Picture Joint Items #1
Max Mirnyi's unspecified shot from a neutral court position, filmed from a standard court-level angle. His wide, staggered stance and pronounced knee bend are evident as he sets his feet early, then uses a small adjustment step to fine-tune positioning before contact.
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180s |
Picture Joint Items #5
Max Mirnyi's FH from the Deuce court, filmed from CourtLevel. His wide base and semi-open stance are paired with a small adjustment hop into contact and a couple of quick recovery steps that get him ready to move forward or laterally for the next ball.
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180s |
Picture Joint Items 5(1) #5.1
Max Mirnyi's forehand from the deuce court, filmed from a side angle. He plants in a neutral stance with a clear cross-step into the ball and then uses a couple of quick recovery steps to get back toward the center of the baseline.
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180s |
BH Approach → Slice → FH Volley → BH Volley · Court-level-side
Max Mirnyi's backhand slice approach followed by a forehand volley from the deuce side, filmed from a court-level side angle. His continental grip stays firm with minimal wrist deviation on the slice, then the wrist sets slightly laid back on the forehand volley with a compact, controlled snap through contact.
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6.4s |
FH Approach → BH Volley · Front
Max Mirnyi's forehand approach followed by a backhand volley from a neutral court position, filmed from the front. His hips stay relatively low with a pronounced knee bend on the approach steps, then drive upward as he plants and pushes off the outside leg into the backhand volley.
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5.5s |
FH Approach → FH Drop Volley · Front
Max Mirnyi's forehand approach followed by a forehand drop volley from the center of the court, filmed from the front. At contact on the drop volley, his racket face is slightly open with the ball met just below net height, and the racket head slows noticeably to soften the touch.
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4.4s |
BH Approach → Slice → BH Volley → BH Volley · Rear
Max Mirnyi's backhand approach slice followed by a backhand volley from a central position, filmed from the rear. After the slice approach, he drives his weight forward into the court and quickly resets his non-hitting hand in front of his body as he recovers into a compact ready position for the volley.
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7.7s |
FH Approach → BH Drop Volley · Side
Max Mirnyi's forehand approach followed by a backhand drop volley at net from a neutral court position, filmed from the side. After contact on the backhand drop volley, he keeps his non-hitting hand slightly out for balance while his weight continues moving forward and he quickly settles into a compact ready position near the net.
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5.6s |
BH Half Volley Center · Court-level-front
Max Mirnyi's backhand half-volley from the center of the court, filmed from a front court-level angle. His shoulders stay relatively closed through contact with a compact trunk rotation, showing a short but clear uncoil from the hips and torso to stabilize the racquet on the low ball.
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2.6s |
BH Wide · Court-level-front
Max Mirnyi's backhand wide from the center of the court, filmed from a court_level front angle. His two-handed backhand contact is made slightly in front of his body with a relatively closed racket face, and the racket head accelerates steeply upward through the ball.
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3s |
BH Center · Court-level-rear
Max Mirnyi's backhand from the center of the court, filmed from a rear court-level angle. After contact his follow-through finishes high with the racket over his shoulder as he steps forward and quickly resets his feet into a wide, ready position for the next shot.
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2.7s |
BH Wide · Arm-action · Court-level-side
Max Mirnyi's backhand from a wide position, filmed from a court-level side angle. His shoulders rotate as a single unit with the trunk on the unit turn, then uncoil ahead of the arms so the torso leads the racquet into contact.
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3.7s |
BH Half Volley Center · Court-level-side
Max Mirnyi's backhand half-volley from the center of the court, filmed from a court-level side angle. His hips stay low with a deep knee bend as he absorbs the pace, and his legs drive slightly forward to stabilize his tall frame through the short stroke.
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2.3s |
BH Wide · Court-level-side
Max Mirnyi's wide backhand from the side, filmed from court-level. His shoulders rotate early with a pronounced trunk coil, then uncoil in sequence so the torso leads the racquet through contact on the wide ball.
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2.7s |
BH Center · Front
Max Mirnyi's backhand from the center of the court, filmed from the front. At contact his racket face is slightly closed with the ball meeting the strings around waist height, and the two-handed swing drives forward through the line of the shot with noticeable racket head acceleration.
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2.7s |
BH Center · Front #1
Max Mirnyi's backhand from the center of the court, filmed from a front angle. His two-handed grip is firm with a noticeable laid-back wrist position on the dominant hand that straightens through contact for added racket head stability.
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2.9s |
BH Center · Front #2
Max Mirnyi's backhand from the center of the court, filmed from the front. His two-handed grip is firm with the dominant hand in an Eastern backhand position and the off-hand doing most of the work, while his wrists stay relatively quiet with only a slight release through contact.
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2.9s |
BH Center · Front #3
Max Mirnyi's backhand from the center of the court, filmed from the front. His hips stay relatively closed at contact while a strong knee bend and upward leg drive support his tall frame through the stroke.
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2.5s |
BH Center · Front #4
Max Mirnyi's backhand from the center of the court, filmed from a front angle. After contact his follow-through finishes high with the racquet slightly across his body while his weight moves forward into the court and his non-hitting hand helps him quickly reset into a ready position.
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2.6s |
BH Half Volley Wide · Front
Max Mirnyi's backhand half-volley from a wide position, filmed from the front. His continental grip is clearly visible, with a firm but compact wrist that stays stable through contact to absorb the ball’s pace.
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3s |
BH Wide · Front #1
Max Mirnyi's backhand from a wide position, filmed from the front. His shoulders rotate as a single unit with the trunk on the unit turn, then uncoil together through contact with limited independent shoulder rotation relative to the torso.
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3.5s |
BH Wide · Front #2
Max Mirnyi's backhand from a wide position, filmed from the front. His two-handed grip is firm with the dominant hand in a semi-western position and the off-hand driving the racket, while the wrists stay relatively firm with only a slight release through contact.
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2.9s |
BH Wide · Front #3
Max Mirnyi's backhand from a wide position, filmed from the front. His hips stay relatively closed while his knees bend deeply to lower his 6'5" frame, with a strong push off the outside leg to drive back toward the court.
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3s |
BH Wide · Front #4
Max Mirnyi's wide backhand from the front, filmed from a front angle. After contact his follow-through finishes high with the racquet toward his left side as he quickly re-centers his stance and brings both hands back toward a ready position.
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2.9s |
BH Wide · Arm-action · Rear
Max Mirnyi's wide backhand from the center of the court, filmed from a rear angle. His hips stay relatively closed as he loads, with a deep knee bend on the outside leg providing a strong base before driving laterally into the shot.
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2.8s |
BH Half Volley Wide · Rear #1
Max Mirnyi's backhand half-volley on a wide ball from a neutral court position, filmed from the rear. After contact he extends his follow-through slightly across his body while his weight continues moving toward the court, quickly bringing both hands back to a compact ready position for the next shot.
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2.3s |
BH Half Volley Wide · Rear #2
Max Mirnyi's backhand from the center of the court, filmed from a rear angle. He uses a quick lateral shuffle to reach the wide ball, setting up in a mostly neutral stance before planting his outside foot for the swing.
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2.7s |
BH Wide · Rear #1
Max Mirnyi's backhand from a wide position, filmed from the rear. His two-handed backhand contact is made slightly above waist height with a closed racket face and a noticeably upward swing path accelerating through the ball.
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2.6s |
BH Wide · Rear #2
Max Mirnyi's backhand from a wide position, filmed from a rear angle. He uses a quick lateral shuffle out toward the sideline into a semi-open stance before planting and swinging, then crosses back with recovery steps toward the center.
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3s |
BH Wide · Rear #3
Max Mirnyi's backhand from a wide position, filmed from a rear angle. His shoulders rotate significantly past perpendicular to the baseline on the unit turn, then the trunk uncoils in sync with his hip rotation to drive the racket through contact.
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2.5s |
BH Wide · Rear #4
Max Mirnyi's backhand from a wide position, filmed from a rear angle. After contact his follow-through finishes high with the racquet over his right shoulder while his weight drives back toward the center and his non-hitting hand helps him quickly reset into a ready stance.
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2.7s |
BH Center · Arm-action · Side
Max Mirnyi's backhand from the center of the court, filmed from the side. His follow-through carries both hands high and forward while his weight transfers into the court, bringing him quickly back into a stable, two-handed ready position.
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2.8s |
BH Center · Side #1
Max Mirnyi's backhand from the center of the court, filmed from the side. His two-handed backhand contact is made around waist to mid-torso height with a slightly closed racket face and a forward-driving swing path through the ball.
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2.9s |
BH Center · Side #2
Max Mirnyi's backhand from the center of the court, filmed from the side. His shoulders rotate as a single unit with the trunk on the unit turn, then uncoil aggressively through contact with noticeable separation between upper body rotation and the later release of the arms.
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2.9s |
BH Center · Side #3
Max Mirnyi's backhand from the center of the court, filmed from the side. His stance shifts into a solid neutral position with a pronounced shoulder turn, and his recovery steps bring him quickly back toward the center after contact.
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2.9s |
BH Center · Side #4
Max Mirnyi's backhand from the center of the court, filmed from the side. His shoulders and trunk load with a pronounced coil, then uncoil in a clearly sequenced motion from hips through torso to shoulders before contact.
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2.7s |
BH Half Volley Center · Side
Max Mirnyi's backhand half-volley from a central court position, filmed from the side. His racket face stays slightly open at contact with the ball meeting the strings just below hip height, and the compact swing path keeps the racket head moving forward with minimal backswing.
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3s |
BH Wide · Side #1
Max Mirnyi's backhand wide from the side. His hips stay relatively closed at load with a deep knee bend, then drive forward as his legs extend aggressively into the shot.
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2.8s |
BH Wide · Side #2
Max Mirnyi's backhand from a wide position, filmed from the side. His two-handed grip is firm with the non-dominant hand driving the stroke, while the dominant wrist stays relatively stable with only a slight flexion through contact.
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2.9s |
BH Wide · Side #3
Max Mirnyi's backhand from the wide position, filmed from the side. His two-handed grip is firm with a noticeable laid-back wrist position on the racquet hand that straightens through contact.
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3.4s |
BH Wide · Side #4
Max Mirnyi's wide backhand from the side, filmed from a side angle. His footwork features a quick adjustment step out toward the ball followed by a semi-open stance that lets him load on the outside leg before swinging.
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2.6s |
BH Volley · Court-level-side #1
Max Mirnyi's backhand volley from the net area, filmed from a court-level side angle. His shoulders stay relatively square to the net with a compact trunk rotation, and the side view makes it easy to see the brief upper-body coil before a short uncoil through contact.
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1.7s |
BH Volley · Court-level-side #2
Max Mirnyi's backhand volley from the net area, filmed from a court-level side angle. His shoulders stay relatively square to the net with only a slight trunk rotation, making the stroke more of a compact block where the torso provides a stable base for the arm-driven volley.
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2.5s |
BH Volley · Court-level-side #3
Max Mirnyi's backhand volley from the side at net, filmed from a court-level side angle. His hips stay relatively square to the net while his knees are flexed, giving a stable low base as he steps through the volley with his front leg.
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2.2s |
BH Volley · Front
Max Mirnyi's backhand volley from the net, filmed from a front angle. His continental grip is clearly visible with a firm but relaxed wrist, staying stable through contact with minimal wrist flick.
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8.9s |
BH Volley · Front #0001
Max Mirnyi's backhand volley from the center, filmed from the front. His hips stay relatively square to the net while his knees stay slightly flexed, showing a stable lower-body base as he steps into the volley.
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8.9s |
BH Volley · Front #1
Max Mirnyi's backhand volley from the net area, filmed from the front. His follow-through finishes out in front with the non-hitting hand dropping back slightly as he quickly resets his stance into a compact ready position for the next shot.
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1.9s |
BH Volley · Front #2
Max Mirnyi's backhand volley from the net area, filmed from the front. His hips stay relatively square to the net while his knees flex subtly, with a short forward leg drive to stabilize his tall frame through contact.
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2.1s |
BH Volley · Front #3
Max Mirnyi's backhand volley from the net area, filmed from the front. His compact split step into a slightly open stance is followed by a short lateral adjustment step that keeps his weight forward as he punches through the volley.
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2s |
BH Volley · Front #4
Max Mirnyi's backhand volley from the net area, filmed from a front angle. His two-handed backhand volley grip is clearly visible, with a firm continental base hand and the top hand adding stability while the wrists stay relatively firm through contact with minimal wrist snap.
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2.4s |
BH Volley · Rear #1
Max Mirnyi's backhand volley from the center of the court, filmed from a rear angle. After contact he drives his weight forward into the court and quickly brings both hands back toward a compact ready position for the next shot.
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2.5s |
BH Volley · Rear #2
Max Mirnyi's backhand volley from a central net position, filmed from a rear angle. His two-handed racket stays firm with a slightly closed face at contact, meeting the ball just in front of his body with a compact, forward-directed punch.
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2s |
BH Volley · Rear #3
Max Mirnyi's backhand volley from the center of the court, filmed from a rear angle. His racket face is slightly open at contact with the ball meeting the strings just in front of his body at about chest height, and the compact swing path keeps the racket head stable through the volley.
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3.1s |
BH Volley · Side #1
Max Mirnyi's backhand volley from the net area, filmed from the side. His stance stays compact with a short lateral adjustment step into a slightly open position before contact, followed by a small recovery step back toward ready position.
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2.7s |
BH Volley · Side #2
Max Mirnyi's backhand volley from the net area, filmed from the side. From this angle, his continental grip is clear, with a firm but relaxed wrist that stays stable through contact without excessive wrist snap.
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2.4s |
BH Drop Shot · Front
Max Mirnyi's backhand drop shot from a central court position, filmed from the front. The racket face is noticeably open at contact with the ball taken around waist height, and the compact swing path with a soft deceleration keeps racket head speed low to deaden the shot.
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3.4s |
First Serve · Ad · Body-rotation · Court-level-front #1
Max Mirnyi's first serve from the Ad side, filmed from a court-level front angle. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a pronounced wrist snap visible as the racquet accelerates toward the target.
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2.4s |
First Serve · Ad · Court-level-front #1
Max Mirnyi's first serve from the Ad court, filmed from a court-level front angle. His deep knee bend and strong upward leg drive are clearly visible as his hips uncoil into the court during the serve motion.
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2.3s |
First Serve · Ad · Leg-action · Court-level-front #1
Max Mirnyi's first serve from the Ad court, filmed from a court-level front angle. At contact his racket face is slightly tilted forward with the ball struck well above head height, and the racket head accelerates steeply upward through the ball for heavy topspin and kick.
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2.4s |
First Serve · Ad · Leg-action · Court-level-front #2
Max Mirnyi's first serve from the Ad court, filmed from a court-level front angle. His deep knee bend and strong upward leg drive into the court are clearly visible, with the hips opening toward the net as he explodes off the ground.
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2.3s |
First Serve → OH · Ad · Court-level-front #1
Max Mirnyi's first serve from the Ad court, filmed from a court-level front angle. His follow-through carries his racquet hand across his body as his weight lands on his front leg, quickly bringing both hands back to a compact ready position for the next shot.
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4.9s |
First Serve · Ad · Toss · Court-level-front #1
Max Mirnyi's first serve from the Ad court, filmed from a court-level front angle. His footwork is compact with a small initial weight shift, and he sets up in a platform stance with a pronounced knee bend before driving up into the serve.
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2.2s |
First Serve → BH Volley → FH Volley · Deuce · Court-level-front #1
Max Mirnyi's forehand volley from the deuce side, filmed from a court-level front angle. He uses a compact split step transitioning into a slightly open stance, with a quick adjustment step forward to close the net before recovering with a small shuffle back to a ready position.
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5.9s |
First Serve · Deuce · Body-rotation · Court-level-front #1
Max Mirnyi's first serve from the deuce court, filmed from a court-level front angle. After contact he drives his weight into the court with an extended tossing arm dropping to his side as he lands and quickly begins to square his shoulders into a ready position for the next shot.
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2.2s |
First Serve · Deuce · Court-level-front #1
Max Mirnyi's first serve from the deuce court, filmed from a court-level front angle. His hips stay relatively closed through the knee bend before driving upward, with a strong push off the back leg that propels his body into the court.
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2.3s |
First Serve · Deuce · Leg-action · Court-level-front #1
Max Mirnyi's first serve from the deuce court, filmed from court-level front. The contact point shows his racket face slightly tilted forward at a high contact above head level, with the racket accelerating steeply upward through the ball.
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2.4s |
First Serve Wide · Ad · Court-level-rear #1
Max Mirnyi's first serve from the Ad side, hit wide, filmed from a court-level rear angle. After contact he lands on his front (left) foot with his tossing arm dropping back as he continues forward into the court, finishing in a balanced stance ready for the next shot.
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3.1s |
First Serve Down The Middle · Deuce · Court-level-rear #1
Max Mirnyi's first serve from the deuce side, filmed from a court-level rear angle. After contact his racket finishes across his body as his weight drives into the court, and he quickly drops the non-hitting arm to reset into a compact ready position for the next shot.
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3.2s |
First Serve Wide · Deuce · Court-level-rear #1
Max Mirnyi's first serve wide from the Deuce court, filmed from a court-level rear angle. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, making the wrist snap especially clear from this view.
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2.7s |
First Serve · Ad · Arm-action · Court-level-side #1
Max Mirnyi's first serve from the Ad court, filmed from a court-level side angle. His hips stay relatively closed through the toss with a deep knee bend, then drive up and into the court as the back hip rotates through the hitting phase.
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2.4s |
First Serve · Ad · Arm-action · Court-level-side #2
Max Mirnyi's first serve from the Ad court, filmed from a court-level side angle. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a pronounced wrist snap visible just after ball strike.
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2.3s |
First Serve · Ad · Arm-action · Court-level-side #3
Max Mirnyi's first serve from the Ad court, filmed from a court-level side angle. His racket arm extends fully upward at contact with the strings nearly square to the ball and contact made well above head height, emphasizing a steep, downward swing path.
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2.3s |
First Serve → BH Volley → BH Drop Volley · Ad · Court-level-side #1
Max Mirnyi's backhand volley from the ad side, filmed from court-level side. At contact his racket face is slightly open with the ball struck just in front of his body, and the compact swing path keeps the racket head moving firmly through the line of the shot.
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8.2s |
First Serve → BH Volley → BH Volley · Ad · Court-level-side #1
Max Mirnyi's backhand volley from the Ad side, filmed from a court-level side angle. After contact he drives his weight forward into the court and quickly brings the racquet back toward his body as his non-hitting hand readies for the next shot.
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6.8s |
First Serve → BH Volley · Ad · Court-level-side #1
Max Mirnyi's backhand volley from the Ad side at net, filmed from a court-level side angle. His follow-through extends slightly across his body with the non-hitting hand counterbalancing behind, and he quickly recovers forward into a compact, ready volley stance.
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4.8s |
First Serve → BH Volley · Ad · Court-level-side #2
Max Mirnyi's backhand volley from the Ad side, filmed from a court-level side angle. His shoulders stay relatively closed with a compact trunk rotation, and you can see the upper body uncoil just enough through contact while the torso stays stable over a strong lateral base.
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4s |
First Serve → BH Volley · Ad · Court-level-side #3
Max Mirnyi's backhand volley from the Ad side, filmed from a court-level side angle. His stance stays compact with a short adjustment step into a slightly open position, and he uses quick recovery steps to be ready for the next shot at net.
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4.5s |
First Serve → BH Volley → FH Drop Volley · Ad · Court-level-side #1
Max Mirnyi's backhand volley from the ad court, filmed from a court-level side angle. His hips stay relatively low with a solid knee bend as he moves through the volley, using a short forward leg drive to stabilize his tall frame at contact.
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7.9s |
First Serve · Ad · Court-level-side #1
Max Mirnyi's first serve from the Ad court, filmed from a court-level side angle. His shoulders rotate deeply away from the court during the toss, creating a pronounced trunk coil that uncoils sequentially from hips to shoulders into the contact.
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2.4s |
First Serve · Ad · Court-level-side #2
Max Mirnyi's first serve from the Ad court, filmed from a court-level side angle. After contact his racquet finishes across his body while his back leg swings forward into the court, bringing him quickly into a balanced stance ready for the next shot.
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2.2s |
First Serve · Ad · Court-level-side #3
Max Mirnyi's first serve from the Ad court, filmed from a court-level side angle. His footwork includes a deliberate platform stance with a pronounced knee bend and an aggressive forward landing step into the court after contact.
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2.2s |
First Serve → FH Half Volley · Ad · Court-level-side #1
Max Mirnyi's first serve from the Ad side, filmed from a court-level side angle. After contact he drives his weight into the court and quickly brings his racquet hand down while his non-hitting hand helps him transition into a compact ready position for the next shot.
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4s |
First Serve → FH Volley · Ad · Court-level-side #1
Max Mirnyi's forehand volley from the Ad court, filmed from a court-level side angle. His footwork includes a quick adjustment step into a semi-open stance, with a small split-step preceding his forward move toward the net.
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5.6s |
First Serve → FH Volley · Ad · Court-level-side #2
Max Mirnyi's forehand volley from the Ad court, filmed from a court-level side angle. After contact he drives his weight forward into the court and quickly brings his racquet back toward a compact ready position, with his non-hitting hand helping to stabilize the racquet head.
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4.5s |
First Serve · Deuce · Arm-action · Court-level-side #1
Max Mirnyi's first serve from the deuce court, filmed from a court-level side angle. His shoulders rotate deeply away from the court during the toss, creating a pronounced trunk coil that then uncoils in sequence from hips to shoulders into the contact.
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2.3s |
First Serve · Deuce · Arm-action · Court-level-side #2
Max Mirnyi's first serve from the deuce court, filmed from a court-level side angle. His arm action extends fully up through contact with a long pronation-driven follow-through, and he lands inside the court with his weight moving forward into a balanced, ready stance for the next shot.
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2.2s |
First Serve → BH Volley · Deuce · Court-level-side #1
Max Mirnyi's backhand volley from the deuce side, filmed from a court-level side angle. His racket face stays slightly open at contact with the ball meeting the strings around waist height in front of his body, and the racket head moves forward with a compact, punchy swing path.
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5.1s |
First Serve → BH Volley → FH Drop Volley · Deuce · Court-level-side #1
Max Mirnyi's backhand volley from the deuce side, filmed from a court-level side angle. His shoulders stay relatively closed with a compact trunk rotation, then uncoil just enough through contact so the upper body drives the racket path while the hips remain stable.
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7.3s |
First Serve · Deuce · Court-level-side #1
Max Mirnyi's first serve from the deuce court, filmed from a court-level side angle. From this side view, you can clearly see his loose continental grip setting up a pronounced wrist pronation through contact and into the follow-through.
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2.3s |
First Serve · Deuce · Court-level-side #2
Max Mirnyi's first serve from the deuce side, filmed from a court-level side angle. His racket contacts the ball at a high point well above his head with a slightly pronated racket face, and the swing path drives upward and through the court with noticeable racket head speed.
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2.1s |
First Serve → FH Volley · Deuce · Court-level-side #1
Max Mirnyi's forehand volley from the deuce side, filmed from a court-level side angle. From this angle you can clearly see his continental grip with a firm but relaxed wrist that stays stable through contact with minimal wrist snap.
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4s |
First Serve · Deuce · Leg-action · Court-level-side #1
Max Mirnyi's first serve from the deuce court, filmed from a court-level side angle. His deep knee bend and strong upward leg drive into the court are clearly visible, with his hips extending aggressively toward the baseline as he explodes into the serve.
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2.2s |
First Serve · Deuce · Toss · Court-level-side #1
Max Mirnyi's first serve from the deuce court, filmed from a court-level side angle. His contact point is well above head height with the racket face slightly closed, and the racket head accelerates steeply upward through the ball along an aggressive, driving swing path.
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2.2s |
First Serve · Deuce · Toss · Court-level-side #11
Max Mirnyi's first serve from the deuce side, filmed from a court-level side angle. His footwork features a deliberate platform stance with minimal pre-serve shuffling, followed by a pronounced knee bend and upward drive off both feet into the court.
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2.2s |
First Serve · Deuce · Toss · Court-level-side #12
Max Mirnyi's first serve from the deuce court, filmed from a court-level side angle. His shoulder line rotates significantly away from the net during the toss, creating a pronounced trunk coil that then uncoils in sequence from hips to shoulders into the hitting phase.
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2.3s |
First Serve · Ad · Arm-action · Front #1
Max Mirnyi's first serve from the Ad court, filmed from a front court-level angle. His front-on stance shows a strong knee bend and rhythmic weight transfer from back to front foot just before he drives up into the serve.
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2s |
First Serve · Ad · Arm-action · Front #1
Max Mirnyi's first serve from the Ad court, filmed from the front. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a pronounced wrist snap toward the target.
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2.4s |
First Serve · Ad · Arm-action · Front #2
Max Mirnyi's first serve from the Ad side, filmed from the front. His continental grip is firm with a relaxed hand, and you can clearly see pronounced wrist pronation through contact as the racquet edge leads and then turns outward toward the target.
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3.3s |
First Serve · Ad · Arm-action · Front #3
Max Mirnyi's first serve from the Ad court, filmed from the front. His front-facing stance shows a pronounced knee bend with a rhythmic weight transfer from back to front foot just before he drives up into the serve.
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3.3s |
First Serve → BH Half Volley → FH Volley · Ad · Front #1
Max Mirnyi's forehand volley from the Ad side, filmed from the front. His continental grip is firm with a slightly laid-back wrist, and you can see a compact forward wrist snap right at contact to keep the racquet face stable through the volley.
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7s |
First Serve → BH Volley · Ad · Front #1
Max Mirnyi's backhand volley from the ad court, filmed from the front. His racket face is slightly open at contact with the ball meeting the strings just in front of his body around waist height, with a short, compact punch through the shot.
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4.3s |
First Serve → BH Volley · Ad · Front #2
Max Mirnyi's backhand volley from the Ad court, filmed from a front angle. His shoulders stay relatively closed with a compact trunk rotation, and the uncoil of his torso is clearly synchronized with the forward movement of his hitting arm through contact.
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4.6s |
First Serve → BH Volley · Ad · Front #3
Max Mirnyi's backhand volley from the Ad court, filmed from the front. The racket face is slightly open at contact with the ball meeting the strings just in front of his body at about waist height, and the compact forward punch keeps the racket head traveling directly through the contact line.
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4.2s |
First Serve · Ad · Body-rotation · Front #1
Max Mirnyi's first serve from the Ad court, filmed from the front. After contact his torso continues rotating toward the court with his non-hitting arm tucking in, and he lands on his front foot already beginning to square up into a ready position for the next ball.
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2.3s |
First Serve · Ad · Body-rotation · Front #2
Max Mirnyi's first serve from the Ad side, filmed from the front. His hips load with a pronounced knee bend before driving upward, with the front hip opening toward the court as his legs extend into the serve.
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2.6s |
First Serve Down The Middle · Ad · Front #1
Max Mirnyi's first serve from the Ad court down the middle, filmed from the front. His deep knee bend and strong upward leg drive into the court are clearly visible, with the hips uncoiling aggressively toward the target line.
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2.2s |
First Serve → FH Half Volley · Ad · Front #1
Max Mirnyi's first serve from the ad court, filmed from the front. His continental grip is firm with a slightly extended wrist, and you can clearly see the pronounced wrist pronation through contact and into the follow-through.
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5.9s |
First Serve → FH Volley → FH Volley · Ad · Front #1
Max Mirnyi's forehand volley from the Ad side, filmed from a front angle. From this view you can see his continental grip held firmly with minimal grip change and a stable wrist that stays firm through contact with almost no wrist snap.
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6.3s |
First Serve → FH Volley · Ad · Front #1
Max Mirnyi's forehand volley from the Ad side, filmed from the front. His knees are noticeably flexed as he loads, and his hips stay relatively square to the net with a short forward leg drive into the volley.
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4.1s |
First Serve → FH Volley · Ad · Front #2
Max Mirnyi's forehand volley from the ad court, filmed from a front angle. His continental grip is firm with a slightly laid-back wrist, and you can see a compact wrist snap forward right at contact to keep the racquet face stable.
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4.6s |
First Serve · Ad · Front #1
Max Mirnyi's first serve from the Ad side, filmed from the front. His footwork includes a small pinpoint stance with the back foot drawing up to the front foot before an explosive drive up into the court.
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3.2s |
First Serve · Ad · Front #2
Max Mirnyi's first serve from the Ad court, filmed from the front. His follow-through drives his weight into the court and he quickly brings both hands back toward a compact ready position to prepare for the next shot.
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3s |
First Serve · Ad · Front #3
Max Mirnyi's first serve from the Ad court, filmed from the front. His shoulders and trunk coil strongly away from the target before uncoiling in sequence, with a pronounced upper-body rotation that drives up into the trophy position and through contact.
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2.3s |
First Serve · Ad · Front #4
Max Mirnyi's first serve from the Ad court, filmed from the front. His continental grip is firm with a noticeable relaxed wrist that pronates aggressively through contact, making the wrist snap clearly visible from this angle.
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2.3s |
First Serve · Ad · Front #5
Max Mirnyi's first serve from the Ad court, filmed from the front. His feet set in a mostly neutral stance with a pronounced knee bend, and you can clearly see his upward drive off the front leg as he lands slightly inside the court ready for the next shot.
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2.2s |
First Serve · Ad · Toss · Front #1
Max Mirnyi's first serve from the Ad court, filmed from the front. His shoulders and trunk coil strongly away from the target during the toss, then uncoil in a pronounced sequence with the torso rotation clearly leading the arm swing into contact.
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3.4s |
First Serve · Ad · Toss · Front #2
Max Mirnyi's first serve from the Ad court, filmed from the front. His continental grip is firm with minimal grip change, and you can clearly see the wrist stay relatively firm through the toss before pronating aggressively through contact.
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2.7s |
First Serve Wide · Ad · Front #1
Max Mirnyi's first serve from the Ad court, hit wide and filmed from the front. His shoulders load with a deep turn relative to his hips before uncoiling in a pronounced trunk rotation that drives his hitting arm up and across the contact zone.
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3.4s |
First Serve Wide · Ad · Front #2
Max Mirnyi's first serve from the Ad court, hit wide, filmed from the front. His shoulders and trunk show a pronounced coil during the trophy phase, then uncoil in a clear upward rotational sequence that drives through the hitting arm.
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2.5s |
First Serve Wide · Ad · Front #3
Max Mirnyi's first serve from the Ad court, hit wide and filmed from the front. His follow-through carries his hitting arm across his body while his weight lands on his front leg, quickly bringing the racquet down as he begins to recover toward a ready position.
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3.1s |
First Serve · Deuce · Arm-action · Front #1
Max Mirnyi's first serve from the deuce side, filmed from the front. His shoulders and trunk coil noticeably during the toss, with a pronounced upper-body twist away from the court before uncoiling in sequence from the hips through the torso into the serving arm.
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2.2s |
First Serve · Deuce · Arm-action · Front #2
Max Mirnyi's first serve from the deuce court, filmed from the front. His shoulders and trunk coil noticeably during the toss, with a pronounced upper-body rotation into the trophy position before a strong uncoiling sequence drives his serving motion upward.
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2.1s |
First Serve → BH Volley → BH Volley → BH Volley · Deuce · Front #1
Max Mirnyi's backhand volley from the deuce side, filmed from the front. His follow-through finishes with the racquet head slightly up and in front while his weight moves through the court, quickly bringing both hands back toward a compact ready position for the next shot.
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9.9s |
First Serve → BH Volley · Deuce · Front #1
Max Mirnyi's backhand volley from the deuce side, filmed from the front. His racket face is slightly open at contact with the ball meeting the strings just in front of his body and around waist height, creating a firm, compact punch through the shot.
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4.1s |
First Serve → BH Volley · Deuce · Front #2
Max Mirnyi's backhand volley from the deuce court, filmed from the front. After contact he extends the racquet slightly across his body with his weight moving forward, then quickly brings both hands back toward the center to reset into a compact ready position for the next shot.
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4.3s |
First Serve · Deuce · Body-rotation · Front #1
Max Mirnyi's first serve from the deuce side, filmed from the front. His shoulders and trunk coil deeply away from the target before uncoiling in a pronounced rotational sequence that brings the tossing shoulder down and the hitting shoulder up through contact.
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2.5s |
First Serve · Deuce · Body-rotation · Front #2
Max Mirnyi's first serve from the deuce court, filmed from the front. His feet are staggered in a platform stance, and you can see his front foot pivot and back hip drive through as he pushes up into the court toward the target.
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3s |
First Serve Down The Middle · Deuce · Front #1
Max Mirnyi's first serve from the deuce court, filmed from the front. After contact his racquet finishes across his body while his back leg swings through, bringing him into a balanced, forward-ready position for the next shot.
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3s |
First Serve Down The Middle · Deuce · Front #2
Max Mirnyi's first serve from the deuce court, filmed from the front. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a distinct wrist snap just after impact.
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3.2s |
First Serve Down The Middle · Deuce · Front #3
Max Mirnyi's first serve from the deuce court, filmed from the front. After contact his follow-through finishes across his body with his weight driving into the court, quickly bringing his non-hitting hand back up into a compact ready position for the next shot.
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3.1s |
First Serve → FH Drop Shot · Deuce · Front #1
Max Mirnyi's forehand drop shot from the deuce side, filmed from the front. His hips stay relatively square to the net while a noticeable knee bend and subtle leg drive help him soften the ball just over the net.
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5.7s |
First Serve → FH Half Volley · Deuce · Front #1
Max Mirnyi's first serve from the deuce court, filmed from the front. His continental grip is firm with minimal grip change, and you can see a pronounced wrist pronation through contact that finishes with the palm facing more toward the target.
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4.4s |
First Serve → FH Half Volley · Deuce · Front #2
Max Mirnyi's first serve from the deuce side, filmed from the front. His deep knee bend and strong upward leg drive are clearly visible as his hips uncoil toward the court before contact.
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4.6s |
First Serve → FH Volley → FH Volley · Deuce · Front #1
Max Mirnyi's forehand volley from the deuce court, filmed from the front. His compact split-step into a slightly open stance sets up a short forward lunge, followed by a quick recovery step back toward the center of the net.
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8.2s |
First Serve · Deuce · Front #1
Max Mirnyi's first serve from the deuce court, filmed from the front. His shoulders and trunk form a pronounced coil away from the court during the trophy phase, then uncoil in sequence with his leg drive to rotate his torso aggressively into the serve.
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2.2s |
First Serve · Deuce · Front #2
Max Mirnyi's first serve from the deuce court, filmed from the front. After contact his racquet finishes across his body with his weight driving into the court, and his non-hitting hand drops quickly as he lands ready to move for the next shot.
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3.3s |
First Serve · Deuce · Front #3
Max Mirnyi's first serve from the deuce court, filmed from the front. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a pronounced wrist snap visible head-on.
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2.2s |
First Serve · Deuce · Front #4
Max Mirnyi's first serve from the deuce court, filmed from the front. His deep knee bend and strong upward leg drive are clearly visible as his hips uncoil toward the court during the serve motion.
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2.4s |
First Serve → OH · Deuce · Front #1
Max Mirnyi's first serve from the deuce side, filmed from the front. At contact his racket face is slightly tilted forward with the ball struck well above head height, and the racket head accelerates steeply upward along the right side of his body.
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4.6s |
First Serve · Deuce · Toss · Front #1
Max Mirnyi's first serve from the deuce side, filmed from the front. His continental grip is firm with the wrist relaxed into a laid-back position during the toss and early motion, then pronating sharply through contact.
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2.2s |
First Serve · Deuce · Toss · Front #2
Max Mirnyi's first serve from the deuce side, filmed from the front. His footwork is minimal with a stable platform stance, and you can clearly see his weight transfer from the back foot to the front foot as he drives up into the toss.
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2.5s |
First Serve Wide · Deuce · Front #1
Max Mirnyi's first serve wide from the Deuce court, filmed from the front. His front view shows a strong platform stance with a pronounced knee bend and a quick right-foot pivot into the court after contact.
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2.2s |
First Serve Wide · Deuce · Front #2
Max Mirnyi's first serve from the Deuce court, hit wide and filmed from the front. At contact his racket face is slightly tilted upward with the ball struck well above head height, emphasizing a steep upward swing path and high racket head speed through the hitting zone.
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2.7s |
First Serve Wide · Deuce · Front #3
Max Mirnyi's first serve wide from the Deuce court, filmed from the front. At contact his racket face is slightly tilted upward with a pronounced wrist pronation, and the ball is struck well above head height, emphasizing a steep, fast upward swing path through the ball.
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2.4s |
First Serve Wide · Deuce · Front #34223
Max Mirnyi's first serve from the deuce court, hit wide, filmed from the front. At contact his racket face is slightly tilted upward with the ball struck well above head height, and the racket head accelerates steeply up and across the ball.
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3s |
First Serve Wide · Deuce · Front #4
Max Mirnyi's first serve wide from the Deuce court, filmed from the front. His shoulders and trunk show a pronounced coil during the trophy position, then uncoil in sequence from hips to shoulders as he drives up and into the court.
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2.3s |
First Serve Wide · Deuce · Front #5
Max Mirnyi's first serve wide from the Deuce court, filmed from the front. His shoulders load with a pronounced coil against the hips before uncoiling in sequence, with the trunk rotation clearly driving the upward swing into contact.
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2.2s |
First Serve · Ad · Arm-action · Rear #1
Max Mirnyi's first serve from the Ad court, filmed from a rear angle. His shoulders rotate well past 90 degrees relative to his hips on the trophy phase, then the trunk uncoils aggressively upward and forward in sync with his shoulder internal rotation to drive the racket through contact.
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3.2s |
First Serve · Ad · Arm-action · Rear #2
Max Mirnyi's first serve from the Ad court, filmed from the rear. His deep knee bend and strong upward leg drive are clearly visible as his hips uncoil toward the court during the serve motion.
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2.2s |
First Serve · Ad · Body-rotation · Rear #1
Max Mirnyi's first serve from the Ad court, filmed from a rear angle. His racket comes up on edge then pronates aggressively through contact, with the ball struck slightly above head height and the strings facing squarely into the court.
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2.5s |
First Serve Down The Middle · Ad · Rear #1
Max Mirnyi's first serve from the Ad court, filmed from a rear angle. His footwork includes a small adjustment step into a platform stance, with a pronounced knee bend before driving up and into the court.
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3.2s |
First Serve Down The Middle · Ad · Rear #2
Max Mirnyi's first serve from the Ad court down the middle, filmed from a rear angle. His shoulders rotate well past perpendicular to the baseline on the toss, then his trunk uncoils aggressively upward and into the court in a clear sequence from hips to shoulders.
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2.2s |
First Serve → FH Volley → BH Volley · Ad · Rear #1
Max Mirnyi's forehand volley from the Ad side, filmed from a rear angle. From this view, his continental grip is clearly visible with a firm but relaxed wrist that stays stable through contact with minimal wrist snap.
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5.9s |
First Serve → FH Volley · Ad · Rear #1
Max Mirnyi's forehand volley from the Ad side, filmed from a rear angle. His hips stay relatively square to the net while his knees flex slightly as he steps forward, with a noticeable driving push from the back leg into the volley.
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4.1s |
First Serve · Ad · Leg-action · Rear #1
Max Mirnyi's first serve from the Ad court, filmed from a rear angle. His follow-through carries his body weight into the court with an extended non-hitting arm helping him square up quickly into a ready position for the next shot.
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3.2s |
First Serve · Ad · Rear #1
Max Mirnyi's first serve from the Ad court, filmed from a rear angle. His shoulders rotate well past perpendicular to the baseline in the trophy phase, then uncoil in sequence with strong trunk rotation driving up into the serve.
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2.2s |
First Serve · Ad · Rear #1
Max Mirnyi's first serve from the Ad court, filmed from the rear. At contact, his racket face is slightly tilted upward with the ball struck well above head height, and the racket head accelerates steeply upward along the right side of his body.
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2.3s |
First Serve · Ad · Rear #2
Max Mirnyi's first serve from the Ad court, filmed from a rear angle. At contact his racket face is slightly tilted up with the ball struck well above head height, and the racket head accelerates steeply upward along the right side of his body.
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3.2s |
First Serve · Ad · Rear #3442
Max Mirnyi's first serve from the Ad court, filmed from a rear angle. After contact his weight drives into the court and his back leg swings through, leaving him in a tall, balanced stance ready to move for the next ball.
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2.2s |
First Serve · Ad · Rear #433424
Max Mirnyi's first serve from the Ad court, filmed from a rear angle. His footwork features a measured platform stance with a pronounced knee bend and a controlled forward drive off the back leg into the court.
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2.3s |
First Serve · Ad · Rear #5
Max Mirnyi's first serve from the ad court, filmed from a rear angle. His footwork includes a small adjustment step into a platform stance, with a pronounced knee bend before driving up into the serve.
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2.2s |
First Serve · Ad · Rear #87556
Max Mirnyi's first serve from the Ad court, filmed from a rear angle. After contact his racquet finishes across his body while his back leg swings forward, bringing him into the court and into a balanced, ready position for the next shot.
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2.2s |
First Serve · Ad · Toss · Rear #1
Max Mirnyi's first serve from the Ad court, filmed from a rear angle. His continental grip stays firm with minimal grip change while his wrist pronates aggressively through contact, with a pronounced snap just after impact.
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3.2s |
First Serve Wide · Ad · Rear #1
Max Mirnyi's first serve from the Ad court, hit wide, filmed from a rear angle. His hips stay relatively closed through the loading phase with a deep knee bend, then drive up explosively as his back leg extends into the court.
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3.1s |
First Serve Wide · Ad · Rear #2
Max Mirnyi's first serve from the Ad court, hit wide and filmed from a rear angle. His footwork shows a controlled pinpoint stance with the back foot drawing up to the front before a strong upward drive into the court and a balanced landing on the front leg.
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3.5s |
First Serve · Deuce · Arm-action · Rear #1
Max Mirnyi's first serve from the deuce court, filmed from a rear angle. His follow-through drives his hitting arm down across his body while his non-hitting hand tucks in toward his torso, and he lands well inside the court ready to move forward.
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2.1s |
First Serve · Deuce · Arm-action · Rear #2
Max Mirnyi's first serve from the deuce side, filmed from a rear angle. His hips stay relatively closed through the loading phase with a deep knee bend, then drive upward as the back leg extends to propel him into the court.
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2.6s |
First Serve → BH Volley → FH Volley · Deuce · Rear #1
Max Mirnyi's forehand volley from the deuce court, filmed from the rear. His hips stay relatively closed to the net while his knees are softly flexed, allowing a short forward leg drive as he steps into the volley.
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7.7s |
First Serve → BH Volley · Deuce · Rear #1
Max Mirnyi's backhand volley from the deuce side, filmed from a rear angle. His footwork includes a quick adjustment step into a slightly open stance before contact, followed by a small recovery step that keeps him ready to move forward or laterally for the next shot.
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4.8s |
First Serve → BH Volley · Deuce · Rear #2
Max Mirnyi's backhand volley from the deuce court, filmed from a rear angle. His hips stay relatively square to the net while his knees are flexed, giving a strong, stable base as he steps forward into the volley with a pronounced push off the back leg.
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4.3s |
First Serve → BH Volley · Deuce · Rear #3
Max Mirnyi's backhand volley from the deuce side, filmed from a rear angle. His shoulders stay relatively closed to the net as his trunk rotates minimally, with a short, compact uncoil that links directly into his forward step through the ball.
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4.1s |
First Serve · Deuce · Body-rotation · Rear #1
Max Mirnyi's first serve from the deuce court, filmed from a rear angle. His follow-through carries his racquet arm across his body while his back leg swings forward, clearly showing strong rotational recovery into a balanced ready position.
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2.1s |
First Serve Down The Middle · Deuce · Rear #1
Max Mirnyi's first serve from the deuce court, filmed from a rear angle. At contact his racket face is slightly closed with the ball struck well above head height, and the racket head whips up and across the ball on a pronounced upward swing path.
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3.1s |
First Serve Down The Middle · Deuce · Rear #2
Max Mirnyi's first serve from the deuce court, filmed from a rear angle. His footwork includes a rhythmic rocking motion into a pinpoint stance, with his back foot drawing up to the front before an explosive drive up and into the court.
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2.3s |
First Serve Down The Middle · Deuce · Rear #3
Max Mirnyi's first serve from the deuce court, filmed from a rear angle. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, making the wrist snap clearly visible from behind.
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2.3s |
First Serve → FH Half Volley → FH Drop Volley · Deuce · Rear #1
Max Mirnyi's first serve from the deuce court, filmed from the rear. His compact, rhythmic service motion includes a coordinated knee bend and upward leg drive, with a balanced landing on his front foot that sets up efficient recovery steps toward the center.
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7.3s |
First Serve → FH Volley · Deuce · Rear #1
Max Mirnyi's forehand volley from the deuce court, filmed from a rear angle. At contact, his racket face is slightly open with the ball struck just in front of his body, and the compact forward punch creates a short, direct swing path through the volley.
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5s |
First Serve → FH Volley · Deuce · Rear #2
Max Mirnyi's forehand volley from the deuce side, filmed from a rear angle. From this view his continental grip is evident, with a firm but relaxed wrist that stays stable through contact rather than snapping or rolling over the ball.
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5.2s |
First Serve · Deuce · Leg-action · Rear #1
Max Mirnyi's first serve from the deuce court, filmed from a rear angle. His shoulder line rotates substantially away from the court during the toss, creating a pronounced trunk coil that unwinds in sequence from hips to shoulders into the hitting phase.
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3.1s |
First Serve · Deuce · Rear #1
Max Mirnyi's first serve from the deuce court, filmed from a rear angle. His shoulders rotate deeply away from the court during the trophy phase, creating a pronounced trunk coil that uncoils in sync with his upward drive into the ball.
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3.7s |
First Serve · Deuce · Rear #2
Max Mirnyi's first serve from the deuce court, filmed from a rear angle. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, making the wrist snap especially clear from this viewpoint.
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3.5s |
First Serve · Deuce · Rear #3
Max Mirnyi's first serve from the deuce court, filmed from a rear angle. His footwork includes a compact pinpoint stance with the back foot drawing up to the front before a strong upward drive into the court and a balanced landing on his left leg.
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2.2s |
First Serve · Deuce · Rear #4
Max Mirnyi's first serve from the deuce court, filmed from a rear angle. His follow-through carries his racquet arm across his body while his weight drives into the court, quickly bringing him back into a compact ready position for the next shot.
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2.1s |
First Serve · Deuce · Rear #5
Max Mirnyi's first serve from the deuce court, filmed from a rear angle. His hips stay closed through the knee bend and loading phase, then drive explosively forward as his back leg extends and lifts off the court.
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2.3s |
First Serve · Deuce · Toss · Rear #1
Max Mirnyi's first serve from the deuce court, filmed from a rear angle. His toss rises well above his extended arm with the racket face closing slightly as it accelerates up and into contact at a height clearly above his head.
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2.3s |
First Serve Wide · Deuce · Rear #1
Max Mirnyi's first serve wide from the Deuce court, filmed from a rear angle. From this view his compact pre-serve stance leads into a pronounced knee bend and upward drive, with a small hop into the court that sets up efficient recovery steps toward the baseline center.
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3.7s |
First Serve · Ad · Arm-action · Side #1
Max Mirnyi's first serve from the Ad court, filmed from the side. His side-on stance makes it easy to see his rhythmic knee bend into an upward drive and the coordinated arm action as his tossing arm extends fully before pulling down to aid torso rotation.
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2.2s |
First Serve · Ad · Arm-action · Side #2
Max Mirnyi's first serve from the Ad court, filmed from the side. His side-on motion shows a pronounced shoulder turn with a deep knee bend before driving up into the ball, followed by a balanced landing on his front foot that positions him to move forward toward the net.
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2.2s |
First Serve → BH Volley → OH · Ad · Side #1
Max Mirnyi's backhand volley from the Ad side, filmed from the side. His shoulders stay relatively closed with a compact trunk rotation, and the uncoiling of his torso into contact is clearly sequenced ahead of the arm extension.
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9.1s |
First Serve → BH Volley · Ad · Side #1
Max Mirnyi's backhand volley from the Ad side, filmed from a side angle. His shoulders stay slightly closed through contact while the trunk uncoils in sync with his forward step, making the upper body rotation clearly visible in profile.
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4.8s |
First Serve · Ad · Body-rotation · Side #1
Max Mirnyi's first serve from the Ad side, filmed from the side. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a pronounced wrist snap as the racquet accelerates up and into the ball.
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2.4s |
First Serve → FH Half Volley · Ad · Side #1
Max Mirnyi's first serve from the Ad side, filmed from a side angle. He uses a pronounced platform stance with a deep knee bend before driving upward, then lands well inside the court with a strong forward recovery step toward the baseline.
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4.8s |
First Serve → FH Half Volley · Ad · Side #2
Max Mirnyi's first serve from the Ad side, followed by a forehand half volley, filmed from the side. After contact on the half volley his momentum carries him forward with the racquet finishing in front of his body as he quickly recovers his stance, bringing both hands back toward a ready position near the center of his chest.
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5.8s |
First Serve → FH Volley · Ad · Side #1
Max Mirnyi's forehand volley from the ad court, filmed from the side. His shoulders stay slightly closed with a compact trunk rotation, and the uncoiling of his torso into contact is clearly sequenced ahead of the arm swing.
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5s |
First Serve · Ad · Leg-action · Side #1
Max Mirnyi's first serve from the ad court, filmed from the side. His footwork shows a pronounced knee bend with a strong drive off the back leg into the court, using a platform stance that keeps his feet grounded through most of the loading phase before the upward push.
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2.2s |
First Serve · Ad · Leg-action · Side #2
Max Mirnyi's first serve from the Ad court, filmed from the side. His shoulders rotate well past 90 degrees relative to his hips on the toss, then his trunk uncoils aggressively upward and into the court in sync with his leg drive.
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2.4s |
First Serve → OH · Ad · Side #1
Max Mirnyi's first serve from the Ad court, filmed from the side. His wide stance and pronounced knee bend are clearly visible before driving upward, with a quick front-leg recovery step bringing him ready to move forward for an overhead.
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5.1s |
First Serve · Ad · Side #1
Max Mirnyi's first serve from the Ad side, filmed from the side. His shoulders load with a deep turn relative to the baseline before uncoiling in sync with a pronounced trunk rotation that drives up into the ball.
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2.6s |
First Serve · Ad · Side #1
Max Mirnyi's first serve from the Ad side, filmed from the side. At contact his racket face is slightly tilted upward with the ball struck well above head height, and the racket head accelerates steeply up and across the ball.
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2.6s |
First Serve · Ad · Side #2
Max Mirnyi's first serve from the Ad court side, filmed from a side angle. His shoulders and trunk coil deeply with a pronounced upper-body turn away from the court, then uncoil in a clearly sequenced motion from hips to shoulders into contact.
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2.3s |
First Serve · Ad · Side #2342
Max Mirnyi's first serve from the Ad side, filmed from the side. His deep knee bend and strong upward leg drive are clearly visible as his hips uncoil into the court during the service motion.
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3.4s |
First Serve · Ad · Side #323466
Max Mirnyi's first serve from the Ad side, filmed from the side. His deep knee bend and strong upward leg drive are clearly visible as his hips extend aggressively into the court during the serve motion.
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2.3s |
First Serve · Ad · Toss · Side #1
Max Mirnyi's first serve from the Ad court, filmed from the side. After contact he drives his weight into the court with his back leg kicking up behind him and quickly drops into a balanced landing to recover toward a ready position for the next shot.
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3.2s |
First Serve · Ad · Toss · Side #2
Max Mirnyi's first serve from the Ad court, filmed from the side. After contact he drives his weight into the court and finishes with his tossing arm dropping quickly as he flows into a balanced landing and compact recovery stance.
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2.3s |
First Serve · Deuce · Arm-action · Side #1
Max Mirnyi's first serve from the deuce court, filmed from the side. His follow-through carries his hitting arm across his body while his back leg swings forward, helping him land inside the court and quickly organize into a balanced recovery stance.
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2.6s |
First Serve · Deuce · Arm-action · Side #2
Max Mirnyi's first serve from the deuce court, filmed from the side. His deep shoulder turn and pronounced trunk coil are clearly visible before uncoiling in sequence from the hips through the torso into the serving arm.
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2.1s |
First Serve · Deuce · Arm-action · Side #3
Max Mirnyi's first serve from the Deuce side, filmed from the Side angle. His tossing arm extends fully upward before snapping down as the racket accelerates on a steep upward swing path, with the racket face slightly closed at contact just above head height.
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2.2s |
First Serve → BH Volley · Deuce · Side #1
Max Mirnyi's backhand volley from the deuce side, filmed from a side angle. His shoulders stay relatively closed with a compact trunk rotation, then uncoil in sync with the forward step, making the shoulder line drive through the ball as the hips stay more stable.
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4.9s |
First Serve · Deuce · Body-rotation · Side #1
Max Mirnyi's first serve from the deuce court, filmed from the side. He uses a strong knee bend with a pronounced shoulder turn into a classic trophy position before driving up into the court with a clear front-leg landing and immediate recovery step.
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2.3s |
First Serve · Deuce · Body-rotation · Side #2
Max Mirnyi's first serve from the deuce side, filmed from a side angle. His continental grip is firm with a slightly extended index knuckle, and you can see pronounced wrist pronation through contact as the racquet accelerates up and across the ball.
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3.1s |
First Serve → FH Volley · Deuce · Side #1
Max Mirnyi's forehand volley from the deuce side, filmed from the side. His knees stay flexed with a pronounced forward step from the right leg, while his hips remain relatively square to the net as he drives through the volley.
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4.3s |
First Serve · Deuce · Leg-action · Side #1
Max Mirnyi's first serve from the deuce court, filmed from a side angle. His continental grip stays firm while the wrist pronates aggressively through contact, with a noticeable snap upward as his hitting arm extends.
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2.1s |
First Serve · Deuce · Leg-action · Side #2
Max Mirnyi's first serve from the deuce court, filmed from the side. His deep knee bend and strong leg drive into the court are clearly visible as his hips open toward the net during the upward swing.
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2.3s |
First Serve · Deuce · Side #1
Max Mirnyi's first serve from the deuce court, filmed from the side. After contact his racquet finishes across his body as his weight drives into the court, with his non-hitting hand dropping back to help him regain a balanced, ready posture.
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2.2s |
First Serve · Deuce · Side #2
Max Mirnyi's first serve from the Deuce side, filmed from the Side. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, making the wrist snap clearly visible from this angle.
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2.2s |
First Serve · Deuce · Side #3
Max Mirnyi's first serve from the deuce court, filmed from the side. His racket contacts the ball at a high point with a slightly closed face and a pronounced upward swing path, emphasizing racket head acceleration through contact.
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2.8s |
First Serve · Deuce · Side #4
Max Mirnyi's first serve from the deuce court, filmed from the side. His side-on stance shows a pronounced knee bend and strong upward leg drive into the court, with a clear front-leg land that sets up efficient recovery toward the baseline or net.
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2.8s |
First Serve · Deuce · Toss · Side #1
Max Mirnyi's first serve from the deuce side, filmed from the side. His deep knee bend and strong upward leg drive into the court are clearly visible as his hips extend aggressively toward the net during the serve motion.
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2.3s |
First Serve · Deuce · Toss · Side #2
Max Mirnyi's first serve from the deuce side, filmed from the side. His tossing arm stays extended upward through the follow-through while his weight drives into the court, bringing him quickly into a balanced, ready position for the next shot.
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2.1s |
FH Center · Court-level-front
Max Mirnyi's forehand from the center of the court, filmed from a court_level front angle. His shoulders and trunk show a pronounced unit turn on the takeback, then a strong uncoiling through contact with the chest finishing fully rotated toward the target.
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2.8s |
FH Half Volley · Court-level-front
Max Mirnyi's forehand half-volley from a central court position, filmed from a court_level front angle. His hips stay relatively square to the net while his knees stay flexed, with a short forward leg drive that stabilizes his large frame close to the ground for the low ball.
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2.8s |
FH Wide · Court-level-front #1
Max Mirnyi's forehand from a wide position, filmed from a court-level front angle. His footwork features a quick adjustment step out to the ball followed by an open-stance base, with a pronounced recovery step aiming to bring him back toward the center.
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2.5s |
FH Wide · Court-level-front #2
Max Mirnyi's forehand from a wide position, filmed from a court-level front angle. His semi-western forehand grip is paired with noticeable wrist lag on the takeback that unwinds into a firm, stable wrist at contact.
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2.7s |
FH Running · Court-level-rear
Max Mirnyi's running forehand from a neutral court position, filmed from a court_level rear angle. After contact he lets the racquet wrap fully across his body while his weight continues forward, quickly bringing both hands back toward a ready position as he recovers for the next shot.
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2.9s |
FH Center · Arm-action · Court-level-side #1
Max Mirnyi's forehand from center court, filmed from a court-level side angle. His shoulders rotate deeply away from the net in the unit turn, then the trunk uncoils ahead of the arm so the racquet lags and whips through contact in a clear kinetic chain sequence.
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2.7s |
FH Center · Arm-action · Court-level-side #2
Max Mirnyi's forehand from the center of the court, filmed from a court-level side angle. His footwork features a compact adjustment step into an open stance, with a clear split-step followed by a strong pivot on the outside leg before and through contact.
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2.8s |
FH Center · Arm-action · Court-level-side #3
Max Mirnyi's forehand from the center of the court, filmed from a court-level side angle. After contact his follow-through wraps high across his body as his weight transfers into the court, with his non-hitting hand extending back to help him quickly recover toward a ready position.
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2.8s |
FH Center · Arm-action · Court-level-side #4
Max Mirnyi's forehand from the center of the court, filmed from a court-level side angle. His semi-western grip is evident in the strong wrist lag on the takeback and the pronounced wrist snap forward just before contact.
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2.8s |
FH Running · Arm-action · Court-level-side #1
Max Mirnyi's running forehand from the deuce side, filmed from a court-level side angle. His shoulders and trunk show a pronounced coil with the hitting-side shoulder dropping and rotating back before a strong uncoil that drives his arm action through contact while moving laterally.
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2.9s |
FH Running · Arm-action · Court-level-side #2
Max Mirnyi's running forehand from the deuce side, filmed from a court-level side angle. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward along a low-to-high path.
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2.3s |
FH Wide · Arm-action · Court-level-side
Max Mirnyi's forehand from a wide position, filmed from the court level side. His hips stay relatively closed during the unit turn before driving through with a strong leg push-off and noticeable knee bend on the outside leg.
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2.5s |
FH Moves Back · Court-level-side
Max Mirnyi's forehand from the center of the court, filmed from a court-level side angle. His contact point is well in front of his body with the racket face slightly closed, and the swing path accelerates upward through the ball for heavy topspin.
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2.1s |
FH Running · Court-level-side #1
Max Mirnyi's running forehand from the deuce side, filmed from a court-level side angle. His contact point is well in front of his body with the racket face slightly closed, and the racket head accelerates low-to-high through the ball.
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2.4s |
FH Running · Court-level-side #2
Max Mirnyi's running forehand from the deuce side, filmed from a court-level side angle. He uses quick adjustment steps to chase the ball wide and hits from a semi-open stance before taking a couple of lateral recovery steps back toward the center.
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3s |
FH Running · Court-level-side #3
Max Mirnyi's running forehand from the side of the court, filmed from a court-level side angle. His follow-through finishes high across his body while his non-hitting arm extends back for balance before he quickly regains a ready position with his weight moving back toward the center of the court.
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3.1s |
FH Short · Court-level-side #1
Max Mirnyi's forehand from the short court, filmed from a court-level side angle. His footwork features a compact adjustment step into a mostly neutral stance, with a small recovery step back toward the center after contact.
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4s |
FH Short · Court-level-side #2
Max Mirnyi's forehand from the short court, filmed from a court-level side angle. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils ahead of the arm swing, showing clear sequencing from torso rotation into the forward swing.
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2.4s |
FH Short · Court-level-side #3
Max Mirnyi's forehand from the center of the court, filmed from a court_level_side angle. The racket meets the ball slightly in front of his lead hip with a moderately closed face, and the swing path drives low to high with noticeable racket head acceleration through contact.
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2.6s |
FH Short · Court-level-side #4
Max Mirnyi's forehand from the short court, filmed from a court-level side angle. His hips stay relatively closed during the unit turn before driving forward, with a noticeable knee bend that loads his legs for an upward and forward push into the ball.
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4.2s |
FH Wide · Court-level-side #1
Max Mirnyi's forehand from the deuce side, filmed from a court_level_side angle. His contact point is well in front of his body with the racket face slightly closed, and the racket head accelerates low-to-high through the ball on this wide shot.
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2.8s |
FH Wide · Court-level-side #2
Max Mirnyi's forehand from the Deuce side, filmed from court_level_side. From this angle you can see a pronounced upper-body coil with his hitting-side shoulder turning well behind his chin, followed by a strong trunk uncoil that clearly precedes the full arm release.
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2.7s |
FH Wide · Court-level-side #3
Max Mirnyi's forehand from a wide court position, filmed from a court-level side angle. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils ahead of the arm swing, showing clear separation between hip and shoulder rotation.
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2.6s |
FH Center · Front #1
Max Mirnyi's forehand from the center of the court, filmed from the front. His semi-western grip is paired with a pronounced wrist lag on the takeback that unwinds into a firm, stable wrist position at contact.
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2.9s |
FH Center · Front #2
Max Mirnyi's forehand from the center of the court, filmed from the front. After contact his follow-through finishes high across his body while his weight moves into the court, and he quickly brings both hands back toward a neutral ready position.
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2.8s |
FH Center · Front #3
Max Mirnyi's forehand from the center of the court, filmed from the front. At contact his racket face is slightly closed with the ball meeting the strings around waist height, and the racket head accelerates steeply upward along a low-to-high swing path.
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2.1s |
FH Center · Front · Neutral
Max Mirnyi's forehand from the center of the court in a neutral stance, filmed from the front. His racket meets the ball slightly in front of his body with a moderately closed face, and you can see the racket head accelerate steeply upward through contact for heavy topspin.
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2.5s |
FH · Front #2
Max Mirnyi's forehand from the center of the court, filmed from the front. His footwork features a pronounced split-step into a wide semi-open stance, followed by a quick recovery shuffle that squares his hips back toward the baseline.
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2.3s |
FH Half Volley Center · Front
Max Mirnyi's forehand half-volley from the center of the court, filmed from the front. His compact split step transitions quickly into a low, wide base, with a short adjustment step forward to meet the ball early and stabilize his stance close to the net.
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2.5s |
FH Half Volley Wide · Front #2
Max Mirnyi's forehand half-volley on a wide ball from the front court, filmed from the front. His shoulders stay relatively square with only a modest trunk coil, and you can see a compact uncoil through contact where the upper trunk rotation is limited to control the ball off the short hop.
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2.3s |
FH Inside In · Front
Max Mirnyi's forehand InsideIn from the center of the court, filmed from the front. After contact his follow-through wraps high across his body while his non-hitting hand extends back for counterbalance before he quickly regroups into a compact ready position.
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2.8s |
FH Inside Out · Front
Max Mirnyi's forehand from the center of the court, filmed from the front. At contact his racket face is slightly closed with the ball struck around waist to chest height, and the forward swing drives the racket head steeply up through the ball for heavy topspin.
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2.8s |
FH Moves Back · Front
Max Mirnyi's forehand from the center of the court, filmed from the front. His footwork includes moving back with small adjustment steps into a semi-open stance, then using a firm split-step before recovering forward toward the baseline.
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2.5s |
FH Moves Back · Front #1
Max Mirnyi's forehand while moving back from a neutral court position, filmed from the front. His semi‑western grip is evident with the racket face slightly closed, and there is a pronounced wrist lag that releases into a firm, stable wrist at contact.
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3.1s |
FH Moves Back · Front #2
Max Mirnyi's forehand while moving back from a central position, filmed from the front. His contact point is around waist to chest height with the racket face slightly closed, and the swing path accelerates steeply upward through contact for heavy topspin.
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2.6s |
FH Running · Front #1
Max Mirnyi's running forehand from the center of the court, filmed from the front. His semi-western grip is evident with a pronounced wrist lag on the forward swing that straightens into a firm, stable wrist at contact.
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2.5s |
FH Running · Front #2
Max Mirnyi's running forehand from the center, filmed from the front. His footwork features long, driving strides into the shot followed by a pronounced open-stance landing that sets up a quick recovery step back toward the middle.
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2.7s |
FH Running · Front #3
Max Mirnyi's running forehand from the center of the court, filmed from the front. His hips stay relatively closed as he drives forward, with a deep knee bend on the outside leg providing the push-off for his recovery after contact.
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2.8s |
FH Short · Front #1
Max Mirnyi's forehand from the center court position, filmed from the front. After contact he finishes with a high, across-the-body follow-through and quickly brings both hands back in front of his torso to reestablish a compact ready position.
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2.9s |
FH Short · Front #2
Max Mirnyi's forehand from the center of the court, filmed from the front. His semi-western grip is easy to see here, with a pronounced wrist lag on the forward swing that straightens into a firm, stable wrist at contact.
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2.4s |
FH Wide · Front #1
Max Mirnyi's forehand from the center of the court, filmed from the front. His semi-western grip is easy to see here, along with a pronounced wrist lag that he maintains deep into the forward swing before releasing through contact.
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2.9s |
FH Wide · Front #2
Max Mirnyi's forehand from a wide position, filmed from the front. His follow-through finishes high across his body while his non-hitting hand extends back for balance before he quickly resets his feet toward a neutral ready position.
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3.1s |
FH Wide · Front #3
Max Mirnyi's forehand from a wide position, filmed from the front. His hips stay relatively closed at the start of the swing, with a noticeable knee bend and push off the outside leg as he drives into the ball.
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2.7s |
FH Center · Rear #1
Max Mirnyi's forehand from the center of the court, filmed from a rear angle. His semi-western forehand grip is paired with noticeable wrist lag on the takeback that unwinds into a firm, stable wrist at contact.
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2.9s |
FH Center · Rear #2
Max Mirnyi's forehand from center court, filmed from a rear angle. His shoulders rotate well past perpendicular to the net on the backswing, then uncoil in sequence with a pronounced trunk rotation leading the arm through contact.
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2.5s |
FH Inside Out · Rear
Max Mirnyi's forehand InsideOut from the center of the court, filmed from a rear angle. His footwork pattern features a quick adjustment hop into an open stance before contact, followed by a strong crossover recovery step back toward the middle.
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2.4s |
FH Moves Back · Rear #1
Max Mirnyi's forehand while moving back from a neutral court position, filmed from the rear. His follow-through finishes high over his shoulder as he transfers weight onto his back foot, then he quickly re-centers his stance with both hands returning to the ready position.
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2.8s |
FH Moves Back · Rear #2
Max Mirnyi's forehand while moving back from a neutral court position, filmed from the rear. From this angle you can see his semi-western forehand grip with a pronounced wrist lag on the forward swing that straightens closer to contact.
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2.5s |
FH Running · Rear
Max Mirnyi's running forehand from the center of the court, filmed from the rear. His hips stay relatively closed as he moves wide, with a deep outside knee bend and strong push-off from the right leg to drive through the shot.
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3.2s |
FH Short · Rear
Max Mirnyi's forehand from the center of the court, filmed from a rear angle. His semi-western grip is evident with the racquet hand rotated under the handle, and there is a noticeable wrist lag that uncoils into a firm, stable wrist at contact.
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2.1s |
FH Wide · Rear
Max Mirnyi's forehand from a wide position, filmed from a rear angle. At contact his racket face is slightly closed with the ball struck around waist height, and the swing path accelerates aggressively upward and forward, giving clear racket head speed through the hitting zone.
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2.7s |
FH Center · Side #1
Max Mirnyi's forehand from the center of the court, filmed from the side. His hips load with a noticeable coil while his knees stay flexed, then his rear leg drives forward to uncoil the hips into contact.
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2.7s |
FH Center · Side #2
Max Mirnyi's forehand from the center of the court, filmed from the side. His feet set in a neutral stance after a compact adjustment step, with a small recovery shuffle bringing him back toward his ready position.
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2.3s |
FH Center · Side #3
Max Mirnyi's forehand from the center of the court, filmed from the side. His hips stay closed during the unit turn before driving forward, with a pronounced knee bend and strong leg drive upward into contact.
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2.6s |
FH Center · Side #4
Max Mirnyi's forehand from the center of the court, filmed from the side. After contact his follow-through wraps high across his body while his weight drives forward into the court, quickly bringing his non-hitting hand back to a neutral ready position.
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3s |
FH Half Volley Center · Side
Max Mirnyi's forehand half-volley from the center of the court, filmed from the side. His continental-style grip stays firm with minimal grip change, and the wrist remains relatively stable with only a slight forward flex at contact to control the low ball.
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3.1s |
FH Inside Out · Side #1
Max Mirnyi's forehand InsideOut from the Deuce side, filmed from the Side angle. His follow-through finishes high across his body with his weight driving into the court, and he quickly returns his non-hitting hand to the racquet to re-establish a ready position.
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2.6s |
FH Inside Out · Side #2
Max Mirnyi's inside-out forehand from the deuce side, filmed from a side angle. His shoulders and trunk load with a deep coil before contact, then uncoil in a clearly sequenced rotation from hips through torso to shoulders.
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2.5s |
FH · Side #3
Max Mirnyi's forehand InsideOut from the side, filmed from a side angle. His hips load in a closed position with a deep knee bend, then drive forward as his rear leg extends aggressively into the court.
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2.5s |
FH Moves Back · Side #1
Max Mirnyi's forehand while moving back from a neutral court position, filmed from the side. His shoulders coil well past 90 degrees relative to his hips, and you can see a pronounced trunk uncoil leading the arm and racquet into contact.
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2.5s |
FH Moves Back · Side #2
Max Mirnyi's forehand while moving back from a neutral position, filmed from the side. His hips stay relatively closed as he retreats, with a pronounced knee bend and upward leg drive to stabilize his tall frame and transfer momentum into the shot despite moving backward.
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2.8s |
FH Moves Back · Side #3
Max Mirnyi's forehand while moving back from a neutral court position, filmed from the side. His follow-through finishes high with the non-hitting hand counterbalancing behind him as his weight transfers slightly backward before he regains a ready stance.
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2.8s |
FH Running · Side #1
Max Mirnyi's running forehand from the side, filmed from a side angle. His shoulders turn well past perpendicular to the net during the unit turn, with a pronounced trunk coil that uncoils sequentially from hips to shoulders as he steps into contact on the run.
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4.1s |
FH Running · Side #2
Max Mirnyi's running forehand from the side, filmed from a side angle. His shoulders load with a pronounced upper-body coil relative to his hips, then uncoil in sequence so the trunk rotates through contact before his arm extends fully forward.
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2.8s |
FH Running · Side #3
Max Mirnyi's running forehand from the side, filmed from a side angle. His semi-western grip is clear as his wrist stays laid back through the forward swing before unhinging slightly at contact for added racket-head speed.
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3s |
FH Running · Side #4
Max Mirnyi's running forehand from the side, filmed from a side angle. His contact point is well in front of his body with the racket face slightly closed, and the racket head accelerates steeply upward through the ball.
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2.8s |
FH Wide · Side #1
Max Mirnyi's forehand from a wide position, filmed from the side. His hips stay closed longer during the backswing with a pronounced knee bend, then drive forward aggressively as his legs extend through contact.
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2.4s |
FH Wide · Side #2
Max Mirnyi's forehand from a wide position, filmed from the side. His follow-through wraps fully across his body while his weight drives into the court, allowing him to quickly recover his stance and reset the non-hitting hand into a balanced ready position.
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2.5s |
FH Wide · Side #3
Max Mirnyi's forehand from the deuce side, filmed from the side. His wide positioning shows a quick pivot into an open stance with a pronounced loading on the outside leg before driving through and taking a couple of recovery steps back toward the court.
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3s |
FH Volley · Court-level-front
Max Mirnyi's forehand volley from the net area, filmed from a court-level front angle. After contact his racquet finishes slightly across his body while his weight moves forward into the court, and he quickly resets his hands in front to be ready for the next volley.
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1.9s |
FH Volley · Court-level-side #1
Max Mirnyi's forehand volley from the net, filmed from a court-level side angle. After contact he drives his weight forward into the court and quickly brings both hands back toward a compact ready position for the next shot.
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1.8s |
FH Volley · Court-level-side #2
Max Mirnyi's forehand volley from the net area, filmed from a court-level side angle. His shoulders stay relatively square to the net with only a mild trunk rotation, and the uncoil through contact is driven more by a compact upper-body shift than a large torso coil.
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1.9s |
FH Volley · Front
Max Mirnyi's forehand volley from the center of the court, filmed from the front. His hips stay relatively square to the net while his knees maintain a slight bend, giving him a stable base as he steps into the volley.
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8.1s |
FH Volley · Front #0001
Max Mirnyi's forehand volley from the net area, filmed from the front. His compact split step into a slightly open stance is followed by a short forward step with the front foot as he punches through the volley and quickly re-centers.
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8.1s |
FH Volley · Front #1
Max Mirnyi's forehand volley from the net, filmed from a front angle. His racket face is slightly open at contact with the ball meeting the strings just in front of his body and around chest height, producing a compact, punchy swing path.
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1.7s |
FH Volley · Front #2
Max Mirnyi's forehand volley from the net area, filmed from a front angle. His knees stay flexed with a strong, wide base as his hips remain relatively square to the net, giving him a stable lower-body platform through contact.
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2.6s |
FH Volley · Front #3
Max Mirnyi's forehand volley from the net area, filmed from a front angle. His racket face is slightly open at contact with the ball meeting the strings just in front of his body at around chest height, creating a firm, compact punch through the shot.
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2s |
FH Volley · Rear #0001
Max Mirnyi's forehand volley from the center of the court, filmed from a rear angle. His shoulders stay relatively square to the net with only a compact trunk rotation, and the uncoil is brief and synchronized with a short forward step into the volley.
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6.9s |
FH Volley · Rear #0001
Max Mirnyi's forehand volley from the center of the court, filmed from a rear angle. His shoulders stay relatively square to the net with only a modest trunk rotation, and the forward uncoiling of the torso is timed closely with the extension of his hitting arm through the volley.
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7.6s |
FH Volley · Rear #1
Max Mirnyi's forehand volley from the center of the court, filmed from a rear angle. His continental grip stays firm with minimal grip change and his wrist remains relatively stable through contact, with only a slight forward snap to punch the volley deep.
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2.4s |
FH Volley · Rear #2
Max Mirnyi's forehand volley from the rear, filmed from a rear angle. His quick split step followed by a short diagonal adjustment step into a semi-open stance is clearly visible as he moves forward to intercept the ball.
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1.7s |
FH Volley · Rear #3
Max Mirnyi's forehand volley from the middle of the court, filmed from a rear angle. His footwork features a quick split-step followed by a short diagonal adjustment step into a slightly open stance as he moves forward to meet the ball.
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3.1s |
FH Volley · Side #1
Max Mirnyi's forehand volley from the net on the deuce side, filmed from the side. His shoulders stay relatively square to the net with a compact trunk rotation, and the uncoil is short and synchronized with a quick forward step into the volley.
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1.9s |
FH Volley · Side #2
Max Mirnyi's forehand volley from the net area, filmed from the side. His hips stay relatively square to the net while his knees stay slightly flexed, with a short forward leg drive providing a stable base through contact.
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1.8s |
OH · Court-level-front
Max Mirnyi's overhead from the center of the court, filmed from a court_level front angle. His continental grip is firm with a pronounced wrist pronation through contact, as his wrist snaps forward aggressively to drive the ball down.
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2.7s |
OH · Court-level-side #1
Max Mirnyi's overhead from the net area, filmed from a court-level side angle. His shoulders turn slightly away from the net before contact, with a pronounced upward trunk extension and uncoil that drives his hitting arm through the ball in a clear kinetic chain from legs to torso to shoulder.
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3.4s |
OH · Court-level-side #2
Max Mirnyi's overhead from the net area, filmed from a court-level side angle. His footwork includes a quick adjustment shuffle under the ball and a pronounced shoulder turn into a neutral stance before driving up to contact.
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2.8s |
OH · Court-level-side #3
Max Mirnyi's overhead from the center of the court, filmed from a court-level side angle. His continental grip is firm with a clearly visible wrist snap at contact, adding extra bite to the overhead as the racquet accelerates through the ball.
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2.9s |
OH · Front #1
Max Mirnyi's overhead from the center of the court, filmed from the front. His hips stay relatively square to the net while his legs show a pronounced knee bend and upward drive as he pushes off into the overhead motion.
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4.1s |
OH · Front #2
Max Mirnyi's overhead from the center of the court, filmed from the front. His follow-through drives his racket hand down across his body as his weight lands on his front foot, quickly bringing both hands back up into a ready position near the net.
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2.5s |
OH · Side
Max Mirnyi's overhead from the center of the court, filmed from the side. His contact point is well above head height with the racket face slightly closed, and the racket head accelerates steeply upward through contact.
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2.9s |
BH Return 2nd Serve · Deuce · Court-level-front #2
Max Mirnyi's backhand return on a second serve from the deuce side, filmed from court level front. His shoulders and trunk show a compact unit turn on the takeback, then a strong uncoiling through contact with the chest rotating toward the net as the hips lead the motion.
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2.8s |
BH Return 2nd Serve · Deuce · Court-level-front
Max Mirnyi's second serve from the deuce side, filmed from a court-level front angle. His footwork includes a measured pre-serve bounce into a solid platform stance, with a subtle weight transfer onto the front foot as he drives up to contact.
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2.8s |
BH Return 2nd Serve · Deuce · Court-level-front
Max Mirnyi's second serve from the deuce court, filmed from a court-level front angle. His continental grip is firm with a relaxed wrist that pronates fully through contact, creating a pronounced wrist snap as the racket accelerates up and across the ball.
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2.8s |
BH Return Slice 1st Serve · Ad · Court-level-front #1
Max Mirnyi's backhand slice return on a first serve from the Ad court, filmed from court-level front. His shoulders rotate early to set the racquet path, then his trunk uncoils as a single unit with minimal independent hip rotation, creating a compact kinetic chain through contact.
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2.9s |
BH Return Slice 1st Serve · Ad · Court-level-front
Max Mirnyi's first serve return slice from the Ad court, filmed from court-level front. The racket face is slightly open at contact with the ball struck around waist height, creating a skidding slice with a compact, abbreviated follow-through.
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2.9s |
BH Return Slice 1st Serve · Ad · Court-level-front
Max Mirnyi's backhand slice return on a first serve from the Ad side, filmed from a court-level front angle. His continental grip is firm with a slightly laid-back wrist, maintaining a stable wrist angle through contact to keep the slice compact and controlled.
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2.9s |
FH Return 2nd Serve · Ad · Court-level-front #2
Max Mirnyi's forehand return of second serve from the Ad court, filmed from court-level front. His early split-step into an open stance and quick adjustment steps toward the ball are clearly visible before he drives through the return.
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2.5s |
BH Return Slice 2nd Serve · Ad · Court-level-rear #2
Max Mirnyi's backhand slice return on a second serve from the Ad court, filmed from a court-level rear angle. His shoulders and trunk coil early as he turns sideways, then uncoil in a compact motion with minimal upper-body rotation through contact to keep the slice stable.
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3.1s |
BH Return Slice 2nd Serve · Ad · Court-level-rear
Max Mirnyi's second serve from the Ad court, filmed from a court-level rear angle. After contact he lets his hitting arm finish across his body while his back leg swings through into the court, bringing him quickly into a balanced ready position for the next shot.
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3.1s |
BH Return Slice 2nd Serve · Ad · Court-level-rear
Max Mirnyi's backhand slice return on a second serve from the Ad side, filmed from a court-level rear angle. His split-step is timed just before the opponent’s contact, followed by a small adjustment step into a slightly open stance to stay balanced through the slice.
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3.1s |
BH Return 1st Serve · Ad · Court-level-side #1
Max Mirnyi's first serve from the Ad side, filmed from a court-level side angle. His shoulder line turns well past perpendicular to the baseline, with a pronounced trunk coil that uncoils sequentially from hips to shoulders just before racquet drop.
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2.8s |
BH Return 1st Serve · Ad · Court-level-side
Max Mirnyi's first serve from the Ad side, filmed from a court-level side angle. His shoulder line rotates deeply away from the court during the toss, creating a pronounced trunk coil that then uncoils sequentially from hips to shoulders into contact.
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2.8s |
BH Return 1st Serve · Ad · Court-level-side
Max Mirnyi's first-serve return from the Ad court, filmed from a court-level side angle. He uses a compact split-step into a semi-open stance, then takes a short lateral adjustment step before planting his outside foot to drive into the backhand return.
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2.8s |
BH Return 2nd Serve → BH Volley · Ad · Court-level-side #2
Max Mirnyi's backhand volley return of a second serve from the ad court, filmed from a court-level side angle. His shoulders stay relatively closed through contact while the trunk uncoils late, with the upper body rotation clearly driving the racquet path through the volley.
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5.2s |
BH Return 2nd Serve · Ad · Court-level-side #1
Max Mirnyi's backhand return of second serve from the Ad court, filmed from court-level side. His shoulders and trunk load with a pronounced upper-body coil on the unit turn, then uncoil in sequence from hips to shoulders as he drives through the return.
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3.4s |
BH Return 2nd Serve · Ad · Court-level-side #1.1
Max Mirnyi's second serve from the Ad court, filmed from a court-level side angle. His racket contacts the ball slightly above shoulder height with a closed racket face and an upward brushing motion that emphasizes spin over flat pace.
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3.4s |
BH Return 2nd Serve · Ad · Court-level-side #1.2
Max Mirnyi's second-serve return backhand from the Ad court, filmed from a court-level side angle. His hips stay relatively closed through the load with a deep knee bend, then drive upward and into the court as his legs extend through contact.
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3.4s |
BH Return 2nd Serve · Ad · Court-level-side #2
Max Mirnyi's backhand return of second serve from the Ad court, filmed from court-level side. His follow-through finishes high with the non-hitting arm counterbalancing behind him as he quickly regains a compact ready position for the next shot.
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4.2s |
BH Return 2nd Serve · Ad · Court-level-side #2.1
Max Mirnyi's second serve from the Ad court, filmed from a court-level side angle. His shoulder line turns well past perpendicular to the baseline on the trophy phase, with a pronounced trunk coil that uncoils upward and into the court in sync with his hitting arm.
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4.2s |
BH Return 2nd Serve · Ad · Court-level-side #2.2
Max Mirnyi's second serve from the Ad side, filmed from a court-level side angle. His continental grip is clearly visible on the serve, with a relaxed wrist that pronates through contact and a distinct snap as he accelerates up and through the ball.
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4.2s |
BH Return 2nd Serve · Ad · Court-level-side #3
Max Mirnyi's backhand return on a second serve from the Ad court, filmed from a court-level side angle. His early split step into a semi-open stance leads into a short lateral adjustment and a couple of quick recovery steps back toward the center of the baseline.
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3.1s |
BH Return 2nd Serve · Ad · Court-level-side #3.1
Max Mirnyi's second serve from the Ad court, filmed from a court-level side angle. At contact his racket face is slightly closed with the ball struck just above head height, and the upward brushing swing path creates heavy spin with pronounced racket head acceleration through the ball.
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3.1s |
BH Return 2nd Serve · Ad · Court-level-side #3.2
Max Mirnyi's backhand return of second serve from the Ad side, filmed from a court-level side angle. His split-step is timed just before the opponent’s contact, leading into a compact pivot and neutral stance with a small lateral adjustment step toward the ball.
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3.1s |
BH Return 2nd Serve · Ad · Court-level-side #4
Max Mirnyi's second serve from the Ad court, filmed from a court-level side angle. After contact he lands into the court with his weight moving forward and quickly brings both hands together in front of his body to transition into a compact ready position for the next shot.
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3.2s |
BH Return 2nd Serve · Ad · Court-level-side #4.1
Max Mirnyi's second serve from the Ad side, filmed from a court-level side angle. His shoulder line turns noticeably more than his hips in the loading phase, creating a clear trunk coil that then unwinds sequentially from the legs and hips through the torso into the serving arm.
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3.2s |
BH Return 2nd Serve · Ad · Court-level-side #4.2
Max Mirnyi's second serve from the Ad side, filmed from a court-level side angle. At contact his racket face is slightly closed with the ball struck just above head height, and the upward swing path creates strong racket head acceleration through the hit.
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3.2s |
BH Return 2nd Serve · Ad · Court-level-side #5
Max Mirnyi's backhand return of second serve from the Ad side, filmed from a court-level side angle. His split-step is timed just before the opponent’s contact, leading into a compact pivot with a neutral stance and a quick recovery step back toward the center of the baseline.
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2.9s |
BH Return 2nd Serve · Ad · Court-level-side #5.1
Max Mirnyi's second serve from the Ad side, filmed from a court-level side angle. His shoulders rotate well past perpendicular to the baseline on the toss, then uncoil in sync with his trunk as his torso drives up and into the court before contact.
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2.9s |
BH Return 2nd Serve · Ad · Court-level-side #5.2
Max Mirnyi's second serve from the Ad side, filmed from a court-level side angle. At contact his racket face is slightly closed with the ball struck just above head height, and you can see a pronounced upward brushing motion that accelerates the racket head through the ball.
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2.9s |
BH Return 2nd Serve → FH Volley · Ad · Court-level-side #2
Max Mirnyi's forehand volley return of a second serve from the ad side, filmed from a court-level side angle. His racket meets the ball slightly in front of his body with a firm, slightly open face and a compact forward punch through contact.
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4.5s |
BH Return 2nd Serve · Deuce · Court-level-side #1
Max Mirnyi's backhand return of a second serve from the deuce court, filmed from a court-level side angle. His two-handed backhand grip is set early with a firm, stable top hand while his wrists stay relatively quiet through contact, limiting excessive wrist snap.
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2.6s |
BH Return 2nd Serve · Deuce · Court-level-side #1.1
Max Mirnyi's second serve from the deuce court, filmed from a court-level side angle. At contact his racket face is slightly closed with the ball struck just above shoulder height, creating a pronounced upward swing path and visible acceleration through the ball.
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2.6s |
BH Return 2nd Serve · Deuce · Court-level-side #1.2
Max Mirnyi's second serve from the deuce side, filmed from a court-level side angle. His deep knee bend before the upward drive and strong extension through the legs into the court are clearly visible from this side view.
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2.6s |
BH Return 2nd Serve · Deuce · Court-level-side #2
Max Mirnyi's second serve from the deuce court, filmed from a court-level side angle. At contact, his racket face is slightly closed with the ball struck just above shoulder height, and the upward swing path produces clear topspin and kick.
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3.2s |
BH Return 2nd Serve · Deuce · Court-level-side #2.1
Max Mirnyi's second serve from the deuce side, filmed from a court-level side angle. After contact, he drives his weight into the court and quickly brings both hands back toward a compact ready position to prepare for the next shot.
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3.2s |
BH Return 2nd Serve · Deuce · Court-level-side #2.2
Max Mirnyi's backhand return of second serve from the deuce court, filmed from a court-level side angle. He uses a compact split-step into a semi-open stance, then takes a short lateral adjustment step before planting and driving off his outside leg into his recovery.
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3.2s |
BH Return Slice 1st Serve · Ad · Court-level-side #1
Max Mirnyi's first serve from the Ad court, filmed from a court-level side angle. His shoulders load with a pronounced turn relative to his hips before uncoiling in sync with trunk rotation, making the upper body coil and release along a clear kinetic chain into contact.
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2.5s |
BH Return Slice 1st Serve · Ad · Court-level-side #1.1
Max Mirnyi's first serve from the Ad side, filmed from a court-level side angle. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a pronounced wrist snap after full extension.
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2.5s |
BH Return Slice 1st Serve · Ad · Court-level-side #1.2
Max Mirnyi's first serve return slice from the Ad side, filmed from a court-level side angle. His split-step is timed just before contact and he uses a compact lateral adjustment with a slightly open stance to set up the sliced backhand block.
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2.5s |
BH Return Slice 1st Serve · Ad · Court-level-side #2
Max Mirnyi's first serve from the Ad court, filmed from a court-level side angle. At contact his racket face is slightly tilted forward with the ball struck well above head height, and the upward swing path creates pronounced racket head speed through the hitting zone.
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2.6s |
BH Return Slice 1st Serve · Ad · Court-level-side #2.1
Max Mirnyi's first serve return slice from the Ad court, filmed from a court-level side angle. The side view makes it easy to see his slightly open racket face at contact, with the ball struck around waist height as the racket moves on a compact, downward cutting path through the ball.
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2.6s |
BH Return Slice 1st Serve · Ad · Court-level-side #2.2
Max Mirnyi's first serve return backhand slice from the Ad side, filmed from a court-level side angle. From this angle you can see his continental grip stay firm with minimal grip change and his hitting wrist remain laid back through contact, creating a stable slicing action.
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2.6s |
BH Return Slice 1st Serve · Ad · Court-level-side #3
Max Mirnyi's backhand slice return on a first serve from the Ad side, filmed from a court-level side angle. His follow-through finishes with the racquet hand extending out toward the court while his weight transfers forward, quickly bringing both hands back in front of his body into a ready position for the next shot.
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2.4s |
BH Return Slice 1st Serve · Ad · Court-level-side #3.1
Max Mirnyi's first serve return backhand slice from the Ad court, filmed from the side at court level. His follow-through finishes with the racket traveling slightly across his body as he quickly recovers his stance, bringing the non-hitting hand back toward the handle to prepare for the next shot.
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2.4s |
BH Return Slice 1st Serve · Ad · Court-level-side #3.2
Max Mirnyi's backhand slice return of a first serve from the Ad side, filmed from a court-level side angle. His early split-step into a semi-open stance leads into a small adjustment hop and a single lateral recovery step that keeps him ready to move forward or back after contact.
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2.4s |
BH Return Slice 1st Serve · Deuce · Court-level-side #1
Max Mirnyi's first serve return slice from the deuce court, filmed from court-level side. After contact he extends the racquet out toward the court with his non-hitting hand counterbalancing behind him, then quickly brings both hands back to the center to recover into a compact ready position.
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3.1s |
BH Return Slice 1st Serve · Deuce · Court-level-side #1.1
Max Mirnyi's first serve return on the deuce side from a court-level side angle. His split-step is timed just before the opponent’s contact, followed by a short lateral adjustment into a neutral stance before slicing the backhand.
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3.1s |
BH Return Slice 1st Serve · Deuce · Court-level-side #1.2
Max Mirnyi's first serve from the deuce court, filmed from a court-level side angle. After contact he drives his weight into the court and quickly brings his non-hitting hand back toward his torso as he lands in a balanced stance ready for the next shot.
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3.1s |
BH Return Slice 1st Serve · Deuce · Court-level-side #2
Max Mirnyi's first serve from the deuce side, filmed from a court-level side angle. His shoulder line turns significantly away from the net during the toss, creating a pronounced trunk coil that uncoils sequentially from hips to shoulders into the hitting phase.
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2.2s |
BH Return Slice 1st Serve · Deuce · Court-level-side #2.1
Max Mirnyi's first serve from the deuce court, filmed from a court-level side angle. At contact his racket face is slightly tilted forward with the ball struck well above his outstretched tossing arm, emphasizing a steep downward swing path and high racket head speed through the hitting zone.
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2.2s |
BH Return Slice 1st Serve · Deuce · Court-level-side #2.2
Max Mirnyi's first serve from the deuce side, filmed from a court-level side angle. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a pronounced wrist snap just after impact.
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2.2s |
BH Return Slice 2nd Serve · Ad · Court-level-side #2
Max Mirnyi's backhand slice return on a second serve from the Ad side, filmed from court-level side. His hips stay relatively closed to the net while a deep knee bend in the loading phase lets his legs drive through the return with a long, low stride into the court.
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3.2s |
BH Return Slice 2nd Serve · Ad · Court-level-side
Max Mirnyi's second serve from the Ad court, filmed from a court-level side angle. After contact he lets his hitting arm decelerate across his body while his back leg swings forward into the court, bringing him quickly into a balanced ready position for the next shot.
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3.2s |
BH Return Slice 2nd Serve · Ad · Court-level-side
Max Mirnyi's backhand slice return of a second serve from the Ad court, filmed from a court-level side angle. His racket face is noticeably open at contact with the ball taken slightly in front of his body, creating a low, skidding slice trajectory.
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3.2s |
FH · Ad · Court-level-side #1
Max Mirnyi's forehand return from the Ad side, filmed from a court-level side angle. His semi-western forehand grip is paired with noticeable wrist lag on the takeback that unwinds into a firm, stable wrist position at contact.
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2.8s |
FH Return 1st Serve · Ad · Court-level-side #1
Max Mirnyi's first serve return from the Ad side, filmed from a court-level side angle. His split step is timed just before the opponent’s contact, followed by a quick pivot into a semi-open stance that lets him drive forward into the court for recovery.
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4s |
FH Return 1st Serve · Ad · Court-level-side #2
Max Mirnyi's first serve from the Ad side, filmed from a court-level side angle. His deep knee bend and strong drive up through the legs are clearly visible as his hips uncoil into an aggressive upward motion.
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2.5s |
FH Return 1st Serve · Ad · Court-level-side #3
Max Mirnyi's first serve from the Ad court, filmed from a court-level side angle. His deep knee bend and strong upward leg drive are clearly visible, with the hips opening toward the court as he explodes up into the ball.
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2.6s |
FH Return 1st Serve · Ad · Court-level-side #4
Max Mirnyi's first serve from the Ad side, filmed from a court-level side angle. His racket contacts the ball at a high point well above his head with a slightly closed face, and the upward swing path creates pronounced racket head speed through contact.
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2.2s |
FH Return 1st Serve · Ad · Court-level-side #5
Max Mirnyi's first serve from the Ad court, filmed from a court-level side angle. After contact he drives his weight into the court with a long diagonal follow-through and quickly drops into a compact ready position with his non-hitting hand helping to stabilize his upper body.
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2.6s |
FH Return 1st Serve → BH Volley · Deuce · Court-level-side #2
Max Mirnyi's backhand volley return from the deuce side, filmed from a court-level side angle. He uses a compact split step into a low, slightly open stance, taking a short lateral adjustment step toward the ball before a quick recovery step back toward the center.
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4.9s |
FH Return 1st Serve · Deuce · Court-level-side #1
Max Mirnyi's first serve from the deuce court, filmed from a court-level side angle. His continental grip is firm with minimal grip change, and from this side view you can see early wrist pronation starting just after the racquet drop and continuing through contact.
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2.8s |
FH Return 1st Serve · Deuce · Court-level-side #2
Max Mirnyi's first serve from the deuce side, filmed from a court-level side angle. His racket contacts the ball at a high point well above his head with a slightly closed face and a fast upward swing path, emphasizing strong racket head speed through the hitting zone.
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2.5s |
FH Return 1st Serve · Deuce · Court-level-side #3
Max Mirnyi's first serve return from the deuce side, filmed from a court-level side angle. His split-step is timed just before the opponent’s serve contact, followed by a compact pivot into a semi-open stance to load on his right leg before driving into the return.
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2.6s |
FH Return 1st Serve · Deuce · Court-level-side #4
Max Mirnyi's first serve from the deuce court, filmed from a court-level side angle. His footwork shows a pronounced knee bend with a strong platform stance, and from this angle you can clearly see his front foot driving into the court as he lands and begins his recovery.
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2.5s |
FH Return 1st Serve · Deuce · Court-level-side #5
Max Mirnyi's first serve from the deuce court, filmed from a court-level side angle. After contact, he lands well inside the court with his weight driving forward and his non-hitting arm counterbalancing behind him before he settles into a compact ready position for the next shot.
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2.5s |
FH Return 2nd Serve · Ad · Court-level-side #1
Max Mirnyi's second serve from the Ad side, filmed from a court-level side angle. His continental grip is firm with a relaxed wrist that pronates clearly through contact, making the wrist snap especially visible from this side view.
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3.1s |
FH Return 2nd Serve · Ad · Court-level-side #2
Max Mirnyi's second serve from the Ad side, filmed from a court-level side angle. His hips stay relatively closed through the knee bend before driving up, with a pronounced leg extension that lifts his torso into the court.
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3.8s |
FH Return 2nd Serve → FH Volley · Ad · Court-level-side #2
Max Mirnyi's forehand volley return of a second serve from the Ad side, filmed from a court-level side angle. His continental grip is firm with minimal grip change and his wrist stays relatively firm through contact, with only a slight forward snap to control the volley’s depth.
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6.6s |
FH Return 2nd Serve → BH Half Volley · Deuce · Court-level-side #2
Max Mirnyi's forehand return of a second serve from the deuce side, transitioning into a backhand half volley, filmed from a court-level side angle. His shoulders and trunk rotate as a single unit on the return, then quickly uncoil with a compact, abbreviated trunk turn to stabilize his upper body as he moves forward into the half volley.
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5.2s |
FH Return 2nd Serve → BH Volley · Deuce · Court-level-side #2
Max Mirnyi's backhand volley return from the deuce side, filmed from a court-level side angle. After contact he drives his weight forward into the court and quickly brings both hands back toward his torso, setting up an athletic ready position for the next shot.
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5.8s |
FH Return 2nd Serve · Deuce · Court-level-side #1
Max Mirnyi's second serve from the deuce court, filmed from a court-level side angle. After contact he lets his hitting arm extend fully across his body while his back leg swings through, helping him land inside the court and quickly organize into a ready position for the next shot.
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3.7s |
FH Return 2nd Serve · Deuce · Court-level-side #2
Max Mirnyi's second serve from the deuce court, filmed from a court-level side angle. His racket contacts the ball slightly above shoulder height with a closed racket face and a pronounced upward swing path that emphasizes spin and kick.
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2.5s |
FH Return 2nd Serve · Deuce · Court-level-side #3
Max Mirnyi's second serve from the deuce court, filmed from a court-level side angle. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, making the wrist snap clearly visible from this side view.
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4.1s |
FH Return 2nd Serve · Deuce · Court-level-side #4
Max Mirnyi's second serve from the deuce side, filmed from a court-level side angle. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a distinct snap just after impact.
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3s |
FH Return 2nd Serve · Deuce · Court-level-side #5
Max Mirnyi's second serve from the deuce court, filmed from a court-level side angle. His shoulders rotate well past perpendicular to the baseline on the trophy phase, with a pronounced trunk coil that uncoils sequentially from hips to shoulders into contact.
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2.4s |
BH Return 1st Serve · Ad · Front #1
Max Mirnyi's first serve from the Ad side, filmed from the front. At contact his racket face is slightly tilted forward with the contact point well above his head, and the racket head accelerates steeply upward along the ball’s right side.
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3.4s |
BH Return 1st Serve · Ad · Front #1.1
Max Mirnyi's first serve return from the Ad court, filmed from the front. His shoulders and trunk load with a pronounced upper-body coil before uncoiling in sequence, with the chest rotating toward the net as the shoulders lead the racquet through contact.
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3.4s |
BH Return 1st Serve · Ad · Front #1.2
Max Mirnyi's first serve return from the Ad side, filmed from the front. He takes a compact split step just before contact and uses a slightly open stance with a short lateral adjustment step to set his feet before driving into the return.
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3.4s |
BH Return 1st Serve · Ad · Front #2
Max Mirnyi's first serve from the Ad side, filmed from the front. His hips stay relatively closed through the knee bend, with a strong upward leg drive that pushes his body into the court after contact.
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3.8s |
BH Return 1st Serve · Ad · Front #2.1
Max Mirnyi's first serve from the Ad court, filmed from the front. His deep knee bend and strong upward leg drive are clearly visible, with his hips opening toward the court as he explodes up into the ball.
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3.8s |
BH Return 1st Serve · Ad · Front #2.2
Max Mirnyi's first serve return from the Ad court, filmed from the front. His hips stay relatively closed during the split step, and you can see a deep knee bend with a strong upward leg drive as he pushes into the return.
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3.8s |
BH Return 1st Serve · Ad · Front #3
Max Mirnyi's first serve from the Ad court, filmed from the front. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, making the wrist snap clearly visible from this angle.
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2.7s |
BH Return 1st Serve · Ad · Front #3.1
Max Mirnyi's first serve from the Ad court, filmed from the front. His shoulders load with a pronounced upper-body coil against the hips, then uncoil in sequence so the trunk rotation leads the arm swing up into contact.
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2.7s |
BH Return 1st Serve · Ad · Front #3.2
Max Mirnyi's first serve from the Ad court, filmed from the front. After contact he drives his weight into the court and quickly brings his non-hitting arm back in front of his body as he lands in a balanced, ready position for the next shot.
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2.7s |
BH Return 1st Serve · Deuce · Front #1
Max Mirnyi's first serve from the deuce side, filmed from the front. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a pronounced wrist snap visible head-on.
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2.6s |
BH Return 1st Serve · Deuce · Front
Max Mirnyi's first serve from the deuce court, filmed from the front. His shoulders and trunk show an early, pronounced coil during the toss that uncoils sequentially from hips to shoulders into contact.
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2.6s |
BH Return 1st Serve · Deuce · Front
Max Mirnyi's first serve return from the deuce court, filmed from the front. His compact split-step into a slightly open stance sets up a short lateral adjustment step toward the ball before he plants and drives through the return.
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2.6s |
BH Return 2nd Serve · Ad · Front #1
Max Mirnyi's second serve from the Ad court, filmed from the front. After contact he lands into the court with his weight moving forward and quickly brings both hands in front of his body to re-establish a compact ready position for the next shot.
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2.6s |
BH Return 2nd Serve · Ad · Front #1.1
Max Mirnyi's second serve from the Ad side, filmed from the front. His continental grip is clearly visible on the serve, with a loose wrist that pronates aggressively through contact to add spin.
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2.6s |
BH Return 2nd Serve · Ad · Front #1.2
Max Mirnyi's backhand return of second serve from the Ad court, filmed from the front. His feet set in a neutral stance with a small adjustment step before contact, followed by a quick recovery step that readies him to move forward for potential net play.
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2.6s |
BH Return 2nd Serve · Ad · Front #2
Max Mirnyi's backhand return of second serve from the Ad court, filmed from the front. His shoulders and trunk load together into a compact coil, then uncoil in a unified block rotation with minimal independent hip–shoulder separation.
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3.7s |
BH Return 2nd Serve · Ad · Front #2.1
Max Mirnyi's second serve from the Ad side, filmed from the front. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, making the wrist snap very clear from this angle.
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3.7s |
BH Return 2nd Serve · Ad · Front #2.2
Max Mirnyi's second serve return backhand from the Ad court, filmed from the front. After contact he drives his weight forward into the court and quickly brings both hands back toward his torso to reset into a compact ready position.
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3.7s |
BH Return Slice 1st Serve · Deuce · Front #1
Max Mirnyi's first serve from the deuce side, filmed from the front. At contact his racket face is slightly tilted forward with the ball struck just above full extension, emphasizing a steep downward swing path and high racket head speed through the hitting zone.
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2.3s |
BH Return Slice 1st Serve · Deuce · Front #1.1
Max Mirnyi's first serve from the deuce court, filmed from the front. His shoulder line rotates noticeably away from the target during the toss, with a pronounced trunk coil that uncoils in sequence from hips to shoulders into contact.
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2.3s |
BH Return Slice 1st Serve · Deuce · Front #1.2
Max Mirnyi's first serve from the deuce side, filmed from the front. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a distinct snap just after impact.
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2.3s |
BH Return Slice 1st Serve · Deuce · Front #2
Max Mirnyi's first serve from the deuce side, filmed from the front. His hips stay relatively closed through the loading phase with a pronounced knee bend, then drive upward as his legs extend explosively into the court.
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2.8s |
BH Return Slice 1st Serve · Deuce · Front #2.1
Max Mirnyi's first serve return slice from the deuce court, filmed from the front. His hips stay relatively closed to the net with a pronounced knee bend on the outside leg, giving a low, stable base through contact.
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2.8s |
BH Return Slice 1st Serve · Deuce · Front #2.2
Max Mirnyi's first serve return slice backhand from the deuce court, filmed from the front. His continental grip is clearly visible with a firm but relaxed hand, and the wrist stays laid back through contact before a subtle release toward the target.
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2.8s |
BH Return Slice 1st Serve · Deuce · Front #3
Max Mirnyi's first serve from the deuce court, filmed from the front. At contact his racket face is slightly tilted forward with the ball struck high above his head, and the racket head accelerates steeply upward along the hitting arm for a pronounced upward swing path.
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3s |
BH Return Slice 1st Serve · Deuce · Front #3.1
Max Mirnyi's first serve from the deuce court, filmed from the front. After contact he drives his weight into the court and quickly brings both hands down into a compact ready position to recover for the next shot.
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3s |
BH Return Slice 1st Serve · Deuce · Front #3.2
Max Mirnyi's first serve return backhand slice from the deuce court, filmed from the front. His racket face stays slightly open at contact with the ball struck around waist height, creating a skidding, low-trajectory slice.
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3s |
BH Return Slice 2nd Serve · Deuce · Front #1
Max Mirnyi's second serve from the deuce side, filmed from the front. His continental grip is firm with a relaxed wrist that pronates noticeably through contact, creating a distinct wrist snap as the racquet accelerates up and across the ball.
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3.5s |
BH Return Slice 2nd Serve · Deuce · Front #1.1
Max Mirnyi's second serve return backhand slice from the deuce court, filmed from the front. His shoulders turn early with a noticeable trunk coil, then uncoil in sync with his forward weight transfer to drive the slice through contact.
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3.5s |
BH Return Slice 2nd Serve · Deuce · Front #1.2
Max Mirnyi's second serve from the deuce side, filmed from the front. At contact his racket face is slightly closed with the ball struck just above head height, and the upward swing path creates visible racket head speed through the hit.
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3.5s |
BH Slice → Return 1st Serve · Ad · Front #1
Max Mirnyi's first serve from the Ad court, filmed from the front. After contact he lands well inside the court with his weight driving forward, and his non-hitting arm drops back as he quickly brings the racquet down and readies his hands for the next shot.
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3.2s |
BH Slice → Return 1st Serve · Ad · Front #1.1
Max Mirnyi's first serve return from the Ad side, filmed from the front. His hips stay relatively closed as he loads with a noticeable knee bend, then his legs drive up and forward together to stabilize his tall frame through contact.
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3.2s |
BH Slice → Return 1st Serve · Ad · Front #1.2
Max Mirnyi's first serve return from the Ad side, filmed from the front. His knees sink into a deep bend before the split step, and you can see his hips stay relatively square as his legs load to push diagonally into the court.
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3.2s |
BH Slice → Return 1st Serve · Ad · Front #2
Max Mirnyi's first serve from the Ad side, filmed from the front. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a noticeable wrist snap as he drives up and into the ball.
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3s |
BH Slice → Return 1st Serve · Ad · Front #2.1
Max Mirnyi's first serve return backhand slice from the Ad court, filmed from the front. After contact, he extends the slice follow-through out in front while his weight transfers slightly forward and his non-hitting hand helps him quickly recover toward a ready position.
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3s |
BH Slice → Return 1st Serve · Ad · Front #2.2
Max Mirnyi's first serve return backhand slice from the Ad court, filmed from the front. After contact he extends the racquet out toward the target with his non-hitting hand counterbalancing in front of his body, then quickly re-centers his stance into a compact ready position.
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3s |
BH Slice → Return 1st Serve · Ad · Front #3
Max Mirnyi's first serve return from the Ad side, filmed from the front. His continental grip is clearly visible, with a firm but relaxed hand and minimal wrist deviation through contact to keep the slice return compact and controlled.
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3.1s |
BH Slice → Return 1st Serve · Ad · Front #3.1
Max Mirnyi's first serve return from the Ad court, filmed from the front. His shoulders stay closed with a pronounced upper-body coil during the unit turn, then the trunk uncoils in sync with the hitting arm to drive through the slice backhand return.
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3.1s |
BH Slice → Return 1st Serve · Ad · Front #3.2
Max Mirnyi's first serve return from the Ad side, filmed from the front. The racket face is slightly open at contact with the one-handed BH slice, meeting the ball around waist height with a compact, downward chopping swing path.
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3.1s |
BH Slice → Return 2nd Serve · Ad · Front #2
Max Mirnyi's backhand slice return of a second serve from the Ad court, filmed from the front. His hips stay relatively closed with a pronounced knee bend on the outside leg, giving a low, stable base as he carves through the slice.
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1.6s |
BH Slice → Return 2nd Serve · Ad · Front
Max Mirnyi's second serve from the Ad court, filmed from the front. His follow-through brings him slightly forward into the court with his non-hitting hand settling near his torso as he quickly organizes his feet toward a neutral ready position for the next shot.
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1.6s |
BH Slice → Return 2nd Serve · Ad · Front
Max Mirnyi's backhand slice return on a second serve from the Ad court, filmed from the front. After contact he extends the racquet out toward the target while his non-hitting hand stays back for counterbalance, then he quickly brings both hands to the ready position as his weight recovers toward the center.
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1.6s |
FH Return 1st Serve · Ad · Front #1
Max Mirnyi's first serve from the Ad court, filmed from the front. His contact point is well above head height with a slightly pronated racket face and a steep upward swing path, creating high racket head speed through the ball.
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2s |
FH Return 1st Serve · Ad · Front #2
Max Mirnyi's first serve from the Ad court, filmed from the front. His follow-through finishes with his weight driving into the court and his non-hitting arm dropping back as he quickly regains a compact ready position for the next shot.
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2.9s |
FH Return 1st Serve · Ad · Front #3
Max Mirnyi's first serve from the Ad court, filmed from the front. His shoulders rotate as a unit with a pronounced trunk coil during the trophy phase, then uncoil aggressively into contact with the hitting-side shoulder finishing well across his body.
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2.8s |
FH Return 1st Serve · Ad · Front #4
Max Mirnyi's first-serve return from the Ad court, filmed from the front. His compact split step into a slightly open stance is followed by a short lateral adjustment and quick recovery step back toward the center.
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2.6s |
FH Return 1st Serve · Deuce · Front #1
Max Mirnyi's first serve from the deuce court, filmed from the front. His shoulders and trunk coil deeply away from the court during the trophy position, then uncoil in a sequenced motion that drives his chest toward the target before his arm whips up to contact.
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3.1s |
FH Return 1st Serve · Deuce · Front #2
Max Mirnyi's first serve from the deuce side, filmed from the front. His deep knee bend and strong upward leg drive are clearly visible as his hips uncoil aggressively into the court.
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2.2s |
FH Return 1st Serve · Deuce · Front #3
Max Mirnyi's first serve return from the deuce court, filmed from the front. His compact split step into a wide, low base sets up an open stance that lets him push off laterally and quickly recover toward the center after contact.
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2.3s |
FH Return 1st Serve · Deuce · Front #4
Max Mirnyi's first serve from the deuce court, filmed from the front. At contact his racket face is slightly tilted forward with the ball struck well above head height, and the racket head accelerates steeply upward along the right side of his body.
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2.5s |
FH Return 2nd Serve · Ad · Front #2
Max Mirnyi's second serve return from the Ad court, filmed from the front. After contact his follow-through finishes across his body while his weight shifts forward and his non-hitting hand quickly resets into a compact ready position for the next shot.
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3.1s |
FH Return 2nd Serve · Deuce · Front #2
Max Mirnyi's second serve return from the deuce court, filmed from the front. After contact his follow-through finishes across his body with his weight transferring into the court and his non-hitting hand helping him quickly reset into a ready position.
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3.6s |
BH Return 2nd Serve · Ad · Rear #1
Max Mirnyi's second serve from the Ad court, filmed from a rear angle. At contact his racket face is slightly closed with the ball struck just above head height, and the upward swing path creates heavy spin while the racket head accelerates sharply through the hitting zone.
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2.8s |
BH Return 2nd Serve · Ad · Rear #1.1
Max Mirnyi's backhand return of second serve from the Ad court, filmed from the rear. His split-step is timed just before contact and he uses a semi-open stance with a small lateral adjustment step to set his feet before driving into the return.
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2.8s |
BH Return 2nd Serve · Ad · Rear #1.2
Max Mirnyi's second serve from the Ad court, filmed from a rear angle. After contact, he lets his hitting arm and racquet finish across his body while his weight moves into the court, quickly bringing both hands back to a compact ready position for the next shot.
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2.8s |
BH Return 2nd Serve · Ad · Rear #3
Max Mirnyi's second serve from the Ad court, filmed from a rear angle. His shoulders and trunk coil noticeably away from the court during the toss, then uncoil in a linked sequence that brings the chest through square to the target as the racquet accelerates up to contact.
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3.1s |
BH Return 2nd Serve · Ad · Rear #3.1
Max Mirnyi's second serve from the Ad court, filmed from a rear angle. At contact his racket face is only slightly closed with the ball struck high above his head, and the racket head whips up and across to create heavy spin.
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3.1s |
BH Return 2nd Serve · Ad · Rear #3.2
Max Mirnyi's second serve from the Ad court, filmed from a rear angle. At contact his racket face is slightly closed with the ball struck just above head height, and the upward swing path creates heavy spin as the racket accelerates up and across the ball.
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3.1s |
BH Return 2nd Serve · Ad · Rear #4
Max Mirnyi's second serve from the Ad court, filmed from a rear angle. At contact his racket face is slightly closed with the ball struck just above head height, and the upward swing path creates noticeable racket head speed through the hit.
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2.7s |
BH Return 2nd Serve · Ad · Rear #4.1
Max Mirnyi's second serve from the Ad court, filmed from a rear angle. His hips stay relatively closed through the loading phase with a deep knee bend, then drive up aggressively as his back leg extends to propel him into the court.
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2.7s |
BH Return 2nd Serve · Ad · Rear #4.2
Max Mirnyi's second serve from the Ad court, filmed from a rear angle. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, making the wrist snap clearly visible from behind.
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2.7s |
BH Return 2nd Serve · Ad · Rear #5
Max Mirnyi's backhand return on a second serve from the Ad court, filmed from a rear angle. His shoulders and trunk load with a pronounced coil against the hips before uncoiling in sequence, making the upper-body rotation easy to track from behind.
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3.2s |
BH Return 2nd Serve · Ad · Rear #5.1
Max Mirnyi's second serve from the Ad court, filmed from a rear angle. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a pronounced wrist snap just after impact.
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3.2s |
BH Return 2nd Serve · Ad · Rear #5.2
Max Mirnyi's backhand return of second serve from the Ad court, filmed from a rear angle. His split-step is timed just before the opponent’s contact, leading into a compact pivot and neutral stance with a small lateral adjustment step toward the backhand side.
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3.2s |
BH Return 2nd Serve · Ad · Rear #6
Max Mirnyi's backhand return on a second serve from the Ad court, filmed from a rear angle. His shoulders load with a pronounced upper-body turn before contact, then his trunk uncoils in sequence with his hips to drive the two-handed backhand through the ball.
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3.5s |
BH Return 2nd Serve · Ad · Rear #6.1
Max Mirnyi's second serve from the Ad court, filmed from a rear angle. His hips stay relatively closed through the toss and loading phase, with a deep knee bend and strong upward leg drive clearly visible from behind.
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3.5s |
BH Return 2nd Serve · Ad · Rear #6.2
Max Mirnyi's second serve return backhand from the Ad side, filmed from a rear angle. His split-step is timed just before contact and he uses a compact lateral adjustment with a mostly neutral stance to set up the two-handed backhand.
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3.5s |
BH Return 2nd Serve · Deuce · Rear #1
Max Mirnyi's second serve from the deuce court, filmed from a rear angle. His footwork includes a measured rocking motion into the trophy position and a controlled landing on his front foot that sets up a balanced recovery step toward the baseline.
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2.9s |
BH Return 2nd Serve · Deuce · Rear #1.1
Max Mirnyi's backhand return of second serve from the deuce side, filmed from a rear angle. He uses a compact split step into a semi-open stance, then takes a small adjustment step with his outside foot before planting and driving through the return.
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2.9s |
BH Return 2nd Serve · Deuce · Rear #1.2
Max Mirnyi's second serve from the deuce court, filmed from a rear angle. His hips stay relatively closed through the loading phase with a deep knee bend, then drive upward as his back leg extends aggressively into the court.
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2.9s |
BH Return 2nd Serve · Deuce · Rear #2
Max Mirnyi's second serve from the deuce side, filmed from a rear angle. The racket contacts the ball at full extension with a slightly closed face and an upward brushing motion, emphasizing spin over the net.
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2.6s |
BH Return 2nd Serve · Deuce · Rear #2.1
Max Mirnyi's second serve from the deuce side, filmed from a rear angle. After contact he drives his weight into the court and quickly brings his hands back toward a compact ready position to prepare for the return.
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2.6s |
BH Return 2nd Serve · Deuce · Rear #2.2
Max Mirnyi's second serve from the deuce court, filmed from a rear angle. After contact he drives his weight into the court and quickly brings both hands together in front of his body to transition into a compact ready position for the next shot.
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2.6s |
BH Return 2nd Serve · Deuce · Rear #3
Max Mirnyi's backhand return of second serve from the deuce court, filmed from a rear angle. His split-step is timed just before the opponent’s contact, leading into a small pivot and semi-open stance that lets him drive off his right leg and recover quickly toward the center.
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3.3s |
BH Return 2nd Serve · Deuce · Rear #3.1
Max Mirnyi's second serve from the deuce side, filmed from a rear angle. His hips stay relatively closed during the toss and loading phase, with a deep knee bend and strong leg drive upward into the court as he uncoils into the serve.
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3.3s |
BH Return 2nd Serve · Deuce · Rear #3.2
Max Mirnyi's second serve from the deuce side, filmed from a rear angle. His shoulders and trunk rotate as a single unit during the toss and loading phase, then uncoil sequentially from the hips through the torso to the serving arm, creating a pronounced upper-body whip into contact.
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3.3s |
BH Return 2nd Serve · Deuce · Rear #4
Max Mirnyi's second serve from the deuce side, filmed from a rear angle. His continental grip is clearly visible with a firm but relaxed hand, and the wrist pronates aggressively through contact to add spin and control.
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3.7s |
BH Return 2nd Serve · Deuce · Rear #4.1
Max Mirnyi's second serve from the deuce court, filmed from a rear angle. After contact he drives his weight into the court and finishes with his tossing arm dropping quickly as he flows into a compact ready position for the next shot.
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3.7s |
BH Return 2nd Serve · Deuce · Rear #4.2
Max Mirnyi's second serve from the deuce court, filmed from a rear angle. After contact he drives his weight into the court and quickly brings his non-hitting hand back to the center line of his body, transitioning into a compact ready position for the next shot.
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3.7s |
BH Return Slice 1st Serve · Deuce · Rear #1
Max Mirnyi's backhand slice return of first serve from the deuce court, filmed from a rear angle. His hips stay relatively closed as he sets up, with a noticeable knee bend on the outside leg to support a low, skidding slice.
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3.4s |
BH Return Slice 1st Serve · Deuce · Rear
Max Mirnyi's first serve from the deuce side, filmed from a rear angle. His hips stay relatively closed through the loading phase with a deep knee bend, then drive upward as his back leg extends to power his upward swing.
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3.4s |
BH Return Slice 1st Serve · Deuce · Rear
Max Mirnyi's first serve return backhand slice from the deuce court, filmed from the rear. His hips stay relatively closed to the net with a pronounced knee bend on the right leg, using a wide base to load and push into the court through contact.
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3.4s |
BH Return Slice 2nd Serve · Ad · Rear #1
Max Mirnyi's second serve return backhand slice from the Ad court, filmed from the rear. His footwork includes a compact split-step into a neutral stance, with a small adjustment step before slicing and a quick recovery shuffle back toward the center.
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2.8s |
BH Return Slice 2nd Serve · Ad · Rear #1.1
Max Mirnyi's backhand slice return of second serve from the Ad court, filmed from the rear. His hips stay relatively closed as he loads on a flexed front knee, with a noticeable push off the back leg driving him into the court through contact.
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2.8s |
BH Return Slice 2nd Serve · Ad · Rear #1.2
Max Mirnyi's second serve from the Ad court, filmed from a rear angle. His continental grip is firm with a relaxed wrist that pronates clearly through contact, showing a distinct snap as he drives up and through the ball.
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2.8s |
BH Return Slice 2nd Serve · Ad · Rear #2
Max Mirnyi's backhand slice return on a second serve from the Ad court, filmed from the rear. His shoulders rotate early as he coils the trunk, then uncoil in sync with his forward step, keeping the upper body slightly closed through contact.
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4s |
BH Return Slice 2nd Serve · Ad · Rear #2.1
Max Mirnyi's second serve from the Ad side, filmed from a rear angle. His continental grip is firm with a relaxed wrist that pronates smoothly through contact, making the wrist snap especially visible from behind.
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4s |
BH Return Slice 2nd Serve · Ad · Rear #2.2
Max Mirnyi's backhand slice return on a second serve from the Ad court, filmed from a rear angle. His follow-through finishes with the racquet hand tracking out toward the target while his weight transfers diagonally forward, bringing him quickly back into a compact ready position for the next shot.
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4s |
BH Return Slice 2nd Serve · Deuce · Rear #1
Max Mirnyi's second serve from the deuce side, filmed from a rear angle. At contact his racket face is slightly closed with the ball struck just above head height, enabling a pronounced upward swing path and strong racket head acceleration through the hit.
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3.1s |
BH Return Slice 2nd Serve · Deuce · Rear #1.1
Max Mirnyi's second serve return backhand slice from the deuce court, filmed from a rear angle. He sets up with a neutral stance, using small adjustment steps to align his body before slicing and then taking a couple of quick recovery steps back toward the center.
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3.1s |
BH Return Slice 2nd Serve · Deuce · Rear #1.2
Max Mirnyi's second serve from the deuce side, filmed from a rear angle. His shoulders and trunk coil deeply away from the court during the toss, then uncoil in a sequenced rotation that clearly precedes the arm swing into contact.
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3.1s |
BH Return Slice 2nd Serve · Deuce · Rear #2
Max Mirnyi's second serve from the deuce side, filmed from a rear angle. His continental grip is firm with a relaxed wrist that pronates smoothly through contact, creating a visible snap just after impact.
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3.5s |
BH Return Slice 2nd Serve · Deuce · Rear #2.1
Max Mirnyi's second serve from the deuce side, filmed from a rear angle. His hips stay relatively closed through the knee bend and leg drive, with a pronounced push off the back leg that brings his back hip up and through into the court.
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3.5s |
BH Return Slice 2nd Serve · Deuce · Rear #2.2
Max Mirnyi's second serve from the deuce court, filmed from a rear angle. At contact his racket face is only slightly closed with the ball struck just above head height, creating a pronounced upward swing path and fast racket head acceleration up and across the ball.
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3.5s |
FH Return 1st Serve · Ad · Rear #1
Max Mirnyi's first serve from the Ad court, filmed from the rear. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a pronounced wrist snap at the top of the motion.
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2.4s |
FH Return 1st Serve · Deuce · Rear #1
Max Mirnyi's first serve from the deuce court, filmed from a rear angle. His continental grip is firm with a noticeable relaxed wrist that pronates aggressively through contact to drive the serve.
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2.8s |
FH Return 1st Serve · Deuce · Rear #2
Max Mirnyi's first serve from the deuce side, filmed from a rear angle. The racket comes through with a slightly closed face at contact, striking the ball at a high point well above his head with pronounced upward racket head speed.
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2.6s |
FH Return 1st Serve · Deuce · Rear #3
Max Mirnyi's first serve from the deuce side, filmed from a rear angle. His hips load in a closed position with a deep knee bend, then drive up explosively as his back leg extends into the court.
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2.5s |
FH Return 2nd Serve · Deuce · Rear #2
Max Mirnyi's forehand return of a second serve from the deuce side, filmed from a rear angle. He takes a small adjustment hop into a semi-open stance, then uses quick lateral recovery steps to get back toward the center after contact.
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2.9s |
BH Return 1st Serve · Ad · Side #1
Max Mirnyi's first serve from the ad side, filmed from the side. At contact his racket face is slightly tilted forward with the ball struck well above head height, and the racket head whips up and across the ball on a steep upward swing path.
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3.4s |
BH Return 1st Serve · Ad · Side
Max Mirnyi's first serve return from the Ad court, filmed from the side. He uses a compact split step into a semi-open stance, then takes a short lateral adjustment step before planting his outside foot to drive into the return.
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3.4s |
BH Return 1st Serve · Ad · Side
Max Mirnyi's first serve from the Ad side, filmed from the side. His deep knee bend and strong upward leg drive are clearly visible as his hips open toward the court during the serve motion.
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3.4s |
BH Return 1st Serve → FH Volley · Deuce · Side #1
Max Mirnyi's forehand volley return of a first serve from the deuce side, filmed from a side angle. His hips stay relatively closed to the net while his knees flex into a low, wide base, with a short forward leg drive through the volley.
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6.4s |
BH Return 1st Serve · Deuce · Side #1
Max Mirnyi's first serve from the deuce side, filmed from the side. His shoulders and trunk coil deeply with a pronounced upper-body turn, then uncoil in a clearly sequenced motion that drives the racquet up through contact.
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2s |
BH Return 1st Serve · Deuce · Side #1.1
Max Mirnyi's first serve return from the deuce court, filmed from the side. He times a compact split step as the ball is struck, then sets a stable, slightly open stance with a small adjustment step before initiating his two-handed backhand swing.
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2s |
BH Return 1st Serve · Deuce · Side #1.2
Max Mirnyi's first serve from the deuce court, filmed from a side angle. His shoulder line rotates significantly away from the court during the trophy phase, with a pronounced trunk coil that uncoils sequentially from hips to shoulders into the hitting phase.
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2s |
BH Return 1st Serve · Deuce · Side #2
Max Mirnyi's first serve from the deuce court, filmed from a side angle. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a pronounced wrist snap visible from this viewpoint.
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2.9s |
BH Return 1st Serve · Deuce · Side #2.1
Max Mirnyi's first serve from the deuce court, filmed from the side. After contact he drives his weight into the court and finishes with his tossing arm dropping quickly as he brings both hands back toward a compact ready position.
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2.9s |
BH Return 1st Serve · Deuce · Side #2.2
Max Mirnyi's first serve from the deuce court, filmed from a side angle. His racket drives up on edge before pronating into contact, with the ball struck at a high contact point well above his head to maximize racket head speed through the hitting zone.
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2.9s |
BH Return 1st Serve · Deuce · Side #3
Max Mirnyi's first serve from the deuce side, filmed from the side. His rhythm shows a pronounced knee bend and upward drive from a balanced base, with his feet landing well inside the court to aid quick recovery toward the net.
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2.7s |
BH Return 1st Serve · Deuce · Side #3.1
Max Mirnyi's first serve from the deuce court, filmed from the side. His footwork is compact with a small front-foot adjustment before he drives up into the serve from a mostly closed stance.
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2.7s |
BH Return 1st Serve · Deuce · Side #3.2
Max Mirnyi's first serve from the deuce court, filmed from the side. After contact his tossing arm drops quickly as his weight drives into the court, and he lands balanced with his upper body unwinding toward a compact ready position.
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2.7s |
BH Return 2nd Serve → FH Volley · Ad · Side #2
Max Mirnyi's forehand volley return of a second serve from the Ad court, filmed from the side. His racket contacts the ball slightly in front of his body with a firm, slightly open face and a compact forward punch, creating a crisp, direct path through contact.
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5.7s |
BH Return 2nd Serve · Ad · Side #1
Max Mirnyi's second serve from the Ad side, filmed from the side. His footwork includes a pronounced knee bend with a platform stance, then a strong upward drive off both legs into the court before landing on his front (left) foot.
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3.2s |
BH Return 2nd Serve · Ad · Side #1.1
Max Mirnyi's second serve from the Ad side, filmed from the side. His continental grip is clearly visible, with a relaxed wrist that pronates aggressively through contact to add spin.
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3.2s |
BH Return 2nd Serve · Ad · Side #1.2
Max Mirnyi's second serve from the Ad side, filmed from the side. His continental grip is firm with a noticeable relaxed wrist that pronates aggressively through contact to add spin.
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3.2s |
BH Return 2nd Serve · Ad · Side #2
Max Mirnyi's backhand return on a second serve from the Ad side, filmed from the side. His follow-through finishes high with the non-hitting arm counterbalancing behind him as he quickly regains a ready position with weight transferring back toward the center of the court.
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3.7s |
BH Return 2nd Serve · Ad · Side #2.1
Max Mirnyi's second serve from the Ad side, filmed from the side. His contact point is well in front of his body with a slightly closed racket face, and the racket head accelerates steeply upward along the right side of the ball to impart heavy spin.
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3.7s |
BH Return 2nd Serve · Ad · Side #2.2
Max Mirnyi's backhand return on a second serve from the Ad side, filmed from the side. His follow-through carries his racquet up and across his body while his weight transfers into the court, bringing him quickly back into a compact ready position for the next shot.
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3.7s |
BH Return 2nd Serve · Ad · Side #3
Max Mirnyi's second serve from the Ad court, filmed from the side. His hips stay relatively closed through the loading phase with a deep knee bend, then drive up explosively as his back leg extends into the court.
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3.8s |
BH Return 2nd Serve · Ad · Side #3.1
Max Mirnyi's second serve from the Ad side, filmed from the side. At contact his tossing arm is fully extended upward while the racket face is slightly closed, meeting the ball at a contact point well above his head with a steep upward swing path.
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3.8s |
BH Return 2nd Serve · Ad · Side #3.2
Max Mirnyi's second serve from the Ad court, filmed from a side angle. His deep knee bend and strong leg drive upward are clearly visible as his hips open toward the court during the serve motion.
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3.8s |
BH Return 2nd Serve · Ad · Side #4
Max Mirnyi's backhand return on a second serve from the Ad court, filmed from the side. His shoulders turn early with a pronounced trunk coil, then uncoil in sequence from hips to shoulders, making the upper body rotation easy to compare to the racquet's forward swing.
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3.5s |
BH Return 2nd Serve · Ad · Side #4.1
Max Mirnyi's backhand return of a second serve from the Ad side, filmed from the side. His feet set in a neutral stance with a compact split step into a short diagonal adjustment step before impact, followed by a quick crossover recovery toward the center.
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3.5s |
BH Return 2nd Serve · Ad · Side #4.2
Max Mirnyi's backhand return of a second serve from the Ad side, filmed from the side. He uses a compact split-step into a semi-open stance, then drives off his outside leg with a small recovery shuffle to stay ready for the next shot.
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3.5s |
BH Return Slice 2nd Serve · Ad · Side #1
Max Mirnyi's second serve from the Ad court, filmed from the side. His shoulders and trunk coil deeply away from the court during the toss, then uncoil in a clear sequential rotation from hips to shoulders into contact.
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3.1s |
BH Return Slice 2nd Serve · Ad · Side #1.1
Max Mirnyi's second serve from the Ad court, filmed from the side. His continental grip is firm with a relaxed wrist that pronates smoothly through contact, making the wrist snap especially visible from this angle.
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3.1s |
BH Return Slice 2nd Serve · Ad · Side #1.2
Max Mirnyi's second serve from the Ad court, filmed from the side. His legs load with a deep knee bend before driving upward, and his hips open toward the court as he uncoils into the serve.
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3.1s |
BH Return Slice 2nd Serve · Ad · Side #2
Max Mirnyi's second serve from the Ad court, filmed from the side. At contact his racket face is slightly closed with the ball struck just above head height, and the racket whips up and across to create strong topspin and kick.
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3.5s |
BH Return Slice 2nd Serve · Ad · Side #2.1
Max Mirnyi's second serve from the Ad court, filmed from the side. His knees load deeply before the upward drive, with a pronounced hip extension as he pushes off the ground into the serve.
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3.5s |
BH Return Slice 2nd Serve · Ad · Side #2.2
Max Mirnyi's second serve from the Ad side, filmed from the side. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating noticeable snap on the serve.
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3.5s |
BH Return Slice 2nd Serve · Ad · Side #3
Max Mirnyi's second serve from the Ad court, filmed from the side. From this angle, you can see his continental grip stay firm while his wrist pronates smoothly through contact, with only a subtle snap at the end of the motion.
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3s |
BH Return Slice 2nd Serve · Ad · Side #3.1
Max Mirnyi's second serve return backhand slice from the Ad side, filmed from the side. His hips stay relatively closed as he loads with a deep knee bend on the outside leg, then drives up and forward to knife through the slice.
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3s |
BH Return Slice 2nd Serve · Ad · Side #3.2
Max Mirnyi's second serve return backhand slice from the Ad court, filmed from the side. His hips stay relatively closed with a pronounced knee bend on the outside leg, giving a low, stable base as he drives through the return.
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3s |
BH Return Slice 2nd Serve · Deuce · Side #2
Max Mirnyi's backhand slice return on a second serve from the deuce court, filmed from the side. His hips stay relatively closed to the net while a pronounced knee bend and forward leg drive through the court are clearly visible during the return.
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3.4s |
BH Return Slice 2nd Serve · Deuce · Side
Max Mirnyi's second serve from the deuce side, filmed from the side. His hips load with a noticeable knee bend before driving upward, with the back leg extending strongly into the court as he uncoils into the serve.
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3.4s |
BH Return Slice 2nd Serve · Deuce · Side
Max Mirnyi's backhand slice return on a second serve from the deuce side, filmed from the side. His shoulders rotate early as the trunk coils against a stable lower body, then uncoil in sequence so the upper torso leads the racquet through a compact, skidding slice contact.
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3.4s |
FH Return 1st Serve · Ad · Side #1
Max Mirnyi's first serve from the Ad court, filmed from the side. His shoulders and trunk coil deeply away from the court during the toss, then uncoil in a pronounced sequence where the hips initiate the turn followed closely by a strong upper-body rotation into contact.
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2.7s |
FH Return 1st Serve · Ad · Side #2
Max Mirnyi's first serve from the Ad court, filmed from the side. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a pronounced wrist snap just after impact.
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3.1s |
FH Return 1st Serve · Ad · Side #3
Max Mirnyi's first serve from the Ad court, filmed from the side. His contact point is well above head height with a slightly pronated racket face and a steep upward swing path that produces notable racket head speed through the ball.
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2.2s |
FH Return 1st Serve · Deuce · Side #1
Max Mirnyi's first serve from the deuce side, filmed from the side. His shoulders load with a pronounced upper-body coil against the hips before uncoiling in sequence, making the trunk rotation and upward drive through contact very clear from this angle.
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2.4s |
FH Return 1st Serve · Deuce · Side #2
Max Mirnyi's first serve from the deuce court, filmed from the side. His follow-through carries his hitting arm down across his body as his weight lands on his front foot, quickly bringing both hands back to a ready position for the next shot.
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2.9s |
FH Return 1st Serve · Deuce · Side #3
Max Mirnyi's first serve from the deuce court, filmed from the side. His hips load with a deep knee bend and then drive upward aggressively, with strong leg extension propelling his body into the court.
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3.3s |
FH Return 2nd Serve · Ad · Side #2
Max Mirnyi's forehand return on a second serve from the Ad court, filmed from the side. His shoulders rotate early to load, with a pronounced trunk coil that uncoils in sync with his hip rotation through contact.
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3.3s |
FH Return 2nd Serve · Deuce · Side #1
Max Mirnyi's second serve from the deuce court, filmed from the side. His hips stay relatively closed during the knee bend, then drive upward with a strong leg push that extends his back leg and brings his front hip through into the court.
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4.4s |
FH Return 2nd Serve · Deuce · Side #2
Max Mirnyi's second serve from the deuce side, filmed from the side. At contact his racket face is slightly closed with the ball struck just above shoulder height, and the upward swing path creates noticeable racket head speed through the hitting zone.
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2.6s |
FH Return → BH Volley · Ad · Side
Max Mirnyi's backhand volley return from the Ad side, filmed from a side angle. His continental grip is firm with a slightly laid-back wrist, and you can see a compact wrist block at contact rather than any noticeable wrist snap through the ball.
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4.4s |
Second Serve · Ad · Arm-action · Court-level-front #2
Max Mirnyi's second serve from the Ad side, filmed from a court-level front angle. His footwork is compact with a small platform stance, and you can see a subtle knee bend and weight transfer forward as his back foot pivots up onto the toe during the service motion.
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2.1s |
Second Serve Down The Middle · Ad · Court-level-front #2
Max Mirnyi's second serve from the Ad court, filmed from a court-level front angle. He uses a strong platform stance with a pronounced knee bend, then drives up and into the court with a balanced landing on his front (left) foot before taking a small recovery step.
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2.3s |
Second Serve → FH Half Volley · Ad · Court-level-front #2
Max Mirnyi's second serve from the Ad side, filmed from a court-level front angle. His knees load deeply before the toss, and you can see his hips drive up and into the court as his back leg extends aggressively through the serve.
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3.9s |
Second Serve → BH Volley · Deuce · Court-level-front #2
Max Mirnyi's backhand volley from the deuce side, filmed from a court-level front angle. His continental grip is firm with a slightly laid-back wrist, and you can see a compact wrist block at contact with minimal wrist flick through the ball.
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4.4s |
Second Serve · Deuce · Court-level-front #2
Max Mirnyi's second serve from the deuce court, filmed from court-level front. His shoulders and trunk coil noticeably during the toss, then uncoil in a sequenced rotation that brings his chest square to the net just after contact.
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2.1s |
Second Serve → FH Volley · Deuce · Court-level-front #2
Max Mirnyi's forehand volley from the deuce side, filmed from court-level front. From this angle, his continental grip is evident with a firm but relaxed wrist that stays stable through contact with minimal wrist snap.
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4.2s |
Second Serve · Deuce · Leg-action · Court-level-front #2
Max Mirnyi's second serve from the deuce side, filmed from a court-level front angle. His contact point is well above head height with the racket face slightly closed, and the upward swing path creates strong racket head acceleration through the ball.
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2.2s |
Second Serve Down The Middle · Deuce · Court-level-rear #2
Max Mirnyi's second serve from the deuce court, filmed from a court-level rear angle. The racket contacts the ball slightly above shoulder height with a closed racket face and an upward, brushing swing path that adds kick while keeping the head accelerating through contact.
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2.6s |
Second Serve · Ad · Arm-action · Court-level-side #1
Max Mirnyi's second serve from the Ad side, filmed from a court-level side angle. His arm action shows a pronounced racquet drop behind his back before driving up to contact with the strings slightly tilted for added spin.
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2.3s |
Second Serve · Ad · Arm-action · Court-level-side #2
Max Mirnyi's second serve from the Ad side, filmed from a court-level side angle. His continental grip is firm with a slightly laid-back wrist that pronates aggressively through contact, creating a distinct snap just after impact.
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2.1s |
Second Serve → BH Volley · Ad · Court-level-side #2
Max Mirnyi's backhand volley from the Ad court, filmed from a court-level side angle. His footwork features a quick adjustment step into a stable neutral stance with the outside leg planting firmly before contact to support his forward momentum toward the net.
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4.5s |
Second Serve → BH Volley → OH · Ad · Court-level-side #2
Max Mirnyi's backhand volley from the Ad court, filmed from a court-level side angle. After contact he drives his weight forward into the court and quickly brings his racquet and non-hitting hand back toward a compact ready position for the next shot.
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6.9s |
Second Serve · Ad · Court-level-side #1
Max Mirnyi's second serve from the Ad court, filmed from a court-level side angle. The racket contacts the ball slightly above shoulder height with a noticeably closed racket face and an upward, brushing swing path that emphasizes spin.
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2.4s |
Second Serve · Ad · Court-level-side #2
Max Mirnyi's second serve from the Ad court, filmed from a court-level side angle. His footwork includes a measured platform stance with a controlled knee bend and a pronounced front-leg drive into the court before landing on his left foot and taking a small recovery step.
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2.4s |
Second Serve · Ad · Court-level-side #3
Max Mirnyi's second serve from the Ad side, filmed from a court-level side angle. His follow-through carries his body weight slightly into the court, with his non-hitting arm dropping back as he quickly regains a balanced ready position for the next shot.
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2.5s |
Second Serve → FH Volley · Ad · Court-level-side #2
Max Mirnyi's forehand volley from the Ad side, filmed from a court-level side angle. His racket face stays slightly open at contact with the ball meeting the strings just in front of his body and around waist height, creating a compact forward punch through the shot.
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5.7s |
Second Serve → FH Volley → OH · Ad · Court-level-side #2
Max Mirnyi's forehand volley from the Ad side, filmed from a court-level side angle. His footwork includes a compact adjustment step into the volley with a slightly open stance, followed by a quick crossover recovery step back toward the center of the net.
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8.2s |
Second Serve · Ad · Toss · Court-level-side #2
Max Mirnyi's second serve from the Ad court, filmed from a court-level side angle. His deep knee bend and strong leg drive upward are clearly visible, with the hips staying closed to the net until just before contact.
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2.2s |
Second Serve · Deuce · Arm-action · Court-level-side #1
Max Mirnyi's second serve from the deuce side, filmed from a court-level side angle. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, showing a distinct upward snap just after ball strike.
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2.4s |
Second Serve · Deuce · Arm-action · Court-level-side #2
Max Mirnyi's second serve from the deuce side, filmed from a court-level side angle. His hips stay relatively closed through the knee bend before driving up, with a strong upward leg push that helps his back hip rotate through into the court.
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2.3s |
Second Serve · Deuce · Arm-action · Court-level-side #3
Max Mirnyi's second serve from the deuce court, filmed from a court-level side angle. His follow-through brings his hitting arm down across his body while his weight moves into the court, quickly transitioning him into a balanced ready position for the next shot.
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2.3s |
Second Serve → BH Volley · Deuce · Court-level-side #2
Max Mirnyi's backhand volley from the deuce side, filmed from a court-level side angle. His shoulders stay relatively closed through contact while the trunk uncoils late, making the upper body rotation clearly linked to the forward drive of the racket.
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4.6s |
Second Serve · Deuce · Court-level-side #1
Max Mirnyi's second serve from the deuce side, filmed from a court-level side angle. His racket contacts the ball slightly above shoulder height with a noticeably closed racket face, creating a pronounced upward and brushing swing path that accelerates through contact.
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2.4s |
Second Serve · Deuce · Court-level-side #2
Max Mirnyi's second serve from the deuce court, filmed from a court-level side angle. His deep knee bend and strong leg drive upward into contact are clearly visible, with his hips uncoiling toward the court as he pushes off the ground.
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2.3s |
Second Serve → FH Volley · Deuce · Court-level-side #2
Max Mirnyi's forehand volley from the deuce side, filmed from a court-level side angle. His racket face stays slightly open at contact with the ball meeting the strings just in front of his lead hip, creating a compact forward punch through the shot.
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6.4s |
Second Serve → FH Volley → FH Volley · Deuce · Court-level-side #2
Max Mirnyi's forehand volley from the deuce side, filmed from a court-level side angle. He takes a small adjustment step forward with a semi-open stance, using a short split-step and quick recovery step back toward the center of the net.
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6.5s |
Second Serve · Deuce · Leg-action · Court-level-side #2
Max Mirnyi's second serve from the deuce side, filmed from a court-level side angle. His footwork includes a rhythmic rocking motion into a deep knee bend, with a clear pivot off the back leg into an aggressive forward drive toward the court.
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2.5s |
Second Serve · Deuce · Toss · Court-level-side #2
Max Mirnyi's second serve from the deuce side, filmed from a court-level side angle. The racket stays relaxed during the toss, then accelerates upward into contact with a slightly closed face at a contact point well above his head.
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2.2s |
Second Serve · Ad · Arm-action · Front #2
Max Mirnyi's second serve from the Ad side, filmed from the front. His follow-through finishes with the hitting arm extending across his body while his non-hitting hand drops quickly, helping him recover into a compact ready position.
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2.5s |
Second Serve → BH Volley · Ad · Front #2
Max Mirnyi's backhand volley from the Ad court, filmed from the front. His follow-through finishes out in front with the non-hitting hand helping stabilize the racquet path as he quickly resets his feet toward a ready position.
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3.9s |
Second Serve · Ad · Body-rotation · Front #1
Max Mirnyi's second serve from the Ad side, filmed from the front. He sets up in a mostly neutral stance, using a small rhythmic rock of his feet before a compact pivot and upward drive off his back leg into the court.
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2.4s |
Second Serve · Ad · Body-rotation · Front #2
Max Mirnyi's second serve from the Ad court, filmed from the front. His contact point is slightly above head height with a closed racket face, and you can see the racket accelerate up and across his body to generate spin.
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2.4s |
Second Serve Down The Middle · Ad · Front #2
Max Mirnyi's second serve from the Ad court, filmed from the front. His hips stay relatively closed through the toss and knee bend, then drive upward with a strong leg push that straightens both knees aggressively into the court.
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2.5s |
Second Serve · Ad · Front #1
Max Mirnyi's second serve from the Ad court, filmed from the front. His follow-through carries his racquet hand across his body while his weight moves into the court, bringing him quickly back into a tall, ready position for the next shot.
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2.2s |
Second Serve · Ad · Front #2
Max Mirnyi's second serve from the Ad court, filmed from a front angle. His front-on footwork shows a measured, rhythmic rocking motion into a mostly neutral stance, with a clear front-foot pivot as he drives up to the ball.
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3s |
Second Serve · Ad · Front #3
Max Mirnyi's second serve from the Ad court, filmed from the front. His continental grip is clearly visible with a relaxed hand, and you can see pronounced wrist pronation through contact that keeps the racquet face closing slightly as it moves up and across the ball.
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2.4s |
Second Serve · Ad · Toss · Front #2
Max Mirnyi's second serve from the Ad side, filmed from the front. His hips stay relatively closed through the toss while a deep knee bend and strong leg drive upward are clearly visible as he transitions into the serve motion.
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2.5s |
Second Serve Wide · Ad · Front #1
Max Mirnyi's second serve from the Ad court, hit wide and filmed from the front. His hips stay relatively closed through the toss and loading phase, with a deep knee bend and strong upward leg drive that uncoils his hips into the court.
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2.9s |
Second Serve Wide · Ad · Front #2
Max Mirnyi's second serve from the Ad court, hit wide and filmed from the front. From this angle you can see his continental grip stay firm as his wrist pronates aggressively through contact to direct the serve out wide.
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2.8s |
Second Serve Wide · Ad · Front #242
Max Mirnyi's second serve from the Ad court, hit wide, filmed from the front. The racket face is slightly closed at contact with the ball struck just above shoulder height, and the upward swing path creates pronounced kick and spin.
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2.3s |
Second Serve Wide · Ad · Front #3
Max Mirnyi's second serve from the Ad court, hit wide and filmed from the front. His deep knee bend and strong leg drive upward are clearly visible as his hips stay relatively closed to the baseline through the loading phase.
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2.5s |
Second Serve · Deuce · Arm-action · Front #2
Max Mirnyi's second serve from the deuce side, filmed from the front. His hips stay relatively square to the net with a deep knee bend, and you can see strong upward leg drive as he extends through the serve motion.
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2.8s |
Second Serve → BH Volley → FH Volley · Deuce · Front #2
Max Mirnyi's forehand volley from the deuce side, filmed from the front. From this angle, his continental grip is clear with a firm but relaxed wrist, showing minimal wrist snap as he punches through the volley.
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5.9s |
Second Serve · Deuce · Body-rotation · Front #2
Max Mirnyi's second serve from the deuce court, filmed from the front. His hips stay relatively closed through the knee bend and then uncoil upward as his legs drive off the ground, showing a strong upward push from both legs.
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2.5s |
Second Serve Down The Middle · Deuce · Front #1
Max Mirnyi's second serve from the deuce court, filmed from the front. At contact his racket face is nearly square to the ball with a slightly closed angle and the ball struck around head height, indicating an upward, spin-oriented swing path.
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2.9s |
Second Serve Down The Middle · Deuce · Front #2
Max Mirnyi's second serve from the deuce court, filmed from the front. After contact he lets his hitting arm extend fully toward the target while his weight transfers into the court and his non-hitting hand drops back to help him settle quickly into a compact ready position.
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2.3s |
Second Serve Down The Middle · Deuce · Front #3
Max Mirnyi's second serve from the deuce side, filmed from the front. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a distinct wrist snap visible straight on.
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2.7s |
Second Serve → FH Volley → FH Volley · Deuce · Front #2
Max Mirnyi's forehand volley from the deuce side, filmed from the front. At contact his racket face is slightly open with the ball meeting the strings around chest height, and the compact forward punch keeps the racket head moving directly through the line of the shot.
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7.2s |
Second Serve → FH Volley · Deuce · Front #2
Max Mirnyi's forehand volley from the deuce side, filmed from the front. His shoulders stay relatively square to the net with only a modest trunk rotation, and the forward uncoil of his torso clearly precedes the extension of his hitting arm through the volley.
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4.2s |
Second Serve · Deuce · Front #1
Max Mirnyi's second serve from the deuce side, filmed from the front. His hips stay relatively closed to the net while a deep knee bend and strong upward leg drive are clearly visible as he pushes into the court.
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2.4s |
Second Serve · Deuce · Front #2
Max Mirnyi's second serve from the deuce side, filmed from the front. His continental grip is firm with a slightly extended wrist, and you can clearly see the forearm pronation and wrist snap driving up and through the ball at contact.
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2.4s |
Second Serve · Deuce · Front #3
Max Mirnyi's second serve from the deuce court, filmed from the front. His hips stay relatively closed to the baseline as he loads, with a pronounced knee bend and upward leg drive that lifts his body into the court.
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2.4s |
Second Serve · Deuce · Front #4
Max Mirnyi's second serve from the deuce court, filmed from the front. His moderate shoulder turn and compact trunk coil are clearly visible as he uncoils sequentially from the torso through the serving arm during the upward swing.
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2.9s |
Second Serve · Deuce · Toss · Front #2
Max Mirnyi's second serve from the deuce side, filmed from the front. His continental grip is clearly visible with a relaxed hand, and there is a noticeable early wrist pronation as he drives up to contact.
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2.3s |
Second Serve Wide · Deuce · Front #1
Max Mirnyi's second serve wide from the deuce court, filmed from the front. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a distinct wrist snap toward the wide target.
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2.6s |
Second Serve Wide · Deuce · Front #2
Max Mirnyi's second serve wide from the Deuce side, filmed from the front. His deep knee bend and strong leg drive into the court are clearly visible, with the hips uncoiling upward as he pushes off the ground.
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2.8s |
Second Serve → BH Volley · Ad · Rear #2
Max Mirnyi's backhand volley from the Ad court, filmed from a rear angle. His hips stay relatively square to the net with a strong, wide base, and he uses a pronounced knee bend to drive up and through the volley.
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4.3s |
Second Serve · Ad · Rear #2
Max Mirnyi's second serve from the Ad court, filmed from a rear angle. His shoulders and trunk show a pronounced coil against the hips on the toss, then uncoil in sequence so the torso leads the racquet arm into contact.
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2.6s |
Second Serve · Ad · Body-rotation · Rear #1
Max Mirnyi's second serve from the Ad court, filmed from a rear angle. His deep shoulder turn and pronounced trunk coil are clearly visible as his torso rotates aggressively into the court before contact, with the uncoiling sequence starting from the hips and moving up through the shoulders.
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2.8s |
Second Serve Down The Middle · Ad · Rear #2
Max Mirnyi's second serve from the Ad court down the middle, filmed from a rear angle. After contact he drives his weight into the court and quickly brings his non-hitting hand back to the racket to re-establish a compact ready position for the next shot.
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2.7s |
Second Serve → FH Volley · Ad · Rear #1
Max Mirnyi's forehand volley from the Ad court, filmed from a rear angle. His shoulders stay relatively closed through the forward move while the trunk rotates as a single unit with minimal independent hip turn, creating a compact coil-uncoil sequence suited to quick reaction volleys.
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5.4s |
Second Serve → FH Volley · Ad · Rear #2
Max Mirnyi's forehand volley from the Ad court, filmed from a rear angle. His hips stay relatively closed to the net while his knees are flexed, with a short forward leg drive that lets his weight move through the volley without a large step.
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4.5s |
Second Serve · Ad · Leg-action · Rear #2
Max Mirnyi's second serve from the Ad court, filmed from the rear. His footwork features a rhythmic rocker step into a pinpoint stance, with a pronounced knee bend and upward drive off the front leg before landing well inside the baseline.
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2.6s |
Second Serve · Ad · Rear #2
Max Mirnyi's second serve from the Ad court, filmed from a rear angle. He uses a measured platform stance with a deliberate knee bend and a controlled front-foot pivot to drive up into the ball.
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2.3s |
Second Serve · Ad · Toss · Rear #2
Max Mirnyi's second serve from the Ad court, filmed from a rear angle. His contact point is well above head height with the racket face slightly closed, and the upward swing path creates strong racket head speed through the ball.
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2.4s |
Second Serve · Deuce · Arm-action · Rear #2
Max Mirnyi's second serve from the deuce court, filmed from a rear angle. His shoulders rotate as a unit with the trunk on the toss, then uncoil in sequence so the hitting shoulder lags slightly behind the torso before driving up into contact.
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2.4s |
Second Serve · Deuce · Body-rotation · Rear #2
Max Mirnyi's second serve from the deuce court, filmed from a rear angle. His contact is made slightly above head height with a closed racket face, and the rear view makes his upward swing path and rapid racket head acceleration through the ball clearly visible.
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2.3s |
Second Serve Down The Middle · Deuce · Rear #1
Max Mirnyi's second serve from the deuce court, filmed from a rear angle. His continental grip is clearly visible on the serve, with a loose wrist that pronates aggressively through contact to add spin and control.
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2.5s |
Second Serve Down The Middle · Deuce · Rear #2
Max Mirnyi's second serve from the deuce side, filmed from a rear angle. His shoulders and trunk show a pronounced coil during the trophy phase, with a clear sequential uncoiling from the hips through the torso into the serving arm.
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2.5s |
Second Serve · Deuce · Leg-action · Rear #2
Max Mirnyi's second serve from the deuce side, filmed from a rear angle. His leg drive is clearly visible as he pushes up through his back leg and lands balanced inside the court, quickly gathering his feet under him to transition toward a ready position for the next shot.
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2.7s |
Second Serve · Deuce · Rear #2
Max Mirnyi's second serve from the deuce side, filmed from a rear angle. His shoulders and trunk show a pronounced coil during the toss, with a clear uncoiling sequence where the hips initiate rotation followed by the upper torso to drive up into the serve.
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2.4s |
Second Serve · Deuce · Toss · Rear #2
Max Mirnyi's second serve from the deuce side, filmed from a rear angle. His follow-through leads his hitting arm across his body while his weight moves into the court, quickly bringing both hands back to a ready position for the next shot.
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2.5s |
Second Serve · Ad · Arm-action · Side #2
Max Mirnyi's second serve from the Ad side, filmed from the side. His tossing arm stays extended upward as the racket drops deeply behind his back, creating a pronounced racket lag before accelerating up to contact.
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2.6s |
Second Serve → BH Half Volley · Ad · Side #2
Max Mirnyi's second serve from the Ad court, filmed from the side. He uses a controlled platform stance with a rhythmic knee bend, and his front leg drives up into the court to aid forward momentum into his landing and first recovery step.
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3.9s |
Second Serve → BH Volley · Ad · Side #2
Max Mirnyi's backhand volley from the Ad court, filmed from a side angle. His knees are noticeably flexed as he loads, with his hips staying relatively square to the net while his back leg drives slightly forward through contact.
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4.8s |
Second Serve · Ad · Body-rotation · Side #2
Max Mirnyi's second serve from the Ad court, filmed from the side. His deep knee bend and aggressive hip drive upward are clearly visible as his legs extend explosively through the ball.
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2.4s |
Second Serve → FH Volley · Ad · Side #2
Max Mirnyi's forehand volley from the Ad side, filmed from the side. After contact he drives his weight forward into the court and quickly brings his racquet and non-hitting hand back toward a compact ready position for the next shot.
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4.7s |
Second Serve · Ad · Leg-action · Side #2
Max Mirnyi's second serve from the Ad court, filmed from the side. His continental grip stays firm with minimal grip change, and you can clearly see his wrist pronation accelerate through contact to add spin and control on the serve.
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2.5s |
Second Serve · Ad · Side #1
Max Mirnyi's second serve from the Ad side, filmed from the side. His deep knee bend and strong upward leg drive into the court are clearly visible as his hips stay closed longer before uncoiling into the serve.
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2.3s |
Second Serve · Ad · Side #2
Max Mirnyi's second serve from the Ad side, filmed from the side. His footwork includes a pronounced front-foot pivot into a mostly neutral stance, with a compact knee bend and a small hop into the court after contact for recovery.
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2.4s |
Second Serve · Ad · Side #3
Max Mirnyi's second serve from the Ad side, filmed from the side. His shoulders rotate significantly away from the court during the toss, then the trunk uncoils upward and forward in sequence with his hitting arm to drive through the serve.
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2.4s |
Second Serve · Ad · Toss · Side #2
Max Mirnyi's second serve from the Ad side, filmed from the side. His shoulder line turns noticeably away from the court during the toss, with a pronounced trunk coil that uncoils upward and forward in sync with his leg drive into the serve.
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2.4s |
Second Serve · Deuce · Arm-action · Side #1
Max Mirnyi's second serve from the deuce side, filmed from the side. His tossing arm extends fully upward before dropping as his racket arm whips up into contact with a slightly closed racket face at a contact point around head height.
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2.2s |
Second Serve · Deuce · Arm-action · Side #2
Max Mirnyi's second serve from the deuce side, filmed from a side angle. His hips stay relatively closed through the knee bend before driving upward, with a pronounced leg drive that extends his back leg and lifts his torso into the serve.
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2.7s |
Second Serve → BH Volley · Deuce · Side #2
Max Mirnyi's backhand volley from the deuce side, filmed from the side. His racket face stays slightly open at contact with the ball meeting the strings just in front of his body at about waist height, and the compact swing path keeps the racket head moving directly through the line of the shot.
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4.8s |
Second Serve · Deuce · Body-rotation · Side #2
Max Mirnyi's second serve from the deuce side, filmed from the side. His contact point is well in front of his body with the racket face slightly closed, and the upward swing path creates strong racket head speed through the ball.
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2.3s |
Second Serve · Deuce · Leg-action · Side #2
Max Mirnyi's second serve from the deuce court, filmed from the side. His shoulder line stays relatively closed as his trunk coils during the toss, then uncoils in sync with his leg drive to transfer energy up the kinetic chain.
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2.8s |
Second Serve · Deuce · Side #1
Max Mirnyi's second serve from the deuce side, filmed from the side. His follow-through carries his hitting arm across his body as his weight moves into the court, quickly bringing both hands back to a ready position for the next shot.
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2.8s |
Second Serve · Deuce · Side #2
Max Mirnyi's second serve from the deuce side, filmed from the side. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, making the wrist snap especially visible from this angle.
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2.4s |
Second Serve · Deuce · Side #3
Max Mirnyi's second serve from the deuce side, filmed from the side. The racket contacts the ball slightly above shoulder height with a clearly closed face and an upward brushing path that emphasizes spin over speed.
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2.4s |
Second Serve · Deuce · Toss · Side #2
Max Mirnyi's second serve from the deuce side, filmed from the side. His stance shows a solid platform base with a pronounced knee bend, and you can see a rhythmic weight transfer from back foot to front foot as he drives up into the toss.
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2.8s |
BH Slice Wide · Court-level-front
Max Mirnyi's backhand slice from a wide position, filmed from a court-level front angle. His follow-through finishes with the racquet out in front as he transfers weight onto his front foot, quickly bringing both hands back toward a compact ready position for the next shot.
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2.8s |
BH Slice Center · Arm-action · Court-level-side #1
Max Mirnyi's backhand slice from the center of the court, filmed from a court-level side angle. He sets up in a neutral stance with a pronounced upper-body turn, taking small adjustment steps to align to the ball before using a long forward stride through contact.
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2.9s |
BH Slice Center · Arm-action · Court-level-side #2
Max Mirnyi's backhand slice from center court, filmed from a court-level side angle. His racket face stays noticeably open at contact with the ball taken around waist height, and the downward, slightly forward swing path creates a distinct skidding slice effect.
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2.9s |
BH Slice Center · Arm-action · Court-level-side #3
Max Mirnyi's backhand slice from the center of the court, filmed from a court-level side angle. After contact his racquet finishes out in front with the non-hitting hand staying back for counterbalance as he transfers weight forward and quickly recovers toward a neutral ready position.
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2.9s |
BH Slice Short · Arm-action · Court-level-side #1
Max Mirnyi's backhand slice from the middle of the court, filmed from a court-level side angle. His stance stays mostly neutral with a pronounced upper-body turn, and his footwork uses small adjustment steps to set the right distance before carving the slice.
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2s |
BH Slice Short · Arm-action · Court-level-side #2
Max Mirnyi's backhand slice from the middle of the court, filmed from a court-level side angle. His hips stay relatively closed while his knees flex into a low base, and his back leg extends slightly behind to support a long, driving step through the shot.
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2.3s |
BH Slice Short · Court-level-side #1
Max Mirnyi's backhand slice from the middle of the court, filmed from a court-level side angle. His continental grip is firm with a slightly laid-back wrist, creating a stable racket face that stays open through contact.
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2.4s |
BH Slice Short · Court-level-side #2
Max Mirnyi's backhand slice from the short court, filmed from a court-level side angle. His hips stay relatively closed with a pronounced knee bend on the outside leg, giving a low, stable base as he carves under the ball.
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2s |
BH Slice Short · Court-level-side #3
Max Mirnyi's backhand slice from the middle of the court, filmed from a court-level side angle. At contact, his racket face is slightly open with the ball struck around waist height, and the racket moves on a distinctly downward, carving path through the ball.
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3.2s |
BH Slice Wide · Arm-action · Court-level-side #1
Max Mirnyi's backhand slice from a wide position, filmed from a court-level side angle. The racket face is noticeably open at contact with the ball struck around waist height, and the racket path moves on a clear downward and slightly forward trajectory through impact.
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2.7s |
BH Slice Wide · Arm-action · Court-level-side #2
Max Mirnyi's backhand slice from a wide position, filmed from a court-level side angle. His continental grip is firm with the hitting wrist held relatively stable through contact, creating a consistent racket face angle with minimal wrist break.
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2.8s |
BH Slice Wide · Court-level-side
Max Mirnyi's backhand slice from a wide position, filmed from a court-level side angle. His hips stay relatively closed with a pronounced knee bend on the outside leg, creating a low base as he drives laterally toward the wide ball.
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2.9s |
BH Slice Center · Front #1
Max Mirnyi's backhand slice from the center of the court, filmed from the front. His shoulders stay relatively closed as the trunk rotates smoothly through contact, with a clear sequential uncoiling from upper torso to hitting arm visible from this angle.
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2.6s |
BH Slice Center · Front #2
Max Mirnyi's backhand slice from the center of the court, filmed from the front. His shoulders stay relatively closed with a pronounced upper-body tilt, and the trunk uncoils gradually through contact, making the shoulder line remain angled well past impact.
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3.1s |
BH Slice Short · Front
Max Mirnyi's backhand slice from the center, filmed from the front. His follow-through finishes with the racket face slightly open in front of his body as his weight transfers onto his front foot and he quickly brings both hands back toward a ready position.
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3.1s |
BH Slice Wide · Front #1
Max Mirnyi's backhand slice from the center, hit wide, filmed from the front. His continental grip is clearly visible, with a firm but relaxed hand and a slightly laid-back wrist that stays stable through contact to keep the slice low and controlled.
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2.6s |
BH Slice Wide · Front #2
Max Mirnyi's backhand slice from a wide position, filmed from the front. His staggered neutral stance and small adjustment steps into the ball are clearly visible before he carves the slice and then uses a couple of quick recovery steps to re-center.
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3s |
BH Slice Wide · Front #3
Max Mirnyi's backhand slice from a wide position, filmed from the front. His hips stay relatively closed with a pronounced knee bend on the outside leg, giving a low base as he carves around the ball.
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2.4s |
BH Slice Wide · Front #4
Max Mirnyi's backhand slice from a wide position, filmed from the front. His shoulders stay relatively closed with a pronounced upper-body tilt, and the trunk rotation is limited as he carves around the ball with a compact, mostly upper-body-driven swing.
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3.1s |
BH Slice Center · Rear #1
Max Mirnyi's backhand slice from center court, filmed from a rear angle. His footwork includes a small adjustment hop into a neutral stance, with his outside leg planting early to support a long, low slicing step through the shot.
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3.1s |
BH Slice Center · Rear #2
Max Mirnyi's backhand slice from the center of the court, filmed from a rear angle. His footwork includes a small adjustment hop into a neutral stance, with his right foot slightly behind as he glides into the slice and then takes a couple of recovery steps back toward the middle.
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3.3s |
BH Slice Short · Rear #1
Max Mirnyi's backhand slice from the center of the court, filmed from a rear angle. His racket face is noticeably open at contact with the ball struck around waist height, and the downward, slightly across-the-body swing path creates a pronounced backspin effect.
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2.6s |
BH Slice Short · Rear #2
Max Mirnyi's backhand slice from the center of the court, filmed from a rear angle. His continental grip is clearly visible, with a firm but relaxed wrist that stays stable through contact and then slightly opens as the racquet face continues down the slicing path.
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2.3s |
BH Slice Wide · Rear #1
Max Mirnyi's backhand slice from a wide position, filmed from a rear angle. His continental grip is firm with a slightly laid-back wrist that stays stable through contact, creating a consistent slicing angle without excessive wrist snap.
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2.9s |
BH Slice Wide · Rear #2
Max Mirnyi's backhand slice from a wide position, filmed from a rear angle. His footwork features a quick adjustment step out toward the sideline followed by a slightly closed stance as he carves the slice and begins a small recovery step back toward the court.
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3s |
BH Slice Wide · Rear #3
Max Mirnyi's backhand slice from a wide position, filmed from a rear angle. His shoulders rotate early as he sets the racquet, then his trunk stays relatively closed through contact with a controlled uncoil driven mainly by the upper body rather than a full hip turn.
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2.8s |
BH Slice Center · Side
Max Mirnyi's backhand slice from the center of the court, filmed from the side. His hips stay relatively closed with a pronounced knee bend on the outside leg, creating a low, stable base as he drives forward through the shot.
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2.5s |
BH Slice Short · Side
Max Mirnyi's backhand slice from the middle of the court, filmed from the side. His racket face stays slightly open at contact with the ball struck around waist height, and the downward, elongated swing path creates a pronounced underspin effect.
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1.9s |
BH Slice Wide · Side #1
Max Mirnyi's backhand slice from a wide position, filmed from the side. His follow-through finishes with the racquet hand extended forward while his weight continues to move toward the court, quickly bringing his non-hitting hand back to the handle area to re-form a ready position.
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2.4s |
BH Slice Wide · Side #2
Max Mirnyi's backhand slice from a wide position, filmed from the side. His follow-through extends out toward the target with the non-hitting hand staying back for counterbalance as he recovers quickly toward a neutral ready position.
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3s |
Belarus
