Video Library (13 videos)
| Name |
FPS |
Duration |
Doubles Playing Styles (10 of 13)
Louis Cayer’s animation of the Bryan brothers’ all-court doubles positioning is shown from a tactical, overhead-style diagram angle. The wrist position is consistently neutral in these animated strokes, with no exaggerated wrist snap or lag, emphasizing stable grips suited for quick volley exchanges and rapid net reactions.
|
|
11s |
Doubles Playing Styles (11 of 13)
Louis Cayer's forehand from a central baseline position, filmed from a side court-level angle. The side view makes it easy to see his semi-western grip and how his wrist stays laid back with a clear lag before uncoiling into contact.
|
|
2.7s |
Doubles Playing Styles (13 of 13)
Louis Cayer’s strategy animation on Martina’s mutual respect positioning in doubles, filmed from a tactical overhead/court-diagram angle. The shoulder and trunk rotation of both partners are simplified into clear angular changes, making it easy to see how each player’s upper body turns in sync with their court positioning and role during the point.
|
|
4s |
Doubles Playing Styles (1 of 13)
Louis Cayer’s animation of the Bryan brothers’ doubles patterns from a tactical overhead view. The hips and legs of both players clearly show synchronized split-steps and lateral pushes as they react in unison to ball direction.
|
|
13s |
Doubles Playing Styles (2 of 13)
Martina’s serve-and-volley sequence from a central baseline position, filmed from a rear angle. The contact point on the serve is clearly above her head with a slightly closed racket face, and the racket head accelerates upward and forward along a pronounced edge-on-to-square swing path.
|
|
4.5s |
Doubles Playing Styles (3 of 13)
Louis Cayer’s animation on doubles playing styles, filmed from a tactical, diagram-based angle. The shoulder and trunk rotations of both net and baseline players are simplified into clear directional arrows, making the degree and sequencing of their upper-body turns easy to compare between aggressive and defensive formations.
|
|
13s |
Doubles Playing Styles (4 of 13)
Bob and Mike Bryan’s doubles poaching movement at the net from a central court position, filmed from a court-level side angle. Their continental grip stays relaxed with a slightly laid-back wrist that firms up only just before contact to control the volley.
|
|
6.9s |
Doubles Playing Styles (5 of 13)
Bryan brother's doubles movement pattern during a point, filmed from a tactical overhead animation angle. The hips and legs clearly shift in split-step timing, with coordinated lateral pushes from both players to cover the net while keeping their knees flexed for quick directional changes.
|
|
4.9s |
Doubles Playing Styles (6 of 13)
Louis Cayer’s animation of Martina’s chip-and-charge positioning at the net, filmed from a tactical overhead angle. The racket is held with a slightly open face in front of the body at about chest height, ready to intercept the ball early with a compact forward swing path.
|
|
5.2s |
Doubles Playing Styles (7 of 13)
Louis Cayer's max serve from the baseline, filmed from a side angle. After contact, his weight drives fully into the court and he lands on his front foot with his non-hitting arm dropping back to help rotate into a balanced, ready position for the next shot.
|
|
2.2s |
Doubles Playing Styles (9 of 13)
Louis Cayer discusses doubles playing styles from a baseline coaching position, filmed from a side court-level angle. He emphasizes recovering forward after the shot with the racquet returning to a neutral ready position and the non-hitting hand helping to square the shoulders for the next ball.
|
|
5s |
Doubles Playing Styles (12 of 13)
Bryans' first serve from the deuce court in doubles, filmed from a rear camera angle. The server’s split-step syncs with contact while the net player takes an aggressive crossover step toward the middle to poach immediately after the serve.
|
|
4.7s |
Doubles Playing Styles (8 of 13)
Gonzo's forehand return from the deuce court, filmed from a rear court-level angle. His hips stay relatively closed through the split step with a pronounced knee bend, then uncoil with a strong push off the outside leg as he drives into the ball.
|
|
3.3s |
