Tplayer.Interactive Forum.Raonic Serve
Raonic's serve from a central baseline position, filmed from a front interactive forum angle. His feet start in a platform stance with a clear weight shift onto the front foot before he drives up into the ball.
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63.3s |
Arm-action
Milos Raonic's serve from the center of the baseline, filmed from a rear angle in ultra slow motion. His tossing arm stays extended upward as his hitting arm accelerates, then folds down across his body while his weight lands on his front foot and he recovers toward a ready position.
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9999 |
0.1s |
BH Moves Back · Court-level-front · Open · 120fps
Milos Raonic's backhand from a neutral position while moving back in open stance, filmed from a court-level front angle in 120 fps slow motion. His follow-through finishes high with both hands on the racquet and his weight settling onto the outside leg before he resets into a compact ready position.
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120 |
2.6s |
BH Running · Court-level-front · 120fps
Milos Raonic's running backhand from a neutral court position, filmed from a court-level front angle at 120 fps. His shoulders and trunk show a pronounced coil with the front shoulder closing toward the net before a sequential uncoiling that starts from the hips and continues through the torso into the two-handed swing.
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120 |
2.1s |
BH Running · Court-level-front · Open · 120fps
Milos Raonic's running two-handed backhand from an open stance, filmed from a court-level front angle at 120 fps. His hips stay relatively open to the net while his outside leg plants and drives upward, with a noticeable knee bend that loads before extending through the shot.
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120 |
3.6s |
BH Volley · Court-level-front · 240fps
Milos Raonic's backhand from the middle of the court, filmed from a court-level front angle at 240 fps. His shoulders rotate as a single unit with the trunk on the unit turn, then the trunk uncoils ahead of the arms, making the delayed shoulder and racquet release especially clear in slow motion.
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240 |
2.1s |
BH Wide · Court-level-front · Closed · 250fps #2
Milos Raonic's two-handed backhand on a wide ball from a closed stance, filmed from a court-level front angle in high-speed 250 fps. From this angle, you can clearly see his firm, eastern backhand grip on the left hand with a laid-back wrist that maintains lag until just before contact, followed by a compact, controlled wrist release through the ball.
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250 |
3.5s |
BH Wide · Court-level-front · Closed · 120fps #1
Milos Raonic's two-handed backhand wide from a closed stance, filmed from a court-level front angle at 120 fps. His shoulders rotate as a single unit with the trunk on the unit turn, then uncoil in sequence from hips to shoulders, making the degree of upper-body rotation and timing of the trunk release easy to distinguish in slow motion.
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120 |
3.1s |
BH Wide · Court-level-front · Closed · 120fps #3
Milos Raonic's two-handed backhand from a wide position in a closed stance, filmed from a court-level front angle at 120 fps. His hands stay relatively relaxed on the handle with a firm but not rigid grip, and the slow motion makes it easy to see the controlled wrist flexion and limited wrist roll through contact.
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120 |
2.7s |
BH Wide · Court-level-front · Open · 250fps
Milos Raonic's two-handed backhand on a wide ball from an open stance, filmed from a court-level front angle at 250 fps. After contact he lets the racquet finish high with the shoulders continuing to rotate while his weight shifts back toward the center of the baseline, and his non-hitting hand quickly returns toward the handle as he begins to recover into a ready position.
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250 |
3.6s |
BH Center · Court-level-side · Closed · 120fps
Milos Raonic's backhand from the center of the court in a closed stance, filmed from a court-level side angle at 120 fps. His feet plant on a strong closed base with the front foot stepping diagonally into the court before he drives through the shot and uses a small shuffle to recover back toward center.
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120 |
3s |
BH Moves Back · Court-level-side · 120fps
Milos Raonic's two-handed backhand while moving back from a neutral court position, filmed from a court-level side angle. His relatively firm eastern backhand grip on the bottom hand combines with a laid-back wrist and delayed uncoiling of the hitting arm, making the moment of wrist release at contact especially clear in slow motion.
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120 |
2.2s |
BH Moves Back · Court-level-side · Open · 240fps
Milos Raonic's backhand from a moving-back open stance on the baseline, filmed from a court-level side angle in 240 fps slow motion. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils ahead of the arms to initiate the kinetic chain into contact.
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240 |
3.2s |
BH Running · Court-level-side · Open · 120fps
Milos Raonic's running backhand from the side of the court, filmed from a court-level side angle in 120 fps slow motion. His open stance is clear as he plants his outside foot first while moving laterally, then uses small adjustment steps to load on his right leg before swinging and taking a crossover recovery step.
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120 |
2.6s |
BH Short · Arm-action · Court-level-side · 120fps #1
Milos Raonic's backhand from a neutral court position, filmed from a court-level side angle in 120 fps slow motion. His hips stay relatively closed through the loading phase while his knees are deeply flexed, creating a strong base before his legs drive upward into the shot.
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120 |
2.2s |
BH Short · Arm-action · Court-level-side · 240fps #2
Milos Raonic's backhand from the middle of the court, filmed from a court-level side angle in 240 fps slow motion. His compact arm action keeps the racket head close to the body before extending through contact, with the racket face slightly closed at a contact point around waist to hip height.
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240 |
2.9s |
BH Short · Court-level-side · 240fps
Milos Raonic's backhand from the short court, filmed from a court-level side angle at 240 fps. His two-handed BH uses a neutral stance with a small adjustment step into the ball, followed by a quick crossover recovery step back toward the baseline.
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240 |
2.6s |
BH Volley · Court-level-side · 240fps
Milos Raonic's backhand from the middle of the court, filmed from a court-level side angle. His two-handed grip is clearly visible, with the non-dominant hand driving the racquet and the wrists staying firm with minimal wrist snap through contact.
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240 |
1.6s |
BH Volley · Court-level-side · 240fps #2
Milos Raonic's backhand from the middle of the court, filmed from a court-level side angle. His hips stay relatively closed at the start of the swing with a deep knee bend, then drive upward through contact as his legs extend to push off the ground.
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240 |
2s |
BH Volley · Court-level-side · 240fps #5
Milos Raonic's backhand from the middle of the court, filmed from a court-level side angle. His footwork includes a small adjustment hop into a neutral stance, with a clear weight transfer from the outside leg and a quick recovery step back toward the center after contact.
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240 |
2s |
BH Volley · Court-level-side · 240fps #6
Milos Raonic's backhand from the middle of the court, filmed from a court-level side angle. The racket face stays relatively closed at contact with the ball struck around waist height, and the racket head accelerates steeply upward along the swing path for added topspin.
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240 |
2.1s |
BH Volley Low · Court-level-side · 240fps
Milos Raonic's backhand from a neutral court position, filmed from a court-level side angle at 240 fps. His two-handed grip shows the dominant right hand in a continental position with the left hand driving the racket, and the slow motion makes the delayed wrist release and firm, stable wrists at contact clearly visible.
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240 |
2.4s |
BH Wide · Court-level-side · Closed · 120fps #6
Milos Raonic's backhand from a wide position on the court, filmed from a court-level side angle. His closed stance shows a strong base with the outside knee deeply flexed and the hips staying closed to the net as he drives off the back leg into the shot.
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120 |
2.9s |
BH Wide · Court-level-side · Neutral · 120fps #1
Milos Raonic's backhand from a wide ball in neutral stance, filmed from a court-level side angle at 120 fps. His shoulders rotate as a unit with the trunk into a strong coil on the unit turn, then uncoil sequentially from hips through torso to shoulders before the arms release through contact.
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120 |
4.5s |
BH Wide · Court-level-side · Neutral · 240fps #2
Milos Raonic's backhand from a wide position on the court, filmed from a court-level side angle in 240 fps slow motion. His neutral stance is clear as he plants both feet on the baseline, using small adjustment steps to set up before rotating through the shot and then performing a quick recovery step back toward the center.
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240 |
2.6s |
BH Wide · Court-level-side · Open · 120fps #1
Milos Raonic's wide backhand from an open stance, filmed from a court-level side angle at 120 fps. His shoulders and trunk show a pronounced early coil with the hips slightly leading the uncoil, making the sequential rotation of the upper body particularly clear in slow motion.
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120 |
2.7s |
BH Wide · Court-level-side · Open · 240fps #2
Milos Raonic's wide backhand from the side of the court, filmed from a court-level side angle in 240 fps slow motion. He plants in an open stance with his outside foot loading first, then uses a small recovery shuffle back toward the center after contact.
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240 |
2s |
BH Center · Front · Neutral · 240fps #2
Milos Raonic's backhand from the center in a neutral stance, filmed from a front angle at 240 fps. His shoulders rotate as a single unit with the trunk on the unit turn, then uncoil in sequence from hips to shoulders, making the separation between upper and lower body timing clearly visible in slow motion.
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240 |
2.5s |
BH Center · Front · Closed · 120fps
Milos Raonic's backhand from the center of the court in a closed stance, filmed from the front at 120fps slow motion. His follow-through finishes high with the racket over his front shoulder as his weight transfers onto the front foot, and he quickly brings both hands back toward his torso to recover into a ready position.
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120 |
2.6s |
BH Center · Front · Neutral · 240fps #1
Milos Raonic's backhand from the center in a neutral stance, filmed from the front at 240 fps. His two-handed grip shows a firm continental right hand with the left hand driving the racket and a stable, minimally flexing wrist structure through contact.
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240 |
2.9s |
BH Moves Back · Front · 240fps
Milos Raonic's backhand while moving back from a neutral position, filmed from the front at 240 fps. The racket face is slightly closed at a contact point around waist height, with the top hand driving the racket head up and through the ball on a steep, accelerating path.
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240 |
2.9s |
BH Running · Front · 120fps
Milos Raonic's running backhand from the front, filmed from a court-level front angle at 120 fps. His hips stay relatively closed as he moves laterally, with a pronounced knee bend on the outside leg that loads before he drives upward and across into the shot.
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120 |
2.8s |
BH Running · Front · 240fps
Milos Raonic's running backhand from the center of the court, filmed from the front at 240 fps. His two-handed grip is clearly visible with a firm top hand and a laid-back wrist that straightens through contact, showing a distinct unwinding of the wrists through the hitting zone.
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240 |
3.4s |
BH Volley · Front · 240fps
Milos Raonic's backhand from the center of the court, filmed from a front angle. His shoulders and trunk coil together into a closed position on the unit turn, then uncoil in a clearly sequenced motion where the torso rotation leads the racquet through contact.
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240 |
1.9s |
BH Wide · Front · Closed · 250fps
Milos Raonic's backhand from a wide position in a closed stance, filmed from the front at 250 fps. His two-handed backhand grip is clearly visible, with the non-dominant (left) hand driving the racket and the dominant (right) wrist staying relatively firm with minimal laid-back lag through contact.
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250 |
2.8s |
BH Wide · Front · Neutral · 250fps #1
Milos Raonic's backhand from a wide neutral-stance position, filmed from the front at 250 fps. The racket face stays relatively square through contact at about waist height, with the top hand driving the racket head forward on a slightly upward path.
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250 |
2.8s |
BH Wide · Front · Neutral · 240fps #2
Milos Raonic's backhand from a wide position, filmed from the front. His neutral stance makes the hip rotation subtle while the knees stay deeply flexed through the load, with a strong push off the outside leg driving him into the shot.
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240 |
3.2s |
BH Center · Arm-action · Rear · 240fps #1
Milos Raonic's backhand from the center of the court, filmed from a rear angle at 240 fps. His follow-through finishes high with the hitting arm extending toward the target while his non-hitting hand releases the racquet and starts to return toward a neutral ready position.
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240 |
2.8s |
BH Center · Arm-action · Rear · 240fps #2
Milos Raonic's backhand from the center of the court, filmed from a rear angle. From this view, you can clearly see his firm two-handed grip with minimal wrist flexion through contact, keeping the wrists relatively locked to stabilize the racquet face.
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240 |
2.4s |
BH Center · Rear · Neutral · 240fps #1
Milos Raonic's backhand from the center of the court in a neutral stance, filmed from a rear angle at 240 fps. His legs show a strong base with noticeable knee flexion on the load and a coordinated push upward that drives his hips through the shot while keeping them relatively square to the baseline.
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240 |
2.4s |
BH Center · Rear · Neutral · 240fps #2
Milos Raonic's backhand from the center of the court in a neutral stance, filmed from a rear angle at 240 fps. His follow-through finishes high with the racket over his shoulder while his weight transfers forward and he quickly brings both hands back toward a ready position.
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240 |
2.3s |
BH Center · Rear · Open · 240fps
Milos Raonic's backhand from the center of the court in an open stance, filmed from a rear angle at 240 fps. At contact, his racket face is almost perfectly vertical with the ball struck around waist height, and the racket head accelerates steeply upward along the baseline direction for heavy topspin.
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240 |
2.8s |
BH Running · Rear · Open · 240fps
Milos Raonic's two-handed backhand on the run from an open stance, filmed from a rear angle at 240 fps. The slow-motion view shows the racket face slightly closed at contact with the ball struck around waist height, and the racket head accelerating steeply upward along the baseline to create heavy topspin.
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240 |
3.1s |
BH Volley · Arm-action · Rear · 240fps
Milos Raonic's backhand from the center of the court, filmed from a rear angle. At 240 fps you can clearly see the racket face stay relatively square through contact with the ball struck around waist height, while the dominant right arm extends through the hitting zone.
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240 |
2.4s |
BH Volley · Arm-action · Rear · 240fps #1
Milos Raonic's backhand from a central court position, filmed from a rear angle. His footwork includes a small adjustment hop into a neutral stance, with the right foot subtly loading before he drives off it and brings the left leg through for recovery.
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240 |
1.7s |
BH Volley · Rear · 240fps
Milos Raonic's backhand from a neutral central position, filmed from a rear angle. His follow-through finishes high with the racket over his right shoulder as he quickly brings both hands back toward his body to recover into a ready position.
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240 |
2.2s |
BH Volley · Rear · 240fps #1
Milos Raonic's backhand from the middle of the court, filmed from a rear angle. His hips stay relatively closed at the start of the swing, with a pronounced knee bend and strong upward leg drive as he rotates through contact.
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240 |
2s |
BH Volley · Rear · 240fps #2
Milos Raonic's backhand from the middle of the court, filmed from a rear angle. His two-handed grip shows the dominant hand in a continental position with the non-dominant hand in a semi-western, and the slow motion makes the delayed wrist release of the top hand at contact clearly visible.
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240 |
2s |
BH Volley · Rear · 240fps #3
Milos Raonic's backhand from a central baseline position, filmed from a rear angle. His shoulders and trunk coil as a single unit on the unit turn, with a pronounced upper-body rotation that uncoils ahead of the arms to drive the two-handed swing through contact.
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240 |
2.1s |
BH Volley · Rear · 240fps #5
Milos Raonic's backhand from the center of the court, filmed from a rear angle. His follow-through finishes high with the racquet wrapping over his right shoulder as his weight transfers onto his front foot, bringing him quickly back toward a neutral ready position.
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240 |
2.1s |
BH Volley · Rear · 240fps #6
Milos Raonic's backhand from a neutral position, filmed from a rear angle. His hips stay relatively closed at the start of the swing, with a deep knee bend and strong leg drive upward and into the court as he rotates through contact.
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240 |
2.2s |
BH Wide · Arm-action · Rear · 250fps #1
Milos Raonic's wide backhand from the rear, filmed from a high-speed 250 fps angle. His shoulders rotate as a single unit with the trunk on the unit turn, then the torso uncoils ahead of the arms so the hitting shoulder and hands lag slightly behind the rotating ribcage.
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250 |
3s |
BH Wide · Arm-action · Rear · 240fps #2
Milos Raonic's backhand wide from the rear, filmed from a rear angle at 240 fps slow motion. His shoulders rotate as a unit with the trunk on the take-back, then uncoil together through contact with noticeable separation between the upper body and more stable lower body.
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240 |
2.8s |
BH Wide · Arm-action · Rear · 240fps #3
Milos Raonic's two-handed backhand on a wide ball from a neutral position, filmed from a rear angle in 240 fps slow motion. His follow-through finishes high with the racket over his right shoulder as his weight transfers toward the outside of the court, and he quickly begins to unwind his upper body back toward a ready position.
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240 |
2.8s |
BH Wide · Arm-action · Rear · 250fps #4
Milos Raonic's wide backhand from the center of the court, filmed from a rear angle. His racket face stays relatively closed at contact with the ball struck around waist height, and the high-speed footage makes the extension of both arms through the hitting zone especially clear.
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250 |
3.3s |
BH Wide · Rear · Closed · 250fps #1
Milos Raonic's backhand from a wide position in a closed stance, filmed from a rear angle at 250 fps. His closed hips and strong base are evident as his outside leg loads deeply with a pronounced knee bend before driving up and into the shot.
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250 |
2.9s |
BH Wide · Rear · Closed · 240fps #2
Milos Raonic's two-handed backhand from a wide ball in a closed stance, filmed from a rear angle at 240 fps. His shoulders rotate well past perpendicular to the baseline on the unit turn, then uncoil in sync with the hips so the trunk drives the racquet through contact on a tight, connected arc.
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240 |
3.1s |
BH Wide · Rear · Closed · 240fps #3
Milos Raonic's backhand from a wide position in a closed stance, filmed from a rear angle at 240 fps. From this view, you can clearly see his firm two-handed grip with the dominant right hand driving the racket while the left hand and relatively stable wrist structure control the racket face through contact with minimal wrist flexion.
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240 |
2.9s |
BH Wide · Rear · Closed · 120fps #4
Milos Raonic's wide backhand from a closed stance, filmed from a rear angle in 120 fps slow motion. His feet cross behind as he moves out to the wide ball, then he plants his front foot diagonally toward the sideline to establish a strong closed stance before swinging.
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120 |
2.7s |
BH Wide · Rear · Closed · 240fps #5
Milos Raonic's backhand from a wide position, filmed from a rear angle at 240 fps. His closed stance recovery shows his weight transferring off the back leg as he finishes with the racquet over his front shoulder and quickly begins to square his hips for the next shot.
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240 |
3.6s |
BH Wide · Rear · Open · 120fps
Milos Raonic's wide backhand from an open stance, filmed from the rear at 120fps slow motion. After contact his follow-through finishes high with the racquet wrapping around toward his non-dominant side as his weight shifts slightly back toward the center, bringing him quickly into a compact two-handed ready position.
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120 |
2.5s |
BH Running · Side · 240fps
Milos Raonic's running backhand from the side, filmed from a side angle at 240 fps in slow motion. After contact he extends his follow-through out toward the target while his outside leg plants and pushes his weight back toward the center of the court as he begins to recover.
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240 |
3.1s |
BH Wide · Side · Open · 240fps #2
Milos Raonic's wide backhand from an open stance, filmed from a side angle at 240 fps. His feet set early in a wide base with the outside leg loading in open stance, and he uses a small recovery step with the right foot after contact to start moving back toward the court.
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240 |
2.5s |
BH Wide · Arm-action · Side · 240fps
Milos Raonic's backhand on a wide ball from a neutral position, filmed from the side at 240 fps slow motion. His follow-through finishes high with the racket wrapping across his body while his weight transfers into the court and his non-hitting hand quickly returns to a ready position.
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240 |
2.8s |
BH Wide · Side · Closed · 240fps #6
Milos Raonic's wide backhand from a closed stance, filmed from the side at 240 fps. The side view makes it clear that his racket face stays relatively square to the ball at contact with the strike point slightly in front of his lead hip and around waist height.
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240 |
3.3s |
BH Wide · Side · Closed · 240fps #1
Milos Raonic's backhand wide from a closed stance on the side of the court, filmed from a side angle at 240 fps. His hips stay closed to the net through the load with a pronounced knee bend, and he drives up through his legs to extend into the shot line.
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240 |
2.6s |
BH Wide · Side · Closed · 240fps #2
Milos Raonic's wide backhand from a closed stance on the side of the court, filmed from a side angle at 240 fps. At contact his racket face is almost perfectly vertical with the ball met slightly in front of his lead hip, and the upward swing path of the racket head is clearly visible as it accelerates through the hitting zone.
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240 |
2.8s |
BH Wide · Side · Closed · 240fps #3
Milos Raonic's wide backhand from a closed stance, filmed from the side at 240 fps. His follow-through finishes high with the racquet traveling across his body as his weight transfers into the court and he quickly begins to recover toward a neutral ready position.
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240 |
2.7s |
BH Wide · Side · Closed · 240fps #4
Milos Raonic's backhand from a wide position, filmed from a side angle at 240 fps. His closed stance is clear as his front foot steps across the body line while his weight transfers forward before he pushes off the outside leg to recover.
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240 |
2.8s |
BH Wide · Side · Closed · 120fps #5
Milos Raonic's backhand wide from a closed stance, filmed from the side. His closed hips and strong knee bend on the outside leg are clearly visible as he drives upward and through the court with his legs.
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120 |
3.1s |
BH Wide · Side · Open · 240fps #1
Milos Raonic's wide backhand from an open stance, filmed from the side at 240 fps. The racket face stays relatively square to the ball at contact with the strike point slightly in front of his body and near waist height, and the racket head accelerates upward along a steep low-to-high path.
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240 |
3.2s |
BH Drop Shot · Rear · 240fps
Milos Raonic's backhand drop shot from the center of the court, filmed from a rear angle. His racket face is slightly open at contact with the ball struck just below net height, and the compact swing path with a soft deceleration reduces racket head speed for added touch.
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240 |
3.7s |
First Serve · Ad · Arm-action · Court-level-front · 120fps
Milos Raonic's first serve from the ad court, filmed from a court-level front angle. His continental grip is firm with minimal grip change, and the slow-motion view makes the pronounced wrist pronation through contact and into the follow-through especially clear.
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120 |
15.7s |
First Serve · Ad · Court-level-front · 120fps
Milos Raonic's first serve from the ad side, filmed from a court-level front angle. His continental grip is firm with a slightly extended wrist, and you can clearly see the rapid wrist pronation through contact that adds extra snap to the serve.
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120 |
11.6s |
First Serve · Deuce · Leg-action · Court-level-front · 120fps
Milos Raonic's first serve from the deuce court, filmed from a court-level front angle. From this view, you can see his continental grip stay firm while his wrist pronates aggressively through contact, with a delayed wrist snap occurring only after full shoulder rotation.
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120 |
11.4s |
First Serve · Ad · Arm-action · Court-level-rear · 120fps
Milos Raonic's first serve from the Ad side, filmed from a court-level rear angle. His shoulders and trunk show a pronounced coil with the tossing arm fully extended upward, then a sharp uncoiling as the hitting shoulder drives up and through the ball in a classic kinetic chain sequence.
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120 |
14.8s |
First Serve → FH Short · Deuce · Court-level-rear · 120fps
Milos Raonic's forehand from the center of the court, filmed from a court-level rear angle in 120 fps slow motion. His follow-through wraps fully across his body with his weight driving into the court, and he quickly drops the racquet and resets his non-hitting hand in front of his body to return to a ready position.
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120 |
6.8s |
First Serve · Deuce · Arm-action · Court-level-side · 240fps #1
Milos Raonic's first serve from the deuce court, filmed from a court-level side angle. His follow-through finishes with his hitting arm extending across his body while his weight lands on his front leg, quickly bringing his non-hitting hand back toward a ready position for the next shot.
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240 |
25.4s |
First Serve · Deuce · Arm-action · Court-level-side · 240fps #2
Milos Raonic's first serve from the deuce court, filmed from a court-level side angle. His footwork shows a steady platform stance with a controlled knee bend and minimal front-foot pivot as he drives up into the ball.
|
240 |
24.7s |
First Serve · Deuce · Court-level-side · 240fps #5
Milos Raonic's first serve from the deuce court, filmed from a court-level side angle. His footwork shows a controlled platform stance with minimal pre-serve movement, followed by a strong leg drive and a balanced landing well inside the baseline.
|
240 |
24.5s |
First Serve · Deuce · Court-level-side · 240fps #6
Milos Raonic's first serve from the deuce court, filmed from a court-level side angle. His follow-through carries his racquet arm across his body while his weight lands well inside the court, quickly bringing his non-hitting hand back to center as he starts recovering into a ready position.
|
240 |
25.5s |
First Serve · Deuce · Court-level-side · 240fps #7
Milos Raonic's first serve from the deuce side, filmed from a court-level side angle. His shoulder line rotates well past perpendicular to the baseline during the trophy phase, then the trunk uncoils in a clearly sequenced motion from hips through torso before the shoulder internally rotates into contact.
|
240 |
26.1s |
First Serve · Deuce · Court-level-side · 240fps #1
Milos Raonic's first serve from the deuce court, filmed from a court-level side angle. His follow-through carries his racquet across his body as his weight lands on his front foot, quickly bringing his non-hitting hand back toward a ready position for the next shot.
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240 |
20.8s |
First Serve · Deuce · Court-level-side · 240fps #2
Milos Raonic's first serve from the deuce court, filmed from a court-level side angle. His follow-through carries his racquet arm across his body while his weight lands on his front leg, and he quickly drops both hands into a compact ready position for the next shot.
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240 |
24.9s |
First Serve · Deuce · Court-level-side · 240fps #3
Milos Raonic's first serve from the deuce side, filmed from a court-level side angle. His deep knee bend and strong leg drive into the court are clearly visible as his hips load closed and then aggressively uncoil toward the target.
|
240 |
21.6s |
First Serve · Deuce · Court-level-side · 240fps #4
Milos Raonic's first serve from the deuce court, filmed from a court-level side angle. The racket contacts the ball slightly in front of his body with a closed face and pronounced upward swing path, emphasizing a high contact point well above his head.
|
240 |
25.5s |
First Serve → FH Volley · Deuce · Front · 240fps
Milos Raonic's first serve from the deuce side, filmed from a front angle. His shoulders and trunk load with a pronounced coil away from the target before uncoiling in sequence, with the chest rotating square to the net just after racquet drop to transfer energy up the kinetic chain.
|
240 |
5.4s |
First Serve · Ad · Front · 250fps #1
Milos Raonic's first serve from the ad court, filmed from a front angle. His shoulders and trunk show a pronounced coil with the tossing arm fully extended before a rapid uncoiling sequence drives the torso up and into the court.
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250 |
22.7s |
First Serve · Ad · Front · 240fps #2
Milos Raonic's first serve from the ad court, filmed from a front angle. His front-on footwork shows a rhythmic rocker step into a pinpoint stance, with a clear upward drive off both feet before landing slightly inside the baseline.
|
240 |
34.2s |
First Serve · Deuce · Front · 120fps #7
Milos Raonic's first serve from the deuce court, filmed from a front angle. His shoulders and trunk load into a deep coil before uncoiling in a pronounced sequence, with the chest rotating toward the target just after the hips initiate the forward drive.
|
120 |
11.9s |
First Serve · Deuce · Arm-action · Front · 240fps #1
Milos Raonic's first serve from the deuce court, filmed from a front angle. His hips stay relatively closed through the knee bend and leg drive, then rotate explosively toward the court as his back leg pushes up into the serve.
|
240 |
23.4s |
First Serve · Deuce · Arm-action · Front · 240fps #2
Milos Raonic's first serve from the Deuce side, filmed from a front angle. His stance shows a strong platform base with minimal foot movement during the toss, and you can clearly see the coordinated knee bend and upward drive synced with his arm action.
|
240 |
27.9s |
First Serve · Deuce · Front · 250fps #1
Milos Raonic's first serve from the deuce court, filmed from the front. His follow-through brings his hitting arm down across his body as his weight lands on his front foot, quickly bringing both hands back to a neutral ready position.
|
250 |
23.4s |
First Serve · Deuce · Front · 120fps #10
Milos Raonic's first serve from the deuce court, filmed from the front. His stance stays mostly neutral with a slight front-foot angle, and the front view clearly shows a compact, minimal adjustment step into the court after landing from the serve.
|
120 |
11.7s |
First Serve · Deuce · Front · 240fps #11
Milos Raonic's first serve from the deuce court, filmed from the front. His continental grip is firm with a slightly laid-back wrist, and you can clearly see the rapid pronation and wrist snap through contact at this high frame rate.
|
240 |
20.7s |
First Serve · Deuce · Front · 250fps #2
Milos Raonic's first serve from the deuce court, filmed from a front angle. From this view you can see his continental grip stay firm while his wrist pronates aggressively through contact, with a pronounced snap as the racquet accelerates up and into the ball.
|
250 |
24.6s |
First Serve · Deuce · Front · 250fps #3
Milos Raonic's first serve from the deuce court, filmed from a front angle. His hips stay relatively closed through the knee bend before driving upward, with a strong push off the back leg that initiates his hip rotation into the court.
|
250 |
25.3s |
First Serve · Deuce · Front · 250fps #4
Milos Raonic's first serve from the deuce court, filmed from a front angle. The contact point is well out in front with the racket face slightly pronated and the racket head accelerating steeply upward along the right side of his body.
|
250 |
33.8s |
First Serve · Deuce · Front · 240fps #5
Milos Raonic's first serve from the deuce court, filmed from a front angle. His front-on footwork shows a controlled pinpoint stance, with the back foot closing in to the front foot before he drives up into the court.
|
240 |
22.1s |
First Serve · Deuce · Front · 120fps #6
Milos Raonic's first serve from the deuce court, filmed from a front angle. His deep knee bend and strong leg drive upward are clearly visible, with the hips uncoiling explosively toward the target as he extends off the ground.
|
120 |
13.1s |
First Serve · Deuce · Front · 120fps #7
Milos Raonic's first serve from the deuce court, filmed from the front. His hips stay relatively closed through the toss and loading phase before driving up explosively off a deep knee bend in his back leg.
|
120 |
11.8s |
First Serve · Deuce · Front · 240fps #8
Milos Raonic's first serve from the deuce side, filmed from a front angle. His continental grip is clearly visible with a firm but relaxed hand, and the slow motion makes it easy to see the pronounced wrist pronation through and after contact.
|
240 |
20.3s |
First Serve · Deuce · Front · 120fps #9
Milos Raonic's first serve from the deuce court, filmed from the front. His follow-through finishes across his body with his weight landing on his front left leg before he quickly regathers his stance into a ready position.
|
120 |
11.6s |
First-serve · Arm-action · Deuce
Milos Raonic's first serve from the deuce side, filmed from a rear angle. After contact his arm action finishes with the hitting hand dropping down on his right side as his weight moves into the court and his non-hitting hand tucks in toward his body to help him return to a ready stance.
|
|
81.2s |
First Serve → BH Volley → BH Volley · Ad · Rear · 250fps
Milos Raonic's backhand volley from the ad side, filmed from a rear angle. His continental grip is firm with minimal grip change and his wrist stays relatively firm through contact, with only a slight, controlled wrist flexion to stabilize the racquet face.
|
250 |
7.7s |
First Serve → FH Drop Volley · Ad · Rear · 240fps
Milos Raonic's forehand drop volley from the Ad court, filmed from a rear angle at 240 fps. His hips stay relatively square to the net while his knees remain softly flexed, with only a subtle leg drive forward as he absorbs pace and guides the ball short.
|
240 |
5.5s |
First Serve → FH Short → BH Volley · Ad · Rear · 250fps
Milos Raonic's backhand volley from the ad side, filmed from a rear angle. His shoulders and trunk stay relatively closed through contact, with a compact upper-body rotation that shows the torso moving as one unit with minimal independent trunk uncoil.
|
250 |
8.3s |
First Serve → FH Volley · Ad · Rear · 250fps
Milos Raonic's forehand from the ad side, filmed from a rear angle. His hips stay relatively closed during the loading phase with a deep knee bend, then unwind aggressively as his legs drive up and into the court.
|
250 |
5.1s |
First Serve → FH Volley · Ad · Rear · 250fps #2
Milos Raonic's forehand from the ad side, filmed from a rear angle. His feet set up in a neutral stance after a small adjustment step, with a compact split-step just before contact to stabilize his base for the forward weight transfer.
|
250 |
5.5s |
First Serve → BH Volley · Deuce · Rear · 240fps
Milos Raonic's backhand volley from the center of the court, filmed from a rear angle. His weight drives forward through the volley and he quickly brings both hands back toward a compact ready position to recover for the next shot.
|
240 |
5s |
First Serve → FH Short · Deuce · Rear · 240fps
Milos Raonic's forehand from the center of the court, filmed from a rear angle. His semi-western grip is clear with the racket face closed and a pronounced wrist lag that unwinds into a firm, stable wrist at contact.
|
240 |
6.6s |
First Serve · Ad · Rear · 250fps #1
Milos Raonic's first serve from the ad court, filmed from a rear angle. His shoulders and trunk show a pronounced coil with the tossing arm high and chest turned well away from the court, then a rapid uncoiling that sequences from the hips through the torso into the serving arm.
|
250 |
23.4s |
First Serve · Ad · Rear · 250fps #2
Milos Raonic's first serve from the ad court, filmed from a rear angle. At contact, his racket face is slightly tilted upward with the ball struck well above head height, and the racket head accelerates steeply up and across the ball along a pronounced edge-on swing path.
|
250 |
20.3s |
First Serve · Ad · Rear · 250fps #3
Milos Raonic's first serve from the ad court, filmed from a rear angle. His racket contacts the ball at full extension slightly in front of his body with a closed racket face, and the high-speed view makes the upward, pronated swing path and rapid racket head acceleration clearly visible.
|
250 |
20.2s |
First Serve · Ad · Rear · 250fps #4
Milos Raonic's first serve from the ad court, filmed from a rear angle. His shoulders and trunk coil deeply away from the court, then uncoil in a pronounced sequence where the torso rotation clearly leads the arm swing into contact.
|
250 |
25.2s |
First Serve · Ad · Rear · 250fps #5
Milos Raonic's first serve from the Ad court, filmed from a rear angle. The racket contacts the ball slightly in front of his body with a markedly pronated wrist and a closed racket face, creating a steep upward swing path and very high racket head speed through contact.
|
250 |
24.6s |
First Serve · Ad · Rear · 250fps #6
Milos Raonic's first serve from the ad court, filmed from a rear angle. At contact his racket face is slightly pronated with the contact point well above his head, and the racket head accelerates steeply upward along the right side of his body.
|
250 |
11.9s |
First Serve · Ad · Arm-action · Rear · 240fps #1
Milos Raonic's first serve from the ad court, filmed from a rear angle. From this view you can clearly see his continental grip stay stable while his wrist pronates aggressively through contact, with a pronounced wrist snap just after impact.
|
240 |
25.2s |
First Serve · Ad · Arm-action · Rear · 240fps #2
Milos Raonic's first serve from the ad court, filmed from a rear angle. The high-speed view makes it easy to see his tossing arm fully extended upward at contact while the racket face stays slightly closed as it whips up and through the ball.
|
240 |
24.5s |
First Serve · Ad · Arm-action · Rear · 240fps #3
Milos Raonic's first serve from the ad court, filmed from a rear angle. His follow-through finishes across his body with his tossing arm dropping quickly, and he lands well inside the court before recovering into a compact ready position.
|
240 |
27.3s |
First Serve · Ad · Arm-action · Rear · 240fps #4
Milos Raonic's first serve from the ad side, filmed from a rear angle. The high-speed view makes it easy to see his racket drop into a deep backscratch position before contact, with the racket face slightly closed as it accelerates steeply up the back of the ball.
|
240 |
24.6s |
First Serve · Ad · Arm-action · Rear · 120fps #5
Milos Raonic's first serve from the ad court, filmed from a rear angle. His shoulder line rotates deeply away from the court before uncoiling in sync with a rapid trunk unwinding, making the sequential loading from hips to shoulders very clear in slow motion.
|
120 |
13.6s |
First Serve · Ad · Leg-action · Rear · 250fps #1
Milos Raonic's first serve from the ad court, filmed from a rear angle. His footwork shows a pronounced leg drive with a deep knee bend and strong push off the back leg into a classic platform stance before landing well inside the court.
|
250 |
19.8s |
First Serve · Ad · Leg-action · Rear · 250fps #2
Milos Raonic's first serve from the ad court, filmed from a rear angle. His deep knee bend and strong leg drive upward are clearly visible, with the hips staying closed to the net until just before contact.
|
250 |
23.1s |
First Serve · Ad · Leg-action · Rear · 240fps #3
Milos Raonic's first serve from the ad side, filmed from a rear angle. His recovery features a strong forward weight transfer with the back leg kicking up behind him before he lands balanced and ready for the next shot.
|
240 |
29s |
First Serve · Deuce · Rear · 250fps #1
Milos Raonic's first serve from the deuce court, filmed from a rear angle. His deep knee bend and strong leg drive into the court are clearly visible, with his hips powerfully uncoiling toward the target as he extends upward into contact.
|
250 |
26.6s |
First Serve · Deuce · Arm-action · Rear · 250fps #1
Milos Raonic's first serve from the deuce court, filmed from a rear angle. His hips stay relatively closed through the knee bend before driving upward, with a strong push off the back leg that brings the hips through into the court.
|
250 |
24.3s |
First Serve · Deuce · Arm-action · Rear · 250fps #2
Milos Raonic's first serve from the deuce court, filmed from a rear angle. His hips stay closed to the court for most of the toss and loading phase, with a deep knee bend and strong leg drive upward that uncoils his hips into the court at contact.
|
250 |
33.8s |
First Serve · Deuce · Arm-action · Rear · 250fps #3
Milos Raonic's first serve from the deuce side, filmed from a rear angle. His footwork shows a controlled platform stance with minimal foot movement during the toss, then a strong drive off the back leg into the court as he lands inside the baseline.
|
250 |
24.5s |
First Serve · Deuce · Arm-action · Rear · 240fps #4
Milos Raonic's first serve from the deuce court, filmed from a rear angle. His hips stay closed to the net during the toss and knee bend, then drive explosively upward as his legs extend, creating a strong upward push through his right leg.
|
240 |
29.8s |
First Serve · Deuce · Arm-action · Rear · 240fps #5
Milos Raonic's first serve from the deuce court, filmed from a rear angle. From this view you can clearly see his relaxed continental grip and pronounced wrist pronation through contact as the racquet accelerates up and across the ball.
|
240 |
28.9s |
First Serve · Deuce · Leg-action · Rear · 120fps #1
Milos Raonic's first serve from the deuce court, filmed from a rear angle. His leg action is clearly visible as he bends deeply into a loaded stance, driving upward off both legs with a pronounced knee bend and explosive extension into the court.
|
120 |
12.2s |
First Serve · Deuce · Leg-action · Rear · 240fps #2
Milos Raonic's first serve from the deuce court, filmed from a rear angle. The high-speed view makes it easy to see his explosive leg drive into the court and how his racket accelerates upward with a slightly closed face at contact, meeting the ball well above his head.
|
240 |
31.5s |
First Serve · Deuce · Rear · 240fps #2
Milos Raonic's first serve from the deuce side, filmed from a rear angle. His hips load into a strong knee bend before explosively driving upward, with the rear view clearly showing the aggressive leg drive and rapid hip uncoiling into the court.
|
240 |
25s |
First Serve · Deuce · Rear · 120fps #3
Milos Raonic's first serve from the deuce court, filmed from a rear angle. His continental grip is firm with minimal grip change and his wrist pronates aggressively through contact, clearly visible in the rapid forearm rotation after ball strike.
|
120 |
12.6s |
First Serve → BH Volley · Ad · Side · 240fps
Milos Raonic's backhand volley from the ad side, filmed from a side angle at 240 fps. His shoulders stay slightly closed with a compact trunk rotation, showing a minimal coil and quick uncoil that links the shoulder turn directly into the forward step and punch through the volley.
|
240 |
5.1s |
First Serve → FH Volley → BH Volley → BH Volley · Ad · Side · 240fps
Milos Raonic's backhand volley from the ad side, filmed from the side. His stance is compact with a slight open alignment as he plants his outside foot and takes a short adjustment step forward into the volley.
|
240 |
9.6s |
First Serve · Deuce · Leg-action · Side · 120fps
Milos Raonic's first serve from the Deuce side, filmed from the Side. His shoulder line stays closed deep into the leg drive, with the trunk beginning to uncoil only after full knee extension initiates the upward motion in the kinetic chain.
|
120 |
12.2s |
First Serve · Ad · Arm-action · Side · 120fps #1
Milos Raonic's first serve from the ad court, filmed from a side angle. His footwork is minimal with a stable platform stance, keeping his back foot anchored as he drives upward into the ball before a short, controlled landing step into the court.
|
120 |
11.9s |
First Serve · Ad · Arm-action · Side · 240fps #2
Milos Raonic's first serve from the ad court, filmed from a side angle. His follow-through finishes with the hitting arm extending across his body while his weight drives into the court, bringing him quickly toward a balanced landing and recovery position.
|
240 |
21.7s |
First Serve · Ad · Leg-action · Side · 240fps
Milos Raonic's first serve from the ad side, filmed from the side. His deep knee bend and strong leg drive into the court are clearly visible, with his hips extending upward and forward as he explodes toward the ball.
|
240 |
25.1s |
First Serve · Ad · Side · 240fps #1
Milos Raonic's first serve from the ad side, filmed from the side. His footwork shows a measured platform stance with minimal pre-serve shuffling and a pronounced front-foot pivot as he drives up into the court.
|
240 |
24.1s |
First Serve · Ad · Side · 240fps #2
Milos Raonic's first serve from the ad side, filmed from the side. After contact his racquet finishes across his body while his back leg swings forward into the court, bringing him quickly into a balanced, upright ready position for the next shot.
|
240 |
3s |
First Serve · Ad · Side · 240fps #3
Milos Raonic's first serve from the ad side, filmed from the side. His wide base and pronounced knee bend into an open stance are clearly visible, along with a small adjustment hop that sets his feet before he drives up into the ball.
|
240 |
20.6s |
First Serve · Ad · Side · 240fps #4
Milos Raonic's first serve from the ad side, filmed from the side. His continental grip is firm with a relaxed wrist that pronates aggressively through contact, visible in the rapid forearm rotation and wrist snap toward the target.
|
240 |
23s |
First Serve · Deuce · Side · 240fps #5
Milos Raonic's first serve from the deuce court, filmed from a side angle. His shoulder line turns well past perpendicular to the baseline before contact, with a pronounced trunk coil that uncoils sequentially from hips to shoulders into the hitting arm.
|
240 |
28.7s |
First Serve · Deuce · Arm-action · Side · 240fps #1
Milos Raonic's first serve from the Deuce side, filmed from the side. His follow-through carries his hitting arm fully across his body while his non-hitting hand drops and his weight lands on his front leg, quickly bringing him back toward a neutral ready stance.
|
240 |
23s |
First Serve · Deuce · Arm-action · Side · 240fps #2
Milos Raonic's first serve from the deuce side, filmed from a side angle. His footwork shows a controlled platform stance with minimal pre-serve movement, and you can clearly see how he drives off his back leg into the court during the service motion.
|
240 |
22.1s |
First Serve · Deuce · Side · 240fps #1
Milos Raonic's first serve from the deuce side, filmed from a side angle. His footwork shows a rhythmic rocker step into a pinpoint stance, with a pronounced knee bend and upward drive off both feet before landing slightly inside the court on his front leg.
|
240 |
23.5s |
First Serve · Deuce · Side · 240fps #2
Milos Raonic's first serve from the deuce side, filmed from a side angle. His shoulder line turns significantly past perpendicular to the baseline, creating a pronounced trunk coil that then unwinds in sequence from hips to shoulders into the contact.
|
240 |
24.8s |
First Serve · Deuce · Side · 240fps #3
Milos Raonic's first serve from the deuce side, filmed from a side angle. His deep knee bend and strong leg drive into the court are clearly visible as his hips uncoil upward and forward through contact.
|
240 |
24.4s |
First Serve · Deuce · Side · 240fps #4
Milos Raonic's first serve from the deuce court, filmed from a side angle. His continental grip stays firm with a relaxed wrist that pronates aggressively through contact, creating a pronounced wrist snap visible in slow motion.
|
240 |
23.2s |
First Serve · Deuce · Side · 240fps #5
Milos Raonic's first serve from the deuce court, filmed from a side angle. After contact his racquet finishes across his body as his back leg swings forward into the court, helping him land balanced and quickly organize into a ready position.
|
240 |
20.4s |
First Serve · Deuce · Side · 240fps #6
Milos Raonic's first serve from the deuce side, filmed from a side angle. The side view makes it clear that his racket face is nearly square to the ball at contact with a slightly upward swing path, striking the ball at full extension well above his head to maximize racket head speed.
|
240 |
33.4s |
First Serve · Deuce · Side · 240fps #6
Milos Raonic's first serve from the Deuce side, filmed from the Side angle. His continental grip is firm with minimal grip change, and from this side view you can clearly see his pronounced wrist pronation through contact as the racquet edge leads and then snaps outward toward the target.
|
240 |
27.1s |
Forehand
Raonic's serve from the center of the baseline, filmed from a rear angle. His follow-through leaves his hitting arm finishing across his body while his weight lands on his front foot, bringing him quickly into a balanced ready position for the next shot.
|
|
86.2s |
FH Center · Arm-action · Court-level-front · 120fps
Milos Raonic's forehand from the center of the baseline, filmed from a court-level front angle in 120 fps slow motion. His hips stay relatively closed through the loading phase with a deep knee bend, then drive forward aggressively as the legs extend into contact.
|
120 |
2.6s |
FH Center · Court-level-front · Open · 120fps #1
Milos Raonic's forehand from the center of the court in an open stance, filmed from a court-level front angle at 120 fps. His shoulders load with a pronounced coil against the hips before contact, and the slow-motion view makes the rapid uncoiling of the trunk into the hitting zone especially clear.
|
120 |
2.5s |
FH Center · Court-level-front · Open · 120fps #2
Milos Raonic's forehand from the center of the court in an open stance, filmed from a front court-level angle at 120 fps. His feet stay wide in the open stance as he loads on the outside leg, then he uses a small hop and short recovery steps to re-center after contact.
|
120 |
3.5s |
FH Inside In · Court-level-front · 120fps #1
Milos Raonic's forehand Inside-In from the center of the court, filmed from a court-level front angle in 120 fps slow motion. His feet set into a strong open stance with a pronounced right-leg load before he drives through and brings the back leg around as a recovery step toward the court.
|
120 |
3.3s |
FH Inside In · Court-level-front · 120fps #2
Milos Raonic's forehand InsideIn from the center of the court, filmed from a court-level front angle in 120 fps slow motion. At contact, his racket face stays slightly closed with the ball struck around waist to mid-torso height, and the racket head accelerates steeply upward along an inside-out-to-inside-in swing path.
|
120 |
2.8s |
FH Moves Back · Arm-action · Court-level-front · 120fps
Milos Raonic's forehand while moving back from a central position, filmed from a court-level front angle. His split-step leads into small retreating adjustment steps, setting up a strong open stance with a firm base before he drives through the ball.
|
120 |
2.7s |
FH Moves Back · Court-level-front · 120fps #1
Milos Raonic's forehand while moving back from a neutral position, filmed from a court-level front angle in 120 fps slow motion. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils ahead of the arm swing, making the separation between hip and shoulder lines easy to see.
|
120 |
2.7s |
FH Moves Back · Court-level-front · 120fps #2
Milos Raonic's forehand while moving back from a neutral position, filmed from a court-level front angle at 120 fps. His semi-western grip is clear, with noticeable wrist lag on the take-back that unwinds into a firm, stable wrist at contact.
|
120 |
2.7s |
FH Short · Court-level-front · 120fps #1
Milos Raonic's forehand from the middle of the court, filmed from a court-level front angle in 120 fps slow motion. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward along a low-to-high swing path.
|
120 |
2.6s |
FH Short · Court-level-front · 120fps #2
Milos Raonic's forehand from the short court, filmed from a court-level front angle at 120 fps. His follow-through finishes high across his body with his weight driving into the court, and he quickly resets his non-hitting hand in front of his torso to return to a ready position.
|
120 |
3.4s |
FH Short · Court-level-front · 120fps #3
Milos Raonic's forehand from the short court, filmed from a court-level front angle. His follow-through finishes high across his body with the non-hitting hand extending back for counterbalance before he recovers into a compact ready position.
|
120 |
3.6s |
FH Short → FH Volley → FH Volley · Court-level-front · 240fps
Milos Raonic's forehand from the middle of the court, filmed from a court-level front angle. His shoulders and trunk show a pronounced coil with the hitting-side shoulder dropping slightly, then uncoiling in sequence so the chest rotates toward the target before the arm whips through.
|
240 |
6.5s |
FH Volley · Court-level-front · 240fps
Milos Raonic's forehand from the center of the court, filmed from a court-level front angle in 240 fps slow motion. His hips stay closed through the loading phase with a deep knee bend, then drive forward aggressively as his legs extend into contact.
|
240 |
2.1s |
FH Volley · Court-level-front · 240fps #1
Milos Raonic's forehand from the center of the court, filmed from a court-level front angle in 240 fps slow motion. His hips stay relatively closed through the loading phase with a deep knee bend, then drive upward and unwind in sync with his legs pushing explosively off the ground into contact.
|
240 |
1.9s |
FH Wide · Court-level-front · Open · 240fps
Milos Raonic's forehand from a wide position in an open stance, filmed from a court-level front angle at 240 fps. His semi-western grip is paired with pronounced wrist lag on the racquet drop, followed by a sharp but controlled wrist release through contact.
|
240 |
2.5s |
FH Inside Out · Court-level-rear · 120fps
Milos Raonic's inside-out forehand from a central position, filmed from a court-level rear angle in 120 fps slow motion. His shoulders rotate well past perpendicular to the baseline on the unit turn, then uncoil in sequence with the trunk leading the arm swing, making the degree and timing of his torso rotation especially clear from behind.
|
120 |
3.5s |
FH Moves Back · Court-level-rear · 120fps #1
Milos Raonic's forehand while moving back from a neutral position, filmed from a court-level rear angle at 120 fps. His hips stay relatively closed as he retreats, with a pronounced knee bend and strong leg drive upward to stabilize and transfer weight into the shot despite moving backward.
|
120 |
2.7s |
FH Moves Back · Court-level-rear · 120fps #2
Milos Raonic's forehand while moving back from a neutral position, filmed from a court-level rear angle in 120fps slow motion. His follow-through finishes high over his shoulder as his weight stays slightly on the back leg, and he quickly brings both hands back to the racket to recover toward a ready position.
|
120 |
2.8s |
FH Moves Back · Court-level-rear · 120fps #3
Milos Raonic's forehand while moving back from a neutral court position, filmed from a rear court-level angle in 120 fps slow motion. His contact point is well in front of his body with the racket face slightly closed, and the racket head accelerates upward on a steep low-to-high path through the ball.
|
120 |
2.5s |
FH Running · Court-level-rear · 120fps
Milos Raonic's running forehand from a neutral court position, filmed from a court-level rear angle in 120 fps slow motion. His contact point is well in front of his body with the racket face slightly closed, and the racket head accelerates steeply upward through contact to create heavy topspin.
|
120 |
2.7s |
FH Short · Arm-action · Court-level-rear · 120fps
Milos Raonic's forehand from the center of the court, filmed from a court-level rear angle. His shoulders and trunk show an early, deep coil with the hitting-side shoulder dropping slightly, then uncoiling in a compact motion that keeps the arm action short and driven mainly by torso rotation.
|
120 |
3.1s |
FH Short · Court-level-rear · 120fps #1
Milos Raonic's forehand from the short court, filmed from a rear court-level angle in 120fps slow motion. His follow-through finishes high across his body as he transfers weight into the court and quickly resets his non-hitting hand in front to prepare for the next shot.
|
120 |
2.6s |
FH Short · Court-level-rear · 120fps #2
Milos Raonic's forehand from the middle of the court, filmed from a rear court-level angle in 120 fps slow motion. His shoulders rotate well past 90 degrees in the unit turn, then the trunk uncoils ahead of the arm so the racquet lags behind and whips through contact in a clear kinetic chain sequence.
|
120 |
3.2s |
FH Short · Court-level-rear · 120fps #3
Milos Raonic's forehand from the middle of the court, filmed from a rear court-level angle in 120 fps slow motion. His hips stay closed through the loading phase with a deep knee bend, then drive forward aggressively as the legs extend into contact, showing a strong upward push from the back leg.
|
120 |
2.5s |
FH Short · Court-level-rear · 120fps #4
Milos Raonic's forehand from the middle of the court, filmed from a rear court-level angle in high-speed 120 fps. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward along a low-to-high swing path.
|
120 |
2.9s |
FH Short · Court-level-rear · 120fps #5
Milos Raonic's forehand from the short court, filmed from a rear court-level angle in 120 fps slow motion. His semi-western grip is clear from the racket face angle, with noticeable wrist lag on the takeback that unwinds into a firm but relaxed wrist at contact.
|
120 |
2.3s |
FH Short · Court-level-rear · 120fps #6
Milos Raonic's forehand from the short court, filmed from a rear court-level angle at 120 fps. His shoulders load with a pronounced upper-body coil relative to the hips, then uncoil in sequence as the trunk rotates through contact, making the separation and timing of the torso turn easy to distinguish.
|
120 |
2.9s |
FH Short → FH Volley → BH Volley · Court-level-rear · 120fps
Milos Raonic's backhand volley from a central net position, filmed from a court-level rear angle. After contact his racquet finishes slightly in front of his body as he steps through with his back leg and quickly brings both hands back toward a compact ready position for the next ball.
|
120 |
8.8s |
FH Short → FH Volley · Court-level-rear · 120fps
Milos Raonic's forehand from the middle of the court, filmed from a court-level rear angle in 120 fps slow motion. His footwork features a small adjustment hop into a wide semi-open stance, followed by a quick recovery step that brings him back toward the center after contact.
|
120 |
4.9s |
FH Wide · Court-level-rear · 120fps
Milos Raonic's forehand from a wide position, filmed from a court-level rear angle in 120 fps slow motion. His follow-through finishes high across his body while his non-hitting hand quickly returns toward the center, showing an early recovery step back into a neutral ready position.
|
120 |
2.8s |
FH Center · Court-level-side · 240fps
Milos Raonic's forehand from the center of the court, filmed from a court-level side angle in 240 fps slow motion. His footwork shows a quick adjustment hop into a wide open stance, followed by a strong pivot on the outside leg and a compact recovery step toward the center.
|
240 |
2.6s |
FH Center · Court-level-side · 240fps #1
Milos Raonic's forehand from the center of the court, filmed from a court-level side angle. His hips stay closed through the loading phase with a deep knee bend, then drive forward aggressively as the rear leg extends to initiate rotation into the ball.
|
240 |
3.1s |
FH Center · Court-level-side · 240fps #2
Milos Raonic's forehand from the center of the court, filmed from a court-level side angle at 240 fps slow motion. His hips stay closed through the loading phase with a deep knee bend, then uncoil as his legs drive upward and forward into the ball.
|
240 |
1.8s |
FH Center · Court-level-side · Open · 240fps #1
Milos Raonic's forehand from the center of the court in an open stance, filmed from a court-level side angle at 240 fps. His shoulders load with a pronounced upper-body coil against a relatively stable lower body, then uncoil in sequence so the trunk rotation clearly leads the arm swing into contact.
|
240 |
3.2s |
FH Center · Court-level-side · Open · 240fps #2
Milos Raonic's forehand from the center of the court in an open stance, filmed from a court-level side angle at 240 fps. His contact point is well in front of his body with the racket face slightly closed, and the racket head accelerates steeply upward through the ball for heavy topspin.
|
240 |
2.9s |
FH Center · Court-level-side · Open · 240fps #3
Milos Raonic's forehand from the center of the court in an open stance, filmed from a court-level side angle. The racket meets the ball slightly in front of his body with a closed racket face and a steep low-to-high swing path that produces heavy topspin.
|
240 |
2.5s |
FH Center · Court-level-side · Open · 240fps #4
Milos Raonic's forehand from the center of the court in an open stance, filmed from a court-level side angle. His feet plant wide in the open stance with a strong load on the outside leg before a quick pivot and small recovery step bring him back toward a neutral position on the baseline.
|
240 |
3s |
FH Center · Court-level-side · Open · 240fps #5
Milos Raonic's forehand from the center of the court in an open stance, filmed from a court-level side angle. His shoulders coil well beyond his hips to create strong trunk separation, with a pronounced uncoiling sequence where the hips initiate rotation, followed by the torso and then the hitting shoulder.
|
240 |
2.7s |
FH Half Volley · Court-level-side · 240fps
Milos Raonic's forehand half-volley from the court level, filmed from the side. His shoulders stay relatively closed with a compact trunk coil, then uncoil in sync with a short arm swing to time the ball early off the bounce.
|
240 |
2.4s |
FH Inside In · Arm-action · Court-level-side · 240fps
Milos Raonic's forehand InsideIn from the middle of the court, filmed from a court-level side angle in high-speed 240 fps. His racket face stays slightly closed at a contact point just in front of his lead hip, with the racket head accelerating steeply upward along a low-to-high swing path.
|
240 |
2.8s |
FH Inside In · Court-level-side · 240fps
Milos Raonic's forehand InsideIn from a neutral position, filmed from a court-level side angle at 240 fps. His follow-through wraps high over his shoulder with his weight driving into the court, and he quickly brings both hands back to a ready position as he recovers.
|
240 |
2.5s |
FH Inside Out · Arm-action · Court-level-side · 240fps #1
Milos Raonic's forehand from a neutral court position, filmed from a court-level side angle at 240 fps. His hips stay relatively closed during the loading phase with a deep knee bend, then drive forward aggressively as the legs extend into the InsideOut swing.
|
240 |
2.8s |
FH Inside Out · Arm-action · Court-level-side · 240fps #2
Milos Raonic's forehand from the deuce side, filmed from a court-level side angle in 240 fps slow motion. His shoulders load with a pronounced turn relative to his hips, then uncoil in a clearly sequenced kinetic chain where the trunk rotation leads the arm and racquet into the InsideOut contact.
|
240 |
2.3s |
FH Inside Out · Court-level-side · 120fps
Milos Raonic's forehand InsideOut from the center of the court, filmed from a court-level side angle at 120 fps. His hips stay closed through the loading phase with a deep knee bend, then drive forward aggressively as his legs extend to initiate rotation into the shot.
|
120 |
3.3s |
FH Running · Arm-action · Court-level-side · 120fps
Milos Raonic's running forehand from the deuce side, filmed from a court-level side angle in 120 fps slow motion. His outside leg plants with a deep knee bend while his hips stay relatively closed, then drive forward as he pushes off to chase through the shot.
|
120 |
2.9s |
FH Running · Court-level-side · 120fps
Milos Raonic's running forehand from a neutral court position, filmed from a court-level side angle in 120 fps slow motion. His hips stay relatively closed as he sprints, then rotate aggressively through contact off a strong outside leg plant with noticeable knee bend driving his weight into the shot.
|
120 |
2.8s |
FH Running · Court-level-side · 120fps #2
Milos Raonic's running forehand from a neutral court position, filmed from a court-level side angle in 120 fps slow motion. His follow-through finishes high across his body while his non-hitting arm extends back for counterbalance before he quickly regains a ready position.
|
120 |
2.9s |
FH Short → FH Volley · Court-level-side · 240fps
Milos Raonic's forehand from the center of the court, filmed from a court-level side angle. His wide, low split step into an open stance followed by a strong pivot on the right leg and a quick recovery step toward the center is clearly visible in the slow-motion footage.
|
240 |
5.1s |
FH Volley · Court-level-side · 240fps
Milos Raonic's forehand from the middle of the court, filmed from a court-level side angle in 240 fps slow motion. His feet set in a strong neutral-to-slightly-open stance with a small adjustment hop into contact, followed by a pronounced front-leg pivot that helps him recover back toward his ready position.
|
240 |
1.6s |
FH Volley · Court-level-side · 240fps #1
Milos Raonic's forehand from the middle of the court, filmed from a court-level side angle in 240 fps slow motion. His follow-through finishes high across his body as his weight drives forward into the court, quickly returning his non-hitting hand to the racket throat to re-establish a ready position.
|
240 |
1.9s |
FH Volley · Court-level-side · 240fps #2
Milos Raonic's forehand from the middle of the court, filmed from a court-level side angle. The racket meets the ball slightly in front of his lead hip with a closed racket face and a steep low-to-high swing path clearly visible in the slow-motion frames.
|
240 |
1.9s |
FH Volley · Court-level-side · 240fps #3
Milos Raonic's forehand from the middle of the court, filmed from a court-level side angle. The racket face is slightly closed at a contact point around waist height, with the racket head accelerating steeply upward along the inside-out swing path.
|
240 |
2.1s |
FH Volley · Court-level-side · 240fps #4
Milos Raonic's forehand from the middle of the court, filmed from a court-level side angle in 240 fps slow motion. His follow-through finishes high across his body with his weight driving forward into the court, and he quickly brings both hands back toward the racket handle as he transitions into a compact ready position.
|
240 |
2s |
FH Volley Low · Court-level-side · 240fps
Milos Raonic's forehand from a neutral position, filmed from a court-level side angle. His semi-western grip is clear with a strong laid-back wrist position in the lag phase that rapidly unwinds into a firm, stable wrist at contact.
|
240 |
2s |
FH Wide · Arm-action · Court-level-side · 240fps
Milos Raonic's wide forehand from the side of the court, filmed from a court-level side angle in 240 fps slow motion. His follow-through finishes high with the racket wrapping across his body while his weight continues moving toward the sideline before he resets his stance for recovery.
|
240 |
2.9s |
FH Wide · Court-level-side · 240fps #1
Milos Raonic's forehand wide from the deuce side, filmed from a court-level side angle in 240 fps slow motion. His hips stay closed through the loading phase with a deep knee bend on the outside leg, then drive upward and rotate aggressively into the court as he transfers weight into the front leg.
|
240 |
2.8s |
FH Wide · Court-level-side · Open · 120fps #2
Milos Raonic's forehand from a wide position in an open stance, filmed from a court-level side angle at 120 fps. His shoulders coil well past his hips before uncoiling, with a pronounced trunk rotation that sequences from the legs and hips through the torso into the hitting arm.
|
120 |
2.8s |
FH Center · Arm-action · Front · 240fps #1
Milos Raonic's forehand from the center of the court, filmed from the front at 240 fps. His semi-western grip is easy to see in slow motion, with a pronounced wrist lag on the takeback that unwinds into a strong pronation through contact.
|
240 |
2.8s |
FH Center · Front · Neutral · 250fps #1
Milos Raonic's forehand from the center of the court in a neutral stance, filmed from the front at 250 fps. His semi-western grip is evident with the racket face slightly closed, and the slow motion makes the delayed wrist lag into a pronounced forward snap at contact clearly visible.
|
250 |
2.6s |
FH Center · Front · Neutral · 250fps #2
Milos Raonic's forehand from the center of the court in a neutral stance, filmed from a front angle at 250 fps. His follow-through finishes high across his body with the non-hitting hand extending back for counterbalance before he quickly squares his shoulders and resets into a ready position.
|
250 |
3.1s |
FH Center · Front · Neutral · 240fps #3
Milos Raonic's forehand from the center of the court in a neutral stance, filmed from the front at 240 fps. His semi-western grip and pronounced wrist lag are clearly visible before he uncoils the forearm and lets the wrist release through contact.
|
240 |
3s |
FH Center · Front · Neutral · 240fps #4
Milos Raonic's forehand from the center of the court in a neutral stance, filmed from the front at 240 fps. His hips stay relatively closed at the start, with a pronounced knee bend and strong leg drive upward and into the court as the hips uncoil through contact.
|
240 |
2.6s |
FH Center · Front · Open · 240fps #1
Milos Raonic's forehand from the center of the court in an open stance, filmed from the front at 240 fps. His racket contacts the ball slightly in front of his body with a closed-to-neutral face, and the slow motion makes the upward, low-to-high swing path and accelerating racket head speed clearly visible.
|
240 |
3.1s |
FH Center · Front · Open · 240fps #2
Milos Raonic's forehand from the center in an open stance, filmed from the front at 240 fps. His shoulders rotate as a unit with the trunk into a deep coil, then uncoil with the hitting-side shoulder driving forward slightly ahead of the hips to sequence the kinetic chain.
|
240 |
2.4s |
FH Center · Front · Open · 240fps #3
Milos Raonic's forehand from the center of the court in an open stance, filmed from a front angle. His follow-through finishes high across his body while his weight transfers onto his front foot, and he quickly returns his racquet to a neutral ready position in front of his torso.
|
240 |
2.5s |
FH Inside In · Front · 250fps #1
Milos Raonic's forehand InsideIn from the center of the court, filmed from a front angle. His shoulders and trunk show a pronounced coil with the hitting-side shoulder dropping slightly and then uncoiling in sequence ahead of the hips, making the degree of rotation and timing easy to distinguish in slow motion.
|
250 |
2.7s |
FH Inside In · Front · 240fps #2
Milos Raonic's forehand InsideIn from the center of the court, filmed from a front angle. His shoulders and trunk coil deeply away from the target before uncoiling in a pronounced rotational sequence that drives the hitting arm through contact.
|
240 |
2.9s |
FH Inside In · Front · 240fps #3
Milos Raonic's forehand Inside-In from the center of the court, filmed from a front angle at 240 fps slow motion. His footwork shows a pronounced split step into a strong open stance, with a quick adjustment step forward into the court before landing on his front leg for contact.
|
240 |
2.9s |
FH Inside In · Front · 240fps #4
Milos Raonic's forehand from a central court position, filmed from the front. His hips stay relatively closed through the loading phase with a deep knee bend, then drive upward as the legs extend to initiate rotation into the inside-in contact.
|
240 |
2.5s |
FH Inside In · Front · 240fps #5
Milos Raonic's forehand InsideIn from the center of the court, filmed from the front at 240 fps. His follow-through finishes high across his body with his non-hitting hand extending back for counterbalance before he quickly returns to a compact ready position.
|
240 |
2.7s |
FH Inside Out · Arm-action · Front · 250fps
Milos Raonic's forehand from a central position, filmed from the front. From this angle you can clearly see an early shoulder turn with the hitting-side shoulder dipping slightly as the trunk coils, then uncoils in sequence ahead of the arm accelerating through contact.
|
250 |
2.5s |
FH Inside Out → FH Volley → BH Half Volley · Front · 240fps
Milos Raonic's backhand half-volley from a neutral position, filmed from the front. His two-handed grip stays firm with minimal wrist deviation, and the lead wrist remains stable through contact with only a slight, controlled flex to soften the ball.
|
240 |
9.7s |
FH Inside Out · Front · 240fps #1
Milos Raonic's forehand from the center of the court, filmed from the front at 240 fps. His follow-through finishes high over his shoulder with his non-hitting hand retracting toward his body as his weight transfers forward into a balanced recovery stance.
|
240 |
2.8s |
FH Inside Out · Front · 240fps #10
Milos Raonic's forehand from the center of the court, filmed from the front at 240 fps. The racket face is slightly closed at a contact point just in front of his lead hip, with the racket head accelerating steeply upward along an inside-out swing path.
|
240 |
2.7s |
FH Inside Out · Front · 240fps #11
Milos Raonic's inside-out forehand from a central position, filmed from the front at 240 fps. His split step into an open stance is followed by a strong pivot on the outside leg, with a clear crossover recovery step preparing him to move back toward the center.
|
240 |
2.7s |
FH Inside Out · Front · 240fps #12
Milos Raonic's forehand from the center of the court, filmed from the front at 240 fps. The racket face is slightly closed at a contact point around waist to mid-torso height, with the racket head accelerating steeply upward and forward through the InsideOut swing path.
|
240 |
3.1s |
FH Inside Out · Front · 240fps #13
Milos Raonic's forehand from the middle of the court, filmed from the front at 240 fps. His shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils ahead of the arm swing, making the sequencing of torso rotation into contact easy to distinguish.
|
240 |
3.1s |
FH Inside Out · Front · 250fps #2
Milos Raonic's forehand from the middle of the court, filmed from a front angle. After contact his follow-through finishes high across his body while his non-hitting hand drops back for counterbalance before he quickly returns to a neutral ready position.
|
250 |
3.3s |
FH Inside Out · Front · 250fps #3
Milos Raonic's forehand from the middle of the court, filmed from the front. His semi-western grip is clear with the racquet laid back and pronounced wrist lag that unwinds into a strong pronation through contact.
|
250 |
3.1s |
FH Inside Out · Front · 250fps #4
Milos Raonic's forehand from the center of the court, filmed from a front angle. His semi-western grip is clear with the racket face laid back and a pronounced wrist lag that unwinds into a strong pronation through contact.
|
250 |
2.8s |
FH Inside Out · Front · 250fps #5
Milos Raonic's forehand from the center of the court, filmed from a front angle. His feet set in a strong open stance with a small adjustment step before contact and a clear recovery step back toward the middle after the swing.
|
250 |
2.9s |
FH Inside Out · Front · 240fps #6
Milos Raonic's inside-out forehand from the center of the court, filmed from a front angle. His wide, low split step into an open stance followed by a strong push off the outside leg and quick recovery steps back to the middle is clearly visible in this slow-motion view.
|
240 |
2.9s |
FH Inside Out · Front · 250fps #7
Milos Raonic's forehand InsideOut from the center of the court, filmed from a front angle. His follow-through finishes high across his body with his weight driving into the court, and his non-hitting hand quickly returns in front of his torso as he resets into a ready position.
|
250 |
2.7s |
FH Inside Out · Front · 240fps #8
Milos Raonic's forehand from the middle of the court, filmed from a front angle. His shoulders and trunk show a pronounced coil relative to the hips on the unit turn, then uncoil in a clearly sequenced motion that brings the hitting shoulder through first before the chest fully faces the net.
|
240 |
2.7s |
FH Inside Out · Front · 120fps #9
Milos Raonic's forehand InsideOut from the center of the court, filmed from the front at 120 fps slow motion. His hips stay closed during the unit turn, then drive explosively into an open position as his legs push up from a deep knee bend to unload into the shot.
|
120 |
3.4s |
FH Moves Back · Front · 250fps #1
Milos Raonic's forehand while moving back from a neutral position, filmed from the front at 250 fps. The racket face is slightly closed at a contact point around waist height, with the racket head accelerating steeply upward through the ball.
|
250 |
3s |
FH Moves Back · Front · 250fps #2
Milos Raonic's forehand while moving back from a central position, filmed from a front angle. His feet perform a quick split-step into a semi-open stance, then he uses small adjustment steps while retreating to set his weight on the outside leg before swinging.
|
250 |
2.7s |
FH Running · Front · 250fps #1
Milos Raonic's running forehand from the center of the court, filmed from the front. His footwork features a quick adjustment shuffle into an open stance, followed by a pronounced recovery step that readies him to move back toward the middle.
|
250 |
2.7s |
FH Running · Front · 250fps #2
Milos Raonic's running forehand from the center of the court, filmed from a front angle. His semi-western grip is evident with pronounced wrist lag on the racquet head before a strong, forward wrist release into contact.
|
250 |
2.8s |
FH Short → BH Volley · Front · 120fps
Milos Raonic's backhand from the middle of the court, filmed from the front. His hips stay relatively closed as he loads, with a pronounced knee bend and strong upward leg drive visible in slow motion at 120 fps.
|
120 |
6s |
FH Short → FH Volley · Front · 240fps
Milos Raonic's forehand from the middle of the court, filmed from the front. The racket face is slightly closed at a contact point around waist height, with the strings accelerating steeply upward through the ball for heavy topspin.
|
240 |
4.8s |
FH Short · Front · 240fps #1
Milos Raonic's forehand from the middle of the court, filmed from a front angle. His semi-western grip is clearly visible with a pronounced wrist lag in the forward swing that releases into a firm, stable wrist at contact.
|
240 |
3s |
FH Short · Front · 120fps #2
Milos Raonic's forehand from the center of the court, filmed from a front angle. His follow-through finishes high across his body with his non-hitting hand settling near his torso as he transfers weight forward and quickly resets into a neutral ready position.
|
120 |
2.3s |
FH Short · Front · 120fps #3
Milos Raonic's forehand from the center of the court, filmed from a front angle. His hips stay relatively closed through the loading phase with a deep knee bend, then drive forward in sync with an aggressive push off his right leg into the ball.
|
120 |
3.2s |
FH Short · Front · 120fps #4
Milos Raonic's forehand from the middle of the court, filmed from a front angle. His contact point is well in front of his body with the racket face slightly closed and the racket head accelerating steeply upward through the ball.
|
120 |
3.1s |
FH Wide · Front · Neutral · 240fps
Milos Raonic's forehand from a wide position, filmed from the front. His neutral stance is clear as he plants both feet roughly parallel to the baseline before rotating through the shot, with small adjustment steps taken to line up to the incoming ball.
|
240 |
3.2s |
FH Wide · Front · Open · 240fps
Milos Raonic's forehand from a wide position in an open stance, filmed from the front at 240 fps. The slow motion angle makes it easy to see his slightly closed racket face at contact with the ball struck around waist height and the racket head accelerating sharply up and across his body.
|
240 |
2.5s |
FH · Arm-action · Rear · 9204fps
Milos Raonic's forehand from the center of the court, filmed from a rear angle. The racket face is slightly closed at a contact point just in front of his lead hip, with the racket head accelerating upward and forward on a steep low-to-high swing path.
|
9204 |
0.1s |
FH Center · Arm-action · Rear · 250fps
Milos Raonic's forehand from the center of the court, filmed from a rear angle. The high-speed view shows his racket dropping well below the ball before contact, with a slightly closed racket face and rapid upward acceleration through the hitting zone.
|
250 |
2.8s |
FH Center · Rear · Neutral · 240fps #1
Milos Raonic's forehand from the center of the court in a neutral stance, filmed from a rear angle at 240 fps. His footwork includes a small hop into a wide neutral base followed by a quick right-left recovery pattern that returns him to the center after contact.
|
240 |
3s |
FH Center · Rear · Neutral · 240fps #2
Milos Raonic's forehand from the center of the court in a neutral stance, filmed from a rear angle at 240 fps. His hips stay relatively closed through the load with a pronounced knee bend, then drive forward with strong leg extension as the back hip rotates into the court through contact.
|
240 |
3s |
FH Center · Rear · Open · 240fps
Milos Raonic's forehand from the center of the court in an open stance, filmed from a rear angle at 240 fps. His follow-through wraps high over his shoulder while his non-hitting hand retracts toward his body, and he quickly regains a neutral ready position with weight settling back to a balanced stance on the baseline.
|
240 |
2.8s |
FH Inside In · Rear · 250fps #1
Milos Raonic's forehand from a central court position, filmed from a rear angle in 250 fps slow motion. His hips stay closed through the loading phase with a deep knee bend, then drive forward aggressively as the back leg extends to initiate hip rotation into the Inside-In swing path.
|
250 |
2.2s |
FH Inside In · Rear · 240fps #2
Milos Raonic's forehand Inside-In from the center of the court, filmed from a rear angle at 240 fps. His semi-western grip is evident in the strong wrist lag on the takeback that unwinds into a firm, stable wrist position at contact.
|
240 |
2.8s |
FH Inside Out · Arm-action · Rear · 250fps #1
Milos Raonic's forehand from a central position, filmed from a rear angle. His semi-western grip is evident with a pronounced wrist lag on the racquet drop that unwinds into a compact pronation through contact.
|
250 |
3.1s |
FH Inside Out · Arm-action · Rear · 250fps #2
Milos Raonic's forehand from a central position, filmed from a rear angle. His semi-western grip is clear from the racket face angle, and the slow motion makes the pronounced wrist lag and subsequent pronation into contact easy to see.
|
250 |
2.8s |
FH Inside Out · Arm-action · Rear · 240fps #3
Milos Raonic's forehand InsideOut from the center of the court, filmed from a rear angle. His follow-through finishes high across his body with the non-hitting arm retracting toward his torso as his weight transfers forward into a balanced recovery stance.
|
240 |
3.4s |
FH Inside Out · Arm-action · Rear · 240fps #4
Milos Raonic's forehand from a central position, filmed from a rear angle. His follow-through finishes high across his body with the non-hitting arm tucking in, and he quickly regains a neutral ready stance by bringing his feet back under his center of mass.
|
240 |
3.1s |
FH Inside Out · Rear · 250fps #1
Milos Raonic's forehand from the middle of the court, filmed from a rear angle. The racket face is slightly closed at contact with the ball struck around waist height, and the swing path drives aggressively through the court before wrapping up over his shoulder.
|
250 |
3.5s |
FH Inside Out · Rear · 250fps #2
Milos Raonic's forehand InsideOut from the Rear, filmed from a rear angle. The high-speed view shows the racket face slightly closed at contact with the ball struck just in front of his body at around waist-to-chest height, with the racket head accelerating steeply upward along a low-to-high swing path.
|
250 |
2.4s |
FH Inside Out · Rear · 240fps #3
Milos Raonic's inside-out forehand from the center of the court, filmed from a rear angle at 240 fps. His shoulders rotate well past perpendicular to the baseline on the unit turn, then uncoil in sync with his hips so that the trunk unwinds progressively into contact.
|
240 |
2.9s |
FH Moves Back · Arm-action · Rear · 250fps
Milos Raonic's forehand from a central court position, filmed from a rear angle. As he moves back, he uses small adjustment steps into a semi-open stance, coordinating his loading leg with a pronounced arm loop before driving through the ball.
|
250 |
2.9s |
FH Running · Rear · 250fps
Milos Raonic's running forehand from a neutral court position, filmed from a rear angle. His shoulders rotate well past perpendicular to the baseline on the unit turn, then uncoil in sequence with the trunk leading the arm swing, clearly visible in the high-speed slow motion.
|
250 |
3.1s |
FH Short → BH Volley → BH Drop Volley · Rear · 240fps
Milos Raonic's backhand volley from mid-court, filmed from the rear. His split-step precedes a quick forward adjustment into a neutral stance, with a short crossover step carrying him into position for the drop volley.
|
240 |
8.7s |
FH Short → FH Volley · Rear · 240fps
Milos Raonic's forehand from the middle of the court, filmed from a rear angle. His hips stay closed through the loading phase with a deep knee bend, then drive upward and rotate aggressively as his legs extend into contact.
|
240 |
5.6s |
FH Short → FH Volley · Rear · 250fps
Milos Raonic's forehand from a central position inside the baseline, filmed from a rear angle. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward along a low-to-high swing path.
|
250 |
4.9s |
FH Short · Rear · 250fps #1
Milos Raonic's forehand from a central court position, filmed from a rear angle. His hips load with a pronounced coil against a wide, stable base, and you can see strong leg drive upward and into the court as he uncoils into the ball.
|
250 |
2.3s |
FH Short · Rear · 250fps #2
Milos Raonic's forehand from a short central position, filmed from a rear angle in 250 fps slow motion. His feet set in a semi-open stance with a compact adjustment step before contact, followed by a pronounced crossover recovery step back toward the middle.
|
250 |
3.6s |
FH Short · Rear · 240fps #3
Milos Raonic's forehand from the middle of the court, filmed from a rear angle. His shoulders rotate well past perpendicular to the baseline on the unit turn, then the trunk uncoils ahead of the arm so the racquet lags behind and whips through contact in a clear kinetic chain sequence.
|
240 |
2.7s |
FH Short · Rear · 240fps #4
Milos Raonic's forehand from a central position, filmed from a rear angle. His split-step is followed by a quick adjustment hop into a semi-open stance, with a strong push off his right leg to load before rotating into the shot.
|
240 |
2.6s |
FH Short · Rear · 120fps #5
Milos Raonic's forehand from a central position, filmed from a rear angle in 120 fps slow motion. His footwork includes a small adjustment hop into a semi-open stance followed by a pronounced right-leg pivot that drives his weight forward before he recovers toward the center.
|
120 |
3.4s |
FH Short · Rear · 250fps #6
Milos Raonic's forehand from the middle of the court, filmed from a rear angle. His semi-western grip is clear from the amount of racket face closure, and the slow-motion view makes the delayed wrist lag and subsequent uncoiling into contact easy to see.
|
250 |
2.6s |
FH Volley · Arm-action · Rear · 240fps
Milos Raonic's forehand from the center of the court, filmed from a rear angle. His semi-western grip is paired with pronounced wrist lag on the racquet drop, followed by a strong wrist snap through contact.
|
240 |
1.7s |
FH Volley · Arm-action · Rear · 240fps #1
Milos Raonic's forehand from a central court position, filmed from a rear angle at 240 fps. His shoulders load with a pronounced upper-body coil against a relatively stable lower body, then uncoil in sequence so the trunk rotation clearly leads the arm swing through contact.
|
240 |
1.8s |
FH Volley · Arm-action · Rear · 240fps #4
Milos Raonic's forehand from a central position, filmed from a rear angle. His feet set in a strong neutral-to-slightly-open stance with a compact adjustment step before contact, followed by a small recovery step that recenters his base after the swing.
|
240 |
1.9s |
FH Volley · Rear · 240fps
Milos Raonic's forehand from a central baseline position, filmed from a rear angle. His shoulders rotate well past 90 degrees relative to the net in the backswing, then the trunk uncoils ahead of the arm swing, creating a clear sequential rotation from hips to shoulders.
|
240 |
1.9s |
FH Volley · Rear · 240fps #1
Milos Raonic's forehand from a central position, filmed from a rear angle. His follow-through finishes high over his shoulder with his non-hitting hand extending back for counterbalance before he quickly resets into a ready stance.
|
240 |
1.9s |
FH Wide · Rear · Open · 240fps
Milos Raonic's forehand from a wide position in an open stance, filmed from a rear angle at 240 fps. His semi-western grip sets a strong laid-back wrist position on the takeback, with a pronounced wrist lag that unwinds into a compact pronation through contact.
|
240 |
2.4s |
FH Center · Side · Open · 240fps
Milos Raonic's forehand from the center of the court in an open stance, filmed from the side. His semi-western grip is clear here, with pronounced wrist lag on the forward swing that releases into a strong pronation through contact.
|
240 |
2.4s |
FH Inside In → FH Volley · Side · 240fps
Milos Raonic's forehand from the center of the court, filmed from the side. His hips stay closed through the loading phase with a deep knee bend, then drive forward aggressively as the rear leg extends to initiate rotation into the inside-in contact.
|
240 |
6.4s |
FH Inside In · Side · 240fps
Milos Raonic's forehand from an inside-in position, filmed from the side. The slow-motion angle makes it easy to see his semi-western grip with a pronounced wrist lag that unwinds into a strong pronation through contact.
|
240 |
2.9s |
FH Inside Out · Arm-action · Side · 240fps
Milos Raonic's forehand from a central position, filmed from the side. His feet plant into a strong open stance with a clear load on the outside leg before he pivots through the shot and brings the back foot around to recover.
|
240 |
3.2s |
FH Inside Out · Side · 240fps #1
Milos Raonic's forehand from the inside-out position, filmed from a side angle. His hips load in a closed position with a deep knee bend before driving upward and uncoiling aggressively into the shot.
|
240 |
3.7s |
FH Inside Out · Side · 240fps #2
Milos Raonic's forehand hit InsideOut from a neutral court position, filmed from a side angle at 240 fps. His footwork shows a small adjustment hop into a strong open stance, with a clear weight transfer off the right leg and a quick recovery step back toward the center.
|
240 |
3.2s |
FH Inside Out · Side · 240fps #3
Milos Raonic's forehand from the center of the court, filmed from the side. His semi-western grip is clear, with pronounced wrist lag on the takeback that unwinds into a strong pronation through contact.
|
240 |
2.8s |
FH Inside Out · Side · 240fps #4
Milos Raonic's inside-out forehand from the middle of the court, filmed from the side. His semi-western grip is clearly visible with a pronounced wrist lag on the racquet head before it whips forward into contact.
|
240 |
3.6s |
FH Inside Out · Side · 240fps #5
Milos Raonic's forehand InsideOut from the center of the court, filmed from a side angle. His hips load in a closed position with a deep knee bend before driving upward and uncoiling, with the rear leg pushing strongly off the ground into the shot.
|
240 |
2.8s |
FH Volley · Side · 240fps
Milos Raonic's forehand from a central position, filmed from the side. His open stance is clear as he plants his outside foot first, then pivots his hips forward while using small recovery steps to return to a ready position after contact.
|
240 |
2.3s |
FH Volley · Side · 240fps #1
Milos Raonic's forehand from the middle of the court, filmed from the side. At contact his racket face is slightly closed with the ball struck around waist height, and you can see the racket head accelerating steeply upward along a low-to-high swing path.
|
240 |
1.9s |
FH Short → OH · Court-level-rear · 120fps
Milos Raonic's forehand overhead from the center of the court, filmed from a court-level rear angle in 120 fps slow motion. His continental grip stays firm with a noticeable wrist extension on the racquet drop and a sharp wrist snap forward right before contact.
|
120 |
8.7s |
FH Short → FH Volley → OH → FH Short → BH Volley → BH Volley · Front · 120fps
Milos Raonic's overhead from the net area, filmed from the front. His follow-through finishes with the racquet dropping across his opposite shoulder as he quickly re-centers his stance, bringing both hands in front to reset into a compact ready position.
|
120 |
17.8s |
BH Return 1st Serve · Deuce · 120fps
Milos Raonic's two-handed backhand return from the deuce side, filmed from a high-speed phantom angle. His relatively compact takeback keeps the wrists quiet early, with a noticeable late wrist firming at contact as both hands work together to stabilize the racquet face against the incoming first serve.
|
120 |
2.3s |
BH Return 1st Serve · Ad · Court-level-front · 120fps
Milos Raonic's two-handed backhand return of first serve from the ad side, filmed from a court-level front angle in 120 fps slow motion. His hips stay relatively closed at contact while a strong knee bend and upward leg drive from the outside leg are clearly visible as he pushes into the court.
|
120 |
2.4s |
BH Return 1st Serve · Ad · Court-level-front · 240fps
Milos Raonic's two-handed backhand return on a first serve from the ad side, filmed from a court-level front angle at 240 fps. After contact his follow-through finishes high with the racket pointing toward the middle of the court as he quickly brings both hands back in front of his body to re-establish a compact ready position.
|
240 |
2.1s |
BH Return 1st Serve · Ad · Court-level-front · 240fps #1
Milos Raonic's two-handed backhand return from the ad side, filmed from a court-level front angle at 240 fps. His relatively firm eastern backhand grip on the dominant hand is paired with a stable wrist that stays set with minimal flexion through contact to absorb the pace of the first serve.
|
240 |
2.1s |
BH Return 1st Serve · Ad · Court-level-front · 120fps #2
Milos Raonic's two-handed backhand return from the ad side, filmed from a court-level front angle at 120 fps. His racket face is slightly closed at contact with the ball meeting the strings around waist height, and the compact swing path lets the racket head accelerate quickly through the hitting zone.
|
120 |
2.4s |
BH Return 2nd Serve · Ad · Court-level-front · 240fps
Milos Raonic's two-handed backhand return on a second serve from the ad side, filmed from a court-level front angle in 240 fps slow motion. His hips stay relatively closed at split step then rotate subtly into contact as his knees stay flexed, giving a stable base with limited forward leg drive typical of a reactive return stance.
|
240 |
2.2s |
BH Return 2nd Serve · Ad · Court-level-front · 240fps #1
Milos Raonic's two-handed backhand return from the ad side, filmed from a court-level front angle at 240 fps. His compact grip setup keeps both hands firm on the handle while the wrists stay relatively quiet through contact, with only a subtle release of the hitting wrist after impact.
|
240 |
2.2s |
BH Return 2nd Serve · Deuce · Court-level-front · 240fps
Milos Raonic's backhand return on a second serve from the deuce side, filmed from a court-level front angle at 240 fps. His compact split step into a semi-open stance is followed by a quick pivot on the outside foot, with a small recovery step back toward the center visible immediately after contact.
|
240 |
2.4s |
BH Return 2nd Serve · Deuce · Court-level-front · 120fps #1
Milos Raonic's two-handed backhand return from the deuce side, filmed from a court-level front angle in 120 fps slow motion. His semi-closed two-handed grip is clearly visible, with the left hand driving the racquet and a firm but relaxed wrist structure that stays stable through contact with only a slight post-contact release.
|
120 |
2.6s |
BH Return 2nd Serve · Deuce · Court-level-front · 240fps #1
Milos Raonic's two-handed backhand return from the deuce side, filmed from a court-level front angle at 240 fps. His racket meets the ball slightly in front of his body with a closed racket face and a compact, mostly linear swing path through contact.
|
240 |
2.4s |
BH Return 2nd Serve · Deuce · Court-level-front · 120fps #2
Milos Raonic's two-handed backhand return on a second serve from the deuce side, filmed from a court-level front angle at 120 fps. His semi-closed two-handed backhand grip stays relaxed with a noticeable laid-back wrist position on the dominant hand that firms up into a stable, slightly pronated wrist at contact.
|
120 |
3.2s |
BH Return 2nd Serve · Deuce · Court-level-front · 120fps #3
Milos Raonic's two-handed backhand return on a second serve from the deuce side, filmed from a court-level front angle in 120 fps slow motion. His hips stay relatively closed at contact while his knees are deeply bent, showing strong leg loading before a compact upward drive into the shot.
|
120 |
2.2s |
BH Return 2nd Serve · Deuce · Court-level-front · 120fps #4
Milos Raonic's two-handed backhand return on a second serve from the deuce side, filmed from a court-level front angle in 120fps slow motion. His semi-closed two-handed backhand grip is set early, with a noticeable firm but relaxed top hand and minimal wrist flexion through contact to stabilize the racquet face against the incoming serve.
|
120 |
2.6s |
BH Return 2nd Serve · Deuce · Court-level-front · 120fps #5
Milos Raonic's two-handed backhand return from the deuce side, filmed from a court-level front angle at 120 fps. His shoulders and trunk coil early against the incoming serve, then uncoil in a tightly linked sequence where the hips initiate rotation followed closely by the upper torso to drive the racquet through contact.
|
120 |
2.9s |
FH Return 1st Serve · Deuce · Court-level-front · 240fps
Milos Raonic's forehand return from the deuce court, filmed from a court-level front angle at 240 fps. His shoulders rotate as a unit with the trunk into a compact coil on the unit turn, then uncoil in sequence from hips to shoulders, making the degree of upper-body rotation and timing of trunk release easy to distinguish in slow motion.
|
240 |
2.4s |
FH Return 1st Serve · Deuce · Court-level-front · 240fps #1
Milos Raonic's forehand return from the deuce court, filmed from court-level front at 240 fps. His shoulders rotate as a single unit with the trunk into a compact coil on the unit turn, then uncoil in sequence from hips to torso to hitting arm, making the degree of shoulder turn and timing of trunk rotation especially clear in slow motion.
|
240 |
2.4s |
BH Return 2nd Serve · Ad · Court-level-rear · 120fps
Milos Raonic's backhand return on a second serve from the ad side, filmed from a court-level rear angle at 120 fps. His early shoulder turn and pronounced trunk coil are clearly visible from behind, with the torso uncoiling ahead of the arms to initiate the forward swing in a clean kinetic chain sequence.
|
120 |
2.9s |
BH Return 1st Serve · Ad · Court-level-side · 240fps
Milos Raonic's backhand return of first serve from the ad side, filmed from a court-level side angle at 240 fps. His hips stay relatively closed at contact while his knees are deeply flexed on the return load, showing a strong leg drive forward into the court.
|
240 |
3.1s |
BH Return 1st Serve · Ad · Court-level-side · 240fps #1
Milos Raonic's two-handed backhand return on a first serve from the ad side, filmed from a court-level side angle at 240 fps. After contact his follow-through finishes high with the racket wrapping around his left shoulder while his weight continues moving into the court, and he quickly begins to bring both hands back toward a neutral ready position.
|
240 |
2.4s |
BH Return 1st Serve · Ad · Court-level-side · 240fps #2
Milos Raonic's two-handed backhand return from the ad side, filmed from a court-level side angle at 240 fps. His hips stay relatively closed as he plants his outside leg, with a deep knee bend and strong push off that drives his body into the court through contact.
|
240 |
3.1s |
BH Return 1st Serve · Ad · Court-level-side · 240fps #3
Milos Raonic's two-handed backhand return on the ad side, filmed from a court-level side angle at 240 fps. His racket face is slightly closed at contact with the ball struck around waist height, and the racket head accelerates forward on a relatively compact, linear swing path.
|
240 |
2.6s |
BH Return 1st Serve · Deuce · Court-level-side · 120fps
Milos Raonic's backhand return from the deuce court, filmed from a court-level side angle at 120 fps. His racket face is slightly closed at contact with the ball struck around waist height, and the compact swing path keeps the racket head traveling forward through the hitting zone.
|
120 |
2.6s |
BH Return 1st Serve · Deuce · Court-level-side · 240fps
Milos Raonic's two-handed backhand return from the deuce court, filmed from a court-level side angle at 240 fps. His compact split-step into a semi-open stance is clearly visible, followed by a short lateral push off the outside leg to set the base for the return.
|
240 |
2.4s |
BH Return 1st Serve · Deuce · Court-level-side · 120fps #1
Milos Raonic's two-handed backhand return from the deuce side, filmed from a court-level side angle at 120 fps. His shoulders rotate as a single unit with the trunk into a compact coil on the unit turn, then uncoil in sequence from hips to shoulders, with the front shoulder staying closed until just before contact.
|
120 |
1.9s |
BH Return 1st Serve · Deuce · Court-level-side · 120fps #2
Milos Raonic's two-handed backhand return of a first serve from the deuce side, filmed from a court-level side angle at 120 fps. His follow-through finishes high with the racket wrapping across his body while his weight transfers into the court and his non-hitting hand quickly comes back toward a ready position.
|
120 |
2.6s |
BH Return 1st Serve · Deuce · Court-level-side · 240fps #3
Milos Raonic's two-handed backhand return from the deuce side, filmed from a court-level side angle at 240 fps. After contact his follow-through finishes high with the racquet wrapping toward his non-dominant side as he transfers weight forward and quickly begins to square his shoulders back into a ready position.
|
240 |
2.4s |
BH Return 2nd Serve · Ad · Court-level-side · 240fps
Milos Raonic's two-handed backhand return on a second serve from the ad side, filmed from a court-level side angle at 240 fps. His compact split step transitions quickly into a semi-open stance, with a short lateral adjustment step setting his feet before contact and a small recovery step bringing him back toward the center.
|
240 |
2.2s |
BH Return 2nd Serve · Ad · Court-level-side · 120fps #1
Milos Raonic's two-handed backhand return on a second serve from the ad side, filmed from a court-level side angle in 120 fps slow motion. His hips stay relatively closed through the return prep while his knees load deeply, and you can see a strong upward leg drive initiating just before his upper body unwinds into contact.
|
120 |
2.9s |
BH Return 2nd Serve · Ad · Court-level-side · 240fps #1
Milos Raonic's two-handed backhand return on a second serve from the ad side, filmed from a court-level side angle at 240 fps. His follow-through finishes high with the racket wrapping across his body while his weight transfers into the court, bringing him quickly back toward a compact ready position.
|
240 |
2.2s |
BH Return 2nd Serve · Ad · Court-level-side · 120fps #2
Milos Raonic's two-handed backhand return on a second serve from the ad side, filmed from a court-level side angle in 120 fps slow motion. His racket contacts the ball slightly in front of his lead hip with a closed racket face and a compact, forward swing path that accelerates the racket head through contact.
|
120 |
3.1s |
BH Return 2nd Serve · Deuce · Arm-action · Court-level-side · 120fps
Milos Raonic's two-handed backhand return on a second serve from the deuce side, filmed from a court-level side angle. His relatively relaxed grip lets the racquet head lag behind his hands before contact, with a late but controlled wrist release as he drives through the ball.
|
120 |
2.5s |
BH Return 2nd Serve · Deuce · Court-level-side · 120fps
Milos Raonic's two-handed backhand return from the deuce court, filmed from a court-level side angle at 120 fps. His shoulders and trunk load early with a pronounced coil, then uncoil in a clearly sequenced motion where the upper body rotation leads the racquet into contact before the hips fully square to the net.
|
120 |
3.1s |
BH Return 2nd Serve · Deuce · Court-level-side · 120fps #1
Milos Raonic's two-handed backhand return on a second serve from the deuce side, filmed from a court-level side angle at 120 fps. His early shoulder turn loads the trunk with a pronounced coil, and the slow motion makes the sequential uncoiling of his torso into contact clearly visible relative to his more stable lower body.
|
120 |
3.1s |
BH Return 2nd Serve · Deuce · Court-level-side · 120fps #2
Milos Raonic's two-handed backhand return on a second serve from the deuce side, filmed from a court-level side angle at 120 fps. His relatively relaxed continental left-hand grip transitions into a firm wrist position just before contact, with minimal wrist flexion and a stable, slightly laid-back hitting wrist through the strike.
|
120 |
3.1s |
FH Return 1st Serve · Ad · Arm-action · Court-level-side · 240fps
Milos Raonic's forehand return from the ad side, filmed from a court-level side angle. His shoulders load with a pronounced upper-body coil against a relatively stable lower body, then uncoil in sequence so the trunk rotation clearly leads the arm swing into contact.
|
240 |
3.1s |
FH Return 1st Serve · Ad · Court-level-side · 240fps
Milos Raonic's forehand return from the ad side, filmed from a court-level side angle. His semi-western grip is clearly visible with the racquet laid back and pronounced wrist lag maintained into contact before a compact, controlled release.
|
240 |
2.8s |
FH Return 1st Serve · Ad · Court-level-side · 240fps #1
Milos Raonic's forehand return from the ad side, filmed from a court-level side angle at 240 fps. His hips stay relatively closed at the split step and then rotate aggressively through contact as his right leg drives forward with a deep knee bend to push into the court.
|
240 |
3.3s |
FH Return 1st Serve · Ad · Court-level-side · 240fps #2
Milos Raonic's forehand return from the ad side, filmed from a court-level side angle at 240 fps. After contact his follow-through wraps high across his body while his weight transfers into the court and his non-hitting hand quickly resets toward a ready position.
|
240 |
2.8s |
FH Return 1st Serve · Ad · Court-level-side · 240fps #3
Milos Raonic's forehand return from the ad side, filmed from a court-level side angle at 240 fps. His early split-step into a semi-open stance and quick adjustment steps toward the baseline are clearly visible as he sets up to meet the incoming first serve.
|
240 |
2.1s |
FH Return 2nd Serve · Ad · Arm-action · Court-level-side · 240fps
Milos Raonic's forehand return from the ad side, filmed from a court-level side angle. His follow-through finishes high across his body with the non-hitting arm tucking in early, helping his weight transfer into the court and letting him reset quickly into a compact ready position.
|
240 |
3.6s |
FH Return 2nd Serve · Ad · Arm-action · Court-level-side · 240fps #5
Milos Raonic's forehand return from the ad side, filmed from a court-level side angle. His hips stay relatively closed at split-step then rotate aggressively into contact as his legs drive up from a deep knee bend to attack the second serve.
|
240 |
3.6s |
FH Return 2nd Serve · Ad · Court-level-side · 120fps
Milos Raonic's forehand return from the ad side, filmed from a court-level side angle in 120 fps slow motion. His racket face is slightly closed at contact with the ball meeting the strings just in front of his lead hip at roughly waist height, and the racket head accelerates low to high on a compact swing path.
|
120 |
3.1s |
FH Return 2nd Serve · Ad · Court-level-side · 120fps #1
Milos Raonic's forehand return from the ad side, filmed from a court-level side angle in 120 fps slow motion. His semi-western grip is clearly visible with a pronounced wrist lag on the takeback that unwinds into a firm but not exaggerated wrist snap through contact.
|
120 |
3.1s |
FH Return 2nd Serve · Ad · Court-level-side · 240fps #2
Milos Raonic's forehand return from the ad court, filmed from a court-level side angle. The racket face is slightly closed at a contact point around waist height, with the racket head accelerating steeply upward along the swing path through the ball.
|
240 |
3.5s |
FH Return 2nd Serve · Ad · Court-level-side · 240fps #3
Milos Raonic's forehand return from the ad side, filmed from a court-level side angle. His compact split step into a semi-open stance is clearly visible, followed by a short lateral push off the outside leg to load and then recover one step back toward the center.
|
240 |
3.5s |
FH Return 2nd Serve · Ad · Court-level-side · 240fps #6
Milos Raonic's forehand return from the ad side, filmed from a court-level side angle at 240 fps. His knees load deeply with a noticeable sit into the ground before contact, and his hips stay relatively closed through the unit turn before unwinding into the shot with a strong push off the outside leg.
|
240 |
3.5s |
FH Return 2nd Serve · Deuce · Court-level-side · 240fps #1
Milos Raonic's forehand return from the deuce court, filmed from a court-level side angle. His compact split step into a semi-open stance and quick first pivot step toward the ball are clearly visible before he drives through and recovers.
|
240 |
3.6s |
FH Return 2nd Serve · Deuce · Court-level-side · 240fps #2
Milos Raonic's forehand return from the deuce court, filmed from a court-level side angle at 240 fps. His semi-western grip stays firm while his wrist maintains noticeable lag through the forward swing before a compact, late snap into contact.
|
240 |
2.8s |
FH Return 2nd Serve · Deuce · Court-level-side · 240fps #3
Milos Raonic's forehand return from the deuce court, filmed from a court-level side angle at 240 fps. After contact his follow-through wraps high across his body while his weight continues moving into the court, and his non-hitting hand quickly comes back toward his torso as he transitions into a compact ready position.
|
240 |
3.6s |
FH Return 2nd Serve · Deuce · Court-level-side · 240fps #5
Milos Raonic's forehand return from the deuce court, filmed from a court-level side angle at 240 fps. His hips stay relatively closed through the unit turn while a deep knee bend on the outside leg loads before an explosive upward leg drive into the return.
|
240 |
2.8s |
FH Return Slice 1st Serve · Deuce · Court-level-side · 120fps
Milos Raonic's sliced forehand return from the deuce side, filmed from a court-level side angle. His footwork shows a compact split step into a small lateral adjustment and a semi-open stance, with a quick recovery step preparing him to move back toward the center.
|
120 |
3.2s |
BH Return 1st Serve · Ad · Front · 120fps
Milos Raonic's backhand return from the ad side, filmed from the front at 120 fps. His hips stay relatively closed at contact while a strong knee bend and upward leg drive are visible as he pushes off the ground into the shot.
|
120 |
2.7s |
BH Return 1st Serve · Ad · Front · 240fps
Milos Raonic's two-handed backhand return of first serve from the ad side, filmed from the front at 240 fps. His shoulders and trunk coil early against the incoming serve, then uncoil in a compact sequence where the torso rotation leads the racquet through contact.
|
240 |
2.5s |
BH Return 1st Serve · Ad · Front · 240fps #1
Milos Raonic's two-handed backhand return of a first serve from the ad court, filmed from a front angle. His semi-closed two-handed grip is clearly visible, with the dominant right wrist staying firm while the left wrist provides most of the subtle pronation through contact.
|
240 |
2.5s |
BH Return 1st Serve · Ad · Front · 120fps #2
Milos Raonic's two-handed backhand return of a first serve from the ad side, filmed from the front at 120 fps. His racket face stays relatively square to the incoming ball with contact made around waist height, and the compact swing path shows a stable, accelerating racket head through impact.
|
120 |
2.7s |
BH Return 1st Serve · Ad · Front · 240fps #3
Milos Raonic's two-handed backhand return of a first serve from the ad side, filmed from the front at 240 fps. His racket face stays relatively square to the incoming ball at contact, with the strike point just in front of his body and around waist height, allowing a compact swing path through the ball.
|
240 |
2.5s |
BH Return 1st Serve · Ad · Front · 120fps
Milos Raonic's two-handed backhand return from the ad side, filmed from a rear camera angle at 120 fps. After contact his follow-through finishes high with the racket pointing toward the center of the court while his weight transfers forward and he quickly resets his feet into a ready position.
|
120 |
2.6s |
BH Return 2nd Serve · Ad · Front · 120fps
Milos Raonic's backhand return on a second serve from the ad side, filmed from the front at 120 fps. His two-handed grip stays compact with the bottom hand driving the racquet while the top hand and relatively firm wrist create a controlled, minimal-lag structure through contact.
|
120 |
2.2s |
BH Return 2nd Serve · Deuce · Front · 250fps
Milos Raonic's two-handed backhand return on a second serve from the deuce side, filmed from the front at 250 fps. His follow-through finishes high with the non-hitting hand releasing the racquet early, and he quickly brings both hands back toward his body to recover into a compact ready position.
|
250 |
3.2s |
BH Return 2nd Serve · Deuce · Front · 240fps
Milos Raonic's two-handed backhand return on a second serve from the deuce side, filmed from the front at 240 fps. His hips stay relatively closed at contact while his knees are deeply flexed, showing a strong leg load and upward drive into the ball.
|
240 |
2.4s |
BH Return 2nd Serve · Deuce · Front · 240fps #1
Milos Raonic's backhand return on a second serve from the deuce side, filmed from the front at 240 fps. His hips stay relatively closed as he loads with a pronounced knee bend, then uncoil with a strong upward leg drive to push into the court.
|
240 |
2.2s |
BH Return 2nd Serve · Deuce · Front · 250fps #1
Milos Raonic's two-handed backhand return on a second serve from the deuce court, filmed from a front angle. His shoulders and trunk show a compact unit turn with a brief coil that quickly uncoils into contact, with the upper body rotation clearly leading the racquet through the hitting zone in a tight, efficient sequence.
|
250 |
3.2s |
BH Return 2nd Serve · Deuce · Front · 240fps #2
Milos Raonic's two-handed backhand return on a second serve from the deuce side, filmed from the front at 240 fps. His hips stay relatively closed through the return with a pronounced knee bend, showing a strong leg load before a compact upward drive into the ball.
|
240 |
2.6s |
BH Return 2nd Serve · Deuce · Front · 240fps #3
Milos Raonic's two-handed backhand return from the deuce side, filmed from the front at 240 fps. His relatively firm continental left-hand grip on the return shows minimal wrist lag, with a compact unit turn and a stable wrist position maintained solidly through contact.
|
240 |
2.4s |
BH Return 2nd Serve · Deuce · Front · 240fps #4
Milos Raonic's two-handed backhand return on a second serve from the deuce side, filmed from a front angle. His racket face stays relatively square to the incoming ball at contact with the strike point around waist height, and the compact swing path produces a quick acceleration through the ball.
|
240 |
2.2s |
FH Return 1st Serve · Ad · Front · 120fps
Milos Raonic's forehand return from the ad court, filmed from the front at 120fps slow motion. His compact split-step into a semi-open stance is followed by a small adjustment hop and a controlled recovery step back toward the center.
|
120 |
2.1s |
FH Return 1st Serve · Ad · Front · 240fps
Milos Raonic's forehand return from the ad side, filmed from the front at 240 fps. His follow-through finishes high across his body as he steps diagonally back toward the center and quickly resets both hands on the racquet in a compact ready position.
|
240 |
2.2s |
FH Return 1st Serve · Ad · Front · 120fps #1
Milos Raonic's forehand return from the ad side, filmed from a front angle. His semi-western grip is easy to see here, with a relaxed wrist that maintains lag on the takeback before firming up just prior to contact.
|
120 |
2.1s |
FH Return 1st Serve · Ad · Front · 240fps #2
Milos Raonic's forehand return on the ad side, filmed from a front angle at 240 fps. His semi-western forehand grip is clearly visible, with a pronounced wrist lag on the takeback that unwinds into a firm, stable wrist position through contact.
|
240 |
2.2s |
FH Return 1st Serve · Deuce · Front · 240fps
Milos Raonic's forehand return from the deuce side, filmed from the front at 240 fps. After contact his follow-through finishes high across his body while his weight transfers into the court and he quickly brings both hands back to a compact ready position.
|
240 |
2.3s |
FH Return 1st Serve · Deuce · Front · 250fps
Milos Raonic's forehand return from the deuce side, filmed from the front at 250 fps. His racket face is slightly closed at contact with the ball meeting the strings just in front of his lead hip, and the swing path accelerates steeply upward through the hitting zone.
|
250 |
3.2s |
FH Return 1st Serve · Deuce · Front · 240fps #1
Milos Raonic's forehand return from the deuce court, filmed from a front angle. His semi-western grip is clearly visible with a firm but relaxed wrist, creating noticeable lag on the take-back before a compact, controlled release through contact.
|
240 |
2.2s |
FH Return 1st Serve · Deuce · Front · 250fps #1
Milos Raonic's forehand return from the deuce side, filmed from a front angle. His feet set in a neutral stance with a compact split-step just before contact, followed by a small recovery adjustment toward the center.
|
250 |
3.2s |
FH Return 1st Serve · Deuce · Front · 240fps #2
Milos Raonic's forehand return from the deuce side, filmed from a front angle in 240 fps slow motion. His hips stay relatively closed at contact while his knees are noticeably flexed, giving a strong, stable base as he drives up through his legs into the shot.
|
240 |
2.2s |
FH Return 1st Serve · Deuce · Front · 240fps #3
Milos Raonic's forehand return from the deuce side, filmed from a front angle. His semi-western grip is clearly visible with a pronounced laid-back wrist position on the takeback that is maintained as wrist lag into the contact phase.
|
240 |
2.3s |
FH Return 2nd Serve · Ad · Front · 240fps
Milos Raonic's forehand return from the ad court, filmed from the front at 240 fps. His shoulders and trunk coil as a unit against a relatively stable lower body, then uncoil in a compact sequence that brings the hitting shoulder through first before the chest fully opens toward the net.
|
240 |
2.7s |
FH Return 2nd Serve · Ad · Front · 240fps #1
Milos Raonic's forehand return on the ad side, filmed from a front angle. His semi-western grip is clearly visible with pronounced wrist lag on the take-back that transitions into a controlled, compact wrist snap right at contact.
|
240 |
2.7s |
FH Return 2nd Serve · Ad · Front · 240fps #2
Milos Raonic's forehand return from the ad side, filmed from a front angle. His split step is clearly timed just before the opponent’s second serve contact, leading into a quick pivot into an open stance with a small recovery step toward the center after contact.
|
240 |
3s |
FH Return 2nd Serve · Deuce · Front · 240fps
Milos Raonic's forehand return on a second serve from the deuce side, filmed from the front at 240 fps. His racket meets the ball slightly in front of his lead hip with a moderately closed face and a steep low-to-high swing path that accelerates the racket head through contact.
|
240 |
2.2s |
FH Return Slice 1st Serve · Deuce · Front · 120fps
Milos Raonic's sliced forehand return from the deuce side, filmed from the front at 120fps. His follow-through finishes out in front with the non-hitting hand staying back for balance before he quickly recoils the racquet and resets his stance for the next shot.
|
120 |
2.2s |
BH Return 1st Serve · Ad · Rear · 250fps
Milos Raonic's two-handed backhand return of first serve from the ad side, filmed from a rear angle in 250 fps slow motion. After contact his racquet finishes high with the non-hitting hand releasing early, and he quickly uncoils his hips to recover back toward a neutral ready position on the baseline.
|
250 |
2.8s |
BH Return 1st Serve · Deuce · Arm-action · Rear · 250fps
Milos Raonic's backhand return of a first serve from the deuce side, filmed from a rear angle. His two-handed grip stays compact with minimal grip change while the rear view makes it clear how his wrists remain relatively firm through contact with only a subtle, late wrist release after meeting the ball.
|
250 |
2.3s |
BH Return 1st Serve · Deuce · Arm-action · Rear · 250fps #1
Milos Raonic's backhand return from the deuce side, filmed from a rear angle. His racket face stays relatively square to the incoming ball at a contact point near waist height, with the dominant right arm driving through and the left hand guiding the upward swing path.
|
250 |
2.3s |
BH Return 1st Serve · Deuce · Arm-action · Rear · 240fps #2
Milos Raonic's two-handed backhand return from the deuce side, filmed from a rear angle in 240 fps slow motion. His follow-through finishes high with the racket wrapping slightly around his left shoulder as his weight transfers forward and he quickly begins to square his shoulders back into a neutral ready position.
|
240 |
2.3s |
BH Return 1st Serve · Deuce · Rear · 240fps
Milos Raonic's backhand return from the deuce side, filmed from a rear angle. His shoulders and trunk coil early as he turns sideways, then uncoil in a tightly sequenced motion with the hips leading the rotation before the upper body follows into contact.
|
240 |
2.3s |
BH Return 1st Serve · Deuce · Rear · 120fps #1
Milos Raonic's two-handed backhand return from the deuce side, filmed from a rear angle at 120 fps. His hips stay relatively closed as he loads, with a noticeable knee bend and strong push off the outside leg driving him into the court toward the incoming serve.
|
120 |
2.3s |
BH Return 1st Serve · Deuce · Rear · 120fps #2
Milos Raonic's two-handed backhand return from the deuce court, filmed from a rear angle in 120 fps slow motion. His semi-closed two-handed grip is firm with a noticeable laid-back wrist position on the dominant hand that stays stable through contact with minimal wrist snap.
|
120 |
2.3s |
BH Return 2nd Serve · Ad · Rear · 120fps
Milos Raonic's two-handed backhand return on a second serve from the ad court, filmed from a rear angle at 120 fps. His shoulders rotate as a unit with the trunk into a compact coil on the unit turn, then uncoil in sequence from hips to shoulders, with the hitting-side shoulder clearly driving through the ball.
|
120 |
2.6s |
BH Return 2nd Serve · Ad · Rear · 240fps
Milos Raonic's two-handed backhand return from the ad side, filmed from a rear angle at 240 fps. His relatively firm, eastern backhand grip on the bottom hand combines with a laid-back wrist position that stays stable through contact, limiting excessive wrist snap on the return.
|
240 |
2.3s |
BH Return 2nd Serve · Ad · Rear · 120fps #1
Milos Raonic's two-handed backhand return on a second serve from the ad side, filmed from a rear angle in 120 fps slow motion. His racket face stays relatively square to the incoming ball at contact, with the contact point around waist height and the racket head accelerating low to high along the baseline direction.
|
120 |
3.1s |
BH Return 2nd Serve · Ad · Rear · 240fps #2
Milos Raonic's two-handed backhand return on a second serve from the ad side, filmed from a rear angle at 240 fps. His compact split-step leads into a small pivot and semi-open stance, with quick recovery steps preparing him to move laterally after contact.
|
240 |
2.8s |
BH Return 2nd Serve · Ad · Rear · 120fps #3
Milos Raonic's two-handed backhand return on a second serve from the ad side, filmed from a rear angle in 120 fps slow motion. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply up the back of the ball on a compact swing path.
|
120 |
2.8s |
BH Return 2nd Serve · Ad · Rear · 120fps #4
Milos Raonic's backhand return from the ad court, filmed from a rear angle. His shoulders rotate as a single unit with the trunk into a compact coil on the unit turn, then uncoil in sync with hip rotation so that the chest squares to the net just after contact.
|
120 |
3s |
BH Return 2nd Serve · Ad · Rear · 240fps #5
Milos Raonic's two-handed backhand return of a second serve from the ad side, filmed from a rear angle at 240 fps. His hips stay relatively closed as he loads with a deep knee bend, then uncoil in sync with a strong push off the outside leg to drive into the court.
|
240 |
2.3s |
BH Return 2nd Serve · Ad · Rear · 120fps #6
Milos Raonic's two-handed backhand return on a second serve from the ad side, filmed from a rear angle in 120 fps slow motion. After contact his follow-through finishes high with the racquet over his left shoulder as his weight transfers into the court and his non-hitting hand extends back to help him recover toward a neutral ready position.
|
120 |
2.6s |
BH Return 2nd Serve · Deuce · Rear · 120fps
Milos Raonic's backhand return of a second serve from the deuce side, filmed from the rear at 120fps. His compact split step into a semi-open stance is clearly visible, followed by a quick lateral adjustment with small recovery steps preparing him to move back to center.
|
120 |
3.3s |
BH Return 2nd Serve · Deuce · Rear · 240fps
Milos Raonic's two-handed backhand return of a second serve from the deuce side, filmed from a rear angle at 240 fps. His follow-through finishes high with the racket pointing toward the target while his weight transfers into the court, bringing him quickly back toward a compact ready position.
|
240 |
2.2s |
BH Return 2nd Serve · Deuce · Rear · 240fps #1
Milos Raonic's two-handed backhand return on a second serve from the deuce side, filmed from a rear angle in 240 fps slow motion. He uses a compact split step into a semi-open stance, then takes a small adjustment hop and a single lateral recovery step back toward the center after contact.
|
240 |
2.5s |
BH Return 2nd Serve · Deuce · Rear · 120fps #2
Milos Raonic's two-handed backhand return on a second serve from the deuce side, filmed from a rear angle in 120 fps slow motion. His racket face stays relatively square to the incoming ball at contact, with the contact point slightly in front of his body and the racket head accelerating upward along a compact, linear swing path.
|
120 |
2.9s |
BH Return 2nd Serve · Deuce · Rear · 120fps #3
Milos Raonic's two-handed backhand return on a second serve from the deuce side, filmed from a rear angle in 120 fps slow motion. His racket contacts the ball slightly in front of his lead hip with a closed string bed, and the swing path drives forward through contact with noticeable racket head acceleration.
|
120 |
2.4s |
BH Return 2nd Serve · Deuce · Rear · 240fps #4
Milos Raonic's two-handed backhand return of a second serve from the deuce side, filmed from a rear angle at 240 fps. His shoulders and trunk coil early as he turns sideways, then uncoil in a tightly sequenced motion where the torso rotation clearly initiates the racket acceleration before the arms follow through.
|
240 |
2.2s |
BH Return 2nd Serve · Deuce · Rear · 120fps #5
Milos Raonic's two-handed backhand return on a second serve from the deuce court, filmed from a rear angle at 120 fps. His contact point is taken slightly in front of his body with the racket face nearly square to the ball, and the compact swing path keeps the racket head accelerating straight through the contact zone.
|
120 |
3.3s |
FH Return 1st Serve · Ad · Rear · 120fps
Milos Raonic's forehand return from the ad side, filmed from a rear angle in 120 fps slow motion. His hips stay relatively closed at the split step, then rotate aggressively into contact as his knees drive upward from a deep bend, showing strong leg drive into the court.
|
120 |
1.9s |
FH Return 1st Serve · Ad · Rear · 250fps
Milos Raonic's forehand return from the ad side, filmed from a rear angle. The racket meets the ball slightly in front of his body with a closed racket face and a low-to-high swing path that accelerates rapidly through contact.
|
250 |
2.2s |
FH Return 1st Serve · Ad · Rear · 250fps #1
Milos Raonic's forehand return from the ad side, filmed from a rear angle in 250 fps slow motion. After contact his racquet finishes high across his body while his weight moves diagonally back toward the center, bringing him quickly into a compact ready position.
|
250 |
2.2s |
FH Return 1st Serve · Ad · Rear · 120fps #2
Milos Raonic's forehand return from the ad side, filmed from a rear angle at 120 fps. His shoulders and trunk show a pronounced unit turn on the split-step with the torso staying closed through the early swing, then uncoiling aggressively into contact in a clear sequence from hips to shoulders.
|
120 |
1.9s |
FH Return 1st Serve · Deuce · Rear · 240fps
Milos Raonic's forehand return from the deuce court, filmed from a rear angle. His semi-western forehand grip is clear, with pronounced wrist lag on the takeback that unwinds into a firm, stable wrist at contact.
|
240 |
2.5s |
FH Return 1st Serve · Deuce · Rear · 250fps
Milos Raonic's forehand return from the deuce side, filmed from a rear angle. His racket face is slightly closed at contact with the ball struck just in front of his lead hip, creating a forward, low-to-high swing path with noticeable racket head acceleration through the strike zone.
|
250 |
2.4s |
FH Return 1st Serve · Deuce · Rear · 250fps #1
Milos Raonic's forehand return from the deuce court, filmed from a rear angle in 250 fps slow motion. His compact split step into a semi-open stance is followed by a quick pivot and efficient lateral recovery step back toward the center.
|
250 |
2.4s |
FH Return 1st Serve · Deuce · Rear · 240fps #2
Milos Raonic's forehand return from the deuce court, filmed from a rear angle at 240 fps. His shoulders rotate as a unit with the trunk into a compact coil on the unit turn, then uncoil in sequence from hips to torso to hitting arm, making the degree of upper-body rotation and timing of trunk release easy to distinguish.
|
240 |
2.5s |
FH Return 2nd Serve · Ad · Rear · 240fps
Milos Raonic's forehand return from the ad court, filmed from a rear angle. His upper body shows a pronounced shoulder turn with the hitting-side shoulder staying closed as the trunk coils, then uncoils in sequence from hips to shoulders just before contact.
|
240 |
2.7s |
BH Return 1st Serve · Ad · Side · 240fps
Milos Raonic's two-handed backhand return on the ad side, filmed from the side at 240 fps. His semi-continental left hand and firm right-hand grip create a stable hitting structure, with minimal wrist flex and a late, controlled wrist release through contact.
|
240 |
2.9s |
BH Return 1st Serve · Ad · Side · 240fps #1
Milos Raonic's two-handed backhand return from the ad side, filmed from a side angle at 240 fps. His early unit turn loads the shoulders well past his hips, creating a clear trunk coil that then uncoils sequentially from the pelvis through the torso into the hitting shoulder as he meets the serve.
|
240 |
2.5s |
BH Return 1st Serve · Ad · Side · 240fps #2
Milos Raonic's two-handed backhand return of first serve from the ad court, filmed from the side at 240 fps. His early split-step into a semi-open stance and short lateral adjustment steps are clearly visible as he plants his outside foot to load before rotating into the return.
|
240 |
2.4s |
BH Return 1st Serve · Ad · Side · 240fps #3
Milos Raonic's two-handed backhand return on a first serve from the ad side, filmed from a side angle at 240 fps. His shoulders rotate as a single unit with the trunk into a compact coil, then uncoil in sequence from hips to shoulders, making the separation and timing of his upper-body rotation easy to distinguish.
|
240 |
2.9s |
BH Return 1st Serve · Ad · Side · 240fps #4
Milos Raonic's two-handed backhand return on a first serve from the ad court, filmed from a side angle at 240 fps. His shoulders rotate as a single unit with the trunk into a compact coil on the unit turn, then uncoil in sequence from hips to torso to shoulders, making the degree of shoulder turn relative to the baseline easy to see.
|
240 |
2.5s |
BH Return 1st Serve · Ad · Side · 240fps #5
Milos Raonic's two-handed backhand return of a first serve from the ad court, filmed from a side angle at 240 fps. His compact split step into a slightly open stance is followed by a short forward stride into contact and a quick recovery step that brings his weight back toward the center of the baseline.
|
240 |
2.3s |
BH Return 1st Serve · Ad · Side · 240fps #6
Milos Raonic's two-handed backhand return of a first serve from the ad court, filmed from a side angle. His firm two-handed grip stays compact with minimal wrist lag, and the wrists stay relatively quiet through contact with only a subtle extension of the hitting wrist after impact.
|
240 |
2.5s |
BH Return 1st Serve · Ad · Side · 240fps #7
Milos Raonic's two-handed backhand return from the ad court, filmed from the side. His relatively firm, continental-based left-hand grip on the top of the handle is paired with minimal wrist lag, keeping the wrists stable and compact through contact against the first serve.
|
240 |
2.3s |
BH Return 1st Serve · Deuce · Side · 120fps
Milos Raonic's backhand return from the deuce side, filmed from the side. His hips stay relatively closed at contact while a strong knee bend and upward leg drive are clearly visible as he pushes off the court to meet the first serve.
|
120 |
2.5s |
BH Return 1st Serve · Deuce · Side · 240fps
Milos Raonic's two-handed backhand return from the deuce court, filmed from the side. His shoulders rotate as a single unit with the trunk into a deep coil on the unit turn, then uncoil in sequence from hips to torso to shoulders as he drives through the return.
|
240 |
2.3s |
BH Return 1st Serve · Deuce · Side · 120fps #1
Milos Raonic's two-handed backhand return from the deuce side, filmed from the side at 120 fps slow motion. His hips stay relatively closed at contact while his knees are deeply flexed, showing a strong leg load and forward drive into the court during the return.
|
120 |
2.3s |
BH Return 1st Serve · Deuce · Side · 240fps #1
Milos Raonic's backhand return from the deuce side, filmed from a side angle. His follow-through finishes high with the racket pointing toward the baseline as his weight transfers forward and his non-hitting hand extends back to help him quickly recover toward a neutral ready position.
|
240 |
2.8s |
BH Return 1st Serve · Deuce · Side · 240fps #2
Milos Raonic's two-handed backhand return of first serve from the deuce side, filmed from a side angle at 240 fps. His hips stay relatively closed at split-step then rotate through contact as his legs load with a pronounced knee bend to absorb the pace and drive up into the ball.
|
240 |
2.7s |
BH Return 1st Serve · Deuce · Side · 240fps #3
Milos Raonic's two-handed backhand return on a first serve from the deuce side, filmed from a side angle at 240 fps. His early shoulder turn loads the trunk in a strong coil, and the slow motion makes the sequential uncoiling of his torso into contact clearly visible.
|
240 |
2.3s |
BH Return 1st Serve · Deuce · Side · 240fps #4
Milos Raonic's two-handed backhand return from the deuce side, filmed from a side angle. His split-step lands just before the opponent’s first serve contact, leading into a compact unit turn with a semi-open stance and a small adjustment step into the court before impact.
|
240 |
2.3s |
BH Return 1st Serve · Deuce · Side · 240fps #5
Milos Raonic's two-handed backhand return on a first serve from the deuce side, filmed from a side angle at 240 fps. His racket face is slightly closed at contact with the ball meeting the strings just in front of his lead hip at around waist height, and the compact swing path keeps the racket head accelerating directly through the line of the incoming serve.
|
240 |
2.1s |
BH Return 1st Serve · Deuce · Side · 120fps #6
Milos Raonic's backhand return on a first serve from the deuce side, filmed from a side angle in 120 fps slow motion. He executes a compact split-step into a semi-open stance, using a small pivot and a single lateral adjustment step before planting his outside foot to stabilize the return.
|
120 |
2.3s |
BH Return 1st Serve · Deuce · Side · 240fps #7
Milos Raonic's two-handed backhand return from the deuce side, filmed from a side angle. His racket face is slightly closed at contact with the ball meeting the strings around waist height, and the swing path drives forward through the court with noticeable racket head acceleration.
|
240 |
2.4s |
BH Return 1st Serve · Deuce · Side · 120fps #8
Milos Raonic's two-handed backhand return on a first serve from the deuce side, filmed from a side angle in 120 fps slow motion. His compact split step into a semi-open stance is followed by a short pivot and minimal crossover, allowing a quick weight transfer into the court before a couple of efficient recovery steps.
|
120 |
2.5s |
BH Return 2nd Serve · Ad · Side · 240fps #1
Milos Raonic's two-handed backhand return on a second serve from the ad side, filmed from a side angle at 240 fps. His follow-through finishes high with the racket wrapping around his left shoulder as his weight transfers into the court and his non-hitting hand quickly resets toward a ready position.
|
240 |
2.7s |
BH Return 2nd Serve · Ad · Side · 240fps #11
Milos Raonic's two-handed backhand return on a second serve from the ad side, filmed from a side angle at 240 fps. His feet set in a neutral stance with a small adjustment step into the court, and he uses a compact split-step just before contact to load on his outside leg.
|
240 |
2.7s |
BH Return 2nd Serve · Ad · Side · 240fps #13
Milos Raonic's two-handed backhand return on a second serve from the ad side, filmed from a side angle at 240 fps. His shoulders rotate well past perpendicular to the net on the unit turn, then uncoil in sync with his hips so that the trunk unwinds just before contact, clearly showing the sequential loading and release through the torso.
|
240 |
2.5s |
BH Return 2nd Serve · Ad · Side · 240fps #2
Milos Raonic's two-handed backhand return on a second serve from the ad court, filmed from a side angle at 240 fps. At contact his racket face is slightly closed with the ball meeting the strings around waist height, and the racket head drives forward along the baseline before quickly accelerating upward.
|
240 |
2.7s |
BH Return 2nd Serve · Ad · Side · 240fps #3
Milos Raonic's two-handed backhand return on a second serve from the ad side, filmed from the side at 240 fps. His follow-through finishes high with the racket traveling toward the middle of the court as his weight transfers into the court and his non-hitting hand quickly comes back toward a ready position.
|
240 |
3s |
BH Return 2nd Serve · Ad · Side · 240fps #4
Milos Raonic's backhand return from the ad court, filmed from a side angle at 240 fps. His hips stay relatively closed at contact while a strong knee bend and forward leg drive load into the return.
|
240 |
2.9s |
BH Return 2nd Serve · Ad · Side · 240fps #5
Milos Raonic's two-handed backhand return on a second serve from the ad side, filmed from a side angle at 240 fps. His compact split step into a semi-open stance is followed by a small pivot and controlled weight transfer into the court, with a quick recovery step ready to move back toward the center.
|
240 |
2.9s |
BH Return 2nd Serve · Ad · Side · 240fps #6
Milos Raonic's two-handed backhand return on a second serve from the ad court, filmed from a side angle. His compact takeback shows a semi-closed top hand grip with pronounced wrist lag that uncoils into a firm, stable wrist position at contact.
|
240 |
2.5s |
BH Return 2nd Serve · Deuce · Side · 240fps
Milos Raonic's two-handed backhand return on a second serve from the deuce court, filmed from the side at 240 fps. His follow-through finishes high with the racket traveling toward the target while his weight transfers into the court and his non-hitting hand quickly resets toward a ready position.
|
240 |
2.5s |
BH Return 2nd Serve · Deuce · Side · 240fps #1
Milos Raonic's two-handed backhand return on a second serve from the deuce side, filmed from a side angle at 240 fps. His hips stay relatively closed at the split step before uncoiling into contact, with a noticeable knee bend and forward leg drive as he pushes off the outside leg into the court.
|
240 |
2.5s |
BH Return 2nd Serve · Deuce · Side · 240fps #10
Milos Raonic's backhand return on a second serve from the deuce side, filmed from the side at 240 fps. His early split-step leads into a compact unit turn with a mostly neutral stance, followed by a quick recovery step that brings him back toward the center of the baseline.
|
240 |
2.5s |
BH Return 2nd Serve · Deuce · Side · 240fps #11
Milos Raonic's two-handed backhand return on a second serve from the deuce side, filmed from the side at 240 fps. His hips stay relatively closed as he plants his outside leg, with a deep knee bend that loads into a strong forward leg drive through the return.
|
240 |
2.6s |
BH Return 2nd Serve · Deuce · Side · 240fps #2
Milos Raonic's two-handed backhand return on a second serve from the deuce court, filmed from a side angle at 240fps. His follow-through finishes high with the racquet wrapping around his left shoulder as his weight transfers into the court, allowing him to quickly recover back toward a neutral ready position.
|
240 |
2.3s |
BH Return 2nd Serve · Deuce · Side · 240fps #3
Milos Raonic's two-handed backhand return on a second serve from the deuce side, filmed from a side angle at 240 fps. His racket face is slightly closed at contact with the ball taken around waist height, and the racket head accelerates forward on a relatively compact, level swing path through the strike zone.
|
240 |
3s |
BH Return 2nd Serve · Deuce · Side · 240fps #4
Milos Raonic's two-handed backhand return on a second serve from the deuce side, filmed from a side angle at 240 fps. His racket contacts the ball slightly in front of his lead hip with a relatively closed face and an upward swing path that accelerates the racket head through contact.
|
240 |
2.3s |
BH Return 2nd Serve · Deuce · Side · 240fps #5
Milos Raonic's two-handed backhand return from the deuce side, filmed from a side angle. His follow-through finishes high with the racket traveling toward the middle of the court as his weight transfers forward into a balanced split-step recovery.
|
240 |
2.8s |
BH Return 2nd Serve · Deuce · Side · 240fps #6
Milos Raonic's two-handed backhand return on a second serve from the deuce side, filmed from a side angle. His compact split step into a semi-open stance is clearly visible, with a quick pivot and minimal forward stride before planting the outside foot to drive into the return.
|
240 |
2.5s |
BH Return 2nd Serve · Deuce · Side · 240fps #7
Milos Raonic's two-handed backhand return on a second serve from the deuce court, filmed from a side angle in 240 fps slow motion. His compact split step into a semi-open stance is followed by a short pivot and minimal forward step, setting his weight transfer into the court while keeping his feet ready for a quick recovery.
|
240 |
3.1s |
BH Return 2nd Serve · Deuce · Side · 240fps #8
Milos Raonic's backhand return on a second serve from the deuce side, filmed from a side angle at 240 fps. His shoulders rotate as a unit with the trunk into a compact coil, then uncoil in sequence from hips through torso to shoulders, with the front shoulder staying closed until just before contact.
|
240 |
2.8s |
BH Return 2nd Serve · Deuce · Side · 240fps #9
Milos Raonic's two-handed backhand return on a second serve from the deuce side, filmed from a side angle at 240 fps. His follow-through finishes around shoulder height with the non-hitting hand releasing early, and he quickly uncoils his hips to step forward into a compact recovery stance.
|
240 |
2.6s |
BH Return Slice 1st Serve · Ad · Side · 240fps
Milos Raonic's backhand slice return on the ad side, filmed from the side at 240 fps. His stance stays mostly neutral with a slight open alignment as he plants the outside foot early, then uses a short recovery step back toward the center after contact.
|
240 |
2.7s |
BH Return Slice 1st Serve · Ad · Side · 240fps #1
Milos Raonic's sliced backhand return from the ad court, filmed from the side at 240 fps. His split-step lands just before the opponent’s serve contact, leading into a small pivot and neutral stance as he blocks the slice while keeping his weight slightly forward on the front foot.
|
240 |
2.8s |
BH Return Slice 1st Serve · Ad · Side · 240fps #2
Milos Raonic's sliced backhand return from the ad side, filmed from a side angle at 240 fps. After contact he extends the racket forward with a compact follow-through while his weight shifts toward the court, bringing his non-hitting hand back to help him square into a ready position.
|
240 |
2.7s |
FH Return 1st Serve · Ad · Arm-action · Side · 250fps
Milos Raonic's forehand return from the ad side, filmed from a side angle. His racket meets the ball slightly in front of his body with a moderately closed face, and the slow motion makes the rapid acceleration of the racket head through contact very clear.
|
250 |
2.7s |
FH Return 1st Serve · Ad · Side · 240fps
Milos Raonic's forehand return from the ad side, filmed from the side. His early shoulder turn and strong trunk coil are clearly visible as his chest rotates well past perpendicular to the net before uncoiling in sync with his arm through contact.
|
240 |
2.1s |
FH Return 1st Serve · Ad · Side · 240fps #4
Milos Raonic's forehand return from the ad side, filmed from a side angle. His hips stay relatively closed at the split step before rotating through contact as his right leg drives forward with a pronounced knee bend and push off the ground.
|
240 |
2.1s |
FH Return 1st Serve · Deuce · Side · 240fps #1
Milos Raonic's forehand return from the deuce side, filmed from a side angle. His split-step lands just before the opponent’s serve reaches him, leading into a semi-open stance with a quick pivot of the right foot to load his outside leg before swinging.
|
240 |
2.5s |
FH Return 1st Serve · Deuce · Side · 240fps #2
Milos Raonic's forehand return from the deuce court, filmed from a side angle. His hips stay relatively closed at the split step and then rotate aggressively through contact as his legs drive up from a deep knee bend to attack the incoming first serve.
|
240 |
2.2s |
FH Return 1st Serve · Deuce · Side · 240fps #3
Milos Raonic's forehand return from the deuce side, filmed from a side angle. His hips stay relatively closed as he loads with a deep knee bend, then drive forward together with an aggressive push off the back leg into contact.
|
240 |
2.4s |
FH Return 1st Serve · Deuce · Side · 240fps #8
Milos Raonic's forehand return from the deuce side, filmed from the side at 240 fps. After contact he extends his follow-through forward with his weight moving into the court, then quickly brings both hands back toward his body to reset into a compact ready position.
|
240 |
2.2s |
FH Return 1st Serve · Deuce · Side · 240fps #9
Milos Raonic's forehand return from the deuce side, filmed from the side at 240 fps. His racket face is slightly closed at contact with the ball meeting the strings just in front of his lead hip, and the swing path accelerates low-to-high with noticeable racket head speed through the contact zone.
|
240 |
2.3s |
FH Return 2nd Serve · Ad · Arm-action · Side · 120fps
Milos Raonic's forehand return from the ad court, filmed from the side. His follow-through wraps across his body with the non-hitting arm tucking in early, and he quickly regains a neutral ready stance with weight settling back to the baseline.
|
120 |
3.1s |
FH Return 2nd Serve · Deuce · Side · 240fps
Milos Raonic's forehand return on a second serve from the deuce side, filmed from the side at 240 fps. His shoulders and trunk load together into a pronounced coil, with the uncoiling sequence clearly starting from the hips and torso before the shoulders and arm accelerate through contact.
|
240 |
3.3s |
FH Return 2nd Serve · Deuce · Side · 240fps #1
Milos Raonic's forehand return on a second serve from the deuce side, filmed from a side angle at 240 fps. His semi-western grip is evident with a relaxed hand on the handle, creating noticeable wrist lag on the takeback that unwinds into a compact, controlled wrist snap through contact.
|
240 |
3.3s |
FH Return 2nd Serve · Deuce · Side · 240fps #2
Milos Raonic's forehand return from the deuce side, filmed from the side. His hips stay relatively closed at the split step, then load into a deep knee bend with a strong push off the outside leg driving his rotation into the ball.
|
240 |
2.5s |
FH Return 2nd Serve · Deuce · Side · 240fps #3
Milos Raonic's forehand return from the deuce court, filmed from a side camera angle at 240 fps. His shoulders load with a pronounced unit turn before the ball arrives, then the trunk uncoils ahead of the arm swing, making the sequencing of torso rotation into contact clearly visible in slow motion.
|
240 |
2.3s |
FH Return 2nd Serve · Deuce · Side · 240fps #6
Milos Raonic's forehand return from the deuce side, filmed from the side at 240 fps. His racket face is slightly closed at contact with the ball struck just in front of his lead hip at around waist height, and the swing path accelerates steeply upward, giving clear view of the rapid racket head speed through the hitting zone.
|
240 |
2.5s |
FH Return 2nd Serve · Deuce · Side · 240fps #7
Milos Raonic's forehand return from the deuce side, filmed from a side angle. His split-step lands just before the opponent’s toss peak, followed by a quick pivot into an open stance with a short lateral adjustment step toward the ball.
|
240 |
2.3s |
Second Serve · Ad · Arm-action · Court-level-front · 120fps #1
Milos Raonic's second serve from the ad side, filmed from a court-level front angle. His shoulder line stays closed deep into the toss with a pronounced trunk coil, then uncoils in sequence from hips to shoulders as the hitting arm whips up into contact.
|
120 |
12s |
Second Serve · Ad · Arm-action · Court-level-front · 120fps #2
Milos Raonic's second serve from the Ad side, filmed from a court-level front angle. The high-speed view makes it easy to see his abbreviated arm action with a relatively compact elbow bend and a slightly closed racket face at contact just above head height.
|
120 |
12.3s |
Second Serve · Ad · Arm-action · Court-level-rear · 120fps #1
Milos Raonic's second serve from the ad court, filmed from a court-level rear angle. The high-speed view makes it easy to see his arm action with a fully extended hitting arm at contact and the racket face slightly closed as it accelerates up and across the ball.
|
120 |
11.6s |
Second Serve · Ad · Arm-action · Court-level-rear · 120fps #2
Milos Raonic's second serve from the Ad court, filmed from a court-level rear angle. His hips stay relatively closed to the baseline during the knee bend before driving upward, with the back leg pushing off strongly to initiate upward and forward motion into the court.
|
120 |
12.3s |
Second Serve → BH Volley · Ad · Court-level-side · 240fps
Milos Raonic's backhand volley from the ad side, filmed from a court-level side angle. His racket face stays slightly open at contact with the ball meeting the strings just in front of his body, creating a firm, compact punch through the line of the shot.
|
240 |
4.7s |
Second Serve → FH Inside In · Ad · Front · 120fps
Milos Raonic's forehand from the ad side, filmed from the front at 120 fps. His semi-western grip is clear from this angle, with a pronounced wrist lag on the takeback that unwinds into a firm, stable wrist at contact.
|
120 |
6.4s |
Second Serve → FH Volley · Ad · Front · 240fps
Milos Raonic's forehand from the ad side, filmed from the front at 240 fps. His racket face is slightly closed at a contact point around waist to mid-torso height, with the racket head accelerating steeply upward through the ball for heavy topspin.
|
240 |
5.5s |
Second Serve · Ad · Front · 250fps #1
Milos Raonic's second serve from the ad court, filmed from a front angle. His continental grip is clearly visible, with a relaxed wrist that pronates aggressively through contact to impart spin and control.
|
250 |
26.6s |
Second Serve · Ad · Front · 250fps #2
Milos Raonic's second serve from the ad court, filmed from a front angle. The contact point is slightly in front of his body with a clearly pronated racket face, and the racket head accelerates steeply upward along the right side of the ball to impart heavy spin.
|
250 |
24.8s |
Second Serve · Ad · Front · 250fps #3
Milos Raonic's second serve from the ad side, filmed from the front. His deep knee bend and strong upward leg drive are clearly visible as his hips stay closed toward the baseline before uncoiling into the serve.
|
250 |
25.4s |
Second Serve · Ad · Front · 120fps #4
Milos Raonic's second serve from the ad side, filmed from the front. His shoulders and trunk coil strongly away from the target before uncoiling in a clearly sequenced motion from hips through torso to the hitting arm.
|
120 |
11.7s |
Second Serve · Ad · Front · 240fps #5
Milos Raonic's second serve from the ad court, filmed from the front. After contact his racquet finishes across his body while his weight continues into the court, and his non-hitting hand drops quickly to help him transition into a compact ready position.
|
240 |
22.3s |
Second Serve · Ad · Front · 240fps #6
Milos Raonic's second serve from the ad court, filmed from a front angle. His footwork features a compact platform stance with a small forward weight transfer off the back leg into the court as he lands on his front foot.
|
240 |
25.1s |
Second Serve · Ad · Front · 240fps #7
Milos Raonic's second serve from the ad court, filmed from the front. His continental grip is clearly visible with a firm but relaxed hand, and the high-speed view makes the subtle wrist pronation through contact easy to see.
|
240 |
24s |
Second Serve · Ad · Front · 240fps #8
Milos Raonic's second serve from the ad court, filmed from the front. His shoulders and trunk coil markedly away from the court before uncoiling in a sequenced rotation that starts from the hips and torso, with the chest staying side-on well into the toss and early racquet drop phase.
|
240 |
24s |
Second Serve · Deuce · Front · 120fps
Milos Raonic's second serve from the deuce side, filmed from the front. His hips stay relatively closed through the knee bend and then drive forward aggressively with a strong upward push from his legs into the court.
|
120 |
11.6s |
Second Serve · Deuce · Arm-action · Front · 240fps
Milos Raonic's second serve from the Deuce side, filmed from the front. His follow-through finishes with the racquet hand moving across his body while his non-hitting hand stays relatively stable in front, helping him quickly regain a balanced ready position.
|
240 |
26.2s |
Second Serve · Ad · Arm-action · Rear · 240fps
Milos Raonic's second serve from the ad court, filmed from a rear angle. His shoulders and trunk coil deeply away from the court before uncoiling in sequence, with a pronounced upward trunk extension that transfers into his serving arm.
|
240 |
24s |
Second Serve · Ad · Rear · 240fps #1
Milos Raonic's second serve from the ad court, filmed from a rear angle. His shoulders rotate well past perpendicular to the baseline on the trophy phase before the trunk aggressively unwinds upward and into the court in sync with his arm swing.
|
240 |
23.8s |
Second Serve · Ad · Rear · 240fps #2
Milos Raonic's second serve from the ad court, filmed from a rear angle. His footwork includes a small pinpoint stance adjustment before the toss, with a pronounced knee bend and upward drive off both feet into the court.
|
240 |
24.2s |
Second Serve · Ad · Rear · 240fps #3
Milos Raonic's second serve from the ad court, filmed from a rear angle. His continental grip is clearly visible with a relaxed hand, and the slow motion makes it easy to see the pronounced wrist pronation through and after contact.
|
240 |
20.7s |
Second Serve · Deuce · Arm-action · Rear · 240fps
Milos Raonic's second serve from the deuce side, filmed from a rear angle. His relaxed continental grip is evident in the way his wrist stays loose through the motion, allowing for a pronounced pronation and snap just after contact.
|
240 |
29.7s |
Second Serve · Deuce · Leg-action · Rear · 240fps
Milos Raonic's second serve from the deuce side, filmed from the rear. His follow-through brings his back leg forward into the court, showing a clear weight transfer and recovery into a balanced ready position for the next shot.
|
240 |
21s |
Second Serve · Ad · Arm-action · Side · 120fps #1
Milos Raonic's second serve from the ad side, filmed from a side angle. The high-speed view makes the abbreviated arm action clear, with a compact elbow bend and rapid pronation of the racket through contact at roughly shoulder height.
|
120 |
11.3s |
Second Serve · Ad · Arm-action · Side · 240fps #2
Milos Raonic's second serve from the ad side, filmed from a side angle. His shoulder line rotates as his trunk coils upward before contact, then uncoils in sync with his arm action, with a pronounced upward shoulder tilt that supports his serve motion.
|
240 |
23.1s |
Second Serve · Ad · Side · 240fps #1
Milos Raonic's second serve from the ad side, filmed from the side. At contact his racket face is slightly closed with the ball struck just above shoulder height, and the upward swing path creates pronounced racket head acceleration through the strike zone.
|
240 |
25.2s |
Second Serve · Ad · Side · 240fps #2
Milos Raonic's second serve from the ad side, filmed from the side. The side view makes it easy to see his slightly closed racket face at contact and the upward swing path used to impart heavy spin.
|
240 |
24.1s |
Second Serve · Deuce · Leg-action · Side · 240fps #1
Milos Raonic's second serve from the deuce court, filmed from the side. From this angle you can clearly see how his shoulder line tilts upward while his trunk coils away from the court before powerfully uncoiling upward and into the court in sync with his leg drive.
|
240 |
23.5s |
Second Serve · Deuce · Leg-action · Side · 240fps #2
Milos Raonic's second serve from the deuce side, filmed from a side angle. The side view makes it easy to see his tossing arm fully extended upward as the racket accelerates on edge into contact before pronating, with the ball struck slightly above head height.
|
240 |
23.6s |
Second Serve · Deuce · Side · 240fps #1
Milos Raonic's second serve from the deuce court, filmed from the side. His follow-through carries him slightly into the court with his non-hitting arm counterbalancing behind him before he settles into a compact ready position for the next shot.
|
240 |
24.2s |
Second Serve · Deuce · Side · 240fps #2
Milos Raonic's second serve from the deuce side, filmed from the side. His follow-through carries his racquet arm across his body while his weight lands on his front foot, quickly bringing his non-hitting hand back to a neutral ready position for the next shot.
|
240 |
23.8s |
Second Serve · Deuce · Side · 240fps #3
Milos Raonic's second serve from the deuce court, filmed from the side. His continental grip is clearly visible with a firm but relaxed hand, and the side angle makes the pronounced wrist pronation through contact easy to see.
|
240 |
23.8s |
Second Serve · Deuce · Side · 240fps #4
Milos Raonic's second serve from the deuce court, filmed from a side angle. His footwork shows a measured platform stance with a subtle front-foot pivot into the court and a quick couple of recovery steps landing just inside the baseline after contact.
|
240 |
23.5s |
Second Serve · Deuce · Side · 240fps #5
Milos Raonic's second serve from the deuce side, filmed from the side. His deep knee bend and aggressive leg drive into the court are clearly visible, with his hips uncoiling upward as he extends through the serve.
|
240 |
24.8s |
BH Slice Short → BH Volley · Court-level-front · 240fps
Milos Raonic's backhand slice from the middle of the court, filmed from a court-level front angle in 240 fps slow motion. His follow-through finishes with the racquet face slightly open in front of his body while his weight transfers onto his front foot and his non-hitting hand helps him recover back toward a neutral ready position.
|
240 |
4.6s |
BH Slice Short · Court-level-front · 120fps
Milos Raonic's backhand slice from the middle of the court, filmed from a court-level front angle in 120 fps slow motion. His follow-through finishes high with the racquet face slightly open as his weight transfers onto his front foot and his non-hitting hand comes back toward a compact ready position.
|
120 |
2.8s |
BH Slice Wide · Court-level-front · 120fps
Milos Raonic's backhand slice from a wide position, filmed from a court-level front angle. His continental grip is clearly visible with a firm but relaxed hand, and the wrist stays stable with minimal break through contact to keep the slice controlled and low.
|
120 |
3.2s |
FH Slice Short · Court-level-rear · 120fps
Milos Raonic's forehand short slice from the center of the court, filmed from a court-level rear angle in 120 fps slow motion. The racket face is noticeably open at contact with the ball struck well in front of his body at about waist height, and the swing path moves downward with a controlled, abbreviated follow-through.
|
120 |
2.9s |
BH Slice Center · Court-level-side · 240fps #1
Milos Raonic's backhand slice from the center of the court, filmed from a court-level side angle. His shoulders turn well past perpendicular to the net to load the slice, with a noticeable sequential uncoiling of the trunk that continues even after contact as the hitting-side shoulder rotates through.
|
240 |
3s |
BH Slice Center · Court-level-side · 240fps #2
Milos Raonic's backhand slice from the center of the court, filmed from a court-level side angle. His shoulders rotate early to set the racket path, then the trunk stays relatively stable through contact with only a slight uncoil, emphasizing upper-body control over full-body kinetic chain rotation.
|
240 |
3.8s |
BH Slice Running · Court-level-side · 240fps
Milos Raonic's running backhand slice from the side of the court, filmed from a court-level side angle. His follow-through extends low and forward with the racket face slightly open while his non-hitting arm counterbalances behind him as he recovers back toward a neutral ready position.
|
240 |
3.3s |
BH Slice Short → BH Volley · Court-level-side · 240fps
Milos Raonic's backhand slice from the backhand side, filmed from a court-level side angle. His racket face stays noticeably open at contact with the ball struck around waist height, and the steep downward swing path creates a pronounced underspin effect visible in the slow-motion frames.
|
240 |
4.7s |
BH Slice Short · Court-level-side · 240fps
Milos Raonic's backhand slice from the middle of the court, filmed from a court-level side angle. His continental grip is clearly visible with a firm but relaxed hand, and the racket face stays slightly open as his wrist remains stable through contact with minimal flexion.
|
240 |
2.8s |
BH Lob → Slice · Front · 250fps
Milos Raonic's backhand lob slice from the center court position, filmed from the front at 250 fps. His shoulders and trunk coil early against the incoming ball, then uncoil in a measured sequence that keeps the torso slightly open while the hitting shoulder rises to create the lofted slice trajectory.
|
250 |
2.1s |
BH Slice Running · Front · 240fps
Milos Raonic's running backhand slice from the front, filmed from a court-level angle at 240 fps. The racket face stays slightly open at contact with the ball struck around waist height, and the racket path moves down and through the shot with a controlled deceleration after impact.
|
240 |
3.4s |
BH Slice Short · Front · 250fps
Milos Raonic's backhand slice from the center of the court, filmed from the front at 250 fps. His racket face stays noticeably open at contact with the ball meeting the strings around waist height, and the racket head travels on a pronounced high-to-low path through impact.
|
250 |
2.4s |
BH Slice Wide · Front · 240fps #1
Milos Raonic's backhand slice from a wide position, filmed from the front at 240 fps. His continental grip is clearly visible with a firm but relaxed hand, and the wrist stays laid back through the swing with a late, controlled release just after contact.
|
240 |
3.2s |
BH Slice Wide · Front · 240fps #2
Milos Raonic's backhand slice from a wide position, filmed from a front angle. His shoulders stay relatively closed with a noticeable trunk tilt to the backhand side, and you can clearly see the upper body uncoil later than the initial shoulder turn, emphasizing a distinct separation between shoulder line and hips through contact.
|
240 |
2.4s |
BH Slice Short · Rear · 240fps
Milos Raonic's backhand slice from the center of the court, filmed from a rear angle. His footwork includes a small adjustment step into a slightly closed stance, with his weight transferring onto the front foot as he carves under the ball.
|
240 |
2.5s |
BH Slice Wide · Arm-action · Rear · 240fps #1
Milos Raonic's backhand slice from a wide position, filmed from a rear angle. His continental grip is clearly visible with a firm but relaxed hand, and the high-speed view shows a stable wrist with minimal flex as the racket tracks down and through the ball.
|
240 |
3s |
BH Slice Wide · Arm-action · Rear · 240fps #2
Milos Raonic's backhand slice from a wide position, filmed from a rear angle. His footwork shows a quick adjustment step out toward the ball followed by a slightly open stance, with his outside leg planting firmly before he carves the slice.
|
240 |
3.4s |
BH Slice Wide · Rear · Closed · 240fps
Milos Raonic's backhand slice from a wide position, filmed from a rear angle at 240 fps. His closed stance is clear as his right foot steps across the baseline plane before contact, with small adjustment steps afterward to recover back toward the center.
|
240 |
3.5s |
BH Slice Wide · Rear · 240fps #1
Milos Raonic's backhand slice from a wide position, filmed from a rear angle. His hips stay relatively closed with a noticeable knee bend on the outside leg, providing a stable base as he carves around the ball.
|
240 |
3.2s |
BH Slice Wide · Rear · 240fps #2
Milos Raonic's backhand slice from a wide position, filmed from a rear angle. The high-speed view makes it easy to see his slightly open racket face at contact with the ball struck around waist height, and the pronounced high-to-low swing path that keeps the racket head moving smoothly through the shot.
|
240 |
2.8s |
BH Slice Wide · Rear · 240fps #3
Milos Raonic's backhand slice from a wide position, filmed from a rear angle. His hips stay relatively closed while his knees flex into a low base, and his back leg drives slightly behind the body line to support the wide lateral movement.
|
240 |
3.1s |
BH Slice Center · Arm-action · Side · 240fps #1
Milos Raonic's backhand slice from center court, filmed from a side angle. His knees stay flexed with a stable base as his hips remain relatively closed through contact, emphasizing a low, forward-driving leg action through the shot.
|
240 |
3.6s |
BH Slice Center · Arm-action · Side · 240fps #2
Milos Raonic's backhand slice from the center of the court, filmed from a side angle. His continental grip is firm with the wrist slightly laid back throughout the swing, creating a stable racket face that stays constant through contact.
|
240 |
1.3s |
BH Slice Running · Arm-action · Side · 240fps
Milos Raonic's running backhand slice from a wide position, filmed from the side. His feet show a quick adjustment into a slightly open stance with a long last stride, and the side view makes the delayed split-step and crossover recovery steps clearly visible.
|
240 |
3.4s |
BH Slice Running · Side · 240fps #1
Milos Raonic's running backhand slice from the side, filmed from a side angle at 240 fps. The racket face stays noticeably open at contact with the ball struck around waist height, and the racket head moves on a distinctly downward path through impact.
|
240 |
2.8s |
BH Slice Running · Side · 240fps #2
Milos Raonic's running backhand slice from the side, filmed from a side angle. His follow-through extends the racket hand forward while his non-hitting arm counterbalances behind him, and he quickly regains a neutral stance to recover for the next shot.
|
240 |
2.5s |
BH Slice Short · Side · 240fps
Milos Raonic's backhand slice from the middle of the court, filmed from the side. His feet stay staggered in a neutral to slightly closed stance as he glides into the ball with a small adjustment step and uses a controlled front-foot plant to stabilize through contact.
|
240 |
2.1s |
BH Slice Wide · Side · 240fps
Milos Raonic's backhand slice from a wide position, filmed from the side. His hips stay relatively closed while his knees flex into a low base, and the forward leg drive is clearly visible as he carves through the ball.
|
240 |
2.9s |
Canada
