Nick Wheatley
Active
Coach
Video Library (89 videos)
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FPS |
Duration |
1-2 Rhythm: Serve (1 of 64)
Nick Wheatley’s serve from a central baseline position, filmed from a side CourtLevel angle. His deep knee bend and strong upward leg drive into the court are clearly visible as his hips extend and uncoil toward the target.
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8.3s |
The 1-2 Rhythm: Two Handed Backhand (1 of 7)
Nick Wheatley’s two-handed backhand rhythm animation from center court, filmed from a side angle. His feet load in a neutral stance with a clear 1-2 rhythm: a unit turn into a planted base, followed by a synchronized step into contact that reinforces timing and weight transfer.
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9.6s |
Risk Management (1 of 4)
Nick Wheatley’s animation of a down-the-line pattern from a central baseline position, filmed from a tactical overhead angle. The contact point is illustrated slightly in front of the body line with the racket face square to the target, emphasizing a committed swing path straight along the sideline.
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6.3s |
Marginal Gains: Part 1 (1 of 8)
Edmund’s groundstrokes from a central baseline position, filmed from a side animation angle. His hips load with a clear coil against a deep knee bend, then uncoil as his legs drive up and forward to transfer weight through the shot.
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8s |
The 1-2 Rhythm: One Handed Backhand (1 of 15)
Federer's one-handed backhand from a neutral baseline position, filmed from a side court-level angle. His hips stay closed during the unit turn with a deep knee bend, then unwind into contact as his back leg drives forward and up into the court.
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17.1s |
The 1-2 Rhythm: The Backhand Slice (1 of 15)
Federer's one-handed backhand slice from a neutral baseline position, filmed from a side animation angle. His rhythmic 1-2 footwork pattern is clear as he plants the front foot into a neutral stance just before contact, then uses a small recovery step to return to a balanced ready position.
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7.9s |
Marginal Gains: Determining your Game Style (1 of 4)
Nick Wheatley explains overall game style concepts from a central court position, filmed from a front instructional angle. His neutral hand position and relaxed wrist are emphasized as foundations, with grip pressure staying light to enable later wrist pronation and adjustment for different tactical patterns.
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11.9s |
Marginal Gains in Live Match Play (1 of 6)
Nick Wheatley’s forehand Inside-In from a neutral baseline position, filmed from a side animation angle. The side view makes the degree of shoulder turn and the timing of the trunk uncoil relative to the forward swing path very clear for analyzing how early rotation sets up the Inside-In direction.
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7.7s |
Marginal Gains: Return Points (1 of 9)
Nick Wheatley’s movement animation on a return point, filmed from a tactical overhead angle. His split-step precedes the server’s contact and he immediately retreats with quick, balanced adjustment steps to create space before planting into a stable hitting stance.
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5.4s |
The 1-2 Rhythm: Forehand (1 of 7)
Novak Djokovic's forehand from a neutral baseline position, filmed from a side animation angle. His semi-western grip is clear with a relaxed wrist that sets into noticeable lag on the forward swing before unwinding through contact.
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8.7s |
Serving Rhythm and Serving Stance (1 of 9)
Pete Sampras and Justine Henin’s serve animations from a neutral position, filmed from a side comparison angle. The side view makes it easy to see their loose continental grip and pronounced wrist pronation as the racquet accelerates up through contact.
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8.9s |
Momentum (1 of 2)
Nick Wheatley's animation on positive momentum strategy from a neutral court position, filmed from a side angle. The side view makes the degree of shoulder turn and the timing of trunk uncoil especially clear as the player transitions weight forward through the shot.
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4.1s |
Marginal Gains: Preparing for Competition (1 of 5)
Nick Wheatley rallies from a central baseline position, filmed from a side CourtLevel angle. The contact point is slightly in front of his body with the racket face relatively square to the target line, and the racket head accelerates smoothly through the hitting zone.
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11.2s |
Marginal Gains: Enhancing Training and Practice (1 of 7)
Nick Wheatley rallies from a central baseline position, filmed from a side animation angle. His semi-western grip is evident in the firm but relaxed wrist position, with a clear lag and controlled pronation into contact on each forehand.
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10.6s |
Marginal Gains: Are You a Right Side or Left Side Player? (1 of 4)
Nick Wheatley’s right-side vs left-side positioning animation from a central tactical view, filmed from a simple 2D overhead-style graphic angle. The wrist position is kept neutral in both directions, with no added wrist lag or snap, emphasizing how grip and wrist remain constant while only the body and contact zone shift between right-side and left-side patterns.
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12.7s |
1-2 Rhythm: Serve (2 of 64)
Nick Wheatley's serve animation from a neutral position, filmed from a side angle. The side view makes the degree of shoulder-over-shoulder tilt and the timing of trunk uncoil relative to the hitting arm especially clear during the 1-2 rhythm.
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19.4s |
Marginal Gains in Live Match Play (2 of 6)
Nick Wheatley’s tactical animation on changing the diagonal is presented from a broadcast-style strategic angle. The forehand and backhand grips are shown with a clear, stable wrist position, emphasizing minimal wrist deviation as the player redirects the ball off the diagonal.
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5.9s |
Marginal Gains: Are You a Right Side or Left Side Player? (2 of 4)
Nick Wheatley’s crosscourt strategy animation from a central tactical view, filmed from a 2D overhead-style angle. The trunk rotation pattern is clearly illustrated as the shoulders coil early relative to the hips, then uncoil in sequence to direct the ball into the crosscourt target zone.
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10s |
Marginal Gains: Return Points (2 of 9)
Nick Wheatley explains return depth strategy from a central baseline position, filmed from a side animation angle. The animation clearly depicts how the racket meets the ball slightly in front of the body with a squared face to drive a deeper, heavier return.
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4.6s |
Marginal Gains: Preparing for Competition (2 of 5)
Nick Wheatley's down-the-line tactical animation is presented from a dynamic, broadcast-style perspective. The wrist action is clearly illustrated with a delayed wrist lag into contact and a controlled, firm grip that stabilizes the racquet face through the line of the shot.
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5.5s |
Marginal Gains: Serve Points (2 of 11)
Isner's serve from a central position on the baseline, filmed from a side animation angle. At contact his racket face is slightly closed with the ball struck well above head height, and the racket head accelerates steeply up and across the ball to emphasize kick and margin over the net.
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4.9s |
The 1-2 Rhythm: The Backhand Slice (2 of 15)
Nick Wheatley's backhand slice from a neutral court position, filmed from a side animation angle. The side view makes it easy to see the continental grip stay stable while the wrist stays laid back through the swing with minimal flex at contact.
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24.2s |
Risk Management (2 of 4)
Nick Wheatley’s strategy animation on risk management is presented from a tactical, overhead-style perspective. Player icons and ball trajectories make it easy to see how conservative versus aggressive court positioning affects recovery steps and the timing of the split-step between shots.
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5.5s |
The 1-2 Rhythm: One Handed Backhand (2 of 15)
Nick Wheatley’s one-handed backhand from a neutral court position, filmed from a side animation view. The contact point is clearly in front of the body with the racket face slightly closed and the racket head accelerating on an upward, low-to-high path through the ball.
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8s |
Serving Rhythm and Serving Stance (2 of 9)
Nick Wheatley’s serve from the center baseline, filmed from a rear angle. His follow-through carries him into the court with his back leg swinging forward and his tossing arm dropping quickly into a balanced ready position for the next shot.
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8s |
Momentum (2 of 2)
Nick Wheatley performs an animation of a racket smash from a neutral court position, filmed from a side angle. His hips and legs visibly load with a deep knee bend and forward-driving stride that emphasize how lower-body momentum would transfer into the downward swing.
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9.4s |
The 1-2 Rhythm: Forehand (2 of 7)
Roger Federer’s forehand from a neutral position, filmed from a side animation angle. At contact, the racket face is slightly closed with the ball struck just in front of his lead hip, and the racket head accelerates upward along a steep low-to-high path.
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6.1s |
The 1-2 Rhythm: Two Handed Backhand (2 of 7)
Nick Wheatley’s two-handed backhand lesson from a central baseline position, filmed from a side animation angle. The slowed animation makes the early unit turn and progressive trunk uncoil especially clear, with the shoulders staying closed until just before contact to sequence the hips, torso, and arms.
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6.7s |
Marginal Gains: Determining your Game Style (2 of 4)
Nick Wheatley’s topspin forehand animation from the center of the baseline, filmed from a side angle. The hips visibly load by turning away from the net before uncoiling forward as the legs drive up from a deep knee bend into contact.
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8.8s |
Marginal Gains: Enhancing Training and Practice (2 of 7)
Nick Wheatley’s topspin forehand down the line from a central baseline position, filmed from a high overhead angle. From this view you can clearly see the degree of upper trunk rotation relative to the hips at unit turn, and how the shoulders uncoil ahead of the racket to direct the ball straight down the line.
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7.2s |
Marginal Gains: Part 1 (3 of 8)
Nick Wheatley’s strategy animation on marginal gains, filmed from a tactical overhead and side-on perspective. The animation clearly depicts how incremental changes in shoulder turn and trunk alignment across points add up to a more efficient kinetic chain over the course of a match.
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3.5s |
1-2 Rhythm: Serve (3 of 64)
Nick Wheatley's serve from a central baseline position, filmed from a side animation angle. The racket face is clearly visible staying closed through a high contact point above head level before pronating rapidly to accelerate the racket head up and through the ball.
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7.7s |
1-2 Rhythm: Serve
Kerry Mitchell's animation lesson on groundstrokes from a central court position, filmed from a side angle. The video emphasizes rhythmic split-step timing into a neutral stance, with clear forward weight transfer onto the front foot during the hitting phase.
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5.4s |
1-2 Rhythm: Serve
Paul Hamori's stroke biomechanics animation from a neutral court position, filmed from a 3D modeled side angle. The sequence clearly illustrates the progressive shoulder turn and trunk coil, followed by an uncoiling pattern where the hips initiate rotation before the shoulders to complete the kinetic chain.
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7.9s |
1-2 Rhythm: Serve
3D animation of a generic groundstroke from center court, filmed from a side angle. The shoulder girdle and trunk are shown coiling as a single unit to roughly 90 degrees before uncoiling sequentially from hips to shoulders through contact.
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The 1-2 Rhythm: Two Handed Backhand (3 of 7)
Berdych's two-handed backhand from a neutral position, filmed from a side angle. His follow-through finishes high with the racquet over his shoulder while his weight transfers fully onto the front foot, bringing him quickly back into a ready position.
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3.6s |
Marginal Gains: Determining your Game Style (3 of 4)
Nick Wheatley’s animation on court position strategy, filmed from a tactical overhead view. The shoulder and trunk rotations of the illustrated player clearly change with each position on the baseline, emphasizing how different degrees of coil and uncoil support specific game styles.
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7.9s |
Risk Management (3 of 4)
Nick Wheatley’s animation on earning opportunities is presented from a strategic, overhead-style tactical view. You can clearly see how the players’ hip and leg positions adjust with court positioning, emphasizing when to load on the outside leg versus stepping in with a more neutral base to take time away.
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12.7s |
Marginal Gains: Serve Points (3 of 11)
Federer's serve from the center of the baseline, filmed from a side animation angle. His feet pivot from a platform stance into a pronounced knee bend and upward drive, with a clear front-foot landing that leads naturally into his first recovery step.
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4s |
Marginal Gains: Return Points (3 of 9)
Nick Wheatley’s return from a central return position, filmed from a low front court-level angle. After contact he extends the racquet forward with a compact follow-through while his weight moves into the court, quickly bringing both hands back to a neutral ready position for the next ball.
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4.4s |
The 1-2 Rhythm: The Backhand Slice (3 of 15)
Nick Wheatley’s backhand slice from a neutral position, filmed from a court-level side angle. His follow-through extends the racket hand forward while the non-hitting hand stays back, helping his weight transfer into the court and recover quickly to a ready position.
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5.5s |
The 1-2 Rhythm: One Handed Backhand (3 of 15)
Nick Wheatley’s one-handed backhand from a central baseline position, filmed from a side CourtLevel angle. His follow-through finishes high with the hitting arm extended while his weight transfers onto the front foot, bringing him quickly back into a balanced ready position.
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4.3s |
Serving Rhythm and Serving Stance (3 of 9)
Nick Wheatley's serve animation platform stance from the center of the baseline, filmed from a side CourtLevel angle. The side view makes it easy to see the shoulders fully coil as the tossing arm rises, then the trunk uncoils in sequence from hips to shoulders as the racquet accelerates up to contact.
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15.5s |
The 1-2 Rhythm: Forehand (3 of 7)
Roger Federer’s forehand from a neutral position, filmed from a side animation view. His hips load by turning sideways with a clear knee bend, then unwind in sequence from the ground up, with the rear leg driving his hips forward before the arm accelerates.
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3.2s |
Marginal Gains: Are You a Right Side or Left Side Player? (3 of 4)
Nick Wheatley’s animation of switching court sides is presented from a tactical, diagram-style angle rather than live court footage. The hips and legs are illustrated through positional changes of the player icons, emphasizing how lower-body orientation shifts when moving from a right-side to a left-side role in doubles formations.
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7.3s |
Marginal Gains: Preparing for Competition (3 of 5)
Nick Wheatley’s animation sequence of volleys from a central net position, filmed from a side angle. The follow-through ends with the racket head slightly in front while his weight transfers through the front foot into a compact, ready stance for the next ball.
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11.2s |
1-2 Rhythm: Serve (4 of 64)
Nick Wheatley's serve from a central baseline position, filmed from a side angle. His rhythmic 1-2 motion is clear in the coordinated knee bend and upward drive from a stable platform stance before landing on his front foot inside the court.
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10.8s |
The 1-2 Rhythm: Two Handed Backhand (4 of 7)
John Isner's two-handed backhand from a neutral position, filmed from a side angle animation. His hips load with a clear coil while the knees stay flexed, then the legs drive up and forward to uncoil the hips through contact in a smooth 1-2 rhythm.
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3.6s |
Marginal Gains in Live Match Play (4 of 6)
Nadal's point construction and tactical patterns are illustrated from a strategic, animated court view. His recovery steps and follow-through direction are clearly mapped, showing how he regains a neutral or offensive position after each shot to prepare for the next ball.
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14.3s |
Marginal Gains: Part 1 (4 of 8)
Nadal's forehand from a neutral baseline position, filmed from a side animation angle. His semi-western grip is clear as his wrist stays laid back through the swing before pronating aggressively just after contact.
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6.4s |
The 1-2 Rhythm: The Backhand Slice (4 of 15)
Nick Wheatley's backhand slice from a neutral position, filmed from a side animation angle. The racket face is noticeably open at contact with the ball struck around waist height, and the swing path moves on a slightly downward arc through impact.
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3s |
The 1-2 Rhythm: Forehand (4 of 7)
Roger Federer’s forehand from a neutral position, filmed from a side angle. His relaxed follow-through finishes high with the racquet wrapping around his shoulder while his weight transfers fully onto his front foot before returning to a ready position.
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4.6s |
Marginal Gains: Are You a Right Side or Left Side Player? (4 of 4)
Nick Wheatley’s secondary shot animation from a central court position, filmed from a tactical overhead angle. The animation emphasizes footwork patterns such as the initial split-step, directional adjustment steps, and recovery movement that support choosing and executing the correct secondary shot.
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4.5s |
Serving Rhythm and Serving Stance (4 of 9)
Serena Williams' serve from a central baseline position, filmed from a side animation angle. At contact, her racket face is slightly closed with the ball struck well above head height, and the racket head accelerates steeply upward along the right side of her body into a high, fast pronation.
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6.4s |
Marginal Gains: Return Points (4 of 9)
Nick Wheatley’s split-step movement pattern on the return, filmed from an animation-based instructional angle. The hips stay relatively level while the knees bend into a quick, shallow load, and both legs push symmetrically to create a light, reactive landing ready to move in either direction.
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8.2s |
Marginal Gains: Serve Points (4 of 11)
Nick Wheatley's serve from the deuce court, filmed from an animated tactical angle. The animation emphasizes the timing of the split and weight transfer into a neutral-to-slightly-closed stance as he drives up and into the court.
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5.2s |
Marginal Gains: Preparing for Competition (5 of 5)
Nick Wheatley’s 5Animation4Shot strategy sequence from a central tactical perspective, filmed from a CourtLevel angle. The footwork pattern emphasizes a consistent split-step into small adjustment steps before each of the four planned shots, with deliberate recovery steps back to a neutral ready position between strokes.
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10.1s |
The 1-2 Rhythm: Forehand (5 of 7)
Berdych's forehand from a central baseline position, filmed from a side angle. His rhythmic 1-2 footwork pattern into a semi-open stance is clear as he loads on the outside leg before stepping through and recovering along the baseline.
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7.4s |
Marginal Gains: Enhancing Training and Practice (5 of 7)
Nick Wheatley’s down-the-line forehand animation from a central baseline position, filmed from a rear court-level angle. His follow-through finishes high with the racquet wrapping over the opposite shoulder while his feet recover quickly back toward a neutral ready position on the baseline.
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8s |
The 1-2 Rhythm: Two Handed Backhand (5 of 7)
Nick Wheatley’s two-handed backhand animation from a neutral position, filmed from a side angle. The contact point is slightly in front of the lead hip with the racket face square to the ball and the racket head accelerating low-to-high through contact.
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2.4s |
Marginal Gains: Part 1 (5 of 8)
Federer's FH from the center of the baseline, filmed from a rear angle. His small adjustment steps before contact set up a strong neutral stance, followed by quick recovery footwork that returns him to an optimal court position.
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5.8s |
Serving Rhythm and Serving Stance (5 of 9)
Isner's serve from a central baseline position, filmed from a side angle. His rhythmic footwork into the pinpoint stance is evident as his back foot slides up to meet the front foot just before leg drive and upward extension.
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4.5s |
The 1-2 Rhythm: The Backhand Slice (5 of 15)
Nick Wheatley’s backhand slice lesson animation, filmed from a neutral instructional graphic angle. The hips are depicted staying relatively closed with a slight knee bend, emphasizing a stable lower-body base during the slicing motion.
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6.3s |
The 1-2 Rhythm: One Handed Backhand (5 of 15)
Nick Wheatley’s one-handed backhand from the center of the court, filmed from a side angle. His rhythmic 1-2 footwork pattern is clear as he plants the front foot into a closed stance after a small adjustment step that syncs with the racket’s forward swing.
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2.3s |
Marginal Gains: Return Points (5 of 9)
Nick Wheatley’s return position animation from the left side of the court, filmed from a front tactical angle. His follow-through finishes compactly with a quick recovery into a neutral ready stance, showing the non-hitting hand resetting on the racket handle as he prepares for the next ball.
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2.6s |
Marginal Gains: Serve Points (5 of 11)
Nick Wheatley’s wide serve from the Ad court, filmed from a wide animation angle. The animation clearly separates the upper-body coil from the lower-body drive, emphasizing how the shoulders stay turned longer than the hips before uncoiling into contact.
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7.9s |
The 1-2 Rhythm: Forehand (6 of 7)
Nick Wheatley’s forehand lesson with Andy, filmed from a side animation-style CourtLevel angle. The side view makes Andy’s early shoulder turn and delayed uncoiling of the trunk relative to the arm very clear, emphasizing a distinct 1-2 rhythm in the kinetic chain.
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10.9s |
Marginal Gains: Serve Points (6 of 11)
Nick Wheatley's serve from the center of the baseline, filmed from an animated side view. The animation clearly illustrates a loose continental grip with a relaxed wrist that pronates aggressively through contact.
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2.8s |
Marginal Gains: Enhancing Training and Practice (6 of 7)
Nick Wheatley’s change-of-direction movement pattern drill from the center of the court, filmed from a side angle. His quick split step into a low, wide base and immediate crossover step the other way emphasizes efficient weight transfer and recovery footwork when changing direction.
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7.9s |
The 1-2 Rhythm: Two Handed Backhand (6 of 7)
Nick Wheatley’s two-handed backhand animation from a central court position, filmed from a side angle. The side view makes the consistent eastern forehand grip on the dominant hand and the stable, laid-back wrist position through the swing especially clear.
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6.7s |
Marginal Gains: Return Points (6 of 9)
Nick Wheatley runs around his backhand to hit a forehand return from the deuce side, filmed from a rear court-level angle. At contact, the racket face is slightly closed with the ball meeting the strings just in front of his lead hip, indicating an aggressive swing path aimed to take the ball early.
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6.4s |
Serving Rhythm and Serving Stance (6 of 9)
Wawrinka's serve from a central baseline position, filmed from a side angle. His deep knee bend and delayed hip uncoiling into the court make the leg drive and sequential hip rotation especially clear.
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4.8s |
Marginal Gains: Serve Points (7 of 11)
Nick Wheatley’s neutral rally sequence from a central court position, filmed from a court-level angle. His follow-through finishes high with the racquet wrapping across his body while his non-hitting hand quickly returns to the ready position to prepare for the next ball.
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7.9s |
The 1-2 Rhythm: Two Handed Backhand (7 of 7)
Del Potro's two-handed backhand from a neutral position, filmed from a side animation angle. His shoulders and trunk coil deeply with the racquet takeback, then uncoil in a clear 1-2 rhythm where the hips initiate and the upper torso and hitting shoulder follow through the ball.
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10.3s |
Serving Rhythm and Serving Stance (7 of 9)
Sam’s serve from a neutral stance in the center of the baseline, filmed from a side court-level angle. His shoulders load with a pronounced sideways turn relative to the net before the trunk uncoils in sequence from the hips through the torso into the hitting arm during the upward swing.
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5.9s |
Marginal Gains: Enhancing Training and Practice (7 of 7)
Nick Wheatley’s serve return from a central ready position, filmed from a court-level angle. The contact point is taken slightly in front of the body with a compact swing, and the racket face stays square to the incoming ball to control depth on the return.
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4.9s |
Marginal Gains: Return Points (8 of 9)
Nick Wheatley's return from a central position, filmed from an animation-style overhead angle. The grip is set early with a firm continental hold, and you can see a subtle but clear wrist pronation through contact to drive the ball straight down the middle.
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5.3s |
Serving Rhythm and Serving Stance (8 of 9)
Federer's serve from a central baseline position, filmed from a side CourtLevel angle. His continental grip is evident in the way the racquet face stays edge-on during the trophy position, with a pronounced wrist pronation occurring just after contact.
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6.7s |
Marginal Gains: Preparing for Competition (4 of 5)
Nick Wheatley performs a split step and recovery footwork pattern from a central baseline position, filmed from a side court-level angle. His weight lands evenly on both feet before he pushes back into a balanced ready position with the racket set in front of his body.
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5.9s |
Marginal Gains: Return Points (9 of 9)
Nadal's kick serve return from a central return position, filmed from an animation-style tactical angle. He times a compact split-step just before contact and uses a small adjustment hop into a semi-open stance to handle the high-bouncing serve.
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23.3s |
Marginal Gains: Serve Points (9 of 11)
Nick Wheatley's serve from the center of the baseline, filmed from a side court-level angle. At contact his racket face is slightly tilted forward with the ball struck just above full extension, and the racket head accelerates steeply upward into a pronounced pronation.
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6.3s |
Marginal Gains: Enhancing Training and Practice (4 of 7)
Nick Wheatley’s approach shot from the baseline, filmed from a side angle. His hips stay low with a deep knee bend on the loading step, then drive forward as his legs extend into the court to transition quickly toward the net.
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6.4s |
Marginal Gains: Return Points (7 of 9)
Nick Wheatley’s backhand from a central baseline position, filmed from an animation-style side angle. The shoulder line clearly rotates as the trunk coils early, then uncoils in sequence from hips to shoulders to arm through the cross-court contact.
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3.9s |
Marginal Gains: Determining your Game Style (4 of 4)
Nick Wheatley's drop shot from a neutral baseline position, filmed from a court-level front angle. After contact, he lets the racquet face stay open with a short, soft follow-through while his non-hitting hand extends slightly for balance as he recovers toward a compact ready position.
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6.1s |
Marginal Gains: Serve Points (1 of 11)
Nick Wheatley's wide serve from the deuce court, filmed from an animation-style tactical angle. The hips open toward the sideline as the knees drive up and out, with the back leg pushing diagonally into the court to set up the forehand winner pattern.
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5.8s |
Marginal Gains in Live Match Play (3 of 6)
Nick Wheatley's backhand from a central position, filmed from an animated side/court-level angle. The animation clearly depicts strong knee flexion into the loading phase and an aggressive hip drive forward as he transitions from the backhand into the inside-in forehand pattern.
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6.4s |
Marginal Gains: Part 1 (2 of 8)
Nick Wheatley’s forehand InsideIn from a neutral position, filmed from a 3D animation side angle. The contact point is slightly in front of the lead hip with the racket face just marginally closed, and the racket head accelerates on a low-to-high path through contact.
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8.5s |
The 1-2 Rhythm: One Handed Backhand (4 of 15)
Nick Wheatley’s one-handed backhand from a neutral position, filmed from a side angle. The side view makes it easy to see his eastern backhand grip stay constant as his wrist stays laid back through the loop and then pronates slightly through contact.
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11.5s |
Risk Management (4 of 4)
Federer's second serve from a central position, filmed from an animated side angle. His shoulders and trunk coil deeply away from the court before uncoiling in sequence, with the trunk rotation clearly leading the arm swing into contact.
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6.1s |
