmed from a rear angle. His shoulders rotate well past perpendicular to the baseline on the unit turn, then his trunk uncoils sequentially from hips through shoulders as he drives through the ball while still moving laterally.
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2.6s |
FH Running · Rear #2
Guillermo Canas's running forehand from the rear. His footwork features a quick split step into long lateral strides and a predominantly open stance, with a pronounced crossover recovery step back toward the center after contact.
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2.5s |
FH Running · Rear #3
Guillermo Canas's running forehand from the deuce side, filmed from a rear angle. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates up and across his body on a low-to-high path.
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2.5s |
FH Running · Rear #4
Guillermo Canas's running forehand from the center of the court, filmed from a rear angle. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward on a low-to-high path for heavy topspin.
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2.9s |
FH Short · Rear #1
Guillermo Canas's forehand from the center of the baseline, filmed from a rear angle. At contact his racket face is slightly closed with the ball meeting the strings around waist height, and the racket head accelerates steeply upward along a low-to-high swing path.
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3.1s |
FH Short · Rear #2
Guillermo Canas's forehand from a central baseline position, filmed from a rear angle. His semi-western grip is evident in the closed racket face on the takeback, with a pronounced wrist lag that unwinds into a late, sharp pronation through contact.
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3s |
FH Short · Rear #3
Guillermo Canas's forehand from the center of the baseline, filmed from a rear angle. His footwork includes a small adjustment hop into a semi-open stance before contact, followed by a couple of quick recovery steps back toward the middle.
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2.6s |
FH Wide Down The Line · Rear #1
Guillermo Canas's forehand from a wide position, filmed from a rear angle. His semi-western grip is evident with a pronounced wrist lag on the forward swing that releases into a firm, stable wrist at contact.
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2.5s |
FH Wide Down The Line · Rear #2
Guillermo Canas's forehand from a wide position, filmed from a rear angle. From this view his semi-western grip is evident with pronounced wrist lag on the takeback that unwinds into a controlled pronation through contact.
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2.4s |
FH Wide · Rear · Open #1
Guillermo Canas's forehand from a wide position on the deuce side, filmed from a rear angle. After contact he finishes with a high wrap-around follow-through while his weight stays mostly on the outside leg before he recovers back toward the center in a compact ready position.
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2.6s |
FH Wide · Rear · Open #2
Guillermo Canas's forehand from a wide position, filmed from a rear angle. His shoulders and trunk show a pronounced coil with the chest turning well past perpendicular to the net before uncoiling in sequence from hips to shoulders through contact.
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2.8s |
FH Center · Arm-action · Side #1
Guillermo Canas's forehand from the center of the baseline, filmed from the side. After contact his racquet wraps fully across his body while his non-hitting hand stays back for counterbalance, and he quickly re-centers his stance into a compact ready position.
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2.7s |
FH Center · Arm-action · Side #2
Guillermo Canas's forehand from the center of the baseline, filmed from the side. His hips stay relatively closed through the loading phase with a deep knee bend, then unwind as his legs drive upward and forward into the shot.
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2.9s |
FH Center · Arm-action · Side #3
Guillermo Canas's forehand from the center of the baseline, filmed from the side. The side angle makes it clear that his racket face is slightly closed at a contact point around waist height, with the racket head accelerating low-to-high through the ball.
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3.1s |
FH Center · Arm-action · Side #4
Guillermo Canas's forehand from the center of the baseline, filmed from the side. His footwork features a small adjustment hop into a semi-open stance, with a clear right-foot pivot and balanced recovery step back toward the ready position.
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2.7s |
FH Center · Arm-action · Side #5
Guillermo Canas's forehand from the center of the baseline, filmed from the side. His feet plant in a neutral stance with a small adjustment step before contact, and he uses a compact recovery step forward to get ready for the next shot.
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3s |
FH Center · Arm-action · Side #6
Guillermo Canas's forehand from center court, filmed from the side. His shoulders load with a deep coil relative to his hips before uncoiling in a clearly sequenced trunk rotation that drives the arm through contact.
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2.8s |
FH Center · Side · Open #1
Guillermo Canas's forehand from the center of the court in an open stance, filmed from the side. After contact his follow-through wraps across his body with his weight transferring onto his front leg as he quickly brings both hands back toward a neutral ready position.
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3s |
FH Center · Side · Open #2
Guillermo Canas's forehand from the center of the court in an open stance, filmed from the side. His follow-through wraps across his body with his weight transferring onto his front leg, and he quickly brings both hands back toward a neutral ready position after contact.
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2.9s |
FH Center · Side · Open #3
Guillermo Canas's forehand from the center of the baseline in an open stance, filmed from the side. His footwork includes a small adjustment hop into an open stance followed by a quick recovery step back toward the center after contact.
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3s |
FH Center · Side · Open #4
Guillermo Canas's forehand from the center of the court in an open stance, filmed from the side. His hips stay relatively open toward the net as he loads on a deep knee bend, then drive upward through the legs to initiate rotation into the ball.
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2.9s |
FH Center · Side · Open #5
Guillermo Canas's forehand from the center of the court in an open stance, filmed from the side. His shoulders rotate well past perpendicular to the net on the unit turn, then his trunk uncoils ahead of the arm swing so the torso leads the racquet into contact.
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2.3s |
FH Center · Side · Open #6
Guillermo Canas's forehand from the center of the court in an open stance, filmed from the side. His hips stay relatively closed during the loading phase with a pronounced knee bend, then unwind as his legs drive upward and forward into the ball.
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2s |
FH Center · Side · Open #7
Guillermo Canas's forehand from the center of the court in an open stance, filmed from the side. His shoulders rotate well past perpendicular to the net on the backswing and then uncoil in sequence with the trunk leading the arm, making the torso rotation the primary driver of racket acceleration.
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2.8s |
FH Center · Side · Open #8
Guillermo Canas's forehand from the center of the court, filmed from the side. His open stance is clear as his feet stay mostly parallel to the baseline with a strong load on the outside leg before he uncoils and takes a small recovery step back toward his ready position.
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2.8s |
FH Center · Side #1
Guillermo Canas's forehand from the center of the court, filmed from the side. His racket contacts the ball slightly in front of his lead hip with a moderately closed racket face and a low-to-high swing path that accelerates the racket head through contact.
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2.9s |
FH Center · Side #2
Guillermo Canas's forehand from the center of the court, filmed from the side. After contact he extends his racquet forward with his weight transferring into the court, then quickly brings both hands back toward his torso to reset into a compact ready position.
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2.3s |
FH Center · Side #3
Guillermo Canas's forehand from the center of the court, filmed from the side. His footwork features a small adjustment hop into a neutral stance before contact, followed by a quick recovery step that brings him back toward his baseline position.
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2.9s |
FH Center · Side #4
Guillermo Canas's forehand from the center of the court, filmed from the side. His semi-western grip is evident with a pronounced wrist lag on the takeback that unwinds into a controlled, late wrist release through contact.
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2.7s |
FH Center · Side #5
Guillermo Canas's forehand from the center of the baseline, filmed from the side. His hips stay relatively closed during the unit turn with a deep knee bend, then unwind as his legs drive upward through contact to extend his hitting side.
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2.7s |
FH Center · Side #6
Guillermo Canas's forehand from the center of the court, filmed from the side. His follow-through wraps across his body with his weight moving into the court, and he quickly returns the racquet to a neutral position in front of him to recover for the next shot.
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2.7s |
FH Center · Side #7
Guillermo Canas's forehand from the center of the court, filmed from the side. His shoulders load with a pronounced upper-body coil against the hips, then uncoil in sequence so the trunk rotation clearly leads the arm swing through contact.
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2s |
FH Center · Side #8
Guillermo Canas's forehand from the center of the baseline, filmed from the side. His hips stay closed through the loading phase with a deep knee bend, then unwind together with a strong upward leg drive that extends fully through contact.
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2.7s |
FH Inside In · Arm-action · Side #1
Guillermo Canas's forehand from an inside-in position, filmed from the side. His shoulders load with a marked coil against the hips before uncoiling in sync with trunk rotation, making the degree of upper-body turn and its sequencing through contact easy to distinguish.
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2.9s |
FH Inside In · Arm-action · Side #2
Guillermo Canas's forehand InsideIn from a neutral baseline position, filmed from the side. His follow-through finishes high across his body with the non-hitting hand counterbalancing behind him before he quickly regains a compact ready position.
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2.4s |
FH Inside In · Arm-action · Side #3
Guillermo Canas's forehand inside-in from a neutral baseline position, filmed from the side. His shoulders rotate well past 90 degrees in the unit turn, then the trunk uncoils ahead of the arm so the hitting shoulder and chest lead the racquet into contact.
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2.6s |
FH Inside In · Side #1
Guillermo Canas's forehand Inside-In from the center of the court, filmed from the side. His semi-western grip is paired with a noticeable wrist lag on the forward swing that unwinds into a firm, stable wrist position at contact.
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2.8s |
FH Inside In · Side #10
Guillermo Canas's forehand InsideIn from the center, filmed from the side. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils ahead of the arm swing so the hitting shoulder lags briefly behind the torso before contact.
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2.7s |
FH Inside In · Side #2
Guillermo Canas's forehand InsideIn from the side, filmed from a side angle. His semi-western grip is evident in the closed racket face, with a pronounced wrist lag that unwinds into a firm but controlled wrist snap through contact.
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3s |
FH Inside In · Side #3
Guillermo Canas's forehand Inside-In from the side, filmed from a side angle. His hips stay closed through the loading phase with a deep knee bend, then rotate aggressively as his rear leg drives forward into the court.
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2.5s |
FH Inside In · Side #4
Guillermo Canas's forehand Inside-In from the Deuce side, filmed from a side angle. His hips stay closed through the loading phase with a deep knee bend, then unwind as his rear leg drives forward into the court.
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3.4s |
FH Inside In · Side #5
Guillermo Canas's forehand InsideIn from the baseline, filmed from the side. His feet set in a neutral-to-slightly-open stance with a small adjustment hop into contact and a quick crossover recovery step back toward the center.
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3.3s |
FH Inside In · Side #6
Guillermo Canas's forehand Inside-In from the deuce side, filmed from the side. His shoulders coil well past perpendicular to the net before contact, with a noticeable sequential uncoiling of trunk and shoulders leading the arm through the Inside-In swing path.
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3.2s |
FH Inside In · Side #7
Guillermo Canas's forehand Inside-In from the Deuce side, filmed from the side. The contact point is slightly in front of his lead hip with the racket face moderately closed, and the swing path accelerates low to high with noticeable racket head speed through contact.
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2.5s |
FH Inside In · Side #8
Guillermo Canas's forehand hit Inside-In from the center of the court, filmed from the side. His semi-western grip is evident with a pronounced wrist lag on the racquet head that unwinds into a firm, stable wrist at contact.
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2.8s |
FH Inside In · Side #9
Guillermo Canas's forehand Inside-In from the side, filmed from a side angle. His semi-western grip is evident with the racket face closed and a pronounced wrist lag that releases into a controlled pronation through contact.
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3s |
FH Inside Out · Arm-action · Side #1
Guillermo Canas's forehand from a neutral baseline position, filmed from the side. His semi-western grip is evident in the closed racket face during the lag phase, with a pronounced wrist laid-back position that unwinds into a controlled pronation through contact.
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3.3s |
FH Inside Out · Arm-action · Side #2
Guillermo Canas's forehand from the center of the baseline, filmed from a side angle. His semi-western grip is paired with a pronounced wrist lag in the forward swing that straightens into a firm, stable wrist at contact.
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3.3s |
FH Inside Out · Side · Neutral #1
Guillermo Canas's forehand from a neutral stance on the baseline, filmed from the side. His semi-western grip is evident in the closed racket face, and there is a clear wrist lag that unwinds into a controlled pronation through contact.
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2.8s |
FH Inside Out · Side · Neutral #2
Guillermo Canas's forehand from a neutral stance on the baseline, filmed from the side. His shoulders load with a pronounced turn so that his back nearly faces the net before the trunk uncoils ahead of the arm swing, showing clear separation between hip and shoulder rotation.
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3s |
FH Inside Out · Side · Neutral #3
Guillermo Canas's forehand InsideOut from a neutral stance, filmed from the side. His follow-through wraps across his body with his weight transferring onto the front foot, and he quickly re-centers his stance into a compact ready position for the next ball.
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3.4s |
FH Inside Out · Side · Neutral #4
Guillermo Canas's forehand inside-out from a neutral stance on the baseline, filmed from the side. His hips stay relatively closed at the start with a deep knee bend, then unwind as his rear leg drives through to initiate rotation into the ball.
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3.4s |
FH Inside Out · Side · Neutral #5
Guillermo Canas's forehand from a neutral stance, filmed from the side. His shoulders rotate well past 90 degrees relative to the net on the unit turn, then the trunk uncoils ahead of the arm swing, creating clear sequential rotation through the torso.
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3.2s |
FH Inside Out · Side · Neutral #6
Guillermo Canas's forehand from a neutral stance, filmed from the side. His hips stay relatively closed at the start with a pronounced knee bend, then unwind in sequence with a strong upward leg drive that extends through contact.
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3.2s |
FH Inside Out · Side #1
Guillermo Canas's forehand InsideOut from the baseline, filmed from the side. His follow-through finishes high across his body with his weight clearly transferring onto his front leg before he recovers back into a compact ready position.
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2.4s |
FH Inside Out · Side #10
Guillermo Canas's forehand InsideOut from the Side, filmed from a side angle. His semi-western grip is evident in the closed racket face, and there is clear wrist lag that unwinds into a controlled pronation through contact.
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3s |
FH Inside Out · Side #11
Guillermo Canas's forehand InsideOut from the Deuce court, filmed from the Side. His feet set in a mostly neutral stance with a small adjustment step before contact, followed by a quick crossover recovery toward the center.
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3s |
FH Inside Out · Side #12
Guillermo Canas's forehand InsideOut from the side, filmed from a side angle. His hips stay closed through the loading phase with a deep knee bend, then unwind as his rear leg drives forward to initiate rotation into the shot.
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2.9s |
FH Inside Out · Side #2
Guillermo Canas's forehand InsideOut from the baseline, filmed from the side. His shoulders rotate well past 90 degrees in the unit turn, with a clearly visible trunk coil that uncoils sequentially from hips to shoulders into contact.
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3.6s |
FH Inside Out · Side #3
Guillermo Canas's forehand InsideOut from the Deuce side, filmed from the Side. From this angle you can see his semi-western grip creating a laid-back wrist position on the racquet drop that is maintained until a late pronation through contact.
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3.1s |
FH Inside Out · Side #4
Guillermo Canas's forehand InsideOut from the baseline, filmed from a side angle. His footwork features a small adjustment hop into an open stance followed by a clear recovery step back toward the center after contact.
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2.3s |
FH · Side #5
Guillermo Canas's forehand from the center court area, filmed from the side. The racket meets the ball slightly in front of his lead hip with a closed racket face and a low-to-high swing path that accelerates the racket head upward for heavy topspin.
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3.7s |
FH Inside Out · Side #6
Guillermo Canas's inside-out forehand from the center of the baseline, filmed from the side. His follow-through wraps fully across his body with his weight finishing on his front foot, and he quickly brings both hands back to a compact ready position for recovery.
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2.8s |
FH Inside Out · Side #7
Guillermo Canas's inside-out forehand from a neutral baseline position, filmed from the side. His shoulders rotate well past 90 degrees in the unit turn and then uncoil in sequence from the trunk through the hitting shoulder, making the torso rotation the primary driver of racket acceleration.
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3.1s |
FH Inside Out · Side #8
Guillermo Canas's forehand InsideOut from the center of the baseline, filmed from the side. His hips stay relatively closed through the loading phase with a deep knee bend, then unwind in sync with a strong upward leg drive into the shot.
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3.2s |
FH Inside Out · Side #9
Guillermo Canas's forehand InsideOut from the baseline, filmed from the side. After contact his follow-through wraps high across his body while his weight continues moving into the court, and he quickly brings both hands back toward a neutral ready position.
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3.4s |
FH Moves Back · Arm-action · Side #1
Guillermo Canas's forehand while moving back from the baseline, filmed from the side. His hips stay relatively closed as he retreats, with a noticeable increase in knee bend and load on the outside leg before driving up into contact.
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3.3s |
FH Moves Back · Arm-action · Side #2
Guillermo Canas's forehand while moving back from a neutral baseline position, filmed from the side. His hips stay relatively closed with a deep knee bend on the loading leg, then extend upward as he drives off the back foot to stabilize while retreating.
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2.5s |
FH Moves Back · Side #10
Guillermo Canas's forehand while moving back from the baseline, filmed from the side. His shoulders coil significantly past his hips on the unit turn, then uncoil in sequence from trunk to arm, making the degree of upper-body rotation and delayed shoulder release easy to distinguish.
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2.3s |
FH Moves Back · Side #11
Guillermo Canas's forehand while moving back from a neutral baseline position, filmed from the side. His semi-western grip is evident in the closed racket face on the takeback, with noticeable wrist lag that releases into a controlled pronation through contact.
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3.2s |
FH Moves Back · Side #12
Guillermo Canas's forehand while moving back from a central baseline position, filmed from the side. His footwork shows small adjustment steps as he retreats and sets up in a mostly neutral stance before swinging, then uses a couple of quick recovery steps to get back toward his ready position.
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3.1s |
FH Moves Back · Side #7
Guillermo Canas's forehand while moving back from the baseline, filmed from the side. After contact his follow-through wraps high across his body as his weight continues drifting backward, and he quickly resets his non-hitting hand in front of his torso to return to a neutral ready position.
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2.3s |
FH Moves Back · Side #8
Guillermo Canas's forehand while moving back from a neutral baseline position, filmed from a side angle. The racket face is slightly closed at a contact point around waist to chest height, with the racket head accelerating low-to-high along a compact, controlled swing path.
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2.9s |
FH Moves Back · Side #9
Guillermo Canas's forehand while moving back from a neutral baseline position, filmed from the side. His hips stay relatively closed as he retreats, with a deep knee bend and strong rear-leg load before driving upward into the ball.
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2.9s |
FH Running · Arm-action · Side #1
Guillermo Canas's running forehand from the deuce side, filmed from the side. His semi-western grip is paired with a pronounced wrist lag in the forward swing that releases into a subtle pronation through contact.
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2.7s |
FH Running · Arm-action · Side #2
Guillermo Canas's running forehand from the deuce side, filmed from the side. The contact is made slightly in front of his lead hip with the racket face moderately closed and the racket head accelerating on a low-to-high path.
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2.7s |
FH Running · Arm-action · Side #3
Guillermo Canas's running forehand from the side, filmed from a side angle. His hips stay relatively closed as he sprints, with a pronounced knee bend and long driving stride from the outside leg to load and push into the shot while on the run.
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2.9s |
FH Running · Side #1
Guillermo Canas's running forehand from the deuce side, filmed from a side angle. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward on a low-to-high swing path.
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2.6s |
FH Running · Side #10
Guillermo Canas's running forehand from the deuce side, filmed from the side. His semi-western grip is evident with a pronounced wrist lag on the forward swing that releases into a firm, stable wrist at contact.
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2.6s |
FH Running · Side #11
Guillermo Canas's running forehand from the deuce side, filmed from the side. His semi-western grip is evident with a pronounced wrist lag on the forward swing that unwinds into a strong pronation through contact.
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3s |
FH Running · Side #12
Guillermo Canas's running forehand from the deuce side, filmed from the side. After contact his follow-through wraps high across his body while his weight continues moving forward into the court, and he quickly drops the racquet and non-hitting hand into a compact ready position for the next shot.
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2.6s |
FH Running · Side #13
Guillermo Canas's running forehand from the side, filmed from a side angle. His hips stay relatively closed as he drives off the outside leg, with a pronounced knee bend that loads into the ground before extending through contact.
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3s |
FH Running · Side #14
Guillermo Canas's running forehand from the baseline, filmed from the side. His follow-through wraps across his body with his weight carrying through into the court, and he quickly regathers his feet into a neutral ready position after the swing.
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3.1s |
FH Running · Side #15
Guillermo Canas's running forehand from the baseline, filmed from the side. His footwork features a quick adjustment shuffle into a semi-open stance, with noticeable crossover recovery steps after contact to get back toward the center of the court.
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2.6s |
FH Running · Side #2
Guillermo Canas's running forehand from the deuce side, filmed from the side. His shoulders turn well past perpendicular to the baseline before contact, with a pronounced trunk coil that uncoils sequentially from hips to shoulders as he runs through the shot.
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2.7s |
FH Running · Side #3
Guillermo Canas's running forehand from the deuce side, filmed from the side. The racket face is slightly closed at a contact point around waist to mid-torso height, with the racket head accelerating low-to-high along a pronounced brushing path.
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2.4s |
FH Running · Side #4
Guillermo Canas's running forehand from the deuce side, filmed from the side. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils in sequence before the arm whips through, making the degree of torso rotation and its timing easy to distinguish.
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3.6s |
FH Running · Side #5
Guillermo Canas's running forehand from the deuce side, filmed from the side. His shoulders load with a pronounced upper-body coil against the hips, then uncoil in sequence so the trunk rotation clearly leads the arm swing through contact.
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2.8s |
FH Running · Side #6
Guillermo Canas's running forehand from the baseline, filmed from the side. After contact he lets the racquet wrap fully across his body while his weight continues moving through the court, then quickly brings both hands back toward the center line to recover into a ready position.
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3.1s |
FH Running · Side #7
Guillermo Canas's running forehand from the deuce side, filmed from the side. He uses quick adjustment steps into an open stance before contact, then takes several lateral recovery steps to get back toward his baseline position.
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2.7s |
FH Running · Side #8
Guillermo Canas's running forehand from the side, filmed from a side angle. His semi-western grip is evident with the racket hand positioned under the handle, and there is clear wrist lag on the forward swing before a firm, stable wrist at contact.
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2.4s |
FH Running · Side #9
Guillermo Canas's forehand on the run from a wide court position, filmed from the side. His footwork features a quick adjustment hop into an open stance followed by long lateral recovery steps that keep him aligned behind the baseline for the next shot.
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2.6s |
FH Short · Arm-action · Side #1
Guillermo Canas's forehand from the center of the baseline, filmed from the side. His footwork features a small adjustment hop into a semi-open stance, with a compact arm action and a clear recovery step back toward a neutral position after contact.
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3.7s |
FH Short · Arm-action · Side #2
Guillermo Canas's forehand from the center of the baseline, filmed from the side. After contact his racquet wraps fully across his body while his weight continues moving into the court, and he quickly brings both hands back toward a compact ready position for the next shot.
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3.3s |
FH Short · Side #1
Guillermo Canas's forehand from the middle of the court, filmed from the side. His semi-western grip is evident in the closed racket face on the takeback, and there is pronounced wrist lag that unwinds into a controlled pronation through contact on this short ball.
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2.7s |
FH Short · Side #2
Guillermo Canas's forehand from the side, filmed from a side angle. His hips stay relatively closed during the loading phase with a deep knee bend, then unwind as his legs drive upward and forward through contact.
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3.8s |
FH Short · Side #3
Guillermo Canas's forehand from the side, filmed from a side angle. His shoulders rotate well past perpendicular to the net on the unit turn, then his trunk uncoils ahead of the arm swing, showing a clear separation between hip and shoulder rotation.
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2.9s |
FH Short · Side #4
Guillermo Canas's forehand from the side, filmed from a side angle. After contact his follow-through wraps across his body while his weight continues moving into the court, and he quickly brings both hands back to a neutral ready position for the next shot.
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3.3s |
FH Short · Side #5
Guillermo Canas's forehand from the center of the baseline, filmed from the side. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils ahead of the arm swing so the racquet whips through after the torso has initiated the forward motion.
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3.4s |
FH Short · Side #6
Guillermo Canas's forehand from the center of the baseline, filmed from the side. His footwork features a small adjustment hop into a neutral stance before contact, followed by a quick recovery shuffle that returns him to his ready position on the baseline.
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2.7s |
FH Short · Side #7
Guillermo Canas's forehand from the center of the baseline, filmed from the side. His racket contacts the ball slightly in front of his lead hip with the strings nearly vertical, and the swing path accelerates low to high with noticeable racket head speed up through contact.
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3.6s |
FH Wide · Arm-action · Side #1
Guillermo Canas's forehand on a wide ball from the baseline, filmed from the side. The racket face is slightly closed at a contact point around waist height, with the racket head accelerating forward on a low-to-high path that finishes well across his body.
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3s |
FH Wide · Arm-action · Side #2
Guillermo Canas's wide forehand from the side, filmed from a side angle. His contact point is well in front of his body with the racket face slightly closed, and the racket head accelerates on an upward, low-to-high path through the ball.
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3.1s |
FH Wide · Arm-action · Side #3
Guillermo Canas's forehand from a wide position, filmed from the side. His shoulders coil significantly past 90 degrees relative to the net before uncoiling in sync with a pronounced trunk rotation that initiates just after his lead leg plants.
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2.8s |
FH Wide · Arm-action · Side #4
Guillermo Canas's forehand from a wide position, filmed from the side. From this angle you can see his semi-western grip creating a laid-back wrist with clear lag on the racquet head that unwinds into a firm, stable wrist at contact.
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2.5s |
FH Wide · Arm-action · Side #5
Guillermo Canas's wide forehand from the baseline, filmed from a side angle. His hips stay relatively closed through the loading phase with a deep outside leg bend, then unwind as the rear leg drives laterally into the court to reach the wide ball.
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2.7s |
FH Wide · Arm-action · Side #001
Guillermo Canas's wide forehand from the deuce side, filmed from the side. The racket face is slightly closed at a contact point around waist height, with the racket head accelerating forward on a low-to-high path that tracks well outside the hitting shoulder.
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2.7s |
FH Wide · Side · Open #1
Guillermo Canas's forehand from a wide position in an open stance, filmed from the side. His shoulders rotate well past perpendicular to the net on the unit turn, then his trunk uncoils ahead of the arm swing, making the sequencing of torso-to-racquet acceleration easy to distinguish.
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2.8s |
FH Wide · Side · Open #2
Guillermo Canas's forehand from a wide ball in an open stance, filmed from the side. His shoulders coil significantly past 90 degrees relative to his hips on the unit turn, then the trunk uncoils ahead of the arm swing, showing clear separation between torso rotation and racket release.
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2.7s |
FH Wide · Side · Open #3
Guillermo Canas's wide forehand from an open stance on the deuce side, filmed from the side. The racket face is slightly closed at a contact point around waist to mid-torso height, with the racket head accelerating forward on a low-to-high path that finishes well across his body.
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2.7s |
FH Wide · Side · Open #4
Guillermo Canas's forehand from a wide position, filmed from the side. His open stance shows strong hip rotation into the shot with a deep outside knee bend that loads the legs before driving through contact.
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3s |
FH Wide · Side · Open #5
Guillermo Canas's forehand from a wide position, filmed from the side. His follow-through wraps high across his body while his weight continues moving toward the sideline, and he quickly brings both hands back in front to re-establish a compact ready position.
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2.2s |
FH Wide · Side · Open #6
Guillermo Canas's wide forehand from the baseline, filmed from the side. From this angle you can see him load on his outside leg in a stable open stance, then use a lateral push-off to recover back toward the center after contact.
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3s |
FH Wide · Side · Open #7
Guillermo Canas's forehand from a wide position, filmed from the side. His open stance shows strong knee flexion and a deep hip hinge on the loading leg before driving up and around into contact.
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2.8s |
FH Wide · Side · Open #8
Guillermo Canas's forehand from the middle of the baseline, filmed from the side. He plants in a wide open stance with his outside leg bracing as he reaches for the wide ball, then uses a small recovery step to start moving back toward the center.
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2.7s |
FH Wide · Side · Open #9
Guillermo Canas's forehand from a wide position, filmed from the side. His open stance shows strong knee flexion on the outside leg and clear hip rotation into the shot as he drives laterally to the ball.
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2.8s |
FH Wide · Side #1
Guillermo Canas's forehand from a wide position, filmed from the side. His hips stay relatively closed through the loading phase with a deep knee bend, then uncoil as his legs drive up and into the shot to recover back toward the court.
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2.5s |
FH Wide · Side #2
Guillermo Canas's forehand from a wide position, filmed from the side. His hips stay relatively closed through the loading phase with a deep knee bend, then unwind as his legs drive up and into the court during the forward swing.
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2.9s |
FH Wide · Side #3
Guillermo Canas's wide forehand from the deuce side, filmed from the side. At contact his racket face is slightly closed with the ball struck around waist height, and the forward swing path accelerates low-to-high with noticeable racket head speed through the hitting zone.
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2.5s |
FH Wide · Side #4
Guillermo Canas's forehand from a wide position, filmed from the side. His footwork includes a quick adjustment shuffle into a semi-open stance, with a pronounced loading on the outside leg before pushing back toward the center.
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2.2s |
FH Wide · Side #5
Guillermo Canas's forehand from a wide position, filmed from the side. His follow-through wraps high across his body while his weight continues moving toward the sideline, and he quickly brings both hands back to a compact ready position after the swing.
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2.7s |
BH Return 1st Serve · Ad · Front #1
Guillermo Canas's backhand return of first serve from the Ad court, filmed from the front. His shoulders rotate as a unit with the trunk into a compact coil, then uncoil sequentially from hips to shoulders before the arms release the two-handed swing.
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3.3s |
BH Return 1st Serve · Deuce · Front #1
Guillermo Canas's backhand return of first serve from the deuce side, filmed from the front. His hips stay relatively closed as he loads, with a pronounced knee bend on both legs before he drives upward and into the court.
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3s |
BH Return 2nd Serve · Ad · Arm-action · Front #1
Guillermo Canas's backhand return of second serve from the Ad court, filmed from the front. From this angle you can clearly see his shoulders close early against the incoming serve before the trunk uncoils in sync with the forward swing of his two-handed backhand.
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2.5s |
BH Return 2nd Serve · Ad · Arm-action · Front #2
Guillermo Canas's second serve return backhand from the Ad court, filmed from the front. His hips stay relatively closed with a pronounced knee bend on the outside leg, providing a stable base before a compact leg drive into the shot.
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3.1s |
BH Return 2nd Serve · Ad · Front #1
Guillermo Canas's backhand return of a second serve from the Ad court, filmed from the front. His two-handed backhand contact is made around waist height with a slightly closed racket face, and the racket head accelerates straight through the ball along a compact, forward swing path.
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3.1s |
BH Return 2nd Serve · Ad · Front #2
Guillermo Canas's backhand return of a second serve from the ad court, filmed from the front. His shoulders rotate as a unit with a pronounced trunk coil on the unit turn, then uncoil sequentially from hips to shoulders as he drives through the return.
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3.6s |
BH Return 2nd Serve · Deuce · Front #1
Guillermo Canas's second serve from the deuce side, filmed from the front. His continental grip is firm with a slightly laid-back wrist on the racquet hand that pronates aggressively through contact.
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3s |
BH Return 2nd Serve · Deuce · Front #2
Guillermo Canas's second serve from the deuce court, filmed from the front. His shoulders rotate as a unit with the trunk during the toss and then uncoil together into contact, with minimal lateral trunk bend and a compact upper-body motion through the hitting zone.
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2.9s |
BH Return 2nd Serve · Deuce · Front #3
Guillermo Canas's backhand return of second serve from the deuce court, filmed from the front. His two-handed backhand grip is clearly visible with the non-dominant (left) hand driving the racquet and the wrists staying firm with minimal wrist snap through contact.
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3.2s |
FH Return 1st Serve · Ad · Front #1
Guillermo Canas's first serve from the Ad court, filmed from the front. From this angle you can clearly see his continental grip stay firm while his wrist pronates aggressively through contact to direct the serve.
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4.6s |
FH Return 1st Serve · Ad · Front #2
Guillermo Canas's first serve from the Ad side, filmed from a front angle. His hips stay relatively closed through the toss with a pronounced knee bend, then drive upward as the back leg extends to initiate upward thrust into the ball.
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2.7s |
FH Return 1st Serve · Ad · Front #3
Guillermo Canas's first serve from the Ad court, filmed from the front. At contact his racket face is slightly tilted upward with the ball struck just above head height, and the racket head accelerates steeply up and across to the left, emphasizing a pronounced pronation through the strike.
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3.7s |
FH Return 1st Serve · Deuce · Front #1
Guillermo Canas's first serve return from the deuce court, filmed from the front. He uses a compact split step into a semi-open stance, then takes a small adjustment step with his outside foot before planting for the return.
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3.5s |
FH Return 2nd Serve · Ad · Front #1
Guillermo Canas's second serve from the Ad court, filmed from the front. From this angle you can see his continental grip stay firm while his wrist pronates smoothly through contact, with a noticeable snap upward to add spin.
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3.5s |
FH Return 2nd Serve · Ad · Front #2
Guillermo Canas's second serve from the ad court, filmed from the front. His shoulder line turns noticeably away from the net before contact and then uncoils in sequence with a controlled trunk rotation that drives his tossing-side shoulder down and his hitting-side shoulder up into the ball.
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3.6s |
FH Return 2nd Serve · Ad · Front #3
Guillermo Canas's second serve from the Ad court, filmed from a front angle. His shoulder line turns noticeably away from the target during the toss, with a clear trunk coil that unwinds in sequence from hips to shoulders as he drives up to contact.
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3.1s |
FH Return 2nd Serve · Ad · Front #4
Guillermo Canas's second-serve return forehand from the Ad side, filmed from the front. His racket meets the ball slightly in front of his lead hip with a closed racket face and a compact, forward swing path through contact.
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3.4s |
FH Return 2nd Serve · Deuce · Front #1
Guillermo Canas's second serve from the deuce court, filmed from the front. After contact he lets his hitting arm descend naturally while his back leg swings through into the court, leaving him in a compact ready position with the racquet centered in front of his body.
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2.6s |
FH Return 2nd Serve · Deuce · Front #2
Guillermo Canas's second serve from the deuce side, filmed from the front. His hips stay relatively closed through the toss with a noticeable knee bend and upward leg drive into the court before landing on his front foot.
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3.5s |
FH Return 2nd Serve · Deuce · Front #3
Guillermo Canas's second serve from the deuce court, filmed from the front. His shoulders rotate as a unit with the trunk during the toss and then uncoil together into contact, with the chest clearly opening toward the target as the hitting shoulder drives up and through the ball.
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3.6s |
BH Return 1st Serve · Ad · Rear #1
Guillermo Canas's backhand return of first serve from the Ad court, filmed from a rear angle. The contact point is taken around waist height with a slightly closed racket face and a compact, forward-directed swing path through the ball.
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3.2s |
BH Return 1st Serve · Deuce · Rear #1
Guillermo Canas's first serve from the deuce court, filmed from a rear angle. After contact he lets his hitting arm and racquet finish across his body while his back leg swings forward into the court, bringing him quickly into a balanced ready position on the baseline.
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3.1s |
BH Return 1st Serve · Deuce · Rear #2
Guillermo Canas's first serve from the deuce court, filmed from a rear angle. His shoulder line rotates significantly away from the court during the trophy position, with a pronounced trunk coil that uncoils in sequence from hips to shoulders into the hitting phase.
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2.7s |
BH Return 2nd Serve · Ad · Rear #1
Guillermo Canas's backhand return of second serve from the Ad court, filmed from a rear angle. His shoulders rotate early as he coils the trunk on the unit turn, then uncoil in sequence from hips to shoulders, keeping the upper body closed slightly through contact.
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3.3s |
BH Return 2nd Serve · Ad · Rear #2
Guillermo Canas's backhand return of a second serve from the Ad side, filmed from a rear angle. At contact his racket face is slightly closed with the ball meeting the strings around waist height, and the two-handed swing path drives forward through the court with controlled racket head acceleration.
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3.5s |
BH Return 2nd Serve · Ad · Rear #3
Guillermo Canas's backhand return of a second serve from the Ad court, filmed from a rear angle. At contact his two-handed backhand meets the ball around waist height with a slightly closed racket face and a low-to-high swing path that accelerates the racket head through the line of the shot.
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2.5s |
BH Return 2nd Serve · Deuce · Rear #1
Guillermo Canas's backhand return of second serve from the deuce court, filmed from a rear angle. After contact his follow-through finishes high with both hands on the racquet while his weight moves into the court and he quickly resets his feet into a neutral ready position.
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2.6s |
BH Return 2nd Serve · Deuce · Rear #2
Guillermo Canas's backhand return of second serve from the deuce side, filmed from a rear angle. His two-handed backhand meets the ball slightly in front of his body with a closed racket face and a low-to-high swing path that accelerates the racket head through contact.
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3.8s |
BH Return 2nd Serve · Deuce · Rear #3
Guillermo Canas's backhand return of second serve from the deuce side, filmed from a rear angle. His shoulders rotate as a unit with the trunk into a compact coil on the unit turn, then uncoil in sequence so the torso leads the racquet through contact.
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3.7s |
FH Return 1st Serve · Deuce · Rear #1
Guillermo Canas's first serve from the deuce court, filmed from a rear angle. His hips stay closed to the baseline through the knee bend before uncoiling upward with a strong leg drive off the back leg into the court.
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3.3s |
FH Return 2nd Serve · Ad · Rear #1
Guillermo Canas's second serve from the Ad court, filmed from a rear angle. After contact he lands into the court with his weight moving forward and quickly brings both hands back to the ready position as he recovers toward the baseline.
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3.3s |
FH Return 2nd Serve · Ad · Rear #2
Guillermo Canas's second serve from the Ad court, filmed from a rear angle. His legs load with a deep knee bend before driving upward, and his hips stay closed toward the baseline until just after contact, emphasizing an upward leg drive more than a pronounced hip turn.
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2.9s |
FH Return 2nd Serve · Ad · Rear #3
Guillermo Canas's second serve from the Ad court, filmed from a rear angle. His hips stay relatively closed through the toss with a deep knee bend, then drive upward as the back leg extends to propel him into the court.
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3.2s |
FH Return 2nd Serve · Deuce · Rear #2
Guillermo Canas's second serve from the deuce side, filmed from the rear. From this angle you can see his continental grip stay firm with a pronounced wrist pronation through contact to direct the serve into the box.
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2.8s |
FH Return Slice 1st Serve · Ad · Rear #1
Guillermo Canas's first serve from the Ad court, filmed from a rear angle. The racket face is slightly closed at contact with the ball struck just above head height, and the racket head accelerates steeply upward along the right side of his body.
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2.4s |
FH Return Slice 1st Serve · Ad · Rear #2
Guillermo Canas's first serve from the Ad court, filmed from a rear angle. His motion shows a pronounced shoulder tilt with the tossing shoulder rising high and the trunk rotating away from the court before uncoiling in a sequential, racket-arm-lagging action into contact.
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3s |
BH Return 1st Serve · Ad · Side #1
Guillermo Canas's backhand return of first serve from the Ad side, filmed from the side. His early split step into a semi-open stance sets up a quick pivot and lateral adjustment before contact, followed by small recovery steps to re-center on the baseline.
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2.7s |
BH Return 1st Serve · Ad · Side #1
Guillermo Canas's first-serve return from the Ad court, filmed from the side. His hips stay relatively closed as he sets the return, with a pronounced knee bend and forward leg drive into the court as he uncoils into the shot.
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2.9s |
BH Return 1st Serve · Ad · Side #2
Guillermo Canas's first serve from the Ad court, filmed from the side. His hips stay closed through the knee bend and then drive up and into the court as his back leg extends aggressively off the ground.
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3.3s |
BH Return 1st Serve · Ad · Side #3
Guillermo Canas's first serve from the ad court, filmed from the side. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, making the wrist snap clearly visible from this angle.
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2.8s |
BH Return 1st Serve · Ad · Side #4
Guillermo Canas's backhand return of first serve from the Ad court, filmed from the side. After contact he extends the racquet forward on a compact two-handed follow-through while his weight transfers into the court and his hands reset quickly into a neutral ready position.
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2.7s |
BH Return 1st Serve · Deuce · Arm-action · Side #1
Guillermo Canas's first serve from the deuce court, filmed from the side. After contact he lets his hitting arm unwind fully across his body while his back leg swings forward into the court, bringing him smoothly into a balanced, ready position for the next shot.
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2.7s |
BH Return 1st Serve · Deuce · Side #1
Guillermo Canas's first serve from the deuce side, filmed from the side. At contact his racket face is nearly vertical with a slightly closed angle, meeting the ball just above head height with a pronounced upward swing path that accelerates the racket head through the hitting zone.
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2.8s |
BH Return 1st Serve · Deuce · Side #2
Guillermo Canas's first-serve return from the deuce court, filmed from the side. His split-step occurs just before the opponent’s contact, followed by a small adjustment hop into a stable, slightly open stance as he prepares the two-handed backhand.
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2.6s |
BH Return 1st Serve · Deuce · Side #3
Guillermo Canas's first serve from the deuce court, filmed from a side angle. His footwork includes a small rhythmic rocking motion into the pinpoint stance, with a clear front-foot pivot and upward drive off the back leg visible before landing inside the court.
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2.9s |
BH Return 1st Serve · Deuce · Side #4
Guillermo Canas's first serve from the deuce court, filmed from a side angle. His hips stay closed through the knee bend and loading phase, then uncoil upward with a strong leg drive that pushes him into the court after contact.
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2.7s |
BH Return 1st Serve · Deuce · Side #5
Guillermo Canas's first-serve return from the deuce court, filmed from the side. His two-handed backhand contact is made around waist to mid-torso height with a slightly closed racket face and a compact, forward-directed swing path through the ball.
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3.1s |
BH Return 1st Serve · Deuce · Side #6
Guillermo Canas's first-serve return from the deuce court, filmed from the side. His follow-through brings the racquet up and across his body while his weight transfers forward into the court, allowing him to finish in a compact ready position for the next shot.
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2.4s |
BH Return 1st Serve · Deuce · Side #7
Guillermo Canas's first serve from the deuce court, filmed from a side angle. From this view, his continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a distinct snap just after impact.
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3s |
BH Return 1st Serve · Deuce · Side #8
Guillermo Canas's first serve from the deuce court, filmed from a side angle. From this view his continental grip stays firm while his wrist pronates distinctly through contact, with a noticeable snap as the racquet accelerates up and into the court.
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2.8s |
BH Return 1st Serve · Deuce · Side #9
Guillermo Canas's first serve from the deuce court, filmed from the side. His shoulder line rotates well past perpendicular to the baseline in the trophy phase, then his trunk uncoils ahead of the arm swing, showing clear separation between hip and shoulder rotation.
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2.9s |
BH Return 2nd Serve · Ad · Arm-action · Side #1
Guillermo Canas's backhand return of a second serve from the Ad court, filmed from the side. After contact his follow-through stays compact with the non-hitting arm stabilizing in front of his body before he quickly re-loads into a neutral ready position on the baseline.
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3.8s |
BH Return 2nd Serve · Ad · Arm-action · Side #2
Guillermo Canas's backhand return of a second serve from the ad court, filmed from the side. His hips stay relatively closed to the net with a pronounced knee bend and strong push off the outside leg as he loads and drives into the return.
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3s |
BH Return 2nd Serve · Ad · Side #1
Guillermo Canas's backhand return of a second serve from the Ad side, filmed from a side angle. He uses a compact split step into a neutral stance, then loads on his outside leg with a small adjustment step before driving into the return and recovering toward the center.
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2.9s |
BH Return 2nd Serve · Ad · Side #2
Guillermo Canas's backhand return of second serve from the Ad side, filmed from the side. His follow-through carries his hands forward into the court with his weight transferring onto his front leg before he resets the racquet into a compact ready position.
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2.8s |
BH Return 2nd Serve · Ad · Side #3
Guillermo Canas's backhand return of a second serve from the Ad side, filmed from the side. He times a compact split step into a semi-open stance and uses quick lateral adjustment steps to set his feet before driving through the return and recovering along the baseline.
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3.2s |
BH Return 2nd Serve · Ad · Side #4
Guillermo Canas's backhand return of second serve from the Ad side, filmed from the side. From this angle you can see his firm two-handed grip with the left hand driving the racquet and a stable wrist structure that keeps wrist flexion minimal through contact.
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3.8s |
BH Return 2nd Serve · Ad · Side #5
Guillermo Canas's backhand return of second serve from the Ad court, filmed from the side. His hips stay relatively closed to the net with a pronounced knee bend and forward-driving rear leg that shows how he loads and pushes into the court during the return.
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3.3s |
BH Return 2nd Serve · Ad · Side #6
Guillermo Canas's backhand return of second serve from the Ad side, filmed from the side. His two-handed backhand grip is firm with a noticeable laid-back wrist position on the dominant hand that stays stable through contact with minimal wrist snap.
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3.3s |
BH Return 2nd Serve · Ad · Side #7
Guillermo Canas's backhand return of second serve from the Ad court, filmed from the side. He sets up in a neutral stance with a small adjustment hop into the return, then takes a controlled lateral recovery step back toward the center after contact.
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2.9s |
BH Return 2nd Serve · Deuce · Arm-action · Side #2
Guillermo Canas's backhand return of a second serve from the deuce side, filmed from the side. His split step is small and early with a quick pivot into a semi-open stance, followed by compact adjustment steps that keep his weight centered over his outside (right) leg before the swing.
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2.6s |
BH Return 2nd Serve · Deuce · Side #1
Guillermo Canas's backhand return of second serve from the deuce court, filmed from the side. His knees are deeply flexed on the return load with the hips staying relatively closed, then driving forward off the back leg into contact.
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3.3s |
BH Return 2nd Serve · Deuce · Side #2
Guillermo Canas's backhand return of a second serve from the deuce side, filmed from a side angle. His hips stay relatively closed to the net as he plants his outside leg, with a noticeable knee bend that loads into a forward-driving push through contact.
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3.3s |
BH Return 2nd Serve · Deuce · Side #3
Guillermo Canas's backhand return of a second serve from the deuce side, filmed from the side. After contact he extends his two-handed follow-through toward the target and quickly brings both hands back in front of his body as his weight finishes moving into a balanced ready position on the baseline.
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2.9s |
BH Return 2nd Serve · Deuce · Side #4
Guillermo Canas's backhand return of second serve from the deuce court, filmed from a side angle. His feet set in a neutral stance with a small adjustment step before contact, and he uses quick recovery steps to re-center after the return.
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3.3s |
BH Return 2nd Serve · Deuce · Side #5
Guillermo Canas's second serve from the deuce side, filmed from the side. The racket travels on a moderately upward swing path with a slightly closed face at contact, meeting the ball just above head height to impart strong topspin.
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3.5s |
FH Return 1st Serve · Ad · Side #1
Guillermo Canas's first serve from the Ad side, filmed from a side angle. His footwork shows a controlled platform stance with a measured knee bend and a clear front-leg drive into the court before landing on his left foot and taking a small recovery step.
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4.4s |
FH Return 1st Serve · Ad · Side #2
Guillermo Canas's first serve from the Ad court, filmed from the side. His hips stay relatively closed through the knee bend before driving upward, with a strong push off the back leg that extends fully into the court.
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2.8s |
FH Return 1st Serve · Ad · Side #3
Guillermo Canas's first serve from the Ad side, filmed from a side angle. His continental grip stays firm while the wrist pronates smoothly through contact, with a late wrist snap clearly visible just after impact.
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3.3s |
FH Return 1st Serve · Ad · Side #4
Guillermo Canas's first serve from the Ad court, filmed from the side. After contact he lands on his front foot with his non-hitting arm dropping back for counterbalance before regrouping into a compact ready position on the baseline.
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3.1s |
FH Return 1st Serve · Ad · Side #5
Guillermo Canas's first serve from the Ad court, filmed from the side. His shoulders rotate as a single unit with the trunk into a deep coil during the trophy phase, then uncoil in sequence from hips to torso to shoulder as he drives up to contact.
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2.5s |
FH Return 1st Serve · Ad · Side #6
Guillermo Canas's first serve from the Ad side, filmed from the side. His hips stay closed through the knee bend before driving upward, with a pronounced push off the back leg that extends fully into the court.
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2.4s |
FH Return 1st Serve · Deuce · Arm-action · Side #1
Guillermo Canas's first serve from the deuce side, filmed from the side. His continental grip stays firm while his wrist moves from a laid-back position into a pronounced pronation through contact.
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2.4s |
FH Return 1st Serve · Deuce · Arm-action · Side #2
Guillermo Canas's first serve from the deuce side, filmed from a side angle. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a pronounced wrist snap just after impact.
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2.5s |
FH Return 1st Serve · Deuce · Side #1
Guillermo Canas's first serve from the deuce court, filmed from the side. The racket moves up on edge into a slightly closed face at contact, meeting the ball just above head height with noticeable upward acceleration through the hitting zone.
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2.8s |
FH Return 1st Serve · Deuce · Side #2
Guillermo Canas's first serve from the deuce side, filmed from a side angle. His shoulder line turns significantly away from the court during the trophy phase, with a pronounced trunk coil that uncoils sequentially from hips to shoulders into the contact.
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3.8s |
FH Return 1st Serve · Deuce · Side #3
Guillermo Canas's first serve return from the deuce court, filmed from the side. His compact split-step into a semi-open stance leads into a short lateral adjustment and a quick recovery step that readies him to move back toward the center of the baseline.
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2.6s |
FH Return 1st Serve · Deuce · Side #4
Guillermo Canas's first serve from the deuce court, filmed from a side angle. His shoulder line turns well past perpendicular to the baseline in the trophy phase, with a pronounced trunk coil that uncoils sequentially from hips to shoulders into contact.
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3s |
FH Return 1st Serve · Deuce · Side #5
Guillermo Canas's first serve from the deuce court, filmed from the side. After contact he lets his hitting arm decelerate across his body while his back leg swings through into the court, bringing him quickly into a balanced, forward-weighted ready position for the next shot.
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3.1s |
FH Return 1st Serve · Deuce · Side #6
Guillermo Canas's first serve from the deuce side, filmed from the side. His hips stay relatively closed through the knee bend before driving upward, with a noticeable push off the back leg that leads into a full hip turn toward the court at contact.
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3.3s |
FH Return 2nd Serve → FH Volley · Ad · Side #2
Guillermo Canas's forehand volley return of a second serve from the Ad court, filmed from the side. His split-step into a quick forward adjustment leads into a slightly open stance at contact, followed by a short recovery step that keeps him ready to move for the next ball.
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7.7s |
FH Return 2nd Serve · Ad · Side #1
Guillermo Canas's second serve from the Ad court, filmed from the side. His hips stay closed through the toss with a deep knee bend, then drive upward as the back leg extends to initiate upward racquet motion.
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3.6s |
FH Return 2nd Serve · Ad · Side #2
Guillermo Canas's second-serve forehand return from the Ad side, filmed from a side angle. His semi-western forehand grip is set early with notable wrist lag in the takeback that firms up into a stable, slightly laid-back wrist position just before contact.
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2.9s |
FH Return 2nd Serve · Ad · Side #3
Guillermo Canas's forehand return of a second serve from the Ad side, filmed from the side. His footwork includes a small split step into a semi-open stance, followed by a quick pivot and lateral recovery step back toward the center baseline.
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2.7s |
FH Return 2nd Serve · Ad · Side #4
Guillermo Canas's forehand return of a second serve from the Ad side, filmed from the side. After contact his follow-through wraps across his body with his weight moving into the court, and he quickly brings both hands back toward the racket to re-establish a compact ready position on the baseline.
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3.6s |
FH Return 2nd Serve · Ad · Side #5
Guillermo Canas's second serve from the Ad side, filmed from the side. His footwork includes a small rhythmic rocker step into a pinpoint stance, with a pronounced knee bend and clear upward drive off both legs before landing slightly inside the baseline.
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2.7s |
FH Return 2nd Serve · Ad · Side #6
Guillermo Canas's second serve from the Ad side, filmed from a side angle. The racket contacts the ball slightly above shoulder height with a clearly closed strings angle, and the upward swing path and accelerating racket head are visible through contact.
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3.4s |
FH Return 2nd Serve · Ad · Side #7
Guillermo Canas's second serve return from the Ad side, filmed from the side. His feet set in a neutral stance after a compact split-step, with a short diagonal adjustment step into the court before he plants and rotates into the forehand return.
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3.5s |
FH Return 2nd Serve · Ad · Side #8
Guillermo Canas's second serve from the Ad court, filmed from a side angle. His shoulder line turns well past perpendicular to the baseline before trophy position, then the trunk uncoils ahead of the arm swing, making the sequencing of torso rotation into contact clearly visible.
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3s |
FH Return 2nd Serve · Deuce · Arm-action · Side #1
Guillermo Canas's second serve from the deuce side, filmed from the side. His hip turn is relatively compact with a noticeable knee bend on the back leg, and he drives up through his legs into contact rather than over-rotating his hips into the court.
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2.6s |
FH Return 2nd Serve · Deuce · Arm-action · Side #2
Guillermo Canas's second serve from the deuce side, filmed from the side. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a distinct snap just after impact.
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3.4s |
FH Return 2nd Serve · Deuce · Arm-action · Side #3
Guillermo Canas's second serve from the deuce side, filmed from a side angle. The racket accelerates up and across the ball with a slightly closed face at contact, reaching contact just above shoulder height to emphasize spin and a pronounced upward swing path.
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2.9s |
FH Return 2nd Serve · Deuce · Side #1
Guillermo Canas's second serve from the deuce side, filmed from the side. His footwork includes a small rhythmic rocker step into a pinpoint stance, with a pronounced knee bend before driving up and landing slightly inside the baseline for recovery.
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2.7s |
FH Return 2nd Serve · Deuce · Side #2
Guillermo Canas's second serve return forehand from the deuce side, filmed from a side angle. After contact his follow-through wraps across his body with his weight transferring into the court, and he quickly brings both hands back toward a compact ready position for the next shot.
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3.9s |
FH Return 2nd Serve · Deuce · Side #3
Guillermo Canas's second serve from the deuce side, filmed from a side angle. After contact he lets his hitting arm finish across his body while his back leg swings through into the court, bringing him quickly into a balanced ready position on the baseline.
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3s |
FH Return 2nd Serve · Deuce · Side #4
Guillermo Canas's second serve from the deuce side, filmed from a side angle. The racket can be seen dropping well below his shoulder into a deep backscratch position before accelerating up to contact with a slightly closed face for a driving trajectory.
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3.3s |
FH Return 2nd Serve · Deuce · Side #5
Guillermo Canas's second serve from the deuce side, filmed from a side angle. His shoulders rotate well past his hips during the trophy phase, then the trunk uncoils sequentially from pelvis to upper torso into contact, making the degree of shoulder-over-hip separation easy to see.
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2.7s |
FH Return 2nd Serve · Deuce · Side #6
Guillermo Canas's second serve from the deuce court, filmed from the side. At contact his racket face is only slightly closed with the ball struck just above shoulder height, and you can clearly see the upward swing path accelerating through the hitting zone.
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2.9s |
FH Return 2nd Serve · Deuce · Side #7
Guillermo Canas's second serve from the deuce side, filmed from a side angle. His continental grip stays relatively relaxed while his wrist pronates late through contact, creating a distinct snap just after the ball leaves the strings.
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3.4s |
FH Return 2nd Serve · Deuce · Side #8
Guillermo Canas's second serve from the deuce court, filmed from the side. His footwork includes a compact pinpoint stance with the back foot stepping up to meet the front foot before the toss, followed by a controlled landing on his front leg that sets up recovery toward the baseline.
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3.3s |
FH Return Slice 1st Serve · Ad · Side #1
Guillermo Canas's first serve from the Ad court, filmed from the side. His footwork shows a small pre-serve adjustment step into a platform stance, with a pronounced knee bend and forward weight transfer onto the front foot as he drives up to the ball.
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2.4s |
FH Return Slice 1st Serve · Ad · Side #2
Guillermo Canas's first serve from the Ad court, filmed from the side. After contact he lands on his front foot with his non-hitting arm dropping back for counterbalance before he quickly regroups into a compact ready position for the next shot.
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3.6s |
FH Return Slice 1st Serve · Ad · Side #3
Guillermo Canas's first serve from the Ad court, filmed from the side. His shoulders rotate well past perpendicular to the baseline during the trophy phase, then his trunk uncoils ahead of the arm swing, making the upper-body rotation sequence easy to distinguish.
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2.6s |
FH Return Slice 1st Serve · Ad · Side #4
Guillermo Canas's first serve from the Ad court, filmed from the side. His footwork includes a small pinpoint stance with the back foot drawing up to the front before leg drive, and he lands slightly inside the baseline with a controlled recovery step back into his ready position.
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2.6s |
FH Return Slice 1st Serve · Deuce · Side #1
Guillermo Canas's first serve from the deuce side, filmed from the side. At contact his racket face is slightly tilted forward with the ball struck just above head height, and the racket head accelerates upward along a pronounced pronation-driven swing path.
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2.9s |
FH Return Slice 1st Serve · Deuce · Side #2
Guillermo Canas's first serve from the deuce side, filmed from the side. After contact he lands on his front leg with his non-hitting arm dropping back for counterbalance before he quickly regains an upright ready position for the next shot.
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3s |
Second Serve · Ad · Body-rotation · Front #2
Guillermo Canas's second serve from the Ad court, filmed from the front. His hips stay relatively closed during the knee bend and then rotate through in sync with a strong upward leg drive toward the ball.
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2.7s |
Second Serve · Ad · Front #1
Guillermo Canas's second serve from the Ad court, filmed from the front. His continental grip is firm with a slightly laid-back wrist, and you can see a clear pronation of the wrist and forearm through contact to add spin.
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3s |
Second Serve · Ad · Front #2
Guillermo Canas's second serve from the Ad court, filmed from a front angle. His front-on stance progression from a closed starting position into a controlled landing shows a small hop into the court and quick adjustment steps to get ready for the next shot.
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3s |
Second Serve · Ad · Toss · Front #1
Guillermo Canas's second serve from the Ad court, filmed from the front. His knees load deeply with a noticeable bend while his hips stay relatively closed to the baseline before driving upward into the serve.
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3s |
Second Serve · Ad · Toss · Front #2
Guillermo Canas's second serve from the Ad court, filmed from the front. After contact his tossing hand drops quickly toward his left hip as his weight transfers onto his front foot, finishing in a compact, square stance ready for the next shot.
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2.7s |
Second Serve · Deuce · Front #1
Guillermo Canas's second serve from the deuce court, filmed from the front. His shoulders and trunk show a compact coil during the toss that uncoils in sequence from the hips upward, with the front view making the degree of shoulder rotation and chest opening toward the net clearly visible through contact.
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3s |
Second Serve · Deuce · Front #2
Guillermo Canas's second serve from the deuce court, filmed from the front. At contact his racket face is slightly tilted upward with the ball struck just above head height, and the upward swing path creates clear racket head acceleration through the ball.
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2.6s |
Second Serve · Deuce · Toss · Front #2
Guillermo Canas's second serve from the deuce side, filmed from the front. The racket face can be seen closing slightly just before contact, with the ball struck at about head height to generate a pronounced upward swing path.
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2.6s |
Second Serve · Ad · Body-rotation · Rear #1
Guillermo Canas's second serve from the Ad court, filmed from a rear angle. At contact his racket face is only slightly closed with the ball struck around head height, and the upward swing path produces visible racket head acceleration through the top of the motion.
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2.7s |
Second Serve · Ad · Body-rotation · Rear #2
Guillermo Canas's second serve from the Ad court, filmed from a rear angle. His continental grip stays firm with a noticeable wrist pronation through contact, as his hitting hand rotates inward to impart spin while keeping the wrist relatively stable.
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2.9s |
Second Serve · Ad · Rear #1
Guillermo Canas's second serve from the Ad court, filmed from a rear angle. His footwork includes a small rhythmic rocking motion into a pinpoint stance, with a controlled knee bend and balanced landing on his front (left) foot before a short recovery step behind the baseline.
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3.2s |
Second Serve · Ad · Rear #2
Guillermo Canas's second serve from the Ad side, filmed from a rear angle. The racket comes up on edge into contact with a slightly closed face and reaches the ball just above head height, creating a pronounced upward swing path.
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3.1s |
Second Serve · Ad · Toss · Rear #2
Guillermo Canas's second serve from the Ad court, filmed from a rear angle. The racket face can be seen closing slightly as it accelerates up and across the ball at a contact point just above head height, emphasizing a pronounced upward swing path for spin.
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3.1s |
Second Serve · Deuce · Rear #1
Guillermo Canas's second serve from the deuce court, filmed from a rear angle. His shoulders rotate well past perpendicular to the baseline during the trophy phase, then uncoil in sequence with a pronounced trunk rotation driving up into the serve.
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2.9s |
Second Serve · Deuce · Rear #2
Guillermo Canas's second serve from the deuce court, filmed from a rear angle. After contact he lands on his front (left) foot and lets his hitting arm finish across his body while his non-hitting arm drops to help him transition quickly back into a neutral ready position on the baseline.
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2.9s |
Second Serve · Deuce · Toss · Rear #2
Guillermo Canas's second serve from the deuce side, filmed from a rear angle. His feet stay staggered in a platform stance with a small rhythmic knee bend and minimal foot adjustment during the toss, making it easy to see how he loads his back leg before driving up into the serve.
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3.3s |
Second Serve · Ad · Arm-action · Side #1
Guillermo Canas's second serve from the Ad court, filmed from the side. His hips stay relatively closed through the loading phase with a deep knee bend, then drive upward as the back leg extends to initiate upward racquet motion.
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3.2s |
Second Serve · Ad · Arm-action · Side #2
Guillermo Canas's second serve from the ad court, filmed from a side angle. From this view you can see his continental grip stay firm while his wrist pronates gradually through contact, with a distinct upward wrist snap that adds spin.
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3.3s |
Second Serve · Ad · Arm-action · Side #3
Guillermo Canas's second serve from the Ad side, filmed from a side angle. After contact his hitting arm extends fully toward the target while his weight transfers into the court and his non-hitting hand drops back to help him recover into a balanced ready position.
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2.9s |
Second Serve · Ad · Body-rotation · Side #1
Guillermo Canas's second serve from the Ad court body position, filmed from the side. His footwork shows a controlled platform stance with a clear weight transfer from back to front leg as he drives up into the serve before landing slightly inside the baseline.
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2.7s |
Second Serve · Ad · Body-rotation · Side #2
Guillermo Canas's second serve from the Ad court, filmed from the side. After contact he continues his torso rotation into the court with his back leg swinging through, finishing in a balanced stance that readies him quickly for the next shot.
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2.6s |
Second Serve · Ad · Leg-action · Side #1
Guillermo Canas's second serve from the Ad court, filmed from the side. His continental grip is steady with minimal grip change during the motion, and the side angle makes the upward wrist pronation and subtle wrist snap at contact clearly visible.
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3.2s |
Second Serve · Ad · Leg-action · Side #2
Guillermo Canas's second serve from the Ad court, filmed from a side angle. From this view you can see his continental grip stay firm while his wrist pronates late through contact, with a noticeable upward snap to impart spin.
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2.8s |
Second Serve · Ad · Side #1
Guillermo Canas's second serve from the Ad side, filmed from the side. His hips stay closed longer during the toss and loading phase, with a deep knee bend and strong upward leg drive into the court as he uncoils into contact.
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2.7s |
Second Serve · Ad · Side #2
Guillermo Canas's second serve from the Ad side, filmed from the side. His continental grip stays relatively relaxed through the toss, with a pronounced wrist pronation and snap upward at contact that is clearly visible from this angle.
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2.9s |
Second Serve · Ad · Side #3
Guillermo Canas's second serve from the Ad side, filmed from the side. After contact he lets his hitting arm and racquet finish across his body while his back leg swings forward into the court, bringing him quickly into a balanced ready position on the baseline.
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3s |
Second Serve · Ad · Toss · Side #2
Guillermo Canas's second serve from the Ad court, filmed from the side. After contact his tossing arm drops quickly while his weight drives into the court, bringing him down into a balanced landing ready to recover for the next ball.
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3.1s |
Second Serve · Deuce · Arm-action · Side #1
Guillermo Canas's second serve from the deuce side, filmed from the side. His footwork is compact with a small pinpoint stance, and you can see him load on the front leg before a controlled landing that keeps his baseline position stable for the next shot.
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3.4s |
Second Serve · Deuce · Arm-action · Side #2
Guillermo Canas's second serve from the deuce side, filmed from a side angle. His follow-through carries his hitting arm down across his body while his back leg swings forward, helping him land inside the court and transition smoothly toward a neutral ready position.
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3.2s |
Second Serve · Deuce · Arm-action · Side #3
Guillermo Canas's second serve from the deuce side, filmed from the side. From this angle you can see a pronounced shoulder-over-shoulder action as his trunk coils during the toss and then uncoils upward in sequence before the arm whips through contact.
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2.8s |
Second Serve · Deuce · Body-rotation · Side #1
Guillermo Canas's second serve from the deuce side, filmed from the side. The racket moves on a steep upward path with a slightly closed face at contact, reaching the ball just above head height to impart strong spin.
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2.9s |
Second Serve · Deuce · Body-rotation · Side #2
Guillermo Canas's second serve from the deuce side, filmed from a side angle. His follow-through carries his hitting arm and racquet well across his body as his weight moves into the court, finishing with both feet grounding him quickly into a compact ready position.
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2.5s |
Second Serve · Deuce · Leg-action · Side #1
Guillermo Canas's second serve from the deuce side, filmed from the side. His shoulder line stays relatively closed through the toss and initial knee bend, then his trunk unwinds in sequence from hips to shoulders as he drives up into the ball.
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3.1s |
Second Serve · Deuce · Leg-action · Side #2
Guillermo Canas's second serve from the deuce court, filmed from the side. The side view makes the upward swing path and slightly closed racket face at contact easy to see as the ball is struck just above shoulder height.
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2.7s |
Second Serve · Deuce · Side #1
Guillermo Canas's second serve from the deuce side, filmed from the side. His hips stay closed through the knee bend before driving up, with the back leg extending strongly into the court to initiate upward leg drive.
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3s |
Second Serve · Deuce · Side #2
Guillermo Canas's second serve from the deuce side, filmed from the side. His shoulders and trunk coil significantly away from the court during the toss, then uncoil in a measured sequence so the torso rotation clearly precedes the arm swing into contact.
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3.3s |
Second Serve · Deuce · Toss · Side #1
Guillermo Canas's second serve from the deuce side, filmed from the side. His knees dip into a pronounced bend before upward leg drive, with his hips staying relatively closed to the baseline until just after full extension.
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3.3s |
Second Serve · Deuce · Toss · Side #2
Guillermo Canas's second serve from the deuce side, filmed from the side. His stance remains closed with a stable base through the toss, and you can see a small knee bend and weight transfer from back to front foot as he loads into the serve motion.
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3.3s |
BH Slice Running · Court-level-front
Guillermo Canas's running backhand slice from a neutral court position, filmed from a court-level front angle. After contact his follow-through extends out in front with his non-hitting hand counterbalancing behind him, and he quickly regains a compact ready position with his weight recovering back toward the center of the baseline.
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2.7s |
BH Slice Wide · Court-level-front
Guillermo Canas's backhand slice from a wide position, filmed from a court-level front angle. At contact his racket face is noticeably open with the ball meeting the strings slightly below net height, and the racket traveling on a distinctly downward, slightly outside-to-inside path through the hit.
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2.9s |
BH Slice Running · Front #1
Guillermo Canas's running backhand slice from the front court position, filmed from a front angle. His hips stay relatively closed to the net while his outside knee bends deeply and the back leg trails behind, showing how his legs stabilize his body as he stretches wide for the ball.
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2.7s |
BH Slice Running · Front #2
Guillermo Canas's running backhand slice from the front court position, filmed from a front angle. After contact his racquet finishes out in front with the non-hitting hand extending back for counterbalance as he transfers weight onto the front foot and quickly squares up into a ready position.
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3.2s |
BH Slice Running · Front #3
Guillermo Canas's running backhand slice from the front, filmed from a front angle. His hips stay relatively closed to the net while his knees stay flexed through the lunge step, with the outside leg planting firmly to support the low, skidding slice.
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3s |
BH Slice Running · Front #4
Guillermo Canas's backhand slice on the run from the baseline, filmed from the front. From this angle you can see his continental grip stay firm while his hitting wrist stays relatively stable with only a slight laid-back angle through contact to keep the slice low and controlled.
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3.3s |
BH Slice Running · Front #5
Guillermo Canas's running backhand slice from the front court position, filmed from a front angle. His continental grip is firm with a slightly laid-back wrist, and you can clearly see the racket face staying open as the wrist remains stable through contact.
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2.6s |
BH Slice Short · Front
Guillermo Canas's backhand slice from the center of the court, filmed from the front. His shoulders stay relatively closed as the trunk makes a compact coil, then uncoils with a controlled, slightly downward rotation that keeps the hitting shoulder driving through the ball.
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2.5s |
FH Slice Running · Front
Guillermo Canas's running forehand slice from the front court position, filmed from the front. His hips stay relatively closed to the net while his outside leg plants and bends deeply, providing a low base as he carves the slice on the move.
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3s |
BH Slice Running · Rear
Guillermo Canas's running backhand slice from the baseline, filmed from the rear. His footwork features quick adjustment steps as he moves laterally and uses a slightly open stance with his outside leg planting early to support the slicing motion.
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3.5s |
FH Slice Running · Rear
Guillermo Canas's running forehand slice from the center of the court, filmed from a rear angle. His continental grip stays firm with a slightly laid-back wrist, creating a stable racket face that stays open through contact.
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2.6s |
BH Slice Running · Side #1
Guillermo Canas's running backhand slice from the baseline, filmed from the side. His footwork features a quick adjustment shuffle into a semi-open stance, with his outside leg planting strongly before he lunges through the slice and then crosses over to recover back toward the center.
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3.3s |
BH Slice Running · Side #2
Guillermo Canas's running backhand slice from the side, filmed from a side angle. At contact his racket face is slightly open with the ball struck around waist height, and you can see a distinct high-to-low cutting motion that keeps the racket head traveling forward through the ball.
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2.7s |
BH Slice Running · Side #3
Guillermo Canas's running backhand slice from the side. His outside knee stays deeply flexed as he moves through the shot, with his hips remaining relatively closed to the net while his legs extend in a long lateral stride.
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2.5s |
BH Slice Running · Side #4
Guillermo Canas's running backhand slice from the baseline, filmed from the side. His footwork features quick adjustment steps into a semi-open stance, with a pronounced deceleration and planting of the outside foot before slicing and then crossing over to recover along the baseline.
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3.3s |
BH Slice Short · Side
Guillermo Canas's backhand slice from the baseline on the deuce side, filmed from the side. His shoulders rotate early as the trunk coils on the unit turn, then the torso stays relatively closed through contact with a delayed uncoil that keeps the hitting shoulder slightly behind the non-hitting side.
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3.1s |
BH Slice Wide · Side
Guillermo Canas's backhand slice from a wide position, filmed from the side. The side angle makes it clear that his racket face stays slightly open at contact with the ball struck around waist height, and the racket travels on a distinct high-to-low path through the hitting zone.
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2.8s |
FH Slice Moves Back · Side
Guillermo Canas's forehand slice while moving back from the baseline, filmed from the side. His hips stay relatively closed to the net as he retreats, with a noticeable flex in the knees and a braced front leg that stabilizes the low, skidding slice.
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3s |
FH Slice Running · Side #1
Guillermo Canas's running forehand slice from the side, filmed from a side angle. His shoulders turn early with a pronounced trunk coil, then uncoil in a compact, slightly open stance that keeps the hitting shoulder leading through contact despite his forward momentum.
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3s |
FH Slice Running · Side #2
Guillermo Canas's running forehand slice from the deuce side, filmed from the side. His follow-through finishes with the racquet hand extended forward while his weight continues moving through the court, and he quickly brings both hands back toward the center to reset into a ready position.
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3.1s |
FH Slice Running · Side #3
Guillermo Canas's running forehand slice from the side, filmed from a side angle. His shoulders stay relatively closed with a pronounced forward trunk tilt, and you can see the upper body uncoil laterally through contact as the kinetic chain works more horizontally than vertically on this defensive slice.
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2.7s |
FH Slice Short · Side
Guillermo Canas's forehand slice from the center of the baseline, filmed from the side. His footwork features a small adjustment hop into a neutral stance, with a clear front-foot plant before the slicing motion and a short recovery step back toward his ready position.
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3.1s |
FH Slice Wide · Side #1
Guillermo Canas's forehand slice from a wide position, filmed from the side. The racket face is noticeably open at contact with the ball struck around waist height, and the racket travels on a distinct high-to-low path through impact.
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2.7s |
FH Slice Wide · Side #2
Guillermo Canas's forehand slice from a wide position, filmed from the side. His feet stay in a mostly neutral stance as he moves laterally out to the ball, with a small adjustment step just before contact to set his spacing.
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2.9s |
Argentina
