Jeremiah Walsh
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Video Library (7 videos)
| Name |
FPS |
Duration |
Jeremiah Walsh: The In Front of Head (1 of 7)
Jeremiah Walsh’s forehand contact position animation from a neutral court position, filmed from a side angle. The sequence emphasizes a laid-back wrist with clear lag before contact, then a firm, stable wrist as the hand moves slightly in front of the head through impact.
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4.7s |
Jeremiah Walsh: The In Front of Head (2 of 7)
Jeremiah Walsh's movement drill animation on getting the contact point in front of the head, filmed from a side angle. His footwork emphasizes a small split step into compact adjustment steps that position his body so the hitting-side foot can plant in a neutral stance just before contact.
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3.9s |
Jeremiah Walsh: The In Front of Head (3 of 7)
Jeremiah Walsh's footwork animation for the cross step, filmed from a side angle. The video makes clear how his hips turn as the outside leg crosses behind, with a noticeable bend in both knees to load before pushing into the next step.
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7s |
Jeremiah Walsh: The In Front of Head (4 of 7)
Jeremiah Walsh's offensive forehand from a neutral position, filmed from a side animation angle. The animation clearly depicts an early shoulder turn with the trunk coiling against the hips, then uncoiling in sequence so the shoulders stay slightly closed as the racket drops and open through contact in front of the head.
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3.2s |
Jeremiah Walsh: The In Front of Head (5 of 7)
Jeremiah Walsh's defensive forehand from a neutral court position, filmed from a side angle. His follow-through finishes high in front of his head while his weight transfers slightly backward into a recovery split step.
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5.8s |
Jeremiah Walsh: The In Front of Head (6 of 7)
Jeremiah Walsh's forehand inside-out from a neutral position, filmed from a side animation angle. The contact point is clearly in front of his head with the racket face slightly closed and the racket head accelerating upward along a low-to-high swing path.
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4.3s |
Jeremiah Walsh: The In Front of Head (7 of 7)
Jeremiah Walsh's forehand contact and bounce timing concept from a central court position, filmed from a side animation angle. The shoulder and trunk rotation are broken into clear phases, with a distinct coil before contact and an uncoil that finishes with the chest turning fully toward the target line.
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3.1s |
