Arm-action
Mardy Fish's serve from a central baseline position, filmed from the rear at ultra–high-speed 9999 fps. His hips load with a noticeable turn away from the court while his knees sink into a deep bend, then his legs drive upward to push his hips into a more open position toward the net during the upward swing.
|
9999 |
0.1s |
BH Approach → OH · Front · 240fps
Mardy Fish's backhand approach overhead from the center of the court, filmed from the front. His shoulders stay closed as the trunk coils on the preparation, then uncoils in a stacked alignment under the tossing arm before rotating through the overhead contact.
|
240 |
5.9s |
FH Approach → FH Volley → OH · Front · 240fps
Mardy Fish's forehand approach shot from the center of the court, followed by a forehand volley and overhead, filmed from the front at 240 fps. The slow motion angle makes it easy to see his slightly closed racket face at forehand contact before transitioning to a more open face on the volley and overhead as contact rises above shoulder height.
|
240 |
9.6s |
FH Approach → OH · Front · 240fps
Mardy Fish's forehand approach and overhead from the center of the court, filmed from the front. He uses a quick split step into an open-stance forehand approach, then takes small adjustment steps under the ball before planting a wide base for the overhead.
|
240 |
7.5s |
BH Approach → OH · Rear · 120fps
Mardy Fish's backhand approach overhead from the center of the court, filmed from a rear angle. After contact he drives his weight forward into the court, with his non-hitting arm extending back for counterbalance before he resets into a ready position.
|
120 |
6.3s |
FH Approach → FH Volley · Rear · 240fps
Mardy Fish's forehand approach shot from a neutral court position, filmed from the rear at 240 fps. His split-step leads into a quick crossover and adjustment step into a semi-open stance before moving forward, followed by small recovery steps that align him for the forehand volley.
|
240 |
5.5s |
FH Approach → OH · Rear · 240fps
Mardy Fish's forehand approach and overhead from the center of the court, filmed from a rear angle. His hips stay low with a pronounced knee bend during the approach steps, then drive upward as his legs extend explosively into the overhead.
|
240 |
8s |
FH Approach → FH Volley · Side · 500fps
Mardy Fish's forehand approach shot from the center of the court, filmed from the side. His shoulders rotate as a unit with the trunk into a deep coil on the unit turn, then uncoil in sync with the hips so the chest faces the net just after contact.
|
500 |
6.4s |
FH Approach → FH Volley → OH · Side · 240fps
Mardy Fish's forehand approach shot followed by a forehand volley and overhead from the center of the court, filmed from the side. After contact on each stroke, he drives his weight forward into the court and quickly brings both hands back toward a compact ready position to continue moving through the net.
|
240 |
9.6s |
FH Approach → FH Volley · Side · 240fps
Mardy Fish's forehand approach shot from a neutral court position, filmed from the side. His semi-western forehand grip is clearly visible with pronounced wrist lag on the forward swing before a firm, stable wrist at contact.
|
240 |
5.6s |
FH Approach → FH Volley · Side · 500fps
Mardy Fish's forehand approach shot from a neutral court position, filmed from the side. His hips stay closed through the loading phase with a deep knee bend, then drive forward aggressively as his legs extend into the court to transition smoothly into the forehand volley.
|
500 |
6.4s |
FH Approach → OH · Side · 240fps
Mardy Fish's forehand approach shot followed by an overhead from the middle of the court, filmed from the side. After contact he drives his weight forward into the court, with his non-hitting hand tucking in as he finishes the swing and quickly regains a neutral ready position for the overhead.
|
240 |
7.7s |
BH Center · Court-level-side · Neutral · 120fps #1
Mardy Fish's two-handed backhand from the center in neutral stance, filmed from a court-level side angle at 120 fps. After contact his racquet finishes high with the non-hitting hand releasing and tracking back toward his body as he transfers weight forward into a balanced recovery position.
|
120 |
2.5s |
BH Center · Court-level-side · Neutral · 120fps #2
Mardy Fish's two-handed backhand from the center in a neutral stance, filmed from a court-level side angle. His hips stay relatively closed to the net during the loading phase while his knees are deeply flexed, giving a clear view of how his rear leg drives up and through the shot.
|
120 |
3.1s |
BH Center · Court-level-side · Neutral · 120fps #3
Mardy Fish's two-handed backhand from center court in a neutral stance, filmed from a court-level side angle at 120 fps. His shoulders rotate well past perpendicular to the net on the unit turn, then uncoil in sync with the trunk so that the chest squares to the net just after contact, clearly showing the sequential contribution of torso rotation to racket speed.
|
120 |
2.5s |
BH Half Volley Moves Back · Court-level-side · 120fps
Mardy Fish's backhand while moving back from mid-court, filmed from a court-level side angle. His two-handed grip stays compact with a firm top hand as the wrist lags slightly on the takeback, then unrolls into a subtle wrist snap right through contact.
|
120 |
2.2s |
BH Moves Back · Court-level-side · Open · 120fps #1
Mardy Fish's backhand from an open stance while moving back, filmed from a court-level side angle at 120 fps. From this side view, you can clearly see his shoulders rotate well past perpendicular to the net on the unit turn, then uncoil in sync with his trunk as his hips lead the kinetic chain into contact.
|
120 |
2.6s |
BH Moves Back · Court-level-side · Open · 120fps #2
Mardy Fish's two-handed backhand from an open stance while moving back, filmed from a court-level side angle at 120 fps. His racket face is slightly closed at a contact point near waist height, with the racket head accelerating up and across the ball on a steep windshield-wiper path.
|
120 |
2.7s |
BH Running · Court-level-side · 120fps #1
Mardy Fish's running backhand from a neutral court position, filmed from a court-level side angle at 120 fps. His follow-through carries his racquet high across his body while his weight continues moving toward the baseline, and he quickly brings both hands back in front to reestablish a compact ready position.
|
120 |
2.8s |
BH Running · Court-level-side · 120fps #2
Mardy Fish's running backhand from the side, filmed from a court-level side angle at 120 fps. At contact his racket face stays nearly square to the ball with the contact point around waist height, and the racket head accelerates steeply upward along the swing path for added topspin.
|
120 |
3.1s |
BH Running · Court-level-side · 120fps #3
Mardy Fish's running two-handed backhand from a neutral court position, filmed from a court-level side angle at 120 fps. His hips stay relatively closed to the net while his outside leg plants with a deep knee bend, driving his lateral push-off as he hits on the move.
|
120 |
2.7s |
BH Running · Court-level-side · 120fps #4
Mardy Fish's running backhand from a neutral court position, filmed from a court-level side angle. His footwork shows a quick adjustment step into a semi-open stance before contact, followed by active recovery steps to regain court position.
|
120 |
2.4s |
BH Short · Court-level-side · Neutral · 120fps
Mardy Fish's backhand from a neutral stance at mid-court, filmed from a court-level side angle in 120 fps slow motion. His knees load deeply with noticeable flex before contact, and his hips stay relatively closed as his legs drive up and forward into the shot.
|
120 |
3s |
BH Wide · Arm-action · Court-level-side · 120fps #1
Mardy Fish's wide backhand from the side of the court, filmed from a court-level side angle in 120 fps slow motion. His hips stay relatively closed as he loads, with a deep knee bend and strong lateral push off the outside leg to reach and stabilize for the wide ball.
|
120 |
2.9s |
BH Wide · Arm-action · Court-level-side · 120fps #2
Mardy Fish's wide backhand from the side of the court, filmed from a court-level side angle at 120 fps. His footwork shows a quick adjustment step out toward the wide ball before setting into a mostly neutral stance with the outside leg planting firmly before the swing.
|
120 |
2.5s |
BH Wide · Court-level-side · Closed · 120fps #1
Mardy Fish's two-handed backhand on a wide ball from a closed stance, filmed from a court-level side angle at 120 fps. His hips stay closed to the net as he plants the outside leg with a deep knee bend, then drives upward and slightly forward off that leg to initiate the swing.
|
120 |
2.6s |
BH Wide · Court-level-side · Closed · 120fps #2
Mardy Fish's two-handed backhand on a wide ball from a closed stance, filmed from a court-level side angle at 120 fps. The racket face is slightly closed at contact with the ball struck around waist height, and the swing path drives forward through the court before wrapping across his body.
|
120 |
2.3s |
BH Wide · Leg-kick · Court-level-side · 120fps #1
Mardy Fish's wide two-handed backhand from the side of the court, filmed from a court-level side angle in 120 fps slow motion. His semi-closed two-handed grip stays firm with a noticeable wrist lag on the racquet head during the takeback before the wrists stabilize and move through contact as a single unit.
|
120 |
3s |
BH Wide · Leg-kick · Court-level-side · 120fps #2
Mardy Fish's wide backhand from the side, filmed from court-level. His shoulders turn early as his trunk coils against the direction of the incoming ball, then uncoil in sequence with his leg kick to transfer momentum through the shot.
|
120 |
3s |
BH Wide · Court-level-side · Neutral · 120fps
Mardy Fish's two-handed backhand to a wide ball from a neutral stance, filmed from a court-level side angle at 120 fps. The side view makes it clear that he strikes the ball slightly in front of his lead hip with a closed racket face and an upward swing path accelerating through contact.
|
120 |
3s |
BH Wide · Court-level-side · Open · 120fps
Mardy Fish's backhand from a wide position on the court, filmed from a court-level side angle in 120 fps slow motion. His open stance is clear as he plants the outside foot first, then uses a small adjustment step with the inside foot to load before rotating into the shot.
|
120 |
2.5s |
BH Swinging Volley · Court-level-side · 120fps
Mardy Fish's two-handed backhand swinging volley from a neutral court position, filmed from a court-level side angle in 120 fps slow motion. His semi-western top hand and continental bottom hand stay firm while the wrists remain relatively quiet through contact, with only a subtle wrist snap forward to stabilize the racquet face through the swinging motion.
|
120 |
3.1s |
BH Center · Arm-action · Front · 120fps
Mardy Fish's two-handed backhand from the center of the court, filmed from the front at 120 fps slow motion. His hips stay relatively square to the net with a pronounced knee bend on the loading leg, and he drives upward through the shot with a strong push off the ground.
|
120 |
2.7s |
BH Center · Front · Closed · 120fps #1
Mardy Fish's two-handed backhand from the center in a closed stance, filmed from the front at 120 fps slow motion. His racket face is slightly closed at contact with the ball struck around waist height, and the racket head accelerates steeply upward along the swing path.
|
120 |
2.6s |
BH Center · Front · Closed · 240fps #2
Mardy Fish's two-handed backhand from the center of the court in a closed stance, filmed from the front at 240 fps. His hips stay relatively closed to the net as he loads on the front leg, with a deep knee bend and strong upward leg drive into the shot.
|
240 |
2.7s |
BH Half Volley Center · Front · 120fps
Mardy Fish's two-handed backhand from the center of the court, filmed from the front at 120 fps slow motion. After contact his follow-through finishes high with the racquet toward his left side as his weight transfers onto his front foot and he quickly brings both hands back toward a neutral ready position.
|
120 |
2s |
BH Center · Front · Neutral · 120fps #1
Mardy Fish's backhand from the center of the court in a neutral stance, filmed from the front at 120 fps. His compact split step into a neutral base is followed by a small adjustment hop that sets his feet before he drives through the ball and then takes a couple of quick recovery steps back to center.
|
120 |
3s |
BH Center · Front · Neutral · 120fps #2
Mardy Fish's backhand from the center of the court in a neutral stance, filmed from the front at 120 fps. His feet set up on a balanced, shoulder-width base in neutral stance, with a small adjustment step before contact and a clear recovery step back toward the center after the swing.
|
120 |
2.6s |
BH Center · Front · Neutral · 120fps #3
Mardy Fish's two-handed backhand from the center in a neutral stance, filmed from a front angle at 120 fps. His semi-closed top hand grip and firm bottom hand support create a stable hitting structure, with minimal wrist flexion through contact to keep the racquet face steady.
|
120 |
2.6s |
BH Center · Front · Neutral · 120fps #4
Mardy Fish's backhand from the center of the court in a neutral stance, filmed from a front angle at 120 fps slow motion. His feet set up on a balanced neutral base before he drives through the swing, then he uses small adjustment steps to recover efficiently back toward the middle.
|
120 |
2.3s |
BH Center · Front · Neutral · 120fps #5
Mardy Fish's two-handed backhand from the center in a neutral stance, filmed from a front angle at 120 fps slow motion. His shoulders rotate as a unit with the trunk into a compact coil on the takeback, then uncoil sequentially from hips to shoulders, making the separation between upper and lower body easy to see.
|
120 |
2.6s |
BH Running · Front · 120fps #1
Mardy Fish's running backhand from the center of the court, filmed from the front at 120 fps slow motion. His footwork features quick adjustment steps into a slightly open stance, followed by a strong crossover recovery step to get back toward the middle.
|
120 |
2.7s |
BH Running · Front · 120fps #2
Mardy Fish's running backhand from the front, filmed from a court-level angle at 120 fps. His shoulders rotate as a single unit with the trunk on the unit turn, then the torso uncoils ahead of the arms so the racquet lags briefly before contact.
|
120 |
2.7s |
BH Running · Front · 120fps #4
Mardy Fish's running backhand from the front, filmed from a court-level front angle at 120 fps. His two-handed grip stays compact with the non-dominant hand driving the racquet while the dominant wrist remains firm with minimal flex through contact.
|
120 |
2.7s |
BH Running · Front · 120fps #5
Mardy Fish's running backhand from the middle of the court, filmed from the front at 120 fps slow motion. After contact his follow-through finishes high with both hands on the racquet while his weight continues moving forward, and he quickly brings the racquet back to a neutral ready position in front of his body.
|
120 |
2.6s |
BH Running · Front · 120fps #6
Mardy Fish's running backhand from the front, filmed from a court-level front angle at 120 fps. His shoulders rotate as a unit with the trunk on the unit turn, then uncoil ahead of the arms so the torso leads the racquet through contact.
|
120 |
2.6s |
BH Short · Front · Closed · 240fps
Mardy Fish's two-handed backhand from a closed stance in the middle of the court, filmed from the front at 240 fps. At contact, the racket face is nearly square to the incoming ball with the contact point around waist height, and the racket head accelerates steeply upward along the swing path.
|
240 |
2.1s |
BH Wide · Front · Closed · 120fps #1
Mardy Fish's wide backhand from a closed stance, filmed from the front at 120 fps slow motion. His hips stay relatively closed to the net as his knees sink into a deep bend, and his rear leg drives laterally into the court to reach the wide ball.
|
120 |
2.5s |
BH Wide · Front · Closed · 120fps #2
Mardy Fish's two-handed backhand wide from a closed stance, filmed from the front at 120 fps. His semi-western top hand grip and continental bottom hand grip are clearly visible, with a pronounced wrist lag on the dominant hand that releases into a firm, stable wrist position through contact.
|
120 |
2.3s |
BH Wide · Front · Closed · 120fps #3
Mardy Fish's wide two-handed backhand from a closed stance, filmed from the front at 120 fps slow motion. After contact he lets the racquet finish high across his body while his weight continues moving into the court, quickly bringing both hands back toward a neutral ready position.
|
120 |
2.6s |
BH Wide · Front · Closed · 120fps #4
Mardy Fish's backhand from a wide ball in a closed stance, filmed from the front at 120 fps slow motion. His hips stay relatively closed to the net while his knees show a deep bend on the outside leg, loading heavily before driving laterally toward the ball.
|
120 |
3.2s |
BH Wide · Front · Closed · 120fps #5
Mardy Fish's two-handed backhand to a wide ball from a neutral court position, filmed from the front at 120 fps in slow motion. After contact his follow-through finishes high with the racquet wrapping around his lead shoulder as his weight transfers onto the front foot and his non-hitting hand helps him quickly recover toward a ready position.
|
120 |
2.7s |
BH Wide · Front · Closed · 120fps #6
Mardy Fish's two-handed backhand to a wide ball from a closed stance, filmed from the front at 120 fps. His semi-western left-hand grip and continental right-hand grip are clear, with a pronounced wrist lag in the takeback that firms up into a stable, slightly laid-back wrist position at contact.
|
120 |
2.4s |
BH Wide · Front · Closed · 240fps #7
Mardy Fish's two-handed backhand from a wide ball in a closed stance, filmed from the front at 240 fps. From this angle you can see his dominant hand maintaining a firm semi-Western-style grip while the non-dominant hand drives through contact, with the wrists staying relatively firm and only unhinging slightly after impact.
|
240 |
2.9s |
BH Wide · Front · Neutral · 120fps #1
Mardy Fish's two-handed backhand on a wide ball from a neutral stance, filmed from the front at 120 fps slow motion. His shoulders and trunk rotate as a unit into a strong coil, then uncoil with the chest finishing square or slightly past the baseline, making the sequencing of upper-body rotation through contact easy to see.
|
120 |
2.4s |
BH Wide · Front · Neutral · 120fps #2
Mardy Fish's two-handed backhand to a wide ball from a neutral stance, filmed from the front at 120 fps. After contact his follow-through finishes high with the racket toward his target while his weight transfers onto his front foot and his non-hitting hand quickly returns toward a ready position.
|
120 |
2.7s |
BH Wide · Front · Neutral · 120fps #3
Mardy Fish's two-handed backhand on a wide ball from a neutral stance, filmed from the front at 120 fps. His racket face stays relatively square to the net at contact with the ball meeting the strings around waist to mid-torso height, and the racket head accelerates steeply up the back of the ball through the hitting zone.
|
120 |
2.9s |
BH Wide · Front · Neutral · 240fps #4
Mardy Fish's two-handed backhand to a wide ball from a neutral stance, filmed from the front at 240 fps. His shoulders rotate as a single unit with the trunk on the unit turn, then uncoil together through contact, making the degree of upper-body rotation and sequencing easy to distinguish from the lower body.
|
240 |
2.8s |
BH Wide · Front · Neutral · 500fps #5
Mardy Fish's two-handed backhand to a wide ball from a neutral stance, filmed from the front at 500 fps. His hips stay relatively closed as he steps into the ball, with a noticeable knee bend on the outside leg that loads before driving his weight forward into the shot.
|
500 |
2.3s |
BH Wide · Front · Open · 120fps #1
Mardy Fish's two-handed backhand to a wide ball from an open stance, filmed from the front at 120 fps. His hips stay relatively open to the net while his knees are deeply flexed, with a strong push off the outside leg driving him laterally into the shot.
|
120 |
2.7s |
BH Wide · Front · Open · 120fps #2
Mardy Fish's wide two-handed backhand from an open stance, filmed from the front. His shoulders load with a pronounced upper-body coil against the hips before contact, then uncoil in sequence with the trunk leading the arms, clearly visible in the slowed 120 fps footage.
|
120 |
2.6s |
BH Wide · Front · Open · 240fps #3
Mardy Fish's two-handed backhand wide from an open stance, filmed from a front angle at 240 fps. His shoulders rotate as a unit with the trunk into a deep coil, then uncoil aggressively toward the ball with the chest finishing square to the net, clearly showing sequential trunk rotation leading the swing.
|
240 |
2.7s |
BH Wide · Front · Open · 120fps #4
Mardy Fish's two-handed backhand to a wide ball from a central position, filmed from the front at 120 fps slow motion. His open stance is clear as he plants his outside foot first, then uses a small lateral shuffle and a quick recovery step to push back toward the center after contact.
|
120 |
2.7s |
BH Wide · Front · Open · 120fps #5
Mardy Fish's wide two-handed backhand from an open stance, filmed from the front. His hips stay relatively open to the net while his knees are deeply flexed, and you can see a strong push off the outside leg driving his lower body into the shot.
|
120 |
2.6s |
BH Center · Rear · Closed · 240fps
Mardy Fish's two-handed backhand from the center of the court in a closed stance, filmed from a rear angle at 240 fps. His follow-through finishes high with the racket over his right shoulder as he steps forward and quickly brings both hands down into a compact ready position for the next shot.
|
240 |
2.7s |
BH Center · Rear · Neutral · 120fps #1
Mardy Fish's two-handed backhand from the center in a neutral stance, filmed from a rear angle at 120 fps slow motion. His semi-closed top hand grip and firm bottom hand support create a noticeable wrist lag on the takeback that unwinds into a stable, relatively quiet wrist position through contact.
|
120 |
2.4s |
BH Center · Rear · Neutral · 240fps #2
Mardy Fish's two-handed backhand from the center in a neutral stance, filmed from a rear angle at 240 fps. The racket face is slightly closed at contact with the ball struck around waist height, and the high-speed view makes the upward swing path and accelerating racket head very clear.
|
240 |
2.5s |
BH Center · Rear · Neutral · 240fps #3
Mardy Fish's two-handed backhand from the center in a neutral stance, filmed from a rear angle at 240 fps. His shoulders rotate as a unit with a pronounced trunk coil on the takeback, then uncoil in sequence so the torso leads the arms into contact.
|
240 |
2.4s |
BH Moves Back · Rear · Open · 120fps #1
Mardy Fish's backhand from a neutral central position, filmed from a rear angle at 120 fps slow motion. After contact he extends his follow-through high with both hands while his weight shifts slightly backward as he moves away, then he quickly begins to square his shoulders and bring the racquet back toward a ready position.
|
120 |
2.7s |
BH Moves Back · Rear · Open · 120fps #2
Mardy Fish's backhand from a central position, filmed from a rear angle in 120 fps slow motion. As he moves back, he plants in an open stance with a quick adjustment hop, then uses small recovery steps to regain court position after contact.
|
120 |
2.6s |
BH Moves Back · Rear · Open · 120fps #3
Mardy Fish's two-handed backhand moving back from an open stance, filmed from a rear angle in 120 fps slow motion. His semi-western left hand grip is easy to see from behind, with the wrists staying laid back through the takeback and then unhinging in a late, compact snap right at contact.
|
120 |
2.4s |
BH Moves Back · Rear · Open · 240fps #4
Mardy Fish's two-handed backhand while moving back in an open stance from the rear, filmed at 240 fps. His hips stay relatively open to the baseline as he loads with a deep knee bend on the outside leg, then drives upward through the legs to stabilize while drifting backward.
|
240 |
2.9s |
BH Running · Rear · 500fps #1
Mardy Fish's running backhand from a central position, filmed from a rear angle in 500 fps slow motion. His footwork shows a quick adjustment shuffle into a semi-open stance before contact, followed by aggressive recovery steps back toward the center baseline.
|
500 |
2.6s |
BH Running · Rear · 120fps #2
Mardy Fish's running two-handed backhand from a neutral court position, filmed from a rear angle in 120 fps slow motion. His semi-closed two-handed grip is clear from behind, with the dominant hand staying relaxed enough to create noticeable wrist lag before a firm, stable wrist at contact.
|
120 |
2.6s |
BH Running · Rear · 240fps #3
Mardy Fish's running two-handed backhand from a neutral court position, filmed from a rear angle in 240 fps slow motion. His hips stay relatively closed to the baseline while his outside leg plants with a deep knee bend, providing the main base for lateral push-off into the shot.
|
240 |
3s |
BH Running · Rear · 240fps #4
Mardy Fish's running backhand from a neutral court position, filmed from a rear angle. After contact his follow-through wraps across his body while his outside leg plants and pushes him back toward the center, with his non-hitting hand helping him square into a ready position.
|
240 |
2.1s |
BH Running · Rear · 240fps #5
Mardy Fish's running backhand from a neutral court position, filmed from a rear angle at 240 fps slow motion. His hips stay relatively closed to the baseline while his outside leg plants and drives, with a deep knee bend that loads the shot as he moves laterally.
|
240 |
2.4s |
BH Short · Rear · Closed · 120fps
Mardy Fish's backhand from a neutral middle-court position in a closed stance, filmed from a rear angle at 120 fps. His shoulders rotate well past perpendicular to the baseline on the unit turn, then uncoil in sync with the trunk so that the chest squares to the net just after contact, clearly outlining the upper-body segment sequencing.
|
120 |
2.4s |
BH Short · Rear · Neutral · 240fps
Mardy Fish's two-handed backhand from a neutral stance in the middle of the court, filmed from a rear angle at 240 fps. His dominant hand stays relaxed on the bottom of the grip while the off-hand drives the racquet through contact, with a noticeable wrist lag that firms up into a stable, slightly laid-back position at impact.
|
240 |
2.1s |
BH Wide · Rear · Closed · 120fps #1
Mardy Fish's wide two-handed backhand from a central baseline position, filmed from a rear angle at 120 fps. He plants in a distinctly closed stance with his left foot stepping across his body, using a quick lateral shuffle to reach the wide ball before taking a strong cross-step to load into the stroke.
|
120 |
2s |
BH Wide · Rear · Closed · 240fps #2
Mardy Fish's two-handed backhand to a wide ball from a closed stance, filmed from a rear angle at 240 fps. His follow-through finishes high with the racket over his shoulder as his weight transfers into the outside leg, and he quickly pivots his hips and shoulders back toward the center to recover.
|
240 |
2.8s |
BH Wide · Leg-kick · Rear · 120fps
Mardy Fish's wide backhand from the rear, filmed from a high-speed 120 fps angle. His hips stay relatively closed as he drives out wide, with a pronounced outside leg push-off and trailing leg kick that shows strong knee bend and lateral leg drive.
|
120 |
2.7s |
BH Wide · Rear · Neutral · 120fps #1
Mardy Fish's two-handed backhand to a wide ball from a neutral stance, filmed from a rear angle at 120 fps. His shoulders coil significantly past perpendicular to the baseline before contact, with a pronounced trunk uncoil that sequences from the hips through the torso into the upper body.
|
120 |
2.3s |
BH Wide · Rear · Neutral · 120fps #2
Mardy Fish's two-handed backhand to a wide ball from a neutral stance, filmed from a rear angle at 120 fps slow motion. After contact he lets the racquet finish over his front shoulder while his weight transfers toward the sideline and his non-hitting hand quickly returns to the handle area as he recovers back toward the court.
|
120 |
2.4s |
BH Wide · Rear · Neutral · 240fps #3
Mardy Fish's two-handed backhand to a wide ball from a neutral stance, filmed from a rear angle at 240 fps. His footwork shows a quick adjustment step outward followed by a firm plant of both feet on the baseline, keeping his hips and shoulders aligned square to the net through contact.
|
240 |
3s |
BH Wide · Rear · Open · 120fps #1
Mardy Fish's two-handed backhand on a wide ball from an open stance, filmed from a rear angle at 120 fps. His contact point is slightly in front of his body with the racket face nearly square to the baseline and the racket head accelerating upward on a steep low-to-high path.
|
120 |
2.4s |
BH Wide · Rear · Open · 240fps #2
Mardy Fish's two-handed backhand from a wide ball in an open stance, filmed from a rear angle at 240 fps. His semi-western left hand grip and firm right hand support create noticeable wrist lag on the takeback, followed by a clear, synchronized wrist release through contact.
|
240 |
2.7s |
BH Center · Arm-action · Side · 240fps
Mardy Fish's backhand from the center of the court, filmed from the side at 240 fps. From this angle you can see his bottom hand maintaining a firm grip while the top hand guides the racket, with noticeable wrist lag in the takeback that smoothly unwinds into a stable, square wrist position at contact.
|
240 |
3.1s |
BH Center · Side · Neutral · 500fps #1
Mardy Fish's backhand from the center in a neutral stance, filmed from the side. The side view in 500 fps slow motion makes it easy to see his racket face stay relatively square to the ball at contact, with the contact point slightly in front of his lead hip and the racket head accelerating upward along a modern topspin path.
|
500 |
2.6s |
BH Center · Side · Neutral · 240fps #2
Mardy Fish's two-handed backhand from center court in a neutral stance, filmed from a side angle at 240 fps. After contact his racquet continues forward toward the target as his weight transfers onto his front foot and his non-hitting hand releases to help him square back into a ready position.
|
240 |
2.7s |
BH Center · Side · Neutral · 120fps #3
Mardy Fish's two-handed backhand from the center in a neutral stance, filmed from the side at 120 fps slow motion. His hips stay relatively closed to the net as he loads, with a deep knee bend and strong leg drive upward and forward visible through the extension of his back leg after contact.
|
120 |
2.7s |
BH Center · Side · Neutral · 120fps #4
Mardy Fish's two-handed backhand from the center in a neutral stance, filmed from a side angle at 120 fps. From this angle, you can see his dominant hand in a semi-western-ish position with a firm but relaxed grip while the off-hand drives the racket, and his wrists stay laid back through the swing before releasing slightly through contact.
|
120 |
2.1s |
BH Running · Side · 500fps #1
Mardy Fish's running two-handed backhand from a neutral court position, filmed from the side at 500 fps. His semi-western bottom hand and continental top hand stay firm while the wrists maintain a pronounced lag that unwinds into a compact, late snap through contact.
|
500 |
3s |
BH Running · Side · 120fps #2
Mardy Fish's running two-handed backhand from a neutral court position, filmed from the side at 120 fps. The side view makes it easy to see his contact point slightly in front of his body with a closed racket face and an upward swing path accelerating through the ball.
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120 |
3s |
BH Running · Side · 240fps #3
Mardy Fish's running backhand from the side, filmed from a side angle. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils ahead of the arms so the racquet lags and whips through contact in a clear kinetic chain sequence.
|
240 |
2.4s |
BH Running · Side · 240fps #4
Mardy Fish's running backhand from the side, filmed from a side angle. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward along the swing path for added topspin.
|
240 |
2.7s |
BH Short · Side · Closed · 120fps #1
Mardy Fish's backhand from the middle of the court in a closed stance, filmed from the side at 120 fps slow motion. His feet plant on a narrow closed base with the front foot stepping diagonally toward the ball before he pivots off the back leg to initiate recovery.
|
120 |
1.8s |
BH Short · Side · Closed · 240fps #2
Mardy Fish's two-handed backhand from a neutral court position in a closed stance, filmed from the side at 240 fps. His shoulders turn well past perpendicular to the net on the unit turn, then the trunk uncoils ahead of the arms, making the sequential rotation of hips, torso, and shoulders easy to distinguish in slow motion.
|
240 |
1.6s |
BH Short · Side · Neutral · 240fps
Mardy Fish's two-handed backhand from a neutral stance, filmed from the side at 240 fps. His follow-through finishes high with the racquet wrapping around his lead shoulder as his weight transfers onto his front foot, leaving him in a compact, ready position for the next shot.
|
240 |
2.5s |
BH Wide · Arm-action · Side · 240fps #1
Mardy Fish's wide backhand from the side, filmed from a side angle at 240 fps. After contact he extends his arms fully through the line of the shot, with his weight transferring onto his front foot as he unwinds into a compact, ready upper-body position.
|
240 |
2.6s |
BH Wide · Arm-action · Side · 240fps #2
Mardy Fish's wide backhand from the side, filmed from a side angle at 240 fps. His shoulders load with a pronounced turn relative to the hips, then the trunk uncoils in sequence before the arms, making the shoulder line clearly lead the racket through contact.
|
240 |
2.7s |
BH Wide · Arm-action · Side · 240fps #3
Mardy Fish's wide backhand from the side, filmed from a side angle at 240 fps slow motion. At contact his racket face is nearly vertical with the ball struck around waist height, and you can see the racket head accelerate forward and slightly upward along a low-to-high swing path.
|
240 |
2.7s |
BH Wide · Side · Closed · 500fps #1
Mardy Fish's two-handed backhand on a wide ball from a closed stance, filmed from the side at 500 fps. After contact his racquet finishes high with the shoulders fully rotated while his weight continues to move into the court, and he quickly begins to bring both hands back toward a neutral ready position.
|
500 |
2.7s |
BH Wide · Side · Closed · 500fps #2
Mardy Fish's two-handed backhand to a wide ball from a closed stance, filmed from the side. His feet cross over into the wide ball and he plants the front foot on a closed line to the baseline before uncoiling, with a clear recovery step starting immediately after contact.
|
500 |
1.9s |
BH Wide · Side · Closed · 240fps #3
Mardy Fish's two-handed backhand on a wide ball from a closed stance, filmed from a side angle at 240 fps. His shoulders rotate well past perpendicular to the baseline on the unit turn, then the trunk uncoils ahead of the arm swing, showing clear sequential rotation through contact.
|
240 |
2.9s |
BH Wide · Leg-kick · Side · 120fps
Mardy Fish's wide backhand from the side, filmed from a 120 fps slow-motion angle. After contact he kicks his back leg up while his weight transfers forward, and then he quickly brings both hands back toward his torso as he recovers into a ready position.
|
120 |
3.1s |
BH Wide · Side · Neutral · 120fps
Mardy Fish's two-handed backhand to a wide ball from a neutral stance, filmed from the side at 120 fps. The side view makes it easy to see his contact point slightly in front of his lead hip with a relatively closed racket face and a steep upward swing path through the ball.
|
120 |
2.5s |
BH Wide · Side · Neutral · 500fps #1
Mardy Fish's two-handed backhand to a wide ball from a neutral stance, filmed from the side at 500 fps. From this angle, you can see a pronounced shoulder turn with the trunk fully coiled before contact and then uncoiling in sequence from hips to shoulders as he drives through the shot.
|
500 |
2.5s |
BH Wide · Side · Neutral · 500fps #2
Mardy Fish's two-handed backhand from a wide neutral-stance position, filmed from the side at 500 fps. From this angle, his semi-closed top hand grip and relaxed bottom hand show a pronounced wrist lag that firms up just before contact.
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500 |
2.5s |
BH Wide · Side · Neutral · 240fps #3
Mardy Fish's two-handed backhand to a wide ball from a neutral stance, filmed from a side angle at 240 fps. His semi-closed top hand grip and firm bottom hand support create noticeable wrist lag on the takeback before the wrists straighten into a stable, aligned position through contact.
|
240 |
2.7s |
BH Wide · Side · Open · 500fps #1
Mardy Fish's two-handed backhand on a wide ball from an open stance, filmed from the side at 500 fps. His semi-western bottom hand and continental top hand stay stable while the wrist maintains a pronounced lag through the takeback, then unhinges sharply into contact for added racquet head speed.
|
500 |
2.3s |
BH Wide · Side · Open · 500fps #2
Mardy Fish's two-handed backhand on a wide ball from an open stance, filmed from a side angle at 500 fps. The slow-motion side view makes it easy to see the racket face stay relatively closed at contact with the ball struck around waist height before accelerating steeply upward along the swing path.
|
500 |
2.1s |
BH Wide · Side · Open · 240fps #3
Mardy Fish's backhand wide from the side, filmed from a side angle. His open stance is clear as he plants his outside foot, then uses a small recovery shuffle after contact to start moving back toward the center.
|
240 |
2.7s |
BH Wide · Side · Open · 240fps #4
Mardy Fish's wide two-handed backhand from an open stance on the side of the court, filmed from a side angle at 240 fps. His hips stay relatively open to the net as he loads with a deep knee bend on the outside leg, then drives upward and laterally off that leg to reach the wide ball.
|
240 |
2.8s |
BH Drop Shot · Court-level-side · 120fps
Mardy Fish's backhand drop shot from a neutral position, filmed from court-level side. The racket face is noticeably open at contact with the ball taken around waist height, and the compact swing path with a soft deceleration is clearly visible in the high-speed footage.
|
120 |
5.4s |
FH Drop Shot · Arm-action · Court-level-side · 120fps
Mardy Fish's forehand drop shot from the middle of the court, filmed from a court-level side angle. The racket face is noticeably open at contact with the ball struck well below net height, and the abbreviated forward swing path keeps racket head speed low to impart soft touch and backspin.
|
120 |
6s |
FH Drop Shot · Front · 240fps
Mardy Fish's forehand drop shot from a central position, filmed from the front at 240 fps. His compact split step into a slightly open stance is followed by a small adjustment shuffle and a controlled, short recovery step as he moves forward.
|
240 |
2.6s |
FH Drop Shot → FH Volley · Front · 240fps
Mardy Fish's forehand drop shot from a central position, filmed from the front at 240 fps. At contact the racket face is noticeably open with the ball struck below net height, and the racket head moves on a short, decelerating upward path to impart soft touch.
|
240 |
5.9s |
BH Drop Shot · Side · 500fps
Mardy Fish's backhand drop shot from a neutral court position, filmed from the side. His compact split step leads into a slightly open stance with a subtle weight transfer onto the front foot before a soft, controlled step forward to recover toward the baseline.
|
500 |
3.3s |
FH Drop Shot · Side · 240fps
Mardy Fish's forehand drop shot from the middle of the court, filmed from the side. His hips stay relatively closed with a pronounced knee bend and subtle upward leg drive, helping him soften the shot and control the short trajectory.
|
240 |
3.4s |
FH Drop Shot → FH Volley · Side · 240fps
Mardy Fish's forehand drop shot from a neutral position, filmed from the side. His shoulders stay relatively closed through the early forward swing before the trunk gently uncoils, with a shorter, more compact rotation that matches the softer touch of the drop shot.
|
240 |
6.6s |
First Serve → FH Volley · Ad · Court-level-side · 120fps
Mardy Fish's forehand volley from the ad side, filmed from a court-level side angle in 120 fps slow motion. His hips stay relatively square to the net while his knees maintain a slight bend, giving a stable base as his weight transfers smoothly from his back leg onto his front leg through the volley.
|
120 |
5.7s |
First Serve → FH Volley · Ad · Front · 120fps
Mardy Fish's forehand volley from the ad side, filmed from the front at 120 fps. His continental grip is firm with a slightly laid-back wrist, and you can clearly see a subtle wrist firming through contact to keep the racquet face stable.
|
120 |
4.9s |
First Serve → FH → FH Drop Volley · Deuce · Front · 240fps
Mardy Fish's first serve from the deuce court, filmed from the front at 240 fps. After contact he lands into the court with his weight driving forward, his tossing arm dropping back as he quickly regroups into a compact ready position for the forehand follow-up and eventual forehand drop volley.
|
240 |
8.3s |
First Serve · Ad · Arm-action · Front · 120fps #1
Mardy Fish's first serve from the ad side, filmed from a front angle. His shoulders stay closed longer than his hips during the trophy phase, then the trunk uncoils explosively upward as the hitting shoulder rotates through, clearly showing the upper-body segment of the kinetic chain in slow motion.
|
120 |
2.5s |
First Serve · Ad · Arm-action · Front · 120fps #2
Mardy Fish's first serve from the ad side, filmed from a front angle. His hips stay relatively closed through the knee bend before driving upward, with a strong push off the back leg that initiates his hip rotation into the court.
|
120 |
2.5s |
First Serve Down The T · Ad · Front · 240fps
Mardy Fish's first serve from the ad court, filmed from the front at 240 fps. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, making the wrist snap especially clear from this angle.
|
240 |
2.6s |
First Serve · Ad · Front · 120fps #1
Mardy Fish's first serve from the ad court, filmed from a front angle. His footwork shows a rhythmic rocking motion into a pinpoint stance, with his back foot drawing up to the front foot before he drives up and into the court.
|
120 |
3s |
First Serve · Ad · Front · 120fps #2
Mardy Fish's first serve from the ad court, filmed from a front angle in high-speed 120 fps. After contact his weight drives into the court with a pronounced forward landing on his left leg, and his non-hitting arm tucks into his body as he quickly begins to square up into a ready position.
|
120 |
2.6s |
First Serve · Ad · Front · 500fps #3
Mardy Fish's first serve from the ad court, filmed from a front angle. His continental grip is firm with a noticeable relaxed wrist that pronates aggressively through contact, making the wrist snap clearly visible in this slow-motion view.
|
500 |
3s |
First Serve · Ad · Front · 240fps #4
Mardy Fish's first serve from the ad court, filmed from a front angle. His deep knee bend and strong leg drive upward are clearly visible, with the hips uncoiling toward the target as his front leg straightens through contact.
|
240 |
2.4s |
First Serve · Ad · Front · 240fps #5
Mardy Fish's first serve from the ad court, filmed from a front angle. His footwork includes a small front-foot adjustment before he begins the tossing motion, and he drives up from a platform stance with a pronounced knee bend visible in slow motion.
|
240 |
3s |
First Serve · Deuce · Arm-action · Front · 120fps #1
Mardy Fish's first serve from the deuce side, filmed from a front angle. At contact his racket face is slightly tilted up with a steep upward swing path, and you can clearly see the racket head accelerate through the ball directly in front of his tossing shoulder.
|
120 |
2.4s |
First Serve · Deuce · Arm-action · Front · 120fps #2
Mardy Fish's first serve from the Deuce court, filmed from a front angle. After contact his arm continues upward with the racquet finishing on the right side while his weight lands on his front foot, and he quickly drops both hands to transition toward a neutral ready position.
|
120 |
2.6s |
First Serve Down The T · Deuce · Front · 240fps #1
Mardy Fish's first serve down the T from the deuce side, filmed from a front angle. His hips stay relatively closed through the toss and knee bend, then drive upward with a strong push from the back leg that straightens explosively into contact.
|
240 |
2.4s |
First Serve Down The T · Deuce · Front · 240fps #2
Mardy Fish's first serve from the Deuce side, filmed from the front. His hips stay closed through the toss before rotating explosively into contact, with a deep knee bend and strong leg drive upward clearly visible in slow motion.
|
240 |
2s |
First Serve · Deuce · Front · 240fps #1
Mardy Fish's first serve from the deuce side, filmed from a front angle. His shoulders and trunk coil together into a strong upper-body turn, then uncoil in a tightly sequenced motion that brings the chest square to the net just after contact.
|
240 |
2.6s |
First Serve · Deuce · Front · 240fps #2
Mardy Fish's first serve from the deuce side, filmed from a front angle. His continental grip is clearly visible with a relaxed hand and pronounced wrist pronation through contact, followed by a loose, continuous wrist release in the follow-through.
|
240 |
2.2s |
First Serve · Deuce · Front · 500fps #3
Mardy Fish's first serve from the deuce court, filmed from a front angle. After contact his racquet finishes across his body while his back leg swings forward into the court, bringing him quickly into a balanced, ready position for the next shot.
|
500 |
2.8s |
First Serve · Deuce · Toss · Front · 120fps
Mardy Fish's first serve from the deuce court, filmed from the front at 120 fps. After contact his racquet finishes across his body while his back leg swings forward, leaving him in a balanced, square stance ready to move into the court for the next shot.
|
120 |
2.4s |
First Serve Wide · Deuce · Front · 240fps #1
Mardy Fish's first serve from the deuce court, filmed from the front at 240 fps. At contact his racket face is slightly tilted toward the deuce sideline with a pronounced upward swing path, striking the ball just above head height to create a wide angle.
|
240 |
2.5s |
First Serve Wide · Deuce · Front · 120fps #2
Mardy Fish's first serve from the deuce side out wide, filmed from a front angle. His shoulders rotate as a single unit with the trunk into a deep coil during the trophy phase, then uncoil in a clearly sequenced motion from hips through torso to shoulders before contact.
|
120 |
2.4s |
First Serve Wide · Deuce · Front · 240fps #3
Mardy Fish's first serve out wide from the Deuce court, filmed from a front angle. His continental grip stays firm while his wrist pronates aggressively through contact, with the racket face turning outward clearly in slow motion.
|
240 |
2.7s |
First Serve · Deuce · Arm-action · Rear · 9999fps
Mardy Fish's first serve from the deuce side, filmed from a rear angle in ultra slow motion. His continental grip stays firm while the rear view makes the upward wrist pronation and rapid snap through contact especially clear.
|
9999 |
0.6s |
First Serve → FH Volley · Deuce · Rear · 120fps
Mardy Fish's forehand volley from the deuce court, filmed from a rear angle. His compact split-step transitions quickly into a short forward crossover step, keeping a slightly open stance as he moves through the volley and recovers toward the center.
|
120 |
4.7s |
First Serve · Ad · Arm-action · Rear · 120fps
Mardy Fish's first serve from the ad court, filmed from a rear angle. At contact his racket face is slightly tilted upward with the ball struck just above head height, and the high-speed view makes the rapid upward whip of his arm and racket head speed through the hitting zone clearly visible.
|
120 |
2.6s |
First Serve · Ad · Arm-action · Rear · 500fps
Mardy Fish's first serve from the ad court, filmed from a rear angle. The high-speed view shows his racket arm extending fully upward with a slightly closed racket face at contact, striking the ball just above head height with notable racket head acceleration through the hitting zone.
|
500 |
2.6s |
First Serve · Ad · Rear · 240fps
Mardy Fish's first serve from the ad court, filmed from a rear angle in 240 fps slow motion. His footwork shows a controlled platform stance with a subtle front-foot pivot into the court and a clear rear-leg kickback aiding his recovery toward the center.
|
240 |
2.7s |
First Serve · Ad · Toss · Rear · 120fps
Mardy Fish's first serve from the ad court, filmed from a rear angle. His follow-through brings his racquet down across his body as his weight moves into the court, quickly bringing his non-hitting hand back up into a ready position for the next shot.
|
120 |
2.6s |
First Serve Wide · Ad · Rear · 500fps
Mardy Fish's first serve from the ad court, filmed from a rear angle. From behind you can clearly see his continental grip stay firm as his wrist pronates aggressively through contact, with a pronounced wrist snap toward the wide target.
|
500 |
3.4s |
First Serve Down The T · Deuce · Rear · 120fps #1
Mardy Fish's first serve from the deuce court, filmed from a rear angle. His footwork shows a rhythmic rocker step into a pinpoint stance, with the back foot drawing up to the front foot before an explosive upward drive into the court.
|
120 |
2.4s |
First Serve Down The T · Deuce · Rear · 240fps #2
Mardy Fish's first serve from the deuce court, filmed from a rear angle in 240 fps slow motion. His shoulders turn well past perpendicular to the baseline in the trophy phase, then uncoil in sequence with the trunk leading the motion before the arm whips up into contact.
|
240 |
2.6s |
First Serve · Deuce · Leg-action · Rear · 120fps
Mardy Fish's first serve from the deuce court, filmed from a rear angle. His recovery emphasizes a strong leg drive up through contact followed by a controlled landing and quick shift into a balanced ready position with his weight centered and knees still slightly flexed.
|
120 |
2.7s |
First Serve · Deuce · Rear · 500fps #1
Mardy Fish's first serve from the deuce court, filmed from a rear angle. His continental grip stays firm while his wrist pronates aggressively through contact, with a clear snap as the racquet accelerates up and across the ball.
|
500 |
3.4s |
First Serve · Deuce · Rear · 120fps #2
Mardy Fish's first serve from the deuce side, filmed from a rear angle. His hips stay closed through the knee bend and then drive explosively into the court as his back leg extends and trails behind the body during the upward swing.
|
120 |
2.3s |
First Serve · Deuce · Toss · Rear · 500fps
Mardy Fish's first serve from the deuce court, filmed from a rear angle. His feet stay grounded in a platform stance during the toss, with a subtle knee bend and weight shift onto the front foot just before driving up into the serve.
|
500 |
2.8s |
First Serve Wide · Deuce · Rear · 120fps #1
Mardy Fish's first serve from the Deuce court, hit wide and filmed from a rear angle at 120 fps. His trunk coils deeply with a pronounced shoulder turn away from the court, then uncoils in sequence from hips to shoulders so that his hitting shoulder whips up and through the contact.
|
120 |
2.5s |
First Serve Wide · Deuce · Rear · 240fps #2
Mardy Fish's first serve from the Deuce court, hit wide and filmed from a rear angle at 240 fps. His feet start in a platform stance, with a pronounced knee bend and upward drive off the back leg before a small front-foot pivot to aid rotation into the court.
|
240 |
2.8s |
First Serve → FH Volley · Deuce · Side · 120fps
Mardy Fish's forehand volley from the Deuce court, filmed from the Side. At contact his racket face is slightly open with the ball meeting the strings just in front of his lead shoulder, and the compact forward punch keeps racket head acceleration mostly through his forearm and hand.
|
120 |
5.1s |
First Serve · Ad · Arm-action · Side · 240fps #1
Mardy Fish's first serve from the ad court, filmed from the side. His hips load by turning away from the court while his back knee bends deeply, then his legs drive up together to uncoil the hips into contact.
|
240 |
2.6s |
First Serve · Ad · Arm-action · Side · 240fps #2
Mardy Fish's first serve from the ad side, filmed from a side angle. His hips load deeply with a clear knee bend before driving upward, with the back leg extending strongly to push his torso into the court.
|
240 |
3s |
First Serve · Ad · Arm-action · Side · 240fps #3
Mardy Fish's first serve from the ad court, filmed from a side angle. His shoulder line rotates well past perpendicular to the baseline in the trophy phase, then the trunk uncoils sequentially from hips to shoulders into contact, clearly visible in the slow-motion footage.
|
240 |
2.3s |
First Serve · Ad · Side · 500fps #1
Mardy Fish's first serve from the ad side, filmed from a side angle. His feet start in a platform stance with a pronounced knee bend, and you can see a strong upward drive off the back leg before his front foot lands slightly into the court for recovery.
|
500 |
2.5s |
First Serve · Ad · Side · 500fps #2
Mardy Fish's first serve from the Ad side, filmed from a side angle. His shoulders load with a pronounced upper-body coil relative to the hips, then uncoil in a clear sequence where the trunk rotation leads the arm swing into contact.
|
500 |
2.9s |
First Serve · Ad · Side · 120fps #3
Mardy Fish's first serve from the ad side, filmed from the side. After contact his racquet finishes across his body while his back leg swings forward into the court, bringing him into a balanced landing and quick recovery position.
|
120 |
4.1s |
First Serve · Ad · Side · 240fps #4
Mardy Fish's first serve from the ad side, filmed from a side angle. His hips load with a noticeable knee bend before driving upward, with the lead hip extending toward the court as the back leg straightens through contact.
|
240 |
2.6s |
First Serve · Ad · Side · 240fps #5
Mardy Fish's first serve from the Ad court, filmed from a side angle. His shoulders rotate well past perpendicular to the baseline on the trophy phase, then uncoil ahead of the trunk so the upper torso whips up into contact in a clearly sequenced kinetic chain.
|
240 |
2.3s |
First Serve · Ad · Toss · Side · 120fps #1
Mardy Fish's first serve from the ad side, filmed from a side angle. At contact his tossing arm has just dropped as the racket snaps up on edge into a slightly pronated position, striking the ball at full extension well above his head with noticeable racket head speed.
|
120 |
2.6s |
First Serve · Ad · Toss · Side · 240fps #2
Mardy Fish's first serve from the ad court, filmed from a side angle. His feet stay grounded in a platform stance as he bends deeply into his knee drive, with an explosive upward push that keeps his back leg anchored before a compact landing into the court.
|
240 |
2.7s |
First Serve · Ad · Toss · Side · 240fps #3
Mardy Fish's first serve from the ad court, filmed from a side angle. His shoulders and trunk show a pronounced coil during the toss, with a clear separation between hip and shoulder rotation that uncoils sequentially upward through contact.
|
240 |
2.6s |
First Serve · Deuce · Arm-action · Side · 120fps #1
Mardy Fish's first serve from the deuce side, filmed from a side angle. His continental grip stays firm while the wrist moves from a laid-back position into a pronounced pronation through contact, clearly visible in the high-speed footage.
|
120 |
2.2s |
First Serve · Deuce · Arm-action · Side · 120fps #2
Mardy Fish's first serve from the Deuce side, filmed from a side angle. His shoulders load with a pronounced upper-body coil relative to the hips, then uncoil in a clear sequential pattern from trunk rotation into the serving arm during the upward swing.
|
120 |
2.7s |
First Serve · Deuce · Arm-action · Side · 240fps #3
Mardy Fish's first serve from the deuce side, filmed from a side camera angle. His shoulders coil deeply so the back shoulder turns well behind the baseline while the trunk stays closed, then uncoils in a clearly sequenced rotation that leads the arm up into contact.
|
240 |
2.6s |
First Serve · Deuce · Arm-action · Side · 240fps #4
Mardy Fish's first serve from the deuce side, filmed from a side angle. His hips load by turning away from the court while his knees bend deeply, then his legs drive upward to uncoil the hips into contact.
|
240 |
2.9s |
First Serve · Deuce · Side · 500fps #1
Mardy Fish's first serve from the deuce side, filmed from a side angle. The racket contacts the ball slightly in front of his body with a closed racket face and pronounced upward swing path, emphasizing racquet head speed through the contact zone.
|
500 |
2.4s |
First Serve · Deuce · Side · 240fps #2
Mardy Fish's first serve from the deuce side, filmed from a side angle. At contact his racket face is nearly vertical with a slight pronation-driven tilt, meeting the ball just above head height with noticeable racket head speed accelerating up and into the court.
|
240 |
2.7s |
First Serve · Deuce · Side · 240fps #3
Mardy Fish's first serve from the deuce side, filmed from a side angle. At contact his racket face is slightly tilted forward with the ball struck well above head height, and the racket head accelerates on an upward, pronated path through the hitting zone.
|
240 |
2.7s |
First Serve · Deuce · Side · 240fps #4
Mardy Fish's first serve from the deuce side, filmed from a side angle at 240 fps. His shoulders rotate well past perpendicular to the baseline during the trophy phase, then uncoil in sync with trunk rotation so that the chest opens toward the court just before contact, showing clear sequencing from hip and torso turn into the hitting arm.
|
240 |
2.7s |
First Serve · Deuce · Side · 240fps #5
Mardy Fish's first serve from the deuce side, filmed from a side angle. His deep knee bend and strong leg drive into the court are clearly visible, with his hips opening late as he extends upward into the serve.
|
240 |
2.2s |
First Serve · Deuce · Toss · Side · 120fps
Mardy Fish's first serve from the Deuce side, filmed from the Side. After contact his tossing arm drops quickly as his weight drives into the court, and he lands on his front foot already beginning to uncoil toward a balanced, upright recovery position.
|
120 |
2.6s |
FH Center · Arm-action · Court-level-side · 120fps #1
Mardy Fish's forehand from the center of the court, filmed from a court-level side angle in 120 fps slow motion. His follow-through wraps high over his shoulder with his non-hitting hand extending back for counterbalance before he quickly returns to a neutral ready position.
|
120 |
2.7s |
FH Center · Arm-action · Court-level-side · 120fps #2
Mardy Fish's forehand from the center of the court, filmed from a court-level side angle at 120 fps. The slow-motion view shows his racket head lagging well behind the hand before contact, with a slightly closed racket face striking the ball around waist height as it accelerates steeply up the back of the ball.
|
120 |
3.1s |
FH Center · Court-level-side · Open · 120fps
Mardy Fish's forehand from the center of the court in an open stance, filmed from a court-level side angle. The racket meets the ball slightly in front of his lead hip with a closed racket face and a steep low-to-high swing path visible in the slow-motion footage.
|
120 |
2.7s |
FH Inside In · Court-level-side · 120fps #1
Mardy Fish's forehand from an inside-in position, filmed from a court-level side angle at 120 fps. The slow motion shows the racket face slightly closed at a contact point just in front of his lead hip, with the racket accelerating steeply upward to create heavy topspin.
|
120 |
2.3s |
FH Inside In · Court-level-side · 120fps #2
Mardy Fish's forehand InsideIn from the center court area, filmed from a court-level side angle at 120 fps. His semi-western grip is clear from the side view, with pronounced wrist lag in the racquet drop and a sharp pronation of the wrist into contact.
|
120 |
2.5s |
FH Moves Back · Court-level-side · 120fps #1
Mardy Fish's forehand while moving back from a neutral court position, filmed from a court-level side angle at 120 fps. His follow-through finishes high with the racket wrapping over his left shoulder as his weight settles onto his back leg, and he quickly drops the racket to reset his hands in front of his body for recovery.
|
120 |
3s |
FH Moves Back · Court-level-side · 120fps #2
Mardy Fish's forehand while moving back from a neutral court position, filmed from a court-level side angle. His hips stay relatively closed as he retreats, with a noticeable knee bend and rear-leg load that he drives up and through the shot despite his backward momentum.
|
120 |
3.3s |
FH Moves Back · Court-level-side · 120fps #3
Mardy Fish's forehand while moving back from a neutral court position, filmed from a court-level side angle at 120 fps. His shoulders rotate well past perpendicular to the net on the unit turn, then uncoil in sequence with the trunk so that the chest opens toward the target just after contact.
|
120 |
2.8s |
FH Running · Court-level-side · 120fps
Mardy Fish's running forehand from a neutral court position, filmed from a court-level side angle at 120 fps. His hips stay closed as he sprints, then rotate aggressively into contact with a deep knee bend on the outside leg providing strong lateral push-off.
|
120 |
8.5s |
FH Short · Arm-action · Court-level-side · 120fps
Mardy Fish's forehand from a central court position, filmed from a court-level side angle. His hips load into a deep knee bend with noticeable leg drive upward and into the court, as his hips rotate from closed to more open through contact.
|
120 |
2.4s |
FH Short · Court-level-side · 120fps
Mardy Fish's forehand from the short court, filmed from a court-level side angle at 120 fps. From this view, you can clearly see his semi-western grip creating strong wrist lag on the forward swing before a sharp, controlled wrist release through contact.
|
120 |
2.4s |
FH Wide · Arm-action · Court-level-side · 120fps #1
Mardy Fish's wide forehand from the deuce side, filmed from a court-level side angle in 120 fps slow motion. His hips stay closed through the loading phase with a deep knee bend on the outside leg before driving up and into the shot as the hips rotate toward the court.
|
120 |
3.7s |
FH Wide · Arm-action · Court-level-side · 120fps #2
Mardy Fish's wide forehand from the deuce side, filmed from a court-level side angle at 120 fps. His contact point is well in front of his body with the racket face slightly closed, and you can clearly see the racket head accelerating upward and across his body through contact.
|
120 |
2.9s |
FH Wide · Court-level-side · Open · 120fps #1
Mardy Fish's forehand from a wide position in an open stance, filmed from a court-level side angle at 120 fps. His follow-through wraps high across his body while his weight transfers into the court, and he quickly brings both hands back to a neutral ready position after the swing.
|
120 |
2.4s |
FH Wide · Court-level-side · Open · 120fps #2
Mardy Fish's wide forehand from an open stance, filmed from a court-level side angle at 120 fps. After contact he lets his racquet wrap high across his body while his weight continues moving toward the sideline, then quickly brings both hands back in front to re-establish a ready position.
|
120 |
2.5s |
FH Wide · Court-level-side · Open · 120fps #3
Mardy Fish's wide forehand from the deuce side in an open stance, filmed from a court-level side angle at 120 fps. His hips stay relatively open toward the court while a pronounced knee bend and strong leg drive upward and into the shot are clearly visible from this side view.
|
120 |
2.5s |
FH Center · Front · Neutral · 240fps
Mardy Fish's forehand from the center of the court in a neutral stance, filmed from the front at 240 fps slow motion. His compact adjustment steps set up a square neutral stance, with a small hop into contact followed by a quick crossover recovery toward the center.
|
240 |
3s |
FH Center · Front · Open · 120fps #1
Mardy Fish's forehand from the center of the court in an open stance, filmed from a front angle at 120 fps slow motion. His hips stay relatively open to the net while his knees are deeply flexed on the load, then extend aggressively through contact as his right leg drives upward and slightly forward.
|
120 |
2.4s |
FH Center · Front · Open · 120fps #2
Mardy Fish's forehand from the center of the court in an open stance, filmed from the front at 120 fps slow motion. His hips stay relatively open toward the net while his knees sink into a deep bend before driving upward through contact, with the right leg providing a strong push off the ground.
|
120 |
2.2s |
FH Center · Front · Open · 120fps #3
Mardy Fish's forehand from the center of the court in an open stance, filmed from a front angle at 120 fps slow motion. After contact his racket wraps across his body while his non-hitting hand extends out for balance, and he quickly brings both hands back toward a neutral ready position as his weight finishes moving forward.
|
120 |
2.5s |
FH Center · Front · Open · 120fps #4
Mardy Fish's forehand from the center of the court in an open stance, filmed from the front at 120 fps slow motion. His feet set wide in the open stance with a clear split-step into a short lateral adjustment before rotating through the shot and finishing with a small recovery step back toward the middle.
|
120 |
2.5s |
FH Center · Front · Open · 120fps #5
Mardy Fish's forehand from the center in an open stance, filmed from a front angle at 120 fps slow motion. After contact his racquet wraps high over his left shoulder while his weight transfers onto his front leg, and he quickly brings both hands back in front of his body to re-establish a ready position.
|
120 |
2.8s |
FH Center · Front · Open · 240fps #6
Mardy Fish's forehand from the center in an open stance, filmed from the front at 240 fps. From this angle you can see an early shoulder turn that coils the trunk against the hips, followed by a pronounced uncoiling sequence where the torso unwinds before the arm accelerates through contact.
|
240 |
3s |
FH Center · Front · Open · 240fps #7
Mardy Fish's forehand from the center of the court in an open stance, filmed from the front at 240 fps slow motion. His feet set wide in a stable open base as he loads on the outside leg, then he uses a small hop and quick recovery steps to get back toward a neutral court position.
|
240 |
2.4s |
FH Center · Front · Open · 240fps #8
Mardy Fish's forehand from the center of the court in an open stance, filmed from a front angle at 240 fps slow motion. After contact his racquet finishes high across his body while his weight continues moving forward into the court, and he quickly brings both hands back toward a neutral ready position.
|
240 |
2.8s |
FH Inside In · Front · 120fps #1
Mardy Fish's forehand InsideIn from the center of the court, filmed from a front angle at 120 fps slow motion. At contact his racket face is slightly closed with the ball struck around waist to mid-torso height, and the racket head accelerates steeply upward along a low-to-high path.
|
120 |
2.5s |
FH Inside In · Front · 120fps #2
Mardy Fish's forehand Inside-In from the center of the court, filmed from the front at 120 fps. His hips stay relatively closed during the loading phase before driving forward, with a noticeable knee bend and leg push-off that shifts his weight aggressively into the court.
|
120 |
2.5s |
FH Inside In · Front · 500fps #3
Mardy Fish's forehand from a central position, filmed from the front at 500 fps. His semi-western grip is clear from the front view, with noticeable wrist lag on the forward swing and a relaxed, late wrist release through contact.
|
500 |
3s |
FH Inside In · Front · 240fps #4
Mardy Fish's forehand Inside-In from the center of the court, filmed from a front angle at 240 fps. His shoulders load with a pronounced coil against the hips before uncoiling in sequence, making the trunk rotation and timing of shoulder square-up to contact very easy to distinguish.
|
240 |
3s |
FH Inside In · Front · 240fps #5
Mardy Fish's forehand from a central position, filmed from the front at 240 fps. His follow-through finishes high across his body with his weight shifting onto his front leg, and he quickly brings both hands back to a neutral ready position after contact.
|
240 |
2.6s |
FH Inside Out · Front · 120fps #1
Mardy Fish's forehand InsideOut from the center of the court, filmed from a front angle in 120 fps slow motion. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward along an inside-out swing path.
|
120 |
2.5s |
FH Inside Out · Front · 120fps #2
Mardy Fish's forehand InsideOut from the center of the court, filmed from a front angle at 120 fps. His follow-through finishes high across his body with his weight moving into the court, and he quickly resets his feet into a neutral ready position for the next shot.
|
120 |
2.3s |
FH Inside Out · Front · 120fps #3
Mardy Fish's forehand from the center of the court, filmed from the front. The racket face is slightly closed at a contact point around waist to mid-torso height, with the racket head accelerating upward and across his body on a pronounced inside-out swing path.
|
120 |
2.3s |
FH Inside Out · Front · 120fps #4
Mardy Fish's forehand InsideOut from the center of the court, filmed from a front angle. His shoulders load with a pronounced coil against the hips before uncoiling in sequence, making the trunk rotation and timing of the upper body release very clear in this slow-motion view.
|
120 |
2.5s |
FH Inside Out · Front · 120fps #5
Mardy Fish's inside-out forehand from the center of the court, filmed from a front angle at 120 fps slow motion. His hips stay relatively closed during the unit turn before unwinding with a strong leg drive off the right leg, with clear knee flexion and extension visible in the high-speed footage.
|
120 |
3.1s |
FH Inside Out · Front · 240fps #6
Mardy Fish's forehand from the center of the court, filmed from a front angle. The racket face is slightly closed at a contact point just in front of his lead hip, with the racket head accelerating steeply upward through the ball.
|
240 |
4.1s |
FH Inside Out · Front · 240fps #7
Mardy Fish's forehand from a central court position, filmed from a front angle at 240 fps. His hips load into a semi-open position with noticeable knee bend, then drive forward as the legs extend to initiate rotation into the inside-out contact.
|
240 |
2.9s |
FH Moves Back · Front · 120fps #1
Mardy Fish's forehand while moving back from a central position, filmed from the front at 120 fps. His upper body shows a pronounced shoulder turn with the hitting-side shoulder dropping slightly as the trunk coils, then uncoils in sync with the forward swing for efficient kinetic chain sequencing.
|
120 |
2.7s |
FH Moves Back · Front · 240fps #10
Mardy Fish's forehand from a central position, filmed from the front at 240 fps. His footwork shows a quick retreating adjustment step as he moves back while setting into a semi-open stance before driving through the ball.
|
240 |
2.5s |
FH Moves Back · Front · 120fps #2
Mardy Fish's forehand while moving back from a central position, filmed from the front at 120 fps. His hips stay relatively closed as he retreats, with a noticeable increase in knee bend and leg drive just before contact to stabilize his base despite moving backward.
|
120 |
3s |
FH Moves Back · Front · 120fps #3
Mardy Fish's forehand while moving back from the center of the court, filmed from a front angle. His split step is followed by quick retreating adjustment steps into a semi-open stance, with a pronounced weight shift onto the back leg before rotating through the shot.
|
120 |
3.1s |
FH Moves Back · Front · 120fps #4
Mardy Fish's forehand while moving back from the center of the court, filmed from the front. His follow-through finishes high across his body as he transfers weight onto his back foot, then he quickly drops the racquet and resets his non-hitting hand in front to recover to a ready position.
|
120 |
3.2s |
FH Moves Back · Front · 120fps #5
Mardy Fish's forehand while moving back from the center of the court, filmed from a front angle. His semi-western grip is clear from the racket face angle, and the slow-motion view makes the delayed wrist lag and late snap through contact especially noticeable.
|
120 |
2.7s |
FH Moves Back · Front · 120fps #6
Mardy Fish's forehand while moving back from a central position, filmed from a front angle at 120 fps. His shoulders load with a pronounced coil relative to his hips, and the slow motion makes the timing of his trunk uncoiling into contact clearly visible.
|
120 |
2.9s |
FH Moves Back · Front · 240fps #7
Mardy Fish's forehand from a central court position while moving back, filmed from the front at 240 fps. The racket face is slightly closed at a contact point around waist to mid-torso height, with the racket head accelerating steeply upward along a low-to-high swing path.
|
240 |
3.8s |
FH Moves Back · Front · 240fps #8
Mardy Fish's forehand while moving back from a central position, filmed from the front at 240 fps. His racket face is slightly closed at a contact point around waist to mid-torso height, with the racket head accelerating steeply upward through the ball.
|
240 |
3s |
FH Moves Back · Front · 240fps #9
Mardy Fish's forehand from a central court position, filmed from the front at 240 fps. After contact his follow-through wraps across his body while his weight continues drifting backward, and his non-hitting hand comes back toward his torso as he begins to recover into a ready position.
|
240 |
2.7s |
FH Running · Front · 120fps #1
Mardy Fish's running forehand from the center court position, filmed from a front angle. His footwork features a quick adjustment hop into an open stance followed by aggressive lateral recovery steps back toward the middle after contact.
|
120 |
3s |
FH Running · Front · 120fps #2
Mardy Fish's running forehand from the center of the court, filmed from the front at 120 fps slow motion. His follow-through finishes high across his body as he transfers weight onto his front leg and quickly brings both hands back to a ready position for recovery.
|
120 |
2.6s |
FH Running · Front · 120fps #3
Mardy Fish's running forehand from the center of the court, filmed from a front angle. His semi-western grip is clearly visible with the racket hand slightly laid back, creating noticeable wrist lag before a firm, controlled snap through contact.
|
120 |
2.4s |
FH Running · Front · 120fps #4
Mardy Fish's running forehand from the center court position, filmed from a front angle. At contact, his racket face is slightly closed with the ball meeting the strings just in front of his lead hip, and the racket head accelerates steeply upward along a low-to-high swing path.
|
120 |
2.6s |
FH Running · Front · 240fps #5
Mardy Fish's running forehand from the center of the court, filmed from the front at 240 fps. His hips stay relatively open to the net as his outside leg drives laterally, with a noticeable knee bend that loads before he plants and swings through on the run.
|
240 |
2.9s |
FH Running · Front · 240fps #6
Mardy Fish's running forehand from the front, filmed from a court-level angle at 240 fps. His shoulders load with a pronounced coil against the hips before uncoiling through contact, making the trunk rotation and sequencing from torso to arm easy to distinguish in slow motion.
|
240 |
3s |
FH Short · Front · 240fps #1
Mardy Fish's forehand from the center of the court, filmed from the front. He uses a small split step into an open stance, then pushes off his outside leg and takes a few quick recovery steps back toward the middle after contact.
|
240 |
4s |
FH Short · Front · 240fps #2
Mardy Fish's forehand from the center of the court, filmed from the front at 240 fps. His hips stay relatively closed during the unit turn before driving forward, with a noticeable knee bend and push off the ground from his right leg as he rotates into contact.
|
240 |
3.2s |
FH Short · Front · 240fps #3
Mardy Fish's forehand from the center of the court, filmed from a front angle. The racket face is slightly closed at a contact point around waist to mid-torso height, with the racket head accelerating upward and forward along a low-to-high swing path.
|
240 |
3.3s |
FH Short · Front · Neutral · 240fps
Mardy Fish's forehand from a central neutral position, filmed from the front at 240 fps slow motion. His follow-through finishes high across his body with his non-hitting hand settling near his torso before he quickly regains a square, ready stance.
|
240 |
2.5s |
FH Wide · Arm-action · Front · 120fps #1
Mardy Fish's wide forehand from the center of the court, filmed from a front angle. His split-step leads into a quick lateral push-off to the right, landing in a semi-open stance with a clear adjustment step after contact to recover back toward the middle.
|
120 |
2.4s |
FH Wide · Front · Open · 120fps #1
Mardy Fish's forehand from a wide position in an open stance, filmed from the front at 120 fps. His shoulders load with a pronounced coil against the hips, then uncoil in sync with trunk rotation so the chest squares to the net only just before contact.
|
120 |
2.6s |
FH Wide · Front · Open · 120fps #2
Mardy Fish's wide forehand from an open stance, filmed from the front at 120 fps slow motion. The racket face is slightly closed at a contact point around waist to mid-torso height, with the racket head accelerating steeply upward along a low-to-high swing path.
|
120 |
0s |
FH Wide · Front · Open · 120fps #3
Mardy Fish's wide forehand from an open stance, filmed from the front at 120fps. His semi-western grip is evident in the closed racket face, with a pronounced wrist lag on the forward swing that unwinds into a firm, stable wrist position through contact.
|
120 |
2.7s |
FH Wide · Front · Open · 120fps #4
Mardy Fish's wide forehand from an open stance, filmed from the front at 120 fps. His semi-western grip is evident in the closed racket face, with noticeable wrist lag on the take-back that unwinds into a firm but relaxed wrist at contact.
|
120 |
2.7s |
FH Wide · Front · Open · 240fps #5
Mardy Fish's wide forehand from an open stance, filmed from the front. His hips stay noticeably open toward the court while his knees load deeply, with a strong upward leg drive initiating the forward swing.
|
240 |
2.7s |
FH Wide · Front · Open · 240fps #6
Mardy Fish's forehand from a wide position in an open stance, filmed from the front at 240 fps. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils ahead of the arm with a distinct separation between hip and shoulder rotation through contact.
|
240 |
2.5s |
FH Wide · Front · Open · 240fps #7
Mardy Fish's wide forehand from an open stance, filmed from the front. The racket face is slightly closed at a contact point just in front of his lead hip, with the racket head accelerating steeply upward along a modern windshield-wiper swing path.
|
240 |
3.3s |
FH Center · Arm-action · Rear · 120fps #1
Mardy Fish's forehand from the center of the court, filmed from a rear angle. His semi-western grip is clear from the racket face angle, and the slow motion makes the pronounced wrist lag and delayed wrist release into contact easy to see.
|
120 |
2.6s |
FH Center · Arm-action · Rear · 120fps #2
Mardy Fish's forehand from the center of the court, filmed from a rear angle. His early split step into a semi-open stance leads into a quick pivot on the right foot, with small adjustment steps taken after contact to recover back toward the middle.
|
120 |
2.9s |
FH Center · Rear · Neutral · 240fps
Mardy Fish's forehand from the center of the court in a neutral stance, filmed from a rear angle at 240 fps. His small adjustment steps set his feet shoulder-width apart before he plants into a neutral stance, then he takes a quick crossover recovery step back toward the center baseline.
|
240 |
2.5s |
FH Center · Rear · Open · 120fps #1
Mardy Fish's forehand from the center in an open stance, filmed from a rear angle at 120 fps. From this view, you can see his semi-western grip creating pronounced wrist lag on the takeback that unwinds into a sharp wrist pronation through contact.
|
120 |
2.3s |
FH Center · Rear · Open · 240fps #2
Mardy Fish's forehand from the center of the court in an open stance, filmed from a rear angle at 240 fps. His quick split-step into a wide open stance is followed by a strong push off the outside leg and small recovery steps that realign him toward the center baseline.
|
240 |
2.9s |
FH Center · Rear · Open · 240fps #3
Mardy Fish's forehand from the center in an open stance, filmed from a rear angle at 240 fps. From this view, his shoulders load well past perpendicular to the baseline before the trunk uncoils in sync with the hitting arm, making the sequence of hip, trunk, and shoulder rotation especially clear in slow motion.
|
240 |
2.8s |
FH Center · Rear · Open · 240fps #4
Mardy Fish's forehand from the center of the court in an open stance, filmed from a rear angle at 240 fps. His hips stay closed through the loading phase with a deep knee bend, then uncoil aggressively as his legs drive up and into the court.
|
240 |
2.6s |
FH Center · Rear · Open · 240fps #5
Mardy Fish's forehand from the center of the court in an open stance, filmed from a rear angle at 240 fps. His upper body shows a pronounced shoulder turn with the hitting-side shoulder dipping slightly below the non-hitting shoulder, followed by a clear uncoiling of the trunk that leads the arm into the forward swing.
|
240 |
2.7s |
FH Center · Rear · Open · 240fps #6
Mardy Fish's forehand from the center of the court in an open stance, filmed from a rear angle at 240 fps. The racket face is slightly closed at a contact point around waist to mid-torso height, with a steep low-to-high swing path producing noticeable racket head acceleration through the ball.
|
240 |
2.6s |
FH Center · Rear · Open · 240fps #7
Mardy Fish's forehand from the center of the court in an open stance, filmed from a rear angle at 240 fps. His follow-through finishes high with the racquet wrapping around his left shoulder as his weight transfers onto his front foot, and he quickly brings both hands back toward a neutral ready position for recovery.
|
240 |
2.9s |
FH Center · Rear · Open · 240fps #8
Mardy Fish's forehand from the center of the court in an open stance, filmed from a rear angle at 240 fps. The racket face is slightly closed at a contact point around waist to mid-torso height, with the racket head accelerating steeply upward along a modern low-to-high swing path.
|
240 |
2.9s |
FH Inside In · Arm-action · Rear · 500fps #1
Mardy Fish's forehand from a central position, filmed from a rear angle. His feet set into a semi-open stance with a small adjustment step before contact, followed by a quick recovery step that squares his hips back toward the center.
|
500 |
3s |
FH Inside In · Arm-action · Rear · 240fps #2
Mardy Fish's forehand from a central position, filmed from a rear angle in 240 fps slow motion. His follow-through finishes high across his body while his non-hitting hand extends back for counterbalance before he quickly returns to a neutral ready position.
|
240 |
2.4s |
FH Inside In · Rear · 120fps #1
Mardy Fish's forehand InsideIn from a neutral position, filmed from a rear angle at 120 fps slow motion. After contact his follow-through wraps across his body while his weight transfers onto his front foot, and he quickly brings both hands back toward a ready position as he recovers to the center.
|
120 |
2.8s |
FH Inside In · Rear · 240fps #2
Mardy Fish's forehand Inside-In from the center of the court, filmed from a rear angle at 240 fps slow motion. At contact his racket face is slightly closed with the ball struck just in front of his lead hip, and the racket head accelerates steeply upward along a low-to-high path for heavy topspin.
|
240 |
3s |
FH Inside In · Rear · 240fps #3
Mardy Fish's forehand Inside-In from a central baseline position, filmed from a rear angle at 240 fps. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils ahead of the arm swing so the racquet whips through after the torso has initiated the forward rotation.
|
240 |
2.8s |
FH Inside In · Rear · 240fps #4
Mardy Fish's forehand Inside-In from the center of the court, filmed from a rear angle at 240 fps. His semi-western grip is clear from the rear view, with pronounced wrist lag on the takeback that unwinds into a strong pronation through contact.
|
240 |
3.3s |
FH Inside Out · Arm-action · Rear · 120fps
Mardy Fish's forehand from the center of the court, filmed from a rear angle. His feet set up in a semi-open stance with a small adjustment step just before contact, followed by a quick crossover recovery toward the middle.
|
120 |
2.2s |
FH Inside Out · Rear · 240fps #1
Mardy Fish's inside-out forehand from the center of the court, filmed from a rear angle at 240 fps. His semi-western grip is clearly visible with pronounced wrist lag on the takeback that unwinds into a strong pronation through contact.
|
240 |
2.8s |
FH Inside Out · Rear · 240fps #2
Mardy Fish's forehand InsideOut from the center of the court, filmed from a rear angle. His split-step leads into a quick pivot and semi-open stance, with small adjustment steps before contact and a balanced recovery back toward the middle.
|
240 |
3s |
FH Inside Out · Rear · 240fps #3
Mardy Fish's forehand InsideOut from the center of the court, filmed from a rear angle at 240 fps slow motion. After contact his follow-through wraps over his shoulder while his weight transfers into the court and his non-hitting hand quickly returns to a neutral position to prepare for the next shot.
|
240 |
3.5s |
FH Inside Out · Rear · 240fps #4
Mardy Fish's inside-out forehand from the center of the court, filmed from a rear angle at 240 fps. His semi-western grip is clear, with a pronounced wrist lag on the racquet head that unwinds into a firm, stable wrist position right through contact.
|
240 |
3.1s |
FH Moves Back · Rear · 120fps #1
Mardy Fish's forehand while moving back from a neutral court position, filmed from a rear angle in 120 fps slow motion. From this view, his semi-western grip is evident in the closed racket face on the takeback and the pronounced wrist lag maintained until just before contact.
|
120 |
2.2s |
FH Moves Back · Rear · 120fps #2
Mardy Fish's forehand while moving back from a neutral court position, filmed from a rear angle in 120 fps slow motion. The contact point is taken slightly above waist height with the racket face moderately closed, and the swing path accelerates steeply upward through the ball, giving a clear view of increasing racket head speed through contact.
|
120 |
2.1s |
FH Moves Back · Rear · 240fps #3
Mardy Fish's forehand from the center of the court, filmed from a rear angle. As he moves back, he uses quick adjustment steps to set up in a semi-open stance before striking, then immediately executes a small hop into a recovery step to get ready for the next ball.
|
240 |
2.8s |
FH Moves Back · Rear · 240fps #4
Mardy Fish's forehand while moving back from a neutral court position, filmed from a rear angle at 240 fps. From this view, you can clearly see his semi-western grip creating notable wrist lag on the takeback that unwinds into a controlled pronation through contact.
|
240 |
2.9s |
FH Moves Back · Rear · 240fps #5
Mardy Fish's forehand from the center of the court, filmed from a rear angle. His footwork includes a quick split step followed by retreating adjustment steps into a semi-open stance before driving through the ball and recovering back toward the center.
|
240 |
2.7s |
FH Running · Rear · 240fps #1
Mardy Fish's running forehand from a neutral court position, filmed from a rear angle at 240 fps. His shoulders rotate well past perpendicular to the baseline on the unit turn, then uncoil in sync with the trunk so the chest faces the net just after contact, making the sequencing of upper-body rotation easy to distinguish in slow motion.
|
240 |
3.1s |
FH Running · Rear · 240fps #2
Mardy Fish's running forehand from a neutral court position, filmed from a rear angle. The racket face is slightly closed at a contact point around waist height, with the racket head accelerating steeply upward along a low-to-high swing path.
|
240 |
2.9s |
FH Running · Rear · 240fps #3
Mardy Fish's running forehand from a neutral court position, filmed from a rear angle. His hips stay relatively closed as he sprints out wide, with a pronounced outside leg plant and knee bend that load into a strong lateral push before contact.
|
240 |
3.4s |
FH Short · Rear · 240fps #1
Mardy Fish's forehand from a central court position, filmed from a rear angle at 240 fps. His semi-western grip is evident in the strong wrist lag on the takeback that unwinds into a pronounced but controlled wrist snap through contact.
|
240 |
2.4s |
FH Short · Rear · 240fps #2
Mardy Fish's forehand from a central baseline position, filmed from a rear angle. His hips load into a strong semi-open stance with a deep knee bend, then uncoil as his legs drive upward and forward through contact.
|
240 |
3.3s |
FH Wide · Rear · Open · 120fps #1
Mardy Fish's wide forehand from an open stance, filmed from a rear angle at 120 fps. His shoulders rotate well past perpendicular to the baseline on the unit turn, then uncoil in sync with his trunk so the chest faces the target just after contact.
|
120 |
2.3s |
FH Wide · Rear · Open · 120fps #2
Mardy Fish's wide forehand from an open stance, filmed from a rear angle at 120 fps. His hips stay relatively open to the court as he loads on the outside leg, with a pronounced knee bend and strong lateral leg drive into the shot.
|
120 |
2.5s |
FH Wide · Rear · Open · 240fps #3
Mardy Fish's wide forehand from an open stance, filmed from a rear angle at 240 fps. His hips stay relatively closed during the loading phase while his knees are deeply bent, then his legs drive up and around to let the hips open into the shot as he recovers back toward the court.
|
240 |
2.5s |
FH Wide · Rear · Open · 120fps #4
Mardy Fish's forehand from a wide position, filmed from a rear angle at 120 fps. His open stance is clear as he plants his outside foot first, then uses a small adjustment hop and a crossover recovery step to move back toward the center.
|
120 |
2.6s |
FH Wide · Rear · Open · 240fps #5
Mardy Fish's wide forehand from an open stance, filmed from a rear angle at 240 fps. His shoulders rotate well past perpendicular to the baseline on the unit turn, then uncoil in sync with his trunk so that the chest squares to the net just after contact, making the sequencing of torso rotation easy to distinguish.
|
240 |
2.7s |
FH Wide · Rear · Open · 240fps #6
Mardy Fish's forehand from a wide position, filmed from a rear angle. His open stance is clear as he plants his outside foot, uses a small hop into contact, and then takes a couple of lateral recovery steps back toward the center.
|
240 |
2.7s |
FH Wide · Rear · Open · 120fps #7
Mardy Fish's wide forehand from an open stance, filmed from a rear angle at 120 fps slow motion. His racket face is slightly closed at contact with the ball struck around waist height, and the swing path accelerates steeply upward, creating heavy topspin as the racket head whips across his body.
|
120 |
2.5s |
FH Wide · Rear · Open · 120fps #8
Mardy Fish's forehand from a wide position, filmed from a rear angle in 120 fps slow motion. His open stance is clear as he plants his outside foot, loads on his right leg, and uses a quick recovery step back toward the center after contact.
|
120 |
2.7s |
FH Center · Arm-action · Side · 240fps #1
Mardy Fish's forehand from the center of the court, filmed from a side angle at 240 fps. His hips load into a strong coil with noticeable knee bend, then drive forward aggressively as the rear leg extends to initiate rotation through contact.
|
240 |
2.5s |
FH Center · Arm-action · Side · 240fps #2
Mardy Fish's forehand from the center of the court, filmed from a side angle at 240 fps. His shoulders load with a pronounced upper-body coil against the hips, then uncoil in sequence as the trunk rotates through contact, making the separation between shoulder turn and trunk rotation easy to see in slow motion.
|
240 |
2.6s |
FH Center · Arm-action · Side · 240fps #3
Mardy Fish's forehand from the center of the court, filmed from a side angle at 240 fps. His follow-through finishes high with the hitting arm wrapping across his body as his weight transfers onto his front foot, and he quickly brings both hands back toward a compact ready position.
|
240 |
3.2s |
FH Center · Arm-action · Side · 240fps #4
Mardy Fish's forehand from the center of the court, filmed from a side angle. His semi-western grip is easy to see here, with a pronounced wrist lag as the racquet drops and then a sharp wrist snap forward just before contact.
|
240 |
2.7s |
FH Center · Arm-action · Side · 240fps #5
Mardy Fish's forehand from the center of the court, filmed from a side angle at 240 fps. His hips load into a strong coil with noticeable knee flex before uncoiling, and his rear leg drives forward aggressively into the court through contact.
|
240 |
2.4s |
FH Center · Side · Neutral · 240fps
Mardy Fish's forehand from the center in a neutral stance, filmed from the side. His follow-through finishes high with his weight moving into the court, and he quickly brings both hands back toward a ready position after the swing.
|
240 |
3.2s |
FH Center · Side · Open · 120fps #1
Mardy Fish's forehand from the center of the court in an open stance, filmed from a side angle at 120 fps. His semi-western grip is evident in the way the racquet face stays closed with pronounced wrist lag before a sharp wrist pronation through contact.
|
120 |
2.4s |
FH Center · Side · Open · 120fps #2
Mardy Fish's forehand from the center of the court in an open stance, filmed from the side at 120 fps slow motion. His hips stay noticeably open toward the court as he loads on a deep knee bend, then drive upward with strong leg extension into the ball.
|
120 |
2.4s |
FH Center · Side · Open · 240fps #3
Mardy Fish's forehand from the center in an open stance, filmed from a side angle. His semi-western grip is evident with the racquet laid back and a pronounced wrist lag that unwinds into a controlled pronation through contact.
|
240 |
2.5s |
FH Center · Side · Open · 240fps #4
Mardy Fish's forehand from the center of the court in an open stance, filmed from the side at 240 fps. His semi-western grip is clear as the slow motion emphasizes the pronounced wrist lag in the racquet drop before he snaps the wrist forward into contact.
|
240 |
2.5s |
FH Center · Side · Open · 240fps #5
Mardy Fish's forehand from the center in an open stance, filmed from the side at 240 fps. His shoulders load well past perpendicular to the net before contact, and the slow-motion side view makes the timing of his trunk uncoil relative to the forward arm swing very clear.
|
240 |
3.2s |
FH Center · Side · Open · 240fps #6
Mardy Fish's forehand from the center of the court in an open stance, filmed from a side angle at 240 fps. The racket face is slightly closed at a contact point around waist height, with the racket head accelerating steeply upward along a modern low-to-high swing path.
|
240 |
2.6s |
FH Center · Side · Open · 240fps #7
Mardy Fish's forehand from the center of the court in an open stance, filmed from the side at 240 fps. His hips stay closed during the loading phase with a deep knee bend, then unwind aggressively as his legs drive upward and forward into the ball.
|
240 |
3.1s |
FH Center · Side · Open · 240fps #8
Mardy Fish's forehand from the center of the court in an open stance, filmed from a side angle at 240 fps. The racket face is slightly closed at contact with the ball struck just in front of his lead hip at around waist height, and the racket head accelerates rapidly upward along a steep windshield-wiper path.
|
240 |
2.7s |
FH Inside In · Arm-action · Side · 240fps #1
Mardy Fish's forehand from an inside-in position, filmed from a side angle. The high-speed footage makes it easy to see his racket drop below the ball before contact, with the racket face slightly closed as it accelerates upward through the hitting zone.
|
240 |
2.7s |
FH Inside In · Arm-action · Side · 240fps #2
Mardy Fish's forehand from an inside-in position, filmed from a side angle. The slow-motion side view makes his semi-western grip and pronounced wrist lag before a late, sharp release into contact clearly visible.
|
240 |
2.5s |
FH Inside In · Arm-action · Side · 240fps #3
Mardy Fish's forehand from a neutral position, filmed from the side at 240 fps slow motion. His shoulders load with a pronounced turn relative to his hips before uncoiling, making the trunk rotation and timing of the shoulder-to-arm sequencing easy to distinguish.
|
240 |
2.8s |
FH Inside In · Side · 500fps #1
Mardy Fish's forehand InsideIn from the center of the court, filmed from a side angle. His feet land in a strong neutral-to-slightly-open stance after a small hop into the shot, with a quick recovery step bringing his back foot forward to reposition for the next ball.
|
500 |
2.6s |
FH Inside In · Side · 120fps #2
Mardy Fish's forehand InsideIn from the side, filmed from a side angle at 120 fps slow motion. His feet set in a semi-open stance with a small adjustment hop into contact, followed by a quick crossover recovery step to move back toward the center.
|
120 |
3.1s |
FH Inside In · Side · 120fps #3
Mardy Fish's forehand InsideIn from a neutral court position, filmed from the side at 120 fps. His hips load into a strong coil with noticeable knee flex before uncoiling as his legs drive up and forward into the shot.
|
120 |
3.5s |
FH Inside In · Side · 120fps #4
Mardy Fish's forehand Inside-In from the center of the baseline, filmed from a side angle. His hips load into a strong semi-open position with noticeable knee bend before driving upward through the legs into contact.
|
120 |
3.1s |
FH Inside In · Side · 120fps #5
Mardy Fish's forehand Inside-In from the center of the court, filmed from a side angle at 120 fps. His shoulders load with a deep coil relative to his hips and then uncoil in a clear sequence where the trunk rotation leads the arm into contact.
|
120 |
2.8s |
FH Inside In · Side · 500fps #6
Mardy Fish's forehand InsideIn from the center of the court, filmed from a side angle. After contact his follow-through finishes high across his body while his weight continues moving into the court, and he quickly brings both hands back toward a neutral ready position.
|
500 |
2.3s |
FH Inside In · Side · 240fps #7
Mardy Fish's forehand InsideIn from the center of the court, filmed from a side angle. His feet load into a semi-open stance with a pronounced knee bend, and you can see a quick recovery step back toward the centerline immediately after contact.
|
240 |
2.9s |
FH Inside Out · Arm-action · Side · 240fps #1
Mardy Fish's forehand from the middle of the court, filmed from a side angle. His semi-western grip is evident with a pronounced wrist lag in the racquet drop that unwinds into a controlled pronation through contact.
|
240 |
2.9s |
FH Inside Out · Arm-action · Side · 240fps #2
Mardy Fish's forehand from the center of the court, filmed from the side. The slow-motion view shows his racket dropping well below the ball before contact, with the racket face slightly closed and accelerating steeply upward through the hitting zone.
|
240 |
3s |
FH Inside Out · Side · 500fps #1
Mardy Fish's forehand InsideOut from the center of the court, filmed from a side angle. His shoulders rotate well past perpendicular to the net on the backswing, then the trunk uncoils in sequence before the arm accelerates, making the separation between hip and shoulder rotation easy to see in slow motion.
|
500 |
1.9s |
FH Inside Out · Side · 500fps #2
Mardy Fish's forehand from the middle of the court, filmed from the side. His feet load into a wide semi-open stance with a clear weight transfer onto the outside leg before he pivots and pushes off to recover toward the center.
|
500 |
2.9s |
FH Inside Out · Side · 120fps #3
Mardy Fish's forehand InsideOut from a neutral position, filmed from the side at 120 fps. His semi-western grip is clear with the racket laid back and strong wrist lag maintained into a late, sharp release through contact.
|
120 |
3.5s |
FH Inside Out · Side · 120fps #4
Mardy Fish's forehand InsideOut from a central position, filmed from the side. His footwork includes a small hop into an open stance followed by a quick right-leg pivot that lets him load on the outside leg before swinging.
|
120 |
3.2s |
FH Inside Out · Side · 500fps #5
Mardy Fish's forehand InsideOut from the center of the court, filmed from a side angle at 500 fps. His hips load into a strong closed position with a deep knee bend before driving upward and uncoiling through contact, making the leg drive and hip rotation sequence very clear.
|
500 |
3.1s |
FH Inside Out · Side · 500fps #6
Mardy Fish's inside-out forehand from a neutral position, filmed from a side angle. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils ahead of the arm swing, showing clear separation between hip and shoulder rotation in the forward phase.
|
500 |
2.6s |
FH Inside Out · Side · 500fps #7
Mardy Fish's forehand InsideOut from the center of the court, filmed from a side angle. His follow-through wraps high across his body as his weight transfers onto his front foot, and he quickly lets both hands settle in front to recover toward a neutral ready position.
|
500 |
3.3s |
FH Moves Back · Arm-action · Side · 240fps
Mardy Fish's forehand while moving back from a neutral position, filmed from the side. His shoulders turn well past his hips to create noticeable trunk coil, then uncoil in sequence so the chest faces the net just after contact, making the shoulder rotation easy to time in this slow-motion view.
|
240 |
3.2s |
FH Moves Back · Side · 240fps #1
Mardy Fish's forehand while moving back from a neutral position, filmed from the side at 240 fps. His semi-western grip is evident in the closed racket face, and the slow motion makes the sustained wrist lag into a late, sharp release at contact clearly visible.
|
240 |
3.2s |
FH Moves Back · Side · 500fps #1
Mardy Fish's forehand while moving back from a neutral court position, filmed from a side angle. His semi-western grip is clear, with noticeable wrist lag on the forward swing that unwinds into a firm, stable wrist at contact.
|
500 |
2.4s |
FH Moves Back · Side · 500fps #2
Mardy Fish's forehand while moving back from a neutral position, filmed from the side. His shoulders rotate well past 90 degrees relative to the net before uncoiling, with the trunk leading the forward swing and the arm following in a clear kinetic chain sequence.
|
500 |
2.3s |
FH Moves Back · Side · 120fps #4
Mardy Fish's forehand while moving back from a neutral court position, filmed from the side at 120 fps. His hips stay relatively closed as he retreats, with a noticeable knee bend and rear-leg load before a late, driving extension into the shot.
|
120 |
3.2s |
FH Moves Back · Side · 500fps #5
Mardy Fish's forehand while moving back from a neutral position, filmed from the side. His hips stay relatively closed as he loads on the outside leg, with a deep knee bend and noticeable leg drive upward into the ball.
|
500 |
2.1s |
FH Moves Back · Side · 240fps #6
Mardy Fish's forehand while moving back from a neutral court position, filmed from the side at 240 fps. His follow-through finishes high with the hitting arm wrapping across his body as his weight settles onto the outside leg, then he quickly re-centers his stance into a compact ready position.
|
240 |
2.4s |
FH Moves Back · Side · 240fps #7
Mardy Fish's forehand while moving back from a neutral position, filmed from the side at 240 fps. The racket face is slightly closed at a contact point just in front of his right hip, with a pronounced low-to-high swing path that accelerates the racket head upward through the ball.
|
240 |
2.9s |
FH Moves Back · Side · 240fps #8
Mardy Fish's forehand while moving back from a neutral court position, filmed from the side at 240 fps. His follow-through finishes high with the racquet wrapping over his shoulder as his weight settles onto his back leg before he regains a ready position.
|
240 |
2.9s |
FH Running · Side · 500fps #1
Mardy Fish's running forehand from a neutral court position, filmed from the side. His footwork shows a quick adjustment step into an open stance, followed by a strong lateral recovery step to get back toward the center.
|
500 |
2.5s |
FH Running · Side · 500fps #2
Mardy Fish's running forehand from the side, filmed from a high-speed 500 fps angle. His semi-western grip is clear as his wrist stays laid back through the forward swing before a late, pronounced snap through contact.
|
500 |
2.6s |
FH Running · Side · 120fps #3
Mardy Fish's running forehand from a neutral court position, filmed from the side. His footwork shows a quick adjustment hop into an open stance followed by aggressive forward momentum through the shot and a pronounced recovery step back toward the center.
|
120 |
2.9s |
FH Running · Side · 120fps #4
Mardy Fish's running forehand from the side, filmed from a side angle. The slow-motion view makes it clear that his racket face stays slightly closed at a contact point around waist height, with the racket head accelerating steeply upward through the ball.
|
120 |
2.9s |
FH Running · Side · 120fps #5
Mardy Fish's running forehand from the side, filmed from a side angle. After contact his follow-through wraps high across his body while his weight continues moving forward, and he quickly brings both hands back toward the racket to recover into a ready position.
|
120 |
2.9s |
FH Running · Side · 240fps #6
Mardy Fish's running forehand from the side, filmed from a side angle. His shoulders turn well past perpendicular to the net before contact, with a pronounced trunk coil that uncoils sequentially from hips to shoulders as he drives through the ball while moving laterally.
|
240 |
3s |
FH Running · Side · 240fps #7
Mardy Fish's running forehand from a neutral position, filmed from the side. His follow-through finishes high across his body while his momentum carries him through the court, and he quickly brings both hands back toward the racket to reset into a ready position.
|
240 |
3s |
FH Running · Side · 240fps #8
Mardy Fish's running forehand from the side, filmed from a side angle at 240 fps slow motion. His semi-western grip is evident with a pronounced wrist lag on the forward swing that unwinds into a strong, controlled pronation through contact.
|
240 |
3s |
FH Short · Arm-action · Side · 240fps #1
Mardy Fish's forehand from the middle of the court, filmed from the side. The racket face stays relatively square through contact at about waist height, with a compact arm action and the racket head accelerating steeply up the back of the ball.
|
240 |
2.6s |
FH Short · Arm-action · Side · 240fps #2
Mardy Fish's forehand from a central court position, filmed from a side angle. His compact shoulder turn and quick trunk uncoil are clearly visible in slow motion, showing the torso initiating rotation before the arm extends through contact.
|
240 |
2.2s |
FH Short · Side · Neutral · 240fps
Mardy Fish's forehand from a central court position, filmed from the side. His neutral stance is clear as he plants both feet on a straight line to the net before rotating through, with a small adjustment step taken just before contact.
|
240 |
2.6s |
FH Short · Side · 500fps #1
Mardy Fish's forehand from the middle of the court, filmed from the side. At contact his racket face is slightly closed with the ball meeting the strings just in front of his lead hip at around waist height, and the racket head accelerates steeply upward along a low-to-high swing path.
|
500 |
2.7s |
FH Short · Side · 500fps #2
Mardy Fish's forehand from the side, filmed from a side angle. His shoulders rotate well past perpendicular to the net on the backswing, then the trunk uncoils ahead of the arm swing, clearly showing sequential rotation from hips to shoulders.
|
500 |
3s |
FH Short · Side · 120fps #3
Mardy Fish's forehand from the middle of the court, filmed from the side. After contact his racquet finishes high across his body while his weight moves into the court, and he quickly brings both hands back toward the racquet handle to re-establish a compact ready position.
|
120 |
3.6s |
FH Short · Side · 500fps #4
Mardy Fish's forehand from the side, filmed from a side camera angle. His shoulders load with a pronounced upper-body coil relative to the hips, then uncoil in sequence as the trunk rotates through contact, making the separation and re-rotation of the torso easy to distinguish in slow motion.
|
500 |
2.7s |
FH Short · Side · 500fps #5
Mardy Fish's forehand from the middle of the court, filmed from the side. His hips stay closed during the unit turn, then unwind aggressively as his legs drive up from a deep knee bend into contact.
|
500 |
2.8s |
FH Short · Side · 240fps #6
Mardy Fish's forehand from the middle of the court, filmed from the side. His shoulders rotate well past perpendicular to the net on the unit turn, then uncoil ahead of the hips so the trunk leads the arm into contact in a clear kinetic chain sequence.
|
240 |
2.4s |
FH Wide · Arm-action · Side · 240fps #1
Mardy Fish's forehand from a wide position, filmed from a side angle. His feet set into a semi-open stance after a quick adjustment step outward, with a noticeable split-step preceding his lateral move toward the wide ball.
|
240 |
2.7s |
FH Wide · Arm-action · Side · 240fps #2
Mardy Fish's forehand from a wide position, filmed from the side. His semi-western grip is paired with a pronounced wrist lag in the forward swing, with the racket head trailing his hand before a sharp release through contact.
|
240 |
2.7s |
FH Wide · Arm-action · Side · 240fps #3
Mardy Fish's wide forehand from the side, filmed from a side angle at 240 fps. His shoulders load with a pronounced turn relative to his hips, then uncoil in sequence with the trunk leading the arm swing so the hitting shoulder whips through contact.
|
240 |
2.5s |
FH Wide · Arm-action · Side · 240fps #4
Mardy Fish's wide forehand from the side, filmed from a side angle at 240 fps slow motion. His follow-through finishes high with the hitting arm extending across his body while his non-hitting hand opens back out as he recovers into a balanced, ready position.
|
240 |
2.8s |
FH Wide · Arm-action · Side · 240fps #5
Mardy Fish's wide forehand from the side, filmed from a side angle at 240 fps. His follow-through finishes high with the hitting arm wrapping across his body as his weight transfers onto his front leg, and he quickly begins to bring both hands back toward a neutral ready position.
|
240 |
2.5s |
FH Wide · Side · Open · 500fps #1
Mardy Fish's wide forehand from an open stance, filmed from the side. The side view shows his racket face slightly closed at a contact point around waist to mid-torso height, with the racket head accelerating upward on a steep low-to-high path.
|
500 |
2.8s |
FH Wide · Side · Open · 240fps #10
Mardy Fish's forehand from a wide position, filmed from the side. His open stance is clear as he plants his outside foot first, then uses a small lateral push-off and recovery step to stay ready for the next ball.
|
240 |
3.2s |
FH Wide · Side · Open · 500fps #2
Mardy Fish's wide forehand from an open stance, filmed from a side angle. The high-speed footage makes it clear that his racket face is slightly closed at a contact point just in front of his lead hip, with the racket accelerating steeply upward through the ball.
|
500 |
3s |
FH Wide · Side · Open · 500fps #3
Mardy Fish's wide forehand from an open stance, filmed from a side angle. His follow-through wraps high across his body as his weight lands on the front leg, and he quickly brings both hands back toward his torso to transition into a ready recovery position.
|
500 |
2.3s |
FH Wide · Side · Open · 500fps #4
Mardy Fish's wide forehand from an open stance, filmed from a side angle. His semi-western grip is evident in the laid-back wrist position, with pronounced wrist lag that unwinds into a sharp pronation through contact.
|
500 |
3.1s |
FH Wide · Side · Open · 500fps #5
Mardy Fish's forehand from a wide position in an open stance, filmed from a side angle. From this view, his shoulders rotate well past perpendicular to the net on the unit turn before the trunk uncoils ahead of the arm, showing clear separation between hip and shoulder rotation.
|
500 |
2.9s |
FH Wide · Side · Open · 120fps #6
Mardy Fish's forehand from a wide position on the side of the court, filmed from a side angle at 120 fps slow motion. His open stance is clear as he plants his outside leg, rotates his hips, and then uses small recovery steps to push back toward the center after contact.
|
120 |
2.9s |
FH Wide · Side · Open · 500fps #6
Mardy Fish's wide forehand from an open stance, filmed from a side angle. His semi-western grip is evident in the strong wrist lag on the racquet drop, followed by a pronounced wrist pronation through contact.
|
500 |
2.8s |
FH Wide · Side · Open · 240fps #7
Mardy Fish's wide forehand from an open stance, filmed from a side angle. His semi-western grip is evident in the strong wrist lag on the takeback that unwinds into a pronounced wrist pronation through contact.
|
240 |
3.2s |
FH Wide · Side · Open · 240fps #8
Mardy Fish's wide forehand from an open stance, filmed from the side at 240 fps. His hips stay closed longer during the loading phase before uncoiling aggressively as his legs drive up and into the court, with a noticeable bend in the back knee to support the lateral push.
|
240 |
2.8s |
FH Wide · Side · Open · 240fps #9
Mardy Fish's forehand from a wide position in an open stance, filmed from the side. His follow-through finishes high across his body with his weight landing on his outside leg before he quickly re-centers into a ready position.
|
240 |
2.6s |
BH Return 1st Serve · Ad · Court-level-side · 120fps
Mardy Fish's backhand return on a first serve from the ad side, filmed from a court-level side angle at 120 fps. His hips stay relatively closed at the split step and then rotate through as he plants his outside leg with a noticeable knee bend to load before driving into the shot.
|
120 |
3.4s |
BH Return 2nd Serve · Ad · Court-level-side · 120fps #1
Mardy Fish's backhand return of a second serve from the ad side, filmed from court-level side. After contact he extends his arms forward with the racquet finishing toward the middle of the court while his weight continues moving into the court, quickly bringing both hands back to a compact ready position.
|
120 |
3.1s |
BH Return 2nd Serve · Ad · Court-level-side · 120fps #2
Mardy Fish's backhand return on a second serve from the ad side, filmed from a court-level side angle at 120 fps. His hips stay relatively closed during the split step and initial unit turn, with a noticeable knee bend that loads the legs before driving up and into the court.
|
120 |
2.8s |
BH Return 2nd Serve · Deuce · Court-level-side · 120fps #1
Mardy Fish's second-serve backhand return from the deuce side, filmed from a court-level side angle. His hips stay relatively closed through the return preparation while a deep knee bend and strong leg drive upward and into the court are clearly visible in slow motion.
|
120 |
2.4s |
BH Return 2nd Serve · Deuce · Court-level-side · 120fps #2
Mardy Fish's backhand return on a second serve from the deuce side, filmed from a court-level side angle at 120 fps. His two-handed backhand grip shows a firm, laid-in top hand with a stable wrist, while the non-dominant wrist maintains a slight lag that straightens through contact.
|
120 |
3s |
FH Return 1st Serve · Ad · Court-level-side · 120fps #1
Mardy Fish's first serve from the ad side, filmed from a court-level side angle at 120 fps. After contact his racquet finishes across his body as his back leg swings forward into the court, helping him land balanced and ready for the next shot.
|
120 |
2s |
FH Return 1st Serve · Ad · Court-level-side · 120fps #2
Mardy Fish's first serve from the ad court, filmed from a court-level side angle at 120 fps. After contact he lands on his front (left) foot with his torso unwinding into the court, and his non-hitting arm tucks in as he recovers toward a balanced ready position for the next shot.
|
120 |
2.9s |
FH Return 1st Serve · Ad · Court-level-side · 240fps #3
Mardy Fish's first serve from the ad side, filmed from a court-level side angle at 240 fps. His deep knee bend and strong leg drive upward are clearly visible, with the hips extending aggressively toward the court as he uncoils into the serve.
|
240 |
1.2s |
FH Return 1st Serve · Ad · Court-level-side · 240fps #4
Mardy Fish's first serve from the ad side, filmed from a court-level side angle. His continental grip stays firm with a relaxed hand, and the slow-motion view makes the upward wrist pronation and snap through contact especially clear.
|
240 |
1.3s |
FH Return 1st Serve · Deuce · Court-level-side · 120fps #1
Mardy Fish's first serve from the deuce side, filmed from a court-level side angle. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a pronounced wrist snap just after impact.
|
120 |
3s |
FH Return 1st Serve · Deuce · Court-level-side · 120fps #2
Mardy Fish's first serve from the deuce side, filmed from a court-level side angle. The racket comes up to contact with a slightly closed face at full extension above his head, with the strings driving up and through the ball to produce strong upward racket head speed.
|
120 |
2.9s |
FH Return 1st Serve · Deuce · Court-level-side · 120fps #3
Mardy Fish's first serve from the deuce court, filmed from a court-level side angle at 120 fps. After contact he lands on his front foot with his non-hitting arm dropping back for balance before he recovers toward a neutral ready position on the baseline.
|
120 |
2.8s |
FH Return 1st Serve · Deuce · Court-level-side · 120fps #4
Mardy Fish's first serve from the deuce side, filmed from a court-level side angle. His footwork shows a controlled platform stance with a small front-foot adjustment before the toss and a pronounced rear-leg drive into the court during the landing.
|
120 |
3s |
FH Return 1st Serve · Deuce · Court-level-side · 120fps #5
Mardy Fish's first serve from the deuce side, filmed from a court-level side angle at 120 fps. His deep knee bend and strong leg drive upward into the ball are clearly visible, with the hips uncoiling from a loaded, closed position into a more open stance as he extends off the ground.
|
120 |
3.2s |
FH Return 2nd Serve · Ad · Court-level-side · 120fps
Mardy Fish's second serve from the ad side, filmed from a court-level side angle. His shoulders and trunk show a pronounced coil during the toss with a clear sequential uncoiling from hips to shoulders as he drives up into the ball.
|
120 |
4.1s |
FH Return 2nd Serve · Deuce · Court-level-side · 120fps #1
Mardy Fish's second serve return forehand from the deuce side, filmed from a court-level side angle. His compact split step into a semi-open stance leads into a quick pivot and lateral adjustment step that set his feet before initiating the forward swing.
|
120 |
2.6s |
FH Return 2nd Serve · Deuce · Court-level-side · 120fps #2
Mardy Fish's second serve from the deuce side, filmed from a court-level side angle at 120 fps. His shoulders and trunk show a pronounced coil during the trophy position, then uncoil in a clearly sequenced motion from hips through torso to shoulder as he drives up into contact.
|
120 |
2.7s |
BH Return 1st Serve · Ad · Front · 120fps #1
Mardy Fish's backhand return of a first serve from the ad side, filmed from a front angle in 120 fps slow motion. His two-handed grip stays compact with the off-hand driving the racquet while the dominant wrist remains relatively firm, showing only a small amount of controlled wrist lag into contact.
|
120 |
3.1s |
BH Return 1st Serve · Ad · Front · 120fps #2
Mardy Fish's backhand return against a first serve from the ad side, filmed from a front angle at 120 fps. His shoulders and trunk coil early as he turns from a neutral stance, then uncoil in sequence with the hips to drive the two-handed backhand through contact.
|
120 |
3.1s |
BH Return 1st Serve · Ad · Front · 240fps #3
Mardy Fish's backhand return of first serve from the ad court, filmed from a front angle. His hips stay relatively closed at contact while his knees are deeply flexed on the return load, with a strong upward leg drive initiating his rotation into the court.
|
240 |
2.8s |
BH Return 1st Serve · Deuce · Front · 120fps #1
Mardy Fish's backhand return on a first serve from the deuce side, filmed from the front at 120 fps. His hips stay relatively closed at contact while his knees are deeply flexed, showing a strong leg drive upward as he pushes off the court into the shot.
|
120 |
3.1s |
BH Return 1st Serve · Deuce · Front · 120fps #2
Mardy Fish's backhand return of first serve from the deuce side, filmed from a front court-level angle in 120fps slow motion. At contact his racket face is slightly closed with the ball meeting the strings just in front of his lead hip, and the two-handed swing drives upward on a compact, accelerating path through the hitting zone.
|
120 |
3.1s |
BH Return 2nd Serve · Ad · Front · 120fps #1
Mardy Fish's backhand return on a second serve from the ad side, filmed from a front angle. His two-handed grip shows the dominant hand in a strong continental position with the non-dominant hand slightly over the top, while his wrists stay relaxed with a late lag that firms up just before contact.
|
120 |
3s |
BH Return 2nd Serve · Ad · Front · 120fps #2
Mardy Fish's backhand return on a second serve from the ad side, filmed from a front camera angle at 120 fps. His shoulders and trunk show a pronounced unit turn on the takeback, then uncoil together through contact with the chest rotating toward the net before the arms complete the follow-through.
|
120 |
3.2s |
BH Return 2nd Serve · Ad · Front · 120fps #3
Mardy Fish's backhand return on a second serve from the ad side, filmed from a front angle in 120 fps slow motion. His shoulders and trunk load together into a compact coil, then uncoil in sequence with the hips initiating the turn before the upper torso and shoulders complete the rotation through contact.
|
120 |
2.8s |
BH Return 2nd Serve · Deuce · Front · 240fps
Mardy Fish's backhand return on a second serve from the deuce side, filmed from a front angle. After contact his two-handed follow-through finishes around chest height with his weight transferring into the court and his non-hitting hand separating early to help him recover quickly back toward a neutral ready position.
|
240 |
2.8s |
FH Return 1st Serve · Ad · Front · 120fps #1
Mardy Fish's first serve from the ad court, filmed from the front at 120 fps. His racket face is slightly closed at contact with the ball struck just above head height, and the racket head accelerates steeply upward along a pronounced pronation-driven swing path.
|
120 |
3s |
FH Return 1st Serve · Ad · Front · 240fps #2
Mardy Fish's first serve from the ad side, filmed from a front angle. His shoulders rotate as a single unit with the trunk during the toss and then uncoil aggressively toward the target, with the chest opening toward the net just after racquet drop.
|
240 |
2.6s |
FH Return 1st Serve · Deuce · Front · 120fps
Mardy Fish's first serve from the deuce side, filmed from the front at 120fps. His shoulders and trunk coil strongly away from the target before unrolling in sequence, with a clear upward trunk drive into contact that lags slightly behind the shoulder rotation.
|
120 |
2.4s |
FH Return 2nd Serve · Ad · Front · 240fps
Mardy Fish's second serve from the ad side, filmed from a front angle. His knees load deeply before trophy position and then extend aggressively into the court, with his hips driving up and slightly left to initiate torso rotation into the serve.
|
240 |
2.8s |
FH Return 2nd Serve · Deuce · Front · 240fps #1
Mardy Fish's second serve from the deuce side, filmed from a front angle. At contact his racket face is slightly closed with the ball struck just above head height, and the racket accelerates upward along a pronounced brushing path that emphasizes spin.
|
240 |
2.9s |
FH Return 2nd Serve · Deuce · Front · 240fps #2
Mardy Fish's second serve return from the deuce side, filmed from a front angle. His shoulders and trunk show a compact unit turn that quickly uncoils into contact, with the torso staying relatively square through impact before completing a controlled rotational release.
|
240 |
2.9s |
FH Return 2nd Serve · Deuce · Front · 240fps #3
Mardy Fish's second serve from the deuce side, filmed from a front angle. His continental grip stays firm while his wrist pronates aggressively through contact, with the slow motion making the upward snap and forearm rotation especially clear.
|
240 |
2.1s |
BH Return 1st Serve · Ad · Rear · 120fps #1
Mardy Fish's two-handed backhand return of first serve from the ad court, filmed from a rear angle in 120 fps slow motion. After contact, his follow-through finishes high with the racket wrapping toward his left side as he quickly uncoils his hips and resets his feet into a neutral ready position on the baseline.
|
120 |
3.1s |
BH Return 1st Serve · Ad · Rear · 120fps #2
Mardy Fish's backhand return of first serve from the ad court, filmed from a rear angle in high-speed 120 fps. He uses a compact split-step into a semi-open stance, then takes a small adjustment step with his outside foot before driving into the return and recovering toward the center.
|
120 |
3s |
BH Return 1st Serve · Deuce · Rear · 240fps
Mardy Fish's backhand return on a first serve from the deuce side, filmed from a rear angle at 240 fps. His shoulders and trunk load with a pronounced upper-body coil against a relatively stable lower half, then uncoil in sequence so the torso rotation leads the racquet into contact.
|
240 |
2.8s |
BH Return 2nd Serve · Ad · Rear · 240fps
Mardy Fish's backhand return on a second serve from the ad court, filmed from a rear angle. His two-handed backhand grip shows the non-dominant (left) hand driving the racket with a firm wrist while the right wrist stays relatively relaxed, creating a slight lag that straightens just before contact.
|
240 |
3s |
BH Return 2nd Serve · Deuce · Rear · 120fps
Mardy Fish's backhand return on a second serve from the deuce side, filmed from a rear angle in 120 fps slow motion. He uses a small split step into a semi-open stance, then takes quick adjustment steps to line up the return and executes a short recovery step back toward the center.
|
120 |
2.6s |
FH Return 1st Serve · Ad · Rear · 120fps
Mardy Fish's first serve from the ad side, filmed from a rear angle. His continental grip stays firm while his wrist pronates aggressively through contact, with a distinct snap visible in slow motion as the racket face turns down and across the ball.
|
120 |
2.9s |
FH Return 2nd Serve · Ad · Rear · 240fps #1
Mardy Fish's second serve from the ad court, filmed from a rear angle. His feet show a rhythmic rocking motion into a pinpoint stance before upward drive, with a small rear-foot adjustment to align his body sideways to the baseline.
|
240 |
2s |
FH Return 2nd Serve · Ad · Rear · 240fps #2
Mardy Fish's second serve from the ad court, filmed from a rear angle in 240 fps slow motion. His footwork includes a small front-foot adjustment before the toss and a controlled landing on his left leg that sets up an efficient recovery step back toward the center.
|
240 |
2.7s |
FH Return 2nd Serve · Ad · Rear · 240fps #3
Mardy Fish's second serve from the ad side, filmed from a rear angle at 240 fps. After contact he lets his hitting arm finish across his body while his back leg swings forward into the court, helping him land balanced and flow smoothly into a neutral ready position.
|
240 |
2.9s |
FH Return 2nd Serve · Deuce · Rear · 240fps #1
Mardy Fish's forehand return of a second serve from the deuce side, filmed from a rear angle at 240 fps. His follow-through finishes high across his body while his weight transfers into the court, and he quickly brings both hands back to a neutral ready position for the next shot.
|
240 |
3s |
FH Return 2nd Serve · Deuce · Rear · 240fps #2
Mardy Fish's second serve return from the deuce side, filmed from a rear angle. His hips stay relatively closed as he loads with a noticeable knee bend, then unwind with a strong upward leg drive into the forehand return.
|
240 |
2s |
BH Return 1st Serve · Ad · Side · 240fps #1
Mardy Fish's backhand return of first serve from the ad court, filmed from a side angle. His compact split-step into a semi-open stance is followed by a short lateral adjustment step before planting and rotating into the two-handed backhand.
|
240 |
2.9s |
BH Return 1st Serve · Ad · Side · 240fps #2
Mardy Fish's two-handed backhand return of first serve from the ad side, filmed from a side angle. His racket face is slightly closed at a contact point around waist height, with a compact forward swing path and accelerating racket head through the ball.
|
240 |
2.4s |
BH Return 1st Serve · Ad · Side · 240fps #3
Mardy Fish's backhand return of first serve from the ad side, filmed from a side angle. His two-handed backhand meets the ball slightly in front of his lead hip with a closed racket face and a compact, upward swing path visible in slow motion.
|
240 |
3.2s |
BH Return 1st Serve · Ad · Side · 240fps #4
Mardy Fish's backhand return on a first serve from the ad court, filmed from the side at 240 fps. His follow-through finishes high with the torso unwinding toward the court and his weight transferring into a quick recovery step back toward a neutral ready position.
|
240 |
2.1s |
BH Return 1st Serve · Deuce · Side · 240fps #1
Mardy Fish's two-handed backhand return of first serve from the deuce court, filmed from a side angle at 240 fps. His early split-step into a semi-open stance with a quick pivot and small adjustment steps toward the ball is clearly visible from this angle.
|
240 |
2.6s |
BH Return 1st Serve · Deuce · Side · 240fps #2
Mardy Fish's two-handed backhand return of first serve from the deuce court, filmed from a side angle at 240 fps. His semi-open two-handed grip stays stable with a noticeable wrist lag on the dominant hand that firms up into a strong, fixed wrist position right at contact.
|
240 |
2.9s |
BH Return 2nd Serve · Ad · Side · 120fps #1
Mardy Fish's backhand return on a second serve from the ad side, filmed from a side angle. He takes a small split-step into a semi-open stance, then uses a compact pivot and minimal recovery steps to stay balanced on the baseline after contact.
|
120 |
2.9s |
BH Return 2nd Serve · Ad · Side · 120fps #2
Mardy Fish's backhand return of a second serve from the ad side, filmed from the side at 120 fps. After contact his two-handed follow-through finishes around shoulder height while his weight transfers into the court and his feet quickly recover toward a neutral ready position.
|
120 |
2.9s |
BH Return 2nd Serve · Ad · Side · 120fps #3
Mardy Fish's backhand return on a second serve from the ad side, filmed from a side angle at 120 fps. His racket face is slightly closed at contact with the ball struck just in front of his body around waist height, and the racket head accelerates forward on a relatively compact, linear swing path.
|
120 |
2.8s |
BH Return 2nd Serve · Deuce · Side · 240fps
Mardy Fish's backhand return on a second serve from the deuce side, filmed from the side. His two-handed backhand meets the ball slightly in front of his lead hip with a relatively closed racket face and a compact, upward swing path visible in the slow-motion frames.
|
240 |
2.7s |
BH Return Slice 2nd Serve · Deuce · Side · 240fps
Mardy Fish's backhand slice return on a second serve from the deuce side, filmed from the side. His shoulders stay relatively closed through the early part of the swing, with a noticeable trunk coil that slowly uncoils through contact, letting the upper body lead the kinetic chain before the arms complete the slice motion.
|
240 |
3.3s |
FH Return 1st Serve · Ad · Side · 240fps #1
Mardy Fish's first serve from the ad court, filmed from a side angle. His feet show a pronounced knee bend with a strong push off the back leg into the court, and his front foot lands well inside the baseline to aid forward momentum and quick recovery.
|
240 |
2.8s |
FH Return 1st Serve · Ad · Side · 240fps #2
Mardy Fish's first serve from the ad court, filmed from a side angle. At contact his racket face is slightly pronated with the strings nearly square to the ball, reaching up to strike at full extension well above his head, with the racket head accelerating steeply upward and forward through the contact zone.
|
240 |
3s |
FH Return 1st Serve · Deuce · Side · 240fps
Mardy Fish's first serve from the deuce side, filmed from the side. His shoulders and trunk show a pronounced coil with the front shoulder dipping in and then uncoiling in a clearly sequenced motion from hips through torso to the serving arm.
|
240 |
2.9s |
FH Return 2nd Serve · Ad · Side · 240fps #1
Mardy Fish's second serve from the ad side, filmed from a side angle. His continental grip stays firm with a relaxed wrist that pronates smoothly through contact, making the upward snap and racquet edge rotation especially clear in slow motion.
|
240 |
2.9s |
FH Return 2nd Serve · Ad · Side · 240fps #2
Mardy Fish's second serve from the ad court, filmed from a side angle. The racket contacts the ball slightly above head height with a closed face and pronounced upward brushing motion, creating visible kick and upward racket head acceleration through contact.
|
240 |
2.8s |
FH Return 2nd Serve · Deuce · Side · 240fps #1
Mardy Fish's second serve from the deuce side, filmed from a side court angle. His continental grip stays firm with a relaxed wrist that pronates aggressively through contact, making the wrist snap especially clear in this slow-motion view.
|
240 |
3s |
FH Return 2nd Serve · Deuce · Side · 240fps #2
Mardy Fish's second serve from the deuce court, filmed from a side angle. The racket face is slightly closed at contact with the ball struck just above shoulder height, and the upward swing path and racket head acceleration into the court are clearly visible in slow motion.
|
240 |
3s |
FH Return 2nd Serve · Deuce · Side · 240fps #3
Mardy Fish's second serve return forehand from the deuce court, filmed from a side angle. After contact his forehand follow-through wraps across his body while his weight transfers into the court, and his non-hitting hand comes back in front of his torso as he recovers toward a ready position.
|
240 |
2.9s |
FH Return 2nd Serve · Deuce · Side · 240fps #4
Mardy Fish's second serve from the deuce side, filmed from a side angle. His hips stay closed through the knee bend and then drive up into contact with a strong push off the back leg, clearly visible in the slow-motion footage.
|
240 |
2.8s |
FH Return 2nd Serve · Deuce · Side · 240fps #5
Mardy Fish's forehand return of a second serve from the deuce side, filmed from a side angle. He uses a compact split-step into an open stance, then pushes off his outside leg to load and recover quickly along the baseline.
|
240 |
2.7s |
Second Serve · Ad · Arm-action · Front · 9999fps
Mardy Fish's second serve from the ad side, filmed from the front at ultra–slow-motion 9999 fps. At contact, his racket face is slightly closed with the ball struck just above head height, and you can clearly see the upward, brushing swing path accelerating through the ball.
|
9999 |
0.1s |
Second Serve · Ad · Front · 500fps #1
Mardy Fish's second serve from the ad side, filmed from a front angle. His knees load deeply with a pronounced bend before driving upward, while his hips stay relatively closed to the net until just after contact.
|
500 |
3s |
Second Serve · Ad · Front · 500fps #2
Mardy Fish's second serve from the ad court, filmed from a front angle. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a pronounced wrist snap visible even in high-speed slow motion.
|
500 |
2.5s |
Second Serve · Ad · Front · 240fps #3
Mardy Fish's second serve from the ad side, filmed from a front angle. His hips stay relatively closed through the toss with a deep knee bend, then drive upward as both legs extend aggressively into the court during the serve motion.
|
240 |
2.8s |
Second Serve · Ad · Front · 240fps #4
Mardy Fish's second serve from the ad court, filmed from a front angle. His split-step into a slightly staggered stance is clearly visible, with a controlled knee bend and weight transfer onto the front foot before driving up into the serve.
|
240 |
3.1s |
Second Serve · Ad · Toss · Front · 120fps #1
Mardy Fish's second serve from the ad court, filmed from a front angle. His shoulder line stays closed longer during the toss and initial knee bend, then the trunk uncoils sharply upward into contact with a noticeable delay between hip rotation and upper torso turn.
|
120 |
2.8s |
Second Serve · Ad · Toss · Front · 500fps #2
Mardy Fish's second serve from the Ad court, filmed from a front camera angle. The high-speed view shows his toss placed slightly to his left with the racket face closing just before contact, meeting the ball around head height to impart heavy spin.
|
500 |
3.8s |
Second Serve Wide · Ad · Front · 240fps
Mardy Fish's second serve from the Ad court, hit wide, filmed from a front angle. His follow-through carries his racquet hand across his body while his weight lands on his front foot, bringing him quickly back into a compact ready position.
|
240 |
3.1s |
Second Serve · Deuce · Arm-action · Front · 120fps
Mardy Fish's second serve from the deuce side, filmed from the front at 120 fps. His continental grip stays stable while his wrist pronates aggressively through contact, with a clear upward snap that adds spin before relaxing on the follow-through.
|
120 |
2.8s |
Second Serve · Deuce · Front · 500fps #1
Mardy Fish's second serve from the deuce side, filmed from a front angle. His continental grip is firm with a relaxed wrist that pronates sharply through contact, creating a pronounced wrist snap visible in the high-speed footage.
|
500 |
2.8s |
Second Serve · Deuce · Front · 500fps #2
Mardy Fish's second serve from the deuce side, filmed from a front angle. His continental grip is clearly visible, with a relaxed hand and pronounced wrist pronation through contact that finishes with the strings facing slightly toward the right side fence.
|
500 |
3.1s |
Second Serve · Deuce · Front · 240fps #3
Mardy Fish's second serve from the deuce side, filmed from a front angle. His shoulders rotate as a unit with the trunk into a deep coil during the trophy position, then uncoil in a clearly sequenced motion from hips through torso to shoulder as he drives up to contact.
|
240 |
3.1s |
Second Serve · Deuce · Front · 500fps #4
Mardy Fish's second serve from the deuce side, filmed from a front camera angle. His shoulders load with a clear sideways turn relative to the baseline before uncoiling in sync with trunk rotation, making the sequencing of upper-body rotation into contact easy to distinguish in slow motion.
|
500 |
2.8s |
Second Serve · Deuce · Leg-action · Front · 500fps
Mardy Fish's second serve from the deuce side, filmed from the front at 500 fps. The racket moves up to contact with a slightly closed face and pronounced upward swing path, meeting the ball just above head height to impart strong spin.
|
500 |
2.9s |
Second Serve · Deuce · Toss · Front · 120fps
Mardy Fish's second serve from the deuce court, filmed from the front. The racket face is slightly closed at a contact point above head height, with a pronounced upward swing path producing clear racket head acceleration through the ball.
|
120 |
2.8s |
Second Serve · Ad · Arm-action · Rear · 500fps #1
Mardy Fish's second serve from the ad court, filmed from a rear angle. His follow-through finishes across his body with the tossing arm dropping quickly, and he lands slightly into the court before settling into a compact ready position.
|
500 |
3.4s |
Second Serve · Ad · Arm-action · Rear · 120fps #2
Mardy Fish's second serve from the ad side, filmed from a rear angle in 120 fps slow motion. His stance remains mostly stationary with a slight weight shift onto the front foot before pushing up, and his small adjustment step with the back foot helps line up his toss without extra lateral movement.
|
120 |
3s |
Second Serve Down The T · Ad · Rear · 240fps
Mardy Fish's second serve from the ad court, filmed from a rear angle at 240 fps. At contact, his racket face is slightly closed with the ball struck just above head height, and the upward brushing swing path clearly accelerates the racket head through the ball.
|
240 |
3.1s |
Second Serve · Ad · Rear · 120fps #1
Mardy Fish's second serve from the ad court, filmed from a rear angle. His upper body shows a pronounced shoulder-over-shoulder action with a deep trunk coil that uncoils sequentially from the hips through the torso into the serving arm.
|
120 |
2.9s |
Second Serve · Ad · Rear · 120fps #2
Mardy Fish's second serve from the ad court, filmed from a rear angle in 120 fps slow motion. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, making the wrist snap especially clear from this viewpoint.
|
120 |
3.1s |
Second Serve · Ad · Rear · 240fps #3
Mardy Fish's second serve from the ad court, filmed from a rear angle at 240 fps. His follow-through carries his body weight diagonally into the court, and he quickly brings both hands back toward a centered ready position to prepare for the next shot.
|
240 |
2.8s |
Second Serve · Ad · Toss · Rear · 120fps
Mardy Fish's second serve from the ad court, filmed from a rear angle at 120 fps. From this view, you can clearly see his continental grip stay relaxed as his wrist pronates up and through the ball after a high, controlled toss.
|
120 |
3s |
Second Serve · Deuce · Arm-action · Rear · 120fps #1
Mardy Fish's second serve from the deuce side, filmed from a rear angle. His follow-through finishes across his body with his back leg swinging through, and he quickly regathers his stance into a balanced ready position behind the baseline.
|
120 |
2.5s |
Second Serve · Deuce · Arm-action · Rear · 120fps #2
Mardy Fish's second serve from the deuce side, filmed from a rear angle. After contact his arm action continues up and across his body while his back leg swings forward into the court, helping him land balanced and quickly organize into a ready position.
|
120 |
2.6s |
Second Serve · Deuce · Arm-action · Rear · 120fps #3
Mardy Fish's second serve from the deuce side, filmed from a rear angle. His continental grip stays steady while the wrist pronates aggressively through contact, with a clear upward snap visible in the slow-motion footage.
|
120 |
2.9s |
Second Serve Down The T · Deuce · Rear · 240fps
Mardy Fish's second serve from the deuce side, filmed from a rear angle. His hips stay closed longer during the toss and loading phase, with a deep knee bend and strong upward leg drive before the hips rotate into the court.
|
240 |
3.2s |
Second Serve · Deuce · Rear · 240fps
Mardy Fish's second serve from the deuce side, filmed from a rear angle at 240 fps. His shoulders rotate as a single unit with the trunk during the trophy phase, then uncoil sequentially from hips to shoulders into contact, making the degree of upper-body coil and timing of the shoulder turn very clear.
|
240 |
2.5s |
Second Serve · Deuce · Toss · Rear · 120fps
Mardy Fish's second serve from the deuce side, filmed from a rear angle. His hips load with a noticeable knee bend before driving upward, with the rear camera angle clearly showing how his legs extend through the serve motion.
|
120 |
3s |
Second Serve Wide · Deuce · Rear · 240fps
Mardy Fish's second serve from the Deuce side, hit wide and filmed from a rear angle at 240 fps. After contact he lets his hitting arm finish across his body while his back leg swings forward into the court, helping him land balanced and quickly organize into a ready position.
|
240 |
2.6s |
Second Serve · Ad · Arm-action · Side · 120fps #1
Mardy Fish's second serve from the ad court, filmed from the side at 120 fps. The side view makes it easy to see his racket drop fully behind his back with a closed racket face before accelerating up to contact at a height just above his head.
|
120 |
2.8s |
Second Serve · Ad · Arm-action · Side · 120fps #2
Mardy Fish's second serve from the ad side, filmed from a side angle in 120 fps slow motion. His feet stay grounded through the loading phase with a stable platform stance, and you can clearly see the rear leg driving up into the court as he lands inside the baseline for efficient recovery.
|
120 |
2.8s |
Second Serve · Ad · Arm-action · Side · 240fps #3
Mardy Fish's second serve from the ad side, filmed from a side angle at 240 fps. His feet stay grounded through the toss with a subtle knee bend loading into a platform stance before driving up into the serve.
|
240 |
2.8s |
Second Serve · Ad · Leg-action · Side · 500fps
Mardy Fish's second serve from the ad court, filmed from the side. His leg action is clearly visible as he bends deeply into a loaded trophy stance, then drives upward off his back leg with a pronounced knee extension before landing well inside the court.
|
500 |
2.7s |
Second Serve · Ad · Side · 500fps #1
Mardy Fish's second serve from the ad side, filmed from a side angle. At contact the ball meets the strings slightly above net height with the racket face tilted to impart spin, and the racket head accelerates on an upward, brushing path past his right side.
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500 |
3s |
Second Serve · Ad · Side · 500fps #2
Mardy Fish's second serve from the ad side, filmed from a side angle. His follow-through carries his body weight into the court with his non-hitting arm dropping back for balance before he lands and begins recovering toward a ready position.
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500 |
3.3s |
Second Serve · Ad · Side · 240fps #3
Mardy Fish's second serve from the ad side, filmed from the side. His feet show a pronounced knee bend with a platform stance, and he drives up into the court with a clear front-leg push and balanced landing on his left foot.
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240 |
3.2s |
Second Serve · Ad · Side · 240fps #4
Mardy Fish's second serve from the ad side, filmed from the side at 240 fps. The racket contacts the ball slightly above shoulder height with a clearly closed face and an upward, brushing swing path that accelerates rapidly through contact.
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240 |
2.8s |
Second Serve · Ad · Side · 240fps #5
Mardy Fish's second serve from the ad side, filmed from a side angle. His knees load deeply before trophy position and then extend aggressively into the court, with the hips driving forward to transfer weight into the landing leg.
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240 |
3.2s |
Second Serve · Ad · Toss · Side · 500fps
Mardy Fish's second serve from the ad side, filmed from the side. His continental grip stays firm while his wrist pronates aggressively through contact, with a clear wrist snap upward that emphasizes spin over pace.
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500 |
2.5s |
Second Serve · Deuce · Arm-action · Side · 120fps #1
Mardy Fish's second serve from the deuce court, filmed from a side angle in 120 fps slow motion. His stance remains relatively stationary with a stable base through the toss and knee bend, with a small front-foot adjustment into the court as he drives up to contact before landing on his front leg.
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120 |
3.2s |
Second Serve · Deuce · Arm-action · Side · 240fps #2
Mardy Fish's second serve from the deuce court, filmed from a side angle. His follow-through finishes with the hitting arm relaxing down in front of his body as his weight moves into the court, bringing him quickly back toward a compact ready position.
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240 |
2.5s |
Second Serve · Deuce · Arm-action · Side · 240fps #3
Mardy Fish's second serve from the deuce side, filmed from a side camera angle at 240 fps. His continental grip is firm but relaxed, and the slow motion makes it easy to see his wrist stay laid back through the drop before pronating aggressively into contact.
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240 |
2.7s |
Second Serve · Deuce · Leg-action · Side · 500fps
Mardy Fish's second serve from the deuce side, filmed from a side angle. His continental grip stays firm with minimal grip change while the wrist pronates smoothly through contact, showing a distinct upward snap just after impact.
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500 |
2.8s |
Second Serve · Deuce · Side · 500fps #1
Mardy Fish's second serve from the deuce side, filmed from a side angle. His feet show a pronounced knee bend with a platform stance that transitions into an aggressive forward drive into the court, followed by a small recovery hop to prepare for the next shot.
|
500 |
2.6s |
Second Serve · Deuce · Side · 500fps #2
Mardy Fish's second serve from the deuce side, filmed from a side angle. His hips stay closed through the knee bend and then rotate aggressively into the court as his back leg drives upward and forward.
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500 |
2.6s |
Second Serve · Deuce · Side · 120fps #3
Mardy Fish's second serve from the deuce side, filmed from a side angle. His follow-through carries his hitting arm across his body as his weight moves into the court, and he quickly brings both hands back to a neutral ready position after landing.
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120 |
2.9s |
Second Serve · Deuce · Side · 240fps #4
Mardy Fish's second serve from the deuce side, filmed from a side angle. The racket contacts the ball slightly above shoulder height with a clearly closed racket face and an upward brushing swing path that emphasizes spin at impact.
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240 |
2.8s |
Second Serve · Deuce · Toss · Side · 500fps
Mardy Fish's second serve from the deuce side, filmed from the side. His knees load deeply with a pronounced bend while his hips stay closed to the court before driving upward into the serve.
|
500 |
2.6s |
BH Slice Center · Court-level-side · 120fps
Mardy Fish's backhand slice from the center of the court, filmed from a court-level side angle. After contact his hitting arm extends forward with the racket face staying slightly open while his weight continues moving into the court and his non-hitting hand starts to come back toward a ready position.
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120 |
2.8s |
BH Slice Running · Court-level-side · 120fps
Mardy Fish's running backhand slice from the deuce side, filmed from a court-level side angle at 120 fps. His shoulders turn early with a pronounced upper-body tilt, and the trunk uncoils gradually through contact, showing a delayed release of the torso relative to the initial shoulder rotation.
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120 |
3s |
FH Slice Wide · Court-level-side · 120fps
Mardy Fish's forehand slice from a wide position, filmed from a court-level side angle at 120 fps. The racket face is noticeably open at contact with the ball struck slightly below net height, and the swing path moves forward with a pronounced downward cutting motion.
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120 |
2.6s |
BH Slice Center · Front · 120fps
Mardy Fish's backhand slice from the center of the court, filmed from a front angle at 120 fps slow motion. His stance stays mostly neutral with a slight open alignment as he plants the front foot, using small adjustment steps to set spacing before carving through the slice.
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120 |
3s |
BH Slice Running · Front · 120fps
Mardy Fish's running backhand slice from the front, filmed from a court-level front angle at 120 fps. His right hand uses a continental grip with a noticeably firm wrist position, keeping the racket face stable through contact with minimal wrist deviation.
|
120 |
3s |
BH Slice Wide · Front · 240fps
Mardy Fish's backhand slice from a wide position, filmed from the front at 240 fps. The racket face is noticeably open at contact with the ball struck around waist height, and the racket travels on a distinct high-to-low path that creates pronounced underspin.
|
240 |
2.8s |
FH Slice Running · Front · 240fps
Mardy Fish's running forehand slice from the center court position, filmed from the front at 240 fps. His follow-through finishes across his body with the non-hitting hand extending back for counterbalance as he quickly regains a square, ready stance.
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240 |
2.9s |
BH Slice Short · Rear · 240fps
Mardy Fish's backhand slice from the center of the court, filmed from a rear angle. His hips stay relatively closed while his knees maintain a moderate bend, with the back leg providing a subtle push as he glides through the shot.
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240 |
3.1s |
FH Slice Running · Rear · 120fps
Mardy Fish's running forehand slice from a neutral court position, filmed from the rear at 120 fps slow motion. His footwork features quick adjustment steps into a semi-open stance, with a pronounced right-leg plant and a controlled crossover recovery back toward the center.
|
120 |
3.2s |
BH Slice Short · Side · 240fps #1
Mardy Fish's backhand slice from the side, filmed from a side camera angle at 240 fps. The racket face is noticeably open at contact with the ball around waist height, and the racket head travels on a distinctly downward path through impact.
|
240 |
2.9s |
BH Slice Short · Side · 240fps #2
Mardy Fish's backhand slice from the middle of the court, filmed from the side. His feet set in a neutral stance with a small adjustment step before contact, and he uses a controlled crossover recovery step after the slice to reset his court position.
|
240 |
3.1s |
FH Slice Running · Side · 240fps
Mardy Fish's running forehand slice from the ad side, filmed from the side at 240 fps. His continental grip is clearly visible with a firm but relaxed wrist, staying slightly laid back through the swing and only subtly releasing after contact.
|
240 |
2.9s |
FH Slice Short · Side · 240fps
Mardy Fish's forehand slice from the middle of the court, filmed from the side. His shoulders stay relatively closed through the early part of the swing, with a noticeable trunk tilt and controlled uncoil that keeps the hitting arm moving on a slightly downward, skimming path through contact.
|
240 |
2.9s |
United States
