Ana Ivanovic Lessons Learned Yet-001-0001 Music Video 440 #004
Ana Ivanovic’s forehand from the middle of the court, filmed from a mixed rear and side angle. After contact her follow-through wraps fully across her body while her weight shifts onto her front foot, and she quickly resets her feet into a neutral ready position for the next shot.
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314.4s |
Ana Ivanovic Lessons Learned Yet-001-0001 Music Video320 #001
Ana Ivanovic's forehand from the center of the baseline, filmed from a court-level side angle. Her semi-western grip is evident with the racket hand positioned under the handle, and there is a clear wrist lag that unwinds into a pronounced wrist snap just before contact.
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314.5s |
FH Swinging Volley → Approach → FH Short → FH Swinging Volley
Ana Ivanovic's forehand swinging volley approach from the middle of the court, filmed from a rear angle. Her shoulders rotate sharply away from the net during the unit turn, then her trunk uncoils aggressively into contact with clear sequencing from hip rotation through the torso before the arm whips through.
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23s |
FH Swinging Volley → Approach → FH Short → FH Swinging Volley #001
Ana Ivanovic's forehand swinging volley approach from the center of the court, filmed from a front angle. Her shoulders stay heavily turned relative to the net during the unit turn, then her trunk uncoils sharply through contact with the chest rotating to face forward as she moves into the court.
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20.6s |
FH Approach → BH Volley · Front
Ana Ivanovic's forehand approach from the center of the court, filmed from the front. At contact, her racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward along an aggressive inside-out swing path.
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4.7s |
FH Approach → FH Short · Front
Ana Ivanovic's forehand approach shot from a central position, filmed from the front. Her follow-through finishes high across her body as she transfers weight into the court and quickly brings both hands back to a ready position for the next volley.
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6.8s |
FH Approach → FH Volley · Front
Ana Ivanovic's forehand approach from the center of the court, filmed from the front. Her semi-western grip is easy to see here, with a pronounced wrist lag on the takeback that unwinds into a strong, forward wrist snap through contact.
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5.3s |
FH Approach → OH · Front #1
Ana Ivanovic's forehand approach shot from the center of the court, filmed from the front. She uses a quick adjustment hop into a semi-open stance before driving forward, then takes small, choppy steps to close into the net efficiently after contact.
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6.1s |
FH Approach → OH · Front #2
Ana Ivanovic's forehand approach shot from the center of the court, filmed from the front. Her shoulders load with a pronounced upper-body coil before uncoiling through contact, with the trunk rotating aggressively toward the net in sync with her forward momentum.
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8.4s |
BH Approach → FH Swinging Volley · Rear
Ana Ivanovic's forehand swinging volley approach from the center of the court, filmed from a rear angle. From this view, her semi-western forehand grip and firm but relaxed wrist position show a clear lag on the takeback that snaps through aggressively at contact.
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9.6s |
BH Approach → FH Volley · Rear
Ana Ivanovic's forehand approach from the center court position, filmed from a rear angle. Her shoulders rotate well past perpendicular to the baseline on the unit turn, then uncoil in sync with a pronounced trunk rotation that continues through contact into her forward court movement.
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7s |
BH Approach → OH · Rear
Ana Ivanovic's backhand approach shot from a neutral position, filmed from the rear. Her racket face stays slightly closed through contact at about waist height, with the racket head accelerating steeply forward toward the court.
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6.5s |
FH Approach → BH Volley · Rear
Ana Ivanovic's forehand approach shot from a neutral position, filmed from a rear angle. Her shoulders and trunk coil noticeably during the unit turn and then uncoil in sequence as she drives forward into the court, with the rear view clearly showing the rotation of her torso relative to her hips.
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3.9s |
FH Approach → FH Swinging Volley · Rear
Ana Ivanovic's forehand approach from the center of the court, filmed from a rear angle. Her hips stay closed through the loading phase with a deep right-knee bend, then drive forward explosively as her legs push into the court to move inside the baseline.
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6.6s |
FH Approach → FH Volley · Rear #1
Ana Ivanovic's forehand approach from the center of the court, filmed from a rear angle. Her hips drive forward with a pronounced knee bend on the right leg during the loading phase, then extend aggressively through the court as she pushes off into her approach steps.
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5s |
FH Approach → FH Volley · Rear #2
Ana Ivanovic's forehand approach from the deuce court, filmed from a rear angle. Her semi-western grip is evident in the closed racket face on the takeback, with a pronounced wrist lag that unwinds into a strong pronation through contact.
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6.5s |
FH Approach → FH Volley · Rear #3
Ana Ivanovic's forehand approach from the center of the court, filmed from a rear angle. Her follow-through finishes high across her body as she steps inside the baseline, with her non-hitting hand extending back to aid rotation before she quickly recovers toward a ready position.
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5.6s |
FH Approach → FH Volley · Rear #4
Ana Ivanovic's forehand approach from the center of the court, filmed from a rear angle. She uses an open stance as she steps into the court, with quick adjustment steps before contact and a pronounced forward recovery step moving toward the net.
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6.3s |
FH Slice → Approach → BH Volley · Rear
Ana Ivanovic's forehand slice approach shot from a neutral position, filmed from a rear angle. From this view, her continental grip and firm but relaxed wrist are evident as the racket face stays slightly open with minimal wrist deviation through contact.
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5.1s |
BH Approach → FH Swinging Volley · Side
Ana Ivanovic's forehand swinging volley approach from the middle of the court, filmed from the side. From this angle, her semi-western forehand grip is evident along with a pronounced wrist lag that releases into a sharp wrist snap right at contact.
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10.1s |
BH Approach → FH Volley · Side
Ana Ivanovic's forehand approach from the deuce court, filmed from the side. Her hips stay closed through the loading phase with a pronounced knee bend, then drive forward aggressively as her back leg extends into the court.
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8.3s |
BH Approach → OH · Side #001
Ana Ivanovic's backhand approach shot from a neutral position, filmed from the side. After contact she drives her weight forward into the court and quickly brings both hands back toward her center to transition into an athletic ready position for the next shot.
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8.9s |
BH Slice → Approach → OH · Side
Ana Ivanovic's backhand slice approach and overhead from the center of the court, filmed from the side. Her footwork includes a small adjustment shuffle into a neutral stance on the slice, followed by quick forward steps and a controlled hop into the overhead to regain court position.
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8.7s |
FH Approach → BH Volley · Side
Ana Ivanovic's forehand approach from the center of the court, filmed from the side. The racket face is slightly closed at a contact point around waist height, with the racket head accelerating steeply up and forward through the ball.
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8.7s |
FH Approach → FH Volley · Side #1
Ana Ivanovic's forehand approach shot from a neutral position, filmed from a side angle. At contact her racket face is slightly closed with the ball struck just in front of her lead hip at about waist height, and the racket head accelerates steeply upward along an aggressive, forward-moving swing path.
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8.3s |
FH Approach → FH Volley · Side #2
Ana Ivanovic's forehand approach shot from the center of the court, filmed from the side. She uses an open stance as she steps into the court, with a small adjustment hop before contact and quick forward recovery steps toward the net.
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8.3s |
FH Approach → OH · Side
Ana Ivanovic's forehand approach shot from a neutral court position, filmed from the side. The side view makes it easy to see her contact well out in front with a slightly closed racket face and a steep upward swing path driving through the ball.
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10.4s |
FH Slice → Approach → BH Volley · Side
Ana Ivanovic's forehand slice approach from the center of the court, filmed from the side. Her hips stay relatively closed with a pronounced knee bend on the front leg, showing a low, driving step into the court as she moves forward.
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5.1s |
BH Center · Arm-action · Court-level-front
Ana Ivanovic's backhand from the center of the court, filmed from a front court-level angle. Her shoulders rotate as a single unit with the trunk, with a noticeable early coil and then a sharp uncoiling through contact that keeps the chest driving through the ball.
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2.8s |
BH Half Volley Center · Court-level-front #1
Ana Ivanovic's backhand from the center of the court, filmed from a front court-level angle. Her two-handed grip is clearly visible with the non-dominant hand driving the racquet and a firm but relaxed wrist structure that stays stable through contact with only a subtle release after impact.
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2.6s |
BH Half Volley Center · Court-level-front #2
Ana Ivanovic's backhand from the center of the court, filmed from a court-level front angle. Her two-handed grip is clearly visible, with the non-dominant (left) hand driving the racquet and a firm but relaxed wrist structure that stays stable through contact with only a slight pronation after impact.
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2.6s |
BH Center · Court-level-front · Neutral #1
Ana Ivanovic's backhand from the center of the court in a neutral stance, filmed from a front court-level angle. Her split step leads into a small adjustment hop and balanced neutral stance, with both feet planting firmly before she rotates through the shot and then takes a quick recovery step back toward the middle.
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3.3s |
BH Center · Court-level-front · Neutral #2
Ana Ivanovic's backhand from the center of the court in a neutral stance, filmed from a front court-level angle. Her hips stay relatively square to the net with a noticeable knee bend on both legs, loading evenly before she drives upward through the shot.
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2.9s |
BH Center · Court-level-front · Neutral #3
Ana Ivanovic's backhand from the center of the baseline, filmed from a front court-level angle. Her neutral stance is clear as both feet set on the baseline before she drives through the ball, followed by a small recovery hop that readies her for the next shot.
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2.5s |
BH Center · Court-level-front · Neutral #4
Ana Ivanovic's backhand from the center in a neutral stance, filmed from a court-level front angle. Her two-handed grip shows the non-dominant left hand driving the stroke while the right hand stays relatively relaxed, with a noticeable wrist lag that firms up just before contact.
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3.1s |
BH Center · Court-level-front · Open
Ana Ivanovic's backhand from the center of the baseline in an open stance, filmed from a front court-level angle. Her hips stay relatively closed to the net while her knees flex deeply on the load, with an aggressive upward leg drive as she uncoils into the shot.
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3.1s |
BH Moves Back · Court-level-front #1
Ana Ivanovic's backhand from a central baseline position, filmed from a court-level front angle. After contact she lets the racquet finish high with both hands while her weight continues drifting backward, then she quickly drops the racquet and brings her hands in front of her body to reestablish a neutral ready position.
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3.2s |
BH Moves Back · Court-level-front #2
Ana Ivanovic's backhand while moving back from a neutral baseline position, filmed from a court-level front angle. The racket face is slightly closed at contact with the ball meeting her strings around waist height, and her racket head accelerates steeply upward along the swing path.
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2.7s |
BH Running · Court-level-front #1
Ana Ivanovic's running backhand from a central baseline position, filmed from a court-level front angle. Her shoulders close significantly relative to the net before contact, then her trunk uncoils aggressively with the upper body rotating through as the non-dominant arm drives the kinetic chain.
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3.1s |
BH Running · Court-level-front #2
Ana Ivanovic's running two-handed backhand from the middle of the court, filmed from a court_level front angle. Her semi-western left-hand grip is evident as her wrists stay laid back through the forward swing before a late, compact release through contact.
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2.9s |
BH Running · Court-level-front #3
Ana Ivanovic's running backhand from the center of the court, filmed from a court_level front angle. After contact she extends her follow-through high across her body while her weight continues moving forward, then quickly brings both hands back toward a compact ready position for the next shot.
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2.8s |
BH Short · Court-level-front · Neutral
Ana Ivanovic's backhand from a neutral stance at the baseline, filmed from a court-level front angle. Her hips stay relatively square to the net with a noticeable knee bend on both legs, loading into the ground before driving up through the shot.
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3.5s |
BH Wide · Arm-action · Court-level-front #1
Ana Ivanovic's wide backhand from the front court position, filmed from a court_level front angle. Her hips stay relatively closed as she moves out to the wide ball, with a pronounced knee bend on the outside leg that loads before she drives laterally into the shot.
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2.9s |
BH Wide · Arm-action · Court-level-front #2
Ana Ivanovic's wide backhand from the middle of the court, filmed from a court-level front angle. Her racket face is slightly closed at a contact point around waist height, with the racket head accelerating steeply upward through the ball for heavy topspin.
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2.4s |
BH Wide · Arm-action · Court-level-front #3
Ana Ivanovic's wide backhand from the center of the baseline, filmed from a court_level front angle. Her footwork includes a quick adjustment shuffle into a semi-open stance, with a firm outside leg plant before she drives into the shot and recovers back toward the middle.
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2.7s |
BH Wide · Court-level-front · Closed #1
Ana Ivanovic's wide backhand from the front of the court, filmed from a court_level angle. Her closed stance is clear as her hips stay mostly aligned toward the sideline while her knees bend deeply to load the legs before driving up and through the shot.
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2.7s |
BH Wide · Court-level-front · Closed #2
Ana Ivanovic's backhand from a wide position on the court, filmed from a court_level front angle. She uses a distinctly closed stance with a strong crossover step into the ball, followed by quick recovery footwork that brings her back toward the baseline center.
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3.1s |
BH Wide · Court-level-front · Neutral
Ana Ivanovic's wide backhand from a neutral stance on the baseline, filmed from a court-level front angle. After contact she extends her two-handed follow-through high across her body while her weight finishes on the front foot and her hands quickly separate into a compact ready position.
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3.1s |
BH Wide · Court-level-front · Open
Ana Ivanovic's wide backhand from the Ad side in an open stance, filmed from a court-level front angle. After contact she finishes with her racquet high and across her body while her weight continues to move slightly toward the center, bringing her quickly back into a ready position.
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2.9s |
BH Center · Court-level-rear · Neutral
Ana Ivanovic's backhand from the center of the court in a neutral stance, filmed from a court-level rear angle. After contact her racquet finishes high with the non-hitting hand releasing and then returning toward the handle as she squares her hips and shoulders back into a ready position.
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2.7s |
BH Running · Court-level-rear · Open #1
Ana Ivanovic's running backhand from the Rear court position, filmed from a CourtLevel angle. Her hips stay relatively open to the baseline while her outside leg plants with a deep knee bend, driving her sideways push off the court as she strikes on the move.
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2.7s |
BH Running · Court-level-rear · Open #2
Ana Ivanovic's running two-handed backhand from a neutral baseline position, filmed from a court_level rear angle. After contact she finishes with her racquet wrapping high over her right shoulder while her weight continues moving toward the sideline before she turns her hips back into a ready position.
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2.6s |
BH Wide Down The Line · Court-level-rear
Ana Ivanovic's wide backhand from the rear court level, filmed from a court-level rear angle. Her shoulders rotate as a unit with the trunk into a strong coil, then uncoil sequentially from hips to shoulders, making the degree of upper-body rotation and timing of the release easy to compare frame by frame.
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3s |
BH Wide · Court-level-rear · Open #1
Ana Ivanovic's wide backhand from the deuce side in an open stance, filmed from a court-level rear angle. After contact she lets the racquet finish high with her torso unwinding toward the court while her feet recover back toward a neutral position, bringing her hands in front of her body to re-establish a ready stance.
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2.9s |
BH Wide · Court-level-rear · Open #2
Ana Ivanovic's wide backhand from an open stance on the baseline, filmed from a court-level rear angle. Her hips stay relatively open to the court while her knees load deeply, and she drives off the outside leg to push into the shot and recover back toward the center.
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2.6s |
BH Center · Arm-action · Front #1
Ana Ivanovic's backhand from the center of the court, filmed from the front. The video clearly shows the racket face staying relatively square to the ball at contact with both arms extended and contact made around waist height in front of her body.
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3s |
BH Center · Arm-action · Front #2
Ana Ivanovic's backhand from the center of the court, filmed from the front. At contact her racket face is nearly square to the ball with the contact point around waist height, and you can clearly see the racket head accelerating straight through the line of the shot before wrapping across her body.
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3.6s |
BH Center · Arm-action · Front #3
Ana Ivanovic's backhand from the center of the court, filmed from the front. Her shoulders rotate as a single unit with the trunk on the unit turn, then uncoil together through contact with minimal independent shoulder roll, making the sequencing of her upper-body rotation clearly visible.
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3.3s |
BH Center · Arm-action · Front #4
Ana Ivanovic's backhand from the center of the court, filmed from the front. Her hips stay relatively closed with a strong knee bend and noticeable upward leg drive as she pushes out of the loading phase into contact.
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3.1s |
BH Center · Arm-action · Front #5
Ana Ivanovic's backhand from the center of the court, filmed from the front. Her stance starts in a neutral position, with a clear split step into a loaded, slightly closed base before she drives through the ball and then brings her back foot forward as a recovery step.
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2.9s |
BH Center · Arm-action · Front #6
Ana Ivanovic's backhand from the center of the baseline, filmed from the front. Her two-handed grip is clearly visible, with the non-dominant (left) hand driving the wrist extension through contact while the right wrist stays relatively firm and stable.
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2.9s |
BH Center · Arm-action · Front #7
Ana Ivanovic's backhand from the center of the court, filmed from the front. After contact she extends her arms fully through the ball with her weight moving into the court, then quickly releases the non-dominant hand to reset into a compact ready position.
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2.9s |
BH Center Cross Court · Front #1
Ana Ivanovic's backhand from the center of the court, filmed from the front. Her hips stay relatively closed at contact while a strong knee bend and upward leg drive are visible as she pushes off the ground into the shot.
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3.8s |
BH Center Cross Court · Front #2
Ana Ivanovic's backhand from the center of the court, filmed from the front. After contact her follow-through finishes high with the racquet pointing toward the target while her weight continues forward into a balanced, square ready position.
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2.9s |
BH Center Down The Line · Front #1
Ana Ivanovic's backhand from the center of the court, hit down the line, filmed from the front. Her racket face is slightly closed at a contact point around waist height, with the racket head accelerating steeply up the back of the ball through the hitting zone.
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3.5s |
BH Center Down The Line · Front #2
Ana Ivanovic's backhand from the center of the court, hit down the line, filmed from a front angle. Her racket face is slightly closed at contact with the ball struck around waist height, and the racket head accelerates steeply upward through the hitting zone.
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3.1s |
BH Center Down The Line · Front #3
Ana Ivanovic's backhand from the center of the court hit down the line, filmed from the front. From this angle you can see her relatively relaxed two-handed grip with the left hand dominating and a pronounced wrist lag that straightens through contact.
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3.2s |
BH Half Volley Center · Front #1
Ana Ivanovic's backhand from the center of the court, filmed from a front angle. Her split step into a semi-open stance is followed by a quick adjustment step with the outside foot to load before she drives through the two-handed swing and recovers back to center.
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3.1s |
BH Half Volley Center · Front #2
Ana Ivanovic's backhand from the center of the court, filmed from a front angle. Her shoulders rotate as a unit with the trunk, with a noticeable coil on the unit turn and a synchronized uncoiling of the torso leading the racquet through contact.
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3.2s |
BH Center · Front · Neutral #1
Ana Ivanovic's two-handed backhand from the center in a neutral stance, filmed from the front. Her racket face stays relatively square to the ball at contact with a slightly closed angle, meeting the ball around waist height as the racket accelerates straight through the hitting zone.
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2.8s |
BH Center · Front · Neutral #2
Ana Ivanovic's backhand from the center of the court in a neutral stance, filmed from the front. After contact she finishes with the racquet high in front of her body and quickly resets her feet into a compact ready position for the next shot.
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2.7s |
BH Center · Front · Neutral #3
Ana Ivanovic's backhand from the center in a neutral stance, filmed from the front. Her shoulders rotate together with a pronounced trunk coil on the unit turn, then uncoil as a single block with minimal independent hip rotation before contact.
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3.1s |
BH Center · Front · Open #1
Ana Ivanovic's backhand from the center in an open stance, filmed from the front. From this angle her two-handed grip is clearly visible, with the left hand driving the stroke and a noticeable firm but relaxed wrist position that stays stable through contact before a slight pronation in the follow-through.
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2.7s |
BH Center · Front · Open #2
Ana Ivanovic's backhand from the center of the court in an open stance, filmed from the front. Her hips stay relatively open to the net while her knees are deeply flexed on the load, giving a strong upward leg drive through contact.
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3.6s |
BH Lob · Front #1
Ana Ivanovic's backhand lob from the center of the court, filmed from the front. Her two-handed grip stays compact with a soft bottom hand while the wrist lays back on the takeback and then subtly releases upward through contact to lift the ball.
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4.6s |
BH Lob · Front #2
Ana Ivanovic's backhand lob from the center of the court, filmed from the front. Her shoulders rotate as a unit with the trunk on the takeback, then uncoil upward with noticeable lift through the torso to create the high, arcing trajectory.
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4.1s |
BH Moves Back · Arm-action · Front
Ana Ivanovic's backhand from the center of the court, filmed from the front. From this angle you can see her relatively relaxed two-handed grip with the dominant hand staying loose enough to create wrist lag before she firms it up through contact.
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2.9s |
BH Moves Back · Front #1
Ana Ivanovic's backhand while moving back from a central baseline position, filmed from the front. Her shoulders rotate nearly perpendicular to the net on the unit turn, and you can see a pronounced trunk coil that uncoils in sequence with her hips as she drives through the ball.
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2.8s |
BH Moves Back · Front #2
Ana Ivanovic's backhand while moving back from a central baseline position, filmed from the front. Her hips stay relatively closed as she retreats, with a noticeable knee bend and staggered leg drive to stabilize and push up into the two-handed swing.
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2.9s |
BH Half Volley Moves Back · Front
Ana Ivanovic's backhand while moving back from a central baseline position, filmed from the front. Her follow-through finishes high with the racket over her shoulder as she transfers weight onto the back foot, then she quickly resets her hands in front of her body into a neutral ready position.
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2.6s |
BH Running · Front #1
Ana Ivanovic's running backhand from the center, filmed from the front. Her quick adjustment steps into a semi-open stance are clearly visible as she moves laterally and plants her outside foot before swinging.
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3.4s |
BH Running · Front #2
Ana Ivanovic's running two-handed backhand from a central baseline position, filmed from the front. Her contact point is slightly in front of her body with the racket face relatively square to the net and the racket head accelerating steeply upward through the ball.
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2.9s |
BH Running · Front #3
Ana Ivanovic's running backhand from the center of the court, filmed from the front. Her shoulders rotate as a unit with the trunk, with a noticeable coil on the unit turn and a rapid uncoiling of the torso that initiates the forward swing before the arms fully extend through contact.
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3.3s |
BH Running · Front · Open #1
Ana Ivanovic's running two-handed backhand from an open stance on the baseline, filmed from the front. Her relatively relaxed grip is paired with a pronounced wrist lag on the racquet head before contact, followed by a compact wrist release through the ball.
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2.5s |
BH Running · Front · Open #2
Ana Ivanovic's running open-stance backhand from the center of the court, filmed from the front. Her racket face is slightly closed at contact with the ball struck just below shoulder height, and the racket head accelerates steeply upward along the swing path.
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3.3s |
BH Short · Arm-action · Front #1
Ana Ivanovic's backhand from the middle of the court, filmed from the front. After contact her follow-through finishes high in front of her body with the non-hitting hand releasing early, and she quickly brings both hands back toward the center line to reset into a ready position.
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3.4s |
BH Short · Arm-action · Front #2
Ana Ivanovic's backhand from the center of the baseline, filmed from a front angle. After contact she finishes with the racquet high in front of her body and quickly brings both hands back down into a compact ready position, with her weight already shifting back to neutral for the next shot.
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3.3s |
BH Short · Front · Closed
Ana Ivanovic's backhand from the center of the court, filmed from the front. Her closed stance is clear as her front foot steps across her body before contact, with a small adjustment step taken after the stroke to recover her balance.
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3.3s |
BH Short · Front · Neutral #1
Ana Ivanovic's backhand from a neutral stance on the baseline, filmed from the front. After contact she extends her two-handed follow-through high across her body while her weight transfers forward and she quickly resets her feet into a ready position for the next shot.
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3.1s |
BH Short · Front · Neutral #2
Ana Ivanovic's backhand from a neutral stance, filmed from the front. Her two-handed grip is compact with the non-dominant wrist set in a firm, slightly extended position that stays stable through contact with minimal wrist roll.
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2.6s |
BH Short · Front · Open
Ana Ivanovic's backhand from the center in an open stance, filmed from the front. Her shoulders and trunk rotate as a single unit on the unit turn, then uncoil with the chest finishing square or slightly past the baseline, showing clear sequencing from hip rotation into upper-body release.
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2.9s |
BH Wide · Arm-action · Front
Ana Ivanovic's wide backhand from the center, filmed from the front. Her two-handed grip stays compact on the handle while the front wrist remains firm with a subtle laid-back angle that straightens through contact.
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3.2s |
BH Wide · Front · Closed #1
Ana Ivanovic's backhand from the center in a closed stance, filmed from the front. Her footwork includes a strong lateral push off the outside leg to reach the wide ball before planting into a clearly closed stance with her shoulders fully turned.
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3.2s |
BH Wide · Front · Closed #2
Ana Ivanovic's wide backhand from a closed stance on the baseline, filmed from the front. From this angle, her two-handed grip shows the dominant right wrist laid back with clear lag before contact, then a sharp pronation of the right forearm and wrist as the racket accelerates through the ball.
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3.5s |
BH Wide · Front · Closed #3
Ana Ivanovic's wide backhand from a closed stance on the baseline, filmed from the front. At contact her racket face is almost perfectly square to the incoming ball with the contact point around waist height, and the racket head accelerates steeply upward along the swing path for heavy topspin.
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2.8s |
BH Wide Cross Court · Front #1
Ana Ivanovic's wide backhand from the front of the court, filmed from a front angle. Her split step leads into a quick lateral push-off and she sets up in a mostly neutral stance, using a small adjustment hop to align her feet to the wide ball before recovering.
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3.2s |
BH Wide Cross Court · Front #2
Ana Ivanovic's wide backhand from the front court position, filmed from a front angle. Her follow-through finishes high with the racket over her shoulder while her weight continues moving back toward the center, and her non-hitting hand starts to extend forward into a ready position for the next shot.
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2.9s |
BH Wide Cross Court · Front #3
Ana Ivanovic's wide backhand from the front court position, filmed from a front angle. Her hips stay relatively closed as she loads, with a pronounced knee bend and strong push off the outside leg to reach and stabilize for the wide ball.
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2.7s |
BH Wide Down The Line · Front #1
Ana Ivanovic's wide backhand from the center, filmed from the front. Her shoulders and trunk coil strongly against the hips on the unit turn, then uncoil in sequence with a pronounced chest rotation toward the net through contact.
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2.7s |
BH Wide Down The Line · Front #2
Ana Ivanovic's wide backhand from the front court position, filmed from a front angle. Her racket face is slightly closed at a contact point around waist height, with the racket head accelerating steeply upward through the ball.
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3.2s |
BH Wide Down The Line · Front #3
Ana Ivanovic's wide backhand from the front court position, filmed from a front angle. Her two-handed grip is clearly visible with a firm, stable top hand while the wrist stays laid back through the swing before a late, compact release at contact.
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3.3s |
BH Wide · Front
Ana Ivanovic's wide backhand from the front, filmed from a front angle. Her shoulders and trunk rotate together into a strong coil on the unit turn, then uncoil in sequence with the hips to bring the chest square to the net at contact.
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3.1s |
BH Wide · Front · Open #1
Ana Ivanovic's wide backhand from an open stance, filmed from the front. At contact her racket face is slightly closed with the ball struck around waist height, and you can see the racket head accelerating steeply upward along a low-to-high path.
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2.9s |
BH Wide · Front · Open #2
Ana Ivanovic's wide two-handed backhand from an open stance, filmed from the front. Her racket contacts the ball slightly in front of her body with a closed racket face and a steep low-to-high swing path, creating noticeable racket head acceleration through contact.
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3.2s |
BH Wide · Front · Open #3
Ana Ivanovic's wide backhand from the front in an open stance, filmed from a front angle. Her follow-through finishes high with the racket over her right shoulder as she pushes off her outside leg and quickly resets her hands in front for the next shot.
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3s |
BH Wide · Front · Open #4
Ana Ivanovic's backhand from a wide ball on the ad side, filmed from the front. She uses an open stance with a pronounced lateral push off her outside leg and a quick recovery step that brings her back toward the center after contact.
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2.6s |
BH Center · Arm-action · Rear #1
Ana Ivanovic's backhand from the center of the court, filmed from a rear angle. Her hips stay relatively closed through the load with a pronounced knee bend, then her legs drive upward and slightly forward as the hips unwind into contact.
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2.8s |
BH Center · Arm-action · Rear #2
Ana Ivanovic's backhand from the center of the baseline, filmed from a rear angle. Her hips stay relatively closed during the unit turn with a pronounced knee bend, then the legs drive up and forward together as she uncoils into the shot.
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2.7s |
BH Center · Arm-action · Rear #3
Ana Ivanovic's backhand from the center of the baseline, filmed from a rear angle. Her footwork includes a small adjustment hop into a neutral stance, followed by a firm plant of the outside foot before she drives through the stroke and recovers back toward the center.
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2.8s |
BH Center Cross Court · Rear
Ana Ivanovic's backhand from the center of the court, filmed from a rear angle. Her shoulders rotate nearly perpendicular to the baseline on the unit turn, with a pronounced trunk coil that unwinds in sync with her hip rotation as she drives through the cross-court shot.
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3.3s |
BH Center Down The Line · Rear
Ana Ivanovic's backhand from the center of the court, filmed from a rear angle. Her footwork includes a quick split-step into a couple of adjustment steps before setting a solid neutral stance, then a decisive recovery step back toward the middle after contact.
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3.3s |
BH Center · Rear · Neutral #1
Ana Ivanovic's backhand from the center of the court in a neutral stance, filmed from a rear angle. At contact her racket face is nearly square to the baseline with the ball meeting the strings around waist to hip height, and the racket head accelerates forward on a slightly upward path through the hitting zone.
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2.6s |
BH Center · Rear · Neutral #2
Ana Ivanovic's backhand from the center of the court, filmed from a rear angle. Her neutral stance is clear as she plants both feet on the baseline with a small adjustment step before rotating her hips into the shot and then taking a couple of recovery steps back to center.
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3.3s |
BH Center · Rear · Open #1
Ana Ivanovic's backhand from the center of the court in an open stance, filmed from a rear angle. Her two-handed grip is clearly visible with the dominant right wrist laid back and stable through contact, while the non-dominant left hand drives the racquet head without excessive wrist snap.
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2.4s |
BH Center · Rear · Open #2
Ana Ivanovic's backhand from the center of the court in an open stance, filmed from a rear angle. Her split-step leads into a quick pivot with the outside foot, and she stays in an open base while using small adjustment steps to recover back toward the middle after contact.
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2.9s |
BH Center · Rear · Open #3
Ana Ivanovic's backhand from the center of the court in an open stance, filmed from a rear angle. Her shoulders rotate as a single unit with the trunk on the unit turn, then uncoil together through contact with minimal independent shoulder roll.
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2.7s |
BH Lob · Rear #1
Ana Ivanovic's backhand lob from the center of the baseline, filmed from a rear angle. After contact she extends her non-hitting hand back for balance while her weight shifts upward and slightly backward, then she quickly regains a neutral ready position on the baseline.
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3.2s |
BH Lob · Rear #2
Ana Ivanovic's backhand lob from the center of the baseline, filmed from a rear angle. Her racket face is noticeably open at contact with the ball meeting the strings around head height, creating a steep, lifting swing path for maximum height over the opponent.
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4s |
BH Lob · Rear #3
Ana Ivanovic's backhand lob from the center of the court, filmed from a rear angle. After contact her follow-through finishes high with both hands on the racquet while she quickly recovers back toward a neutral ready position on the baseline.
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3.8s |
BH Lob · Rear #4
Ana Ivanovic's backhand lob from the center of the court, filmed from a rear angle. Her shoulders and trunk rotate together as a single unit on the takeback, then uncoil upward with a pronounced lift through the torso to send the ball high and deep.
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3.3s |
BH Lob · Rear #5
Ana Ivanovic's backhand lob from the center of the baseline, filmed from a rear angle. She sets up in a neutral stance with small adjustment steps before contact, then uses a controlled crossover recovery step back toward the middle after sending the lob.
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3.2s |
BH Lob · Rear #6
Ana Ivanovic's BH lob from the center baseline, filmed from a rear angle. Her two-handed grip stays compact with the dominant right wrist laid back through the swing, then subtly unhinges upward at contact to lift the ball high and deep.
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3.2s |
BH Moves Back · Arm-action · Rear #1
Ana Ivanovic's backhand from a central baseline position, filmed from a rear angle. As she moves back, her footwork shows a quick adjustment step into a neutral stance before contact, with a clear split-step and small recovery steps to re-center after the swing.
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3.3s |
BH Moves Back · Arm-action · Rear #2
Ana Ivanovic's backhand while moving back from the baseline, filmed from a rear angle. Her two-handed grip stays compact with a noticeable laid-back wrist position on the dominant hand that firms up into a stronger, more stable angle just before contact.
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2.9s |
BH Moves Back · Arm-action · Rear #3
Ana Ivanovic's backhand while moving back from a neutral baseline position, filmed from a rear angle. The racket face is slightly closed at a contact point around waist height, with the racket head accelerating steeply up and across the body just after impact.
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2.4s |
BH Moves Back · Arm-action · Rear #4
Ana Ivanovic's backhand while moving back from a neutral baseline position, filmed from a rear angle. Her shoulders and trunk coil strongly against the direction of movement, then uncoil in sequence so that the hips and torso rotate through before the shoulders square up to contact.
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3.2s |
BH Moves Back · Arm-action · Rear #5
Ana Ivanovic's backhand while moving back from a neutral baseline position, filmed from a rear angle. Her hips stay relatively closed to the net as she retreats, with a noticeable knee bend and staggered stance that load her legs before she transfers weight into the shot.
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3.3s |
BH Moves Back · Rear #1
Ana Ivanovic's backhand from the center baseline, filmed from a rear angle. Her two-handed grip stays compact with the non-dominant hand driving the racket, while the dominant wrist maintains a firm but slightly laid-back position through contact before relaxing in the follow-through.
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2.7s |
BH Moves Back · Rear #2
Ana Ivanovic's backhand while moving back from the baseline, filmed from a rear angle. The racket face is slightly closed at contact with the ball struck around waist height, and the rear view makes the upward acceleration of the racket head along the swing path clearly visible.
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3s |
BH Moves Back · Rear #3
Ana Ivanovic's backhand while moving back from a neutral baseline position, filmed from a rear angle. After contact her two-handed follow-through finishes high with her weight still drifting backward, and she quickly resets her feet into a wider base to recover toward a ready position.
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2.9s |
BH Moves Back · Rear #4
Ana Ivanovic's backhand while moving back from the baseline, filmed from the rear. Her hips stay relatively closed as she retreats, with a pronounced knee bend and strong push off the outside leg to stabilize before and through contact.
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4s |
BH Moves Back · Rear #5
Ana Ivanovic's backhand while moving back from a neutral baseline position, filmed from a rear angle. Her hips stay relatively closed as she retreats, with a noticeable dip in the knees to load the legs before driving up into the shot.
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3.5s |
BH Running · Rear · Open
Ana Ivanovic's running backhand from an open stance, filmed from the rear. Her shoulders rotate significantly past her hips on the unit turn, then the trunk uncoils ahead of the arms so the racquet lags and whips through contact.
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2.8s |
BH Running · Rear #1
Ana Ivanovic's running backhand from the center of the baseline, filmed from a rear angle. Her footwork includes a quick adjustment shuffle into a semi-open stance, with noticeable crossover recovery steps after contact to get back toward the middle.
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3.3s |
BH Running · Rear #2
Ana Ivanovic's running backhand from the center of the court, filmed from a rear angle. Her two-handed grip is clearly visible with a firm, laid-in bottom hand and a slightly laid-back wrist on the top hand that straightens through contact.
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2.7s |
BH Running · Rear #3
Ana Ivanovic's running backhand from the center of the baseline, filmed from a rear angle. Her hips stay relatively closed as she runs, with a deep outside leg bend and strong push-off that drive her sideways into the shot.
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2.8s |
BH Short · Arm-action · Rear
Ana Ivanovic's backhand from the center of the baseline, filmed from the rear. After contact she extends her arms fully through the ball and then quickly brings the racquet back toward her body as she uncoils her hips and shoulders into a balanced recovery position.
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2.8s |
BH Short · Rear · Closed
Ana Ivanovic's backhand from the center of the baseline, filmed from a rear angle. She plants in a distinctly closed stance with her back foot loading first, then drives her weight forward as she steps through the shot and begins her recovery.
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2.4s |
BH Short · Rear · Neutral #1
Ana Ivanovic's backhand from a central neutral stance, filmed from the rear. Her hips stay relatively closed to the net as she loads, with a pronounced knee bend and strong push off the legs driving her into and slightly through the court.
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3.2s |
BH Short · Rear · Neutral #2
Ana Ivanovic's backhand from a neutral stance in the middle of the court, filmed from a rear angle. After contact she extends her racquet straight through the ball with her weight transferring into the court, then quickly releases her non-hitting hand and resets both hands on the handle as she returns to a ready position.
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3.5s |
BH Short · Rear · Neutral #3
Ana Ivanovic's backhand from a central neutral-stance position, filmed from a rear angle. After contact she extends her two-handed follow-through high across her body and quickly brings both hands back to a ready position as her weight finishes moving into the court.
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4.5s |
BH Wide · Arm-action · Rear #1
Ana Ivanovic's wide backhand from the center of the baseline, filmed from a rear angle. From this view her two-handed grip is clearly visible, with the top hand driving the stroke as her wrists stay laid back through the loop and then uncoil together just before contact.
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2.7s |
BH Wide · Arm-action · Rear #2
Ana Ivanovic's wide backhand from the center baseline, filmed from a rear angle. Her racket face stays slightly closed at contact with the ball struck around waist height, and the racket head accelerates steeply upward along the outside of the ball.
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2.7s |
BH Wide · Arm-action · Rear #3
Ana Ivanovic's wide backhand from the rear. Her shoulders and trunk rotate as a single unit on the takeback, then uncoil aggressively into contact with a pronounced left-shoulder drive through the shot.
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3.3s |
BH Wide · Arm-action · Rear #4
Ana Ivanovic's wide backhand from the rear court position, filmed from a rear angle. Her shoulders rotate significantly past perpendicular to the baseline on the unit turn, then her trunk uncoils aggressively into contact with a noticeable delay between hip and shoulder rotation.
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3s |
BH Wide · Rear · Closed #1
Ana Ivanovic's wide backhand from a closed stance on the baseline, filmed from the rear. From this angle her two-handed grip is clearly visible, with the dominant right hand set in a strong semi-western position and the wrists staying laid back until a late, sharp release through contact.
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3.1s |
BH Wide · Rear · Closed #2
Ana Ivanovic's wide backhand from a closed stance on the baseline, filmed from a rear angle. After contact she finishes with her shoulders fully rotated, her weight transferring toward the sideline as she quickly brings both hands back toward a neutral ready position.
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2.9s |
BH Wide Cross Court · Rear
Ana Ivanovic's wide backhand from the center baseline, filmed from a rear angle. Her shoulders and trunk coil strongly against the hips on the unit turn, then uncoil in a clearly sequenced rotation that drives her torso through contact toward the crosscourt target.
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3.1s |
BH Wide Down The Line · Rear
Ana Ivanovic's backhand from a wide position, filmed from a rear angle. Her two-handed backhand uses a firm continental-type bottom hand with a strong wrist lag that stays laid back until just before contact, where a subtle wrist release directs the ball down the line.
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2.6s |
BH Half Volley Wide · Arm-action · Rear
Ana Ivanovic's wide backhand from the center of the baseline, filmed from a rear angle. After contact her follow-through finishes high with the racquet over her right shoulder while her shoulders and hips continue to rotate, and she quickly brings both hands back toward the center to recover into a ready position.
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2.4s |
BH Wide · Rear · Neutral #1
Ana Ivanovic's wide backhand from a neutral stance on the baseline, filmed from a rear angle. Her racket face stays relatively square to the ball at contact with the strike made around waist height, and the racket head accelerates steeply upward along the target line after impact.
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2.7s |
BH Wide · Rear · Neutral #2
Ana Ivanovic's wide backhand from a neutral stance on the baseline, filmed from a rear angle. Her shoulders rotate as a single unit with the trunk on the unit turn, then uncoil aggressively from the hips upward, making the degree of upper-body rotation and sequencing through contact easy to discern from behind.
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3.3s |
BH Wide · Rear · Open #1
Ana Ivanovic's wide backhand from the rear in an open stance, filmed from a rear angle. Her racket face is slightly closed at contact with the ball struck around waist height, and the racket head accelerates steeply upward along the baseline direction through the hitting zone.
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2.6s |
BH Wide · Rear · Open #2
Ana Ivanovic's wide backhand from an open stance, filmed from a rear angle. Her two-handed grip stays firm with a noticeable laid-back wrist position on the dominant hand that straightens through contact for added racket head acceleration.
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4.4s |
BH Wide · Rear · Open #3
Ana Ivanovic's wide backhand from the Deuce side in an open stance, filmed from a rear angle. Her racket face is slightly closed at contact with the ball struck around waist height, and the racket head accelerates steeply upward along the baseline to create strong topspin.
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3.3s |
BH Half Volley Center · Side #1
Ana Ivanovic's backhand from the center of the court, filmed from a side angle. Her follow-through finishes high with the racket over her shoulder as her weight transfers forward and she quickly brings both hands back toward a ready position.
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2.7s |
BH Half Volley Center · Side #2
Ana Ivanovic's backhand from the center of the court, filmed from a side angle. Her hips stay relatively closed at the start of the swing, with a noticeable knee bend and strong leg drive upward as she extends through contact.
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2.6s |
BH Center · Side · Neutral #1
Ana Ivanovic's backhand from the center of the court in a neutral stance, filmed from the side. The racket face is nearly square to the ball at contact with the strike point slightly in front of her lead hip and around waist height, and the racket head accelerates forward and upward on a steep swing path.
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3s |
BH Center · Side · Neutral #2
Ana Ivanovic's backhand from the center of the court in a neutral stance, filmed from the side. Her follow-through carries her racquet up and across her body as her weight transfers onto her front foot, leaving her non-hitting hand ready to help her return to a balanced ready position.
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3.5s |
BH Center · Side · Neutral #3
Ana Ivanovic's backhand from the center in a neutral stance, filmed from the side. Her shoulders rotate well past perpendicular to the net on the unit turn, then her trunk uncoils ahead of the arms so the upper body leads the racquet through contact.
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3.1s |
BH Center · Side · Neutral #4
Ana Ivanovic's backhand from the center in a neutral stance, filmed from the side. Her shoulders rotate as a unit with the trunk, showing a pronounced coil on the backswing and a clear uncoiling sequence where the hips begin to open slightly before the upper torso and shoulders complete the rotation through contact.
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3.2s |
BH Center · Side · Neutral #5
Ana Ivanovic's backhand from the center of the court in a neutral stance, filmed from the side. After contact she extends her racquet forward with both hands while her weight transfers onto her front foot, then she releases the back hand and quickly resets the racquet in front of her body to recover to a ready position.
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2.9s |
BH Center · Side · Open #1
Ana Ivanovic's backhand from the center of the court in an open stance, filmed from the side. Her shoulders close significantly relative to her hips on the unit turn, then her trunk uncoils ahead of the arms, creating a clear separation between torso rotation and racket release.
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2.7s |
BH Center · Side · Open #2
Ana Ivanovic's backhand from the center of the court in an open stance, filmed from the side. Her two-handed grip is clearly visible with the dominant hand driving while the non-dominant hand maintains firm control, and there is a noticeable laid-back wrist position that straightens through contact.
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2.6s |
BH Center · Side · Open #3
Ana Ivanovic's backhand from the center of the court in an open stance, filmed from the side. Her hips stay relatively closed at the start with a deep knee bend, then uncoil with strong leg drive upward and into the court as she swings.
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2.9s |
BH Lob · Side #1
Ana Ivanovic's backhand lob from the baseline, filmed from the side. Her hips stay relatively closed with a deep knee bend on the outside leg, then extend upward through contact to lift the ball with strong leg drive.
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3.6s |
BH Lob · Side #2
Ana Ivanovic's backhand lob from a neutral position, filmed from the side. The video clearly shows her racket face opening under the ball at contact with the ball struck above shoulder height, producing a steep, lifting swing path.
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3.3s |
BH Lob · Side #3
Ana Ivanovic's backhand lob from the baseline, filmed from the side. Her knees dip noticeably before contact and her hips stay relatively closed, with an upward leg drive that helps lift the ball over her opponent.
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3.2s |
BH Lob · Side #4
Ana Ivanovic's backhand lob from a neutral position, filmed from the side. Her knees stay flexed with a noticeable upward leg drive that extends through contact, while her hips remain relatively closed to control the loft of the shot.
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3.3s |
BH Lob · Side #5
Ana Ivanovic's backhand lob from the baseline, filmed from the side. Her footwork includes a quick adjustment step into a semi-open stance before lifting the ball, with a clear weight transfer from back to front leg visible in profile.
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3s |
BH Half Volley Moves Back · Side
Ana Ivanovic's backhand while moving back from a neutral baseline position, filmed from the side. The side view makes it easy to see her contact point slightly in front of her body with a closed racket face and an upward swing path driving through the ball.
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2.3s |
BH Moves Back · Side #1
Ana Ivanovic's backhand while moving back from a neutral baseline position, filmed from the side. Her shoulders and trunk load with a pronounced coil on the unit turn, then uncoil in sync with her hip rotation, making the sequential trunk rotation especially clear from this angle.
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3.2s |
BH Moves Back · Side #10
Ana Ivanovic's backhand while moving back from a neutral baseline position, filmed from the side. Her two-handed grip is clearly visible, with the non-dominant hand driving the racket and a stable wrist structure that keeps wrist flexion and extension minimal through contact.
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3s |
BH Moves Back · Side #11
Ana Ivanovic's backhand while moving back from a neutral baseline position, filmed from the side. Her two-handed grip clearly shows the dominant right hand in a semi-western position with a stable, firm wrist that stays laid back through the swing before releasing slightly through contact.
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2.6s |
BH Moves Back · Side #12
Ana Ivanovic's backhand while moving back from a neutral baseline position, filmed from the side. After contact she lets the racquet wrap high over her right shoulder as her weight continues drifting backward, then quickly repositions her feet to square up into a ready stance for the next ball.
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4.4s |
BH Moves Back · Side #2
Ana Ivanovic's backhand while moving back from a neutral baseline position, filmed from the side. Her footwork features quick adjustment steps as she retreats and sets into a mostly neutral stance, with a noticeable weight transfer from her back foot into the shot before recovering.
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2.9s |
BH Moves Back · Side #3
Ana Ivanovic's backhand while moving back from a neutral position, filmed from the side. Her hips stay relatively closed as she retreats, with a pronounced knee bend on the outside leg to absorb pace before driving slightly upward into the shot.
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4.3s |
BH Moves Back · Side #4
Ana Ivanovic's backhand while moving back from a neutral baseline position, filmed from the side. Her racket contacts the ball slightly in front of her body with a closed racket face and an upward swing path that accelerates the racket head through contact.
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2.8s |
BH Moves Back · Side #5
Ana Ivanovic's backhand while moving back from a neutral court position, filmed from the side. Her footwork features small adjustment hops as she retreats and sets into a mostly neutral stance before driving through the shot.
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4.1s |
BH Moves Back · Side #6
Ana Ivanovic's backhand while moving back from a neutral baseline position, filmed from the side. At contact her racket face is almost perfectly vertical with the ball struck around waist height, and the racket head accelerates sharply forward on a slightly upward swing path.
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2.6s |
BH Moves Back · Side #7
Ana Ivanovic's backhand while moving back from a neutral baseline position, filmed from the side. Her footwork features quick adjustment steps as she retreats and sets into a mostly neutral stance, with a clear weight transfer from the back foot into the shot.
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3.3s |
BH Moves Back · Side #8
Ana Ivanovic's backhand while moving back from a neutral baseline position, filmed from the side. Her shoulders turn well past perpendicular to the net, with a pronounced trunk coil that uncoils in sync with her hip rotation as she swings through the ball.
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4.6s |
BH Moves Back · Side #9
Ana Ivanovic's backhand while moving back from a neutral baseline position, filmed from the side. Her footwork features a quick adjustment hop into a semi-open stance, followed by a controlled shuffle back to regain spacing before planting for the stroke.
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4.1s |
BH Running · Side #1
Ana Ivanovic's running backhand from the deuce side, filmed from the side. After contact she lets the racquet wrap high over her right shoulder while her weight carries forward into the court, quickly resetting her feet into a neutral ready position.
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2.7s |
BH Running · Side #2
Ana Ivanovic's running backhand from the deuce side, filmed from the side. Her hips stay relatively closed as she moves laterally, with a deep knee bend on the outside leg providing the main push-off into and through the shot.
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4.7s |
BH Short · Arm-action · Side
Ana Ivanovic's backhand from the baseline, filmed from the side. Her feet set in a mostly neutral stance with a small adjustment step before contact, and you can see her back leg driving slightly forward as she transfers weight into the shot.
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3.4s |
BH Short · Side · Closed #1
Ana Ivanovic's backhand from the ad side, filmed from a side angle. Her closed stance is clear as her front foot steps across her body, with a compact adjustment step before planting and then a small recovery step toward the center after contact.
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2.8s |
BH Short · Side · Closed #2
Ana Ivanovic's backhand from a closed stance on a short ball, filmed from the side. Her shoulders rotate well past perpendicular to the net on the takeback, with a pronounced trunk coil that uncoils sequentially from hips to shoulders into contact.
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2.9s |
BH Short · Side · Closed #3
Ana Ivanovic's backhand from a closed stance on the baseline, filmed from the side. Her hips stay relatively closed with a strong knee bend on the outside leg, then drive upward and forward as both legs extend through contact.
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3.1s |
BH Short · Side · Closed #4
Ana Ivanovic's backhand from a closed stance near the middle of the court, filmed from the side. The racket face is slightly closed at a contact point around waist height, with the racket head accelerating steeply upward through the ball.
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3.7s |
BH Short · Side · Closed #5
Ana Ivanovic's backhand from a closed stance, filmed from the side. Her two-handed grip is firm with the dominant hand driving while the off-hand guides, and there is a clear wrist lag that releases into a compact, controlled wrist snap through contact on the short ball.
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3.3s |
BH Short · Side · Closed #6
Ana Ivanovic's backhand from the short-court position, filmed from the side. Her closed stance is easy to see as she steps across her body with the front foot, using a compact adjustment hop before planting and then taking a small recovery step back toward the baseline.
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3.3s |
BH Short · Side · Neutral #1
Ana Ivanovic's backhand from a neutral stance, filmed from the side. Her shoulders rotate as a single unit with the trunk on the unit turn, then uncoil sequentially from the hips through the torso, with the hitting-side shoulder finishing well through the ball.
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3.3s |
BH Short · Side · Neutral #2
Ana Ivanovic's backhand from a neutral stance on the baseline, filmed from the side. From this angle her two-handed grip shows the left hand in a strong semi-western position while the right hand stays relatively relaxed, creating clear wrist lag that unloads into a firm, stable wrist at contact.
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3.2s |
BH Short · Side · Neutral #3
Ana Ivanovic's backhand from a neutral stance on the baseline, filmed from the side. At contact her racket face is almost perfectly vertical with the ball met around waist height, and the racket head accelerates forward on a slightly upward path through the hitting zone.
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3.1s |
BH Short · Side · Neutral #4
Ana Ivanovic's backhand from a neutral stance on the baseline, filmed from the side. The racket face stays relatively square to the ball at contact with the strike point around waist height, and the racket head accelerates steeply upward through the ball on a compact swing path.
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5.1s |
BH Wide · Side · Closed #1
Ana Ivanovic's wide backhand from a closed stance on the baseline, filmed from the side. From this angle, her two-handed grip shows the left hand dominating with a firm hold while the right wrist stays relaxed in slight extension, creating visible lag before a strong, upward wrist release through contact.
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3.4s |
BH Wide · Side · Closed #2
Ana Ivanovic's wide backhand from the side, filmed from a side angle in a closed stance. After contact she lets the racquet wrap high over her front shoulder while her weight continues moving into the court, finishing in a compact ready position with her non-hitting hand helping to stabilize the upper body.
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2.8s |
BH Wide · Side · Closed #3
Ana Ivanovic's wide backhand from a closed stance on the baseline, filmed from the side. Her hips stay closed to the net as she drives off the outside leg, with a deep knee bend that loads into an aggressive lateral push toward the ball.
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3.2s |
BH Half Volley Wide · Side
Ana Ivanovic's wide backhand from the side, filmed from a side angle. Her shoulders rotate as a single unit with the trunk on the take-back, then uncoil ahead of the hips so the upper body drives through contact with a pronounced shoulder-over-shoulder action.
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2.7s |
BH Wide · Side · Neutral #1
Ana Ivanovic's wide backhand from a neutral stance on the side of the court, filmed from the side. Her hips stay relatively closed at load with a deep knee bend, then her legs drive up and out toward the ball as the hips gradually unwind through contact.
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3.1s |
BH Wide · Side · Neutral #2
Ana Ivanovic's wide backhand from the baseline, filmed from the side. She plants in a neutral stance with her outside foot bracing against the court before driving into the shot and taking a small recovery step back toward center.
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2.9s |
BH Wide · Side · Neutral #3
Ana Ivanovic's wide backhand from a neutral stance, filmed from the side. Her two-handed grip is firm with the dominant right wrist laid back and stable through contact, creating a clear wrist lag that is released only slightly after impact.
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3s |
BH Wide · Side · Open #1
Ana Ivanovic's wide backhand from the side, hit in an open stance. Her hips stay relatively open to the net as she loads on a deep outside knee bend, with the back leg driving laterally into the court to push her out toward the wide ball.
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2.6s |
BH Wide · Side · Open #2
Ana Ivanovic's wide backhand from the side, filmed from a side angle. She plants in an open stance with her outside foot bracing wide, using quick lateral adjustment steps before contact and a pronounced recovery step back toward the center.
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3.1s |
BH Wide · Side · Open #3
Ana Ivanovic's wide backhand from the deuce side in an open stance, filmed from the side. Her shoulders rotate significantly past perpendicular to the net on the unit turn, then uncoil in sync with her trunk as her hips open late to drive through contact.
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2.7s |
BH Drop Shot · Court-level-front
Ana Ivanovic's backhand drop shot from a central baseline position, filmed from a court-level front angle. She sets up in a compact neutral stance with a small adjustment step forward before the drop shot and then takes a couple of light recovery steps toward the center to be ready for the next ball.
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2.6s |
FH Drop Shot · Front
Ana Ivanovic's forehand drop shot from the center, filmed from the front. After contact her racquet finishes softly in front of her body as she steps forward and quickly brings both hands back toward a compact ready position near the baseline.
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4.6s |
BH Drop Shot · Rear
Ana Ivanovic's backhand drop shot from the center of the baseline, filmed from a rear angle. At contact her racket face is slightly open with the ball struck around waist height, and the racket head slows noticeably as it moves under the ball on a compact, soft swing path.
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2.6s |
FH Drop Shot · Side
Ana Ivanovic's forehand drop shot from the center of the court, filmed from the side. Her semi-western forehand grip is evident with a relaxed hand and pronounced wrist layback that softens just before contact to take pace off the ball.
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5.2s |
First Serve · Ad · Body-rotation · Court-level-front #1
Ana Ivanovic's first serve from the Ad court, filmed from a court-level front angle. At contact her racket face is slightly tilted forward with the ball struck just above full extension, and you can clearly see the upward swing path and rapid racket head acceleration through the hitting zone.
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4.9s |
First Serve · Ad · Court-level-front #1
Ana Ivanovic's first serve from the Ad court, filmed from a court-level front angle. After contact she drives her weight forward into the court, with her non-hitting arm dropping naturally as she lands and quickly brings both hands back to the racket to recover into a ready position.
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3.2s |
First Serve · Ad · Court-level-front #1
Ana Ivanovic's first serve from the Ad court, filmed from a court-level front angle. Her feet start in a platform stance and you can clearly see her back-leg drive forward into the court as she lands, enabling a quick recovery step toward the baseline.
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3.3s |
First Serve · Ad · Court-level-front #2
Ana Ivanovic's first serve from the Ad court, filmed from a court-level front angle. Her deep knee bend and explosive leg drive into the court are easy to see, along with her hips uncoiling upward as she pushes off the ground.
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3.3s |
First Serve · Deuce · Body-rotation · Court-level-front #1
Ana Ivanovic's first serve from the deuce side, filmed from a court-level front angle. Her shoulders and trunk rotate as a single unit into a deep coil during the toss, then uncoil aggressively with the chest driving toward the target before the arm whips up to contact.
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3.3s |
First Serve · Deuce · Court-level-front #1
Ana Ivanovic's first serve from the deuce side, filmed from a court-level front angle. At contact her racket face is slightly tilted forward with the ball struck just above full extension, and the racket head accelerates steeply upward along the right side of her body after impact.
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3.5s |
First Serve · Deuce · Court-level-front #2
Ana Ivanovic's first serve from the deuce side, filmed from a court-level front angle. Her hips load with a deep knee bend before driving upward, and you can see her back leg extending aggressively into the court as her hips uncoil toward the target.
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3s |
First Serve · Ad · Court-level-rear #1
Ana Ivanovic's first serve from the Ad court, filmed from a court-level rear angle. After contact she lands on her front (left) leg and lets her hitting arm finish down on her left side while her non-hitting arm drops quickly, helping her rotate back into a neutral ready position on the baseline.
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3.2s |
First Serve · Ad · Arm-action · Front #1
Ana Ivanovic's first serve from the Ad court, filmed from the front. The front view makes it easy to see her tossing arm extend fully upward before dropping as the racket accelerates into a slightly pronated contact point in front of her body.
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3.3s |
First Serve · Ad · Body-rotation · Front #1
Ana Ivanovic's first serve from the Ad court, filmed from the front. Her footwork is compact with a small adjustment step into a platform stance, and you can clearly see her weight transfer from the back foot to the front foot as she drives up into the ball.
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3.3s |
First Serve Down The Middle · Ad · Front #1
Ana Ivanovic's first serve from the Ad side down the middle, filmed from the front. After contact she lands inside the court with her weight moving forward, and her non-hitting arm drops back as she quickly regroups into a compact ready position.
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2.9s |
First Serve Down The Middle · Ad · Front #2
Ana Ivanovic's first serve from the Ad court down the middle, filmed from the front. Her shoulders rotate as a unit with a pronounced trunk coil during the trophy phase, then uncoil aggressively into contact with the chest finishing square to the net.
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2.9s |
First Serve · Ad · Front #1
Ana Ivanovic's first serve from the Ad court, filmed from the front. Her deep knee bend and strong upward leg drive into the court are clearly visible, with the hips uncoiling aggressively toward the target as she extends.
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4.6s |
First Serve · Ad · Front #2
Ana Ivanovic's first serve from the Ad court, filmed from the front. Her shoulder line rotates distinctly away from the target before contact, with a pronounced trunk coil that uncoils upward and forward in sync with her tossing arm dropping.
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3.4s |
First Serve · Ad · Leg-action · Front #1
Ana Ivanovic's first serve from the Ad court, filmed from the front. After contact her weight drives into the court and she lands on her front leg with her non-hitting arm dropping naturally as she quickly regathers into a neutral ready position.
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3.8s |
First Serve · Ad · Toss · Front #1
Ana Ivanovic's first serve from the Ad court, filmed from the front. At contact her racket face is slightly tilted forward with the ball struck just above full extension, emphasizing a fast upward swing path and accelerating racket head through the hitting zone.
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3.2s |
First Serve · Ad · Toss · Front #2
Ana Ivanovic's first serve from the Ad court, filmed from the front. Her forward weight transfer into the court is clearly visible, with a pronounced knee bend and an aligned, slightly closed stance before she drives up to the ball.
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3.1s |
First Serve Wide · Ad · Front #1
Ana Ivanovic's first serve from the Ad court, hit wide, filmed from a front angle. Her feet show a pronounced platform stance with a strong knee bend, and you can clearly see her driving off the back leg into the court to land on her front foot inside the baseline.
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3.7s |
First Serve Wide · Ad · Front #2
Ana Ivanovic's first serve from the Ad side out wide, filmed from the front. Her hips stay relatively closed through the knee bend before driving upward, with a strong push off the back leg that brings the front hip into the court toward the target.
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3.6s |
First Serve · Deuce · Arm-action · Front #1
Ana Ivanovic's first serve from the deuce court, filmed from the front. Her split-step into a slightly staggered stance is clearly visible, with a firm front-foot plant that sets up her upward drive and recovery back toward a balanced ready position.
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3.7s |
First Serve · Deuce · Arm-action · Front #2
Ana Ivanovic's first serve from the deuce court, filmed from a front angle. Her shoulder line rotates as her tossing arm rises, then her trunk uncoils aggressively toward the target with a pronounced chest rotation leading the arm swing.
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4.4s |
First Serve · Deuce · Arm-action · Front #3
Ana Ivanovic's first serve from the deuce court, filmed from the front. Her continental grip is clearly visible with a relaxed hand, and you can see pronounced wrist pronation through contact as the racquet face snaps from edge-on to square with the ball.
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3.3s |
First Serve · Deuce · Front #1
Ana Ivanovic's first serve from the deuce court, filmed from the front. Her shoulders turn significantly away from the net during the toss, creating a pronounced trunk coil that then uncoils in sequence from hips to shoulders into contact.
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3.8s |
First Serve Down The Middle · Deuce · Front #1
Ana Ivanovic's first serve from the deuce side, filmed from the front. Her continental grip is firm with a noticeable relaxed wrist that pronates aggressively through contact, creating a distinct snap just after impact.
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3.6s |
First Serve Down The Middle · Deuce · Front #2
Ana Ivanovic's first serve from the deuce court, filmed from the front. At contact her racket face is slightly tilted forward with the ball struck just above full extension, emphasizing a fast upward swing path and pronounced racket head acceleration through the hitting zone.
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3.6s |
First Serve · Deuce · Front #1
Ana Ivanovic's first serve from the deuce side, filmed from the front. Her continental grip is clearly visible with a relaxed hand, and you can see pronounced wrist pronation through contact as the racquet face turns outward toward the target.
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3.1s |
First Serve · Deuce · Front #2
Ana Ivanovic's first serve from the deuce side, filmed from the front. After contact she lets her racquet finish across her body while her back leg swings forward into the court, helping her land balanced and quickly organize into a ready position.
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3.2s |
First Serve · Deuce · Leg-action · Front #1
Ana Ivanovic's first serve from the deuce side, filmed from the front. Her footwork shows a pronounced front-leg drive into the court with a clear knee bend and upward extension, combined with a balanced landing on her left foot to start the recovery.
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3.3s |
First Serve · Deuce · Toss · Front #1
Ana Ivanovic's first serve from the deuce side, filmed from the front. Her hips stay relatively closed through the trophy position while a deep knee bend and strong leg drive upward are clearly visible before she uncoils into the court.
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3.3s |
First Serve · Deuce · Toss · Front #2
Ana Ivanovic's first serve from the deuce side, filmed from the front. Her feet stay grounded in a platform stance during the toss, with a clear knee bend and weight shift onto the front leg just before she drives up to the ball.
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2.8s |
First Serve Wide · Deuce · Front #1
Ana Ivanovic's first serve from the deuce court, filmed from the front. Her forward-driving footwork into the court is clear, with a pronounced front-leg drive and balanced landing that sets up an efficient recovery toward the opposite sideline.
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2.9s |
First Serve · Ad · Arm-action · Rear #1
Ana Ivanovic's first serve from the Ad court, filmed from a rear angle. Her legs load with a deep knee bend before driving upward, and her hips uncoil toward the court as she extends into the serve.
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3.5s |
First Serve · Ad · Arm-action · Rear #2
Ana Ivanovic's first serve from the Ad court, filmed from a rear angle. Her feet set in a platform stance with a small adjustment step before the toss, and you can clearly see her driving up off both legs into the court as she lands inside the baseline.
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3.3s |
First Serve · Ad · Arm-action · Rear #3
Ana Ivanovic's first serve from the Ad court, filmed from a rear angle. Her footwork features a small pinpoint stance with the back foot drawing up to the front foot before she drives upward into the court.
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3.2s |
First Serve · Ad · Body-rotation · Rear #1
Ana Ivanovic's first serve from the Ad court, filmed from a rear angle. Her deep knee bend and strong upward leg drive are clearly visible as her hips uncoil aggressively into the court during the service motion.
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3.6s |
First Serve Down The Middle · Ad · Rear #1
Ana Ivanovic's first serve from the Ad court down the middle, filmed from a rear angle. Her hips load in a strong closed position with a deep knee bend before driving upward, then rotate aggressively into the court as her back leg kicks back for full extension.
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2.7s |
First Serve Down The Middle · Ad · Rear #2
Ana Ivanovic's first serve from the Ad court down the middle, filmed from a rear angle. Her footwork features a rhythmic rocking motion into a pinpoint stance, with a pronounced front-foot drive into the court and a quick couple of recovery adjustment steps after landing.
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3.1s |
First Serve · Ad · Leg-action · Rear #1
Ana Ivanovic's first serve from the Ad court, filmed from a rear angle. Her shoulders load with a pronounced sideways turn relative to the baseline before the trunk uncoils in sequence from hips to shoulders into the contact.
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3.1s |
First Serve · Ad · Rear #1
Ana Ivanovic's first serve from the Ad court, filmed from a rear angle. At contact her racket face is slightly closed with the ball struck just above full extension, and the racket head accelerates steeply upward along the right side of her body.
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3.1s |
First Serve · Ad · Rear #2
Ana Ivanovic's first serve from the Ad court, filmed from a rear angle. Her shoulders rotate well past perpendicular to the baseline on the toss, creating a pronounced trunk coil that uncoils sequentially from hips to shoulders into contact.
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3.2s |
First Serve · Ad · Toss · Rear #1
Ana Ivanovic's first serve from the Ad court, filmed from a rear angle. Her continental grip is evident with a relaxed hand, and you can see pronounced wrist pronation through contact as the racket edge leads and then turns outward toward the target.
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3.4s |
First Serve Wide · Ad · Rear #1
Ana Ivanovic's first serve from the Ad side, hit wide, filmed from a rear angle. At contact her racket face is slightly tilted upward with the ball struck just above head height, and the racket head accelerates steeply up and across the ball along a pronounced right-to-left swing path.
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3.1s |
First Serve Wide · Ad · Rear #2
Ana Ivanovic's first serve from the Ad court, hit wide, filmed from a rear angle. After contact she lands on her front (left) leg with her tossing arm dropping back for balance before she quickly squares her shoulders and resets into a ready position on the baseline.
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3.3s |
First Serve · Deuce · Arm-action · Rear #1
Ana Ivanovic's first serve from the deuce court, filmed from a rear angle. The rear view makes the upward racket path and pronated racket face at contact clear, with the ball struck slightly above head height and the strings angled marginally down into the box.
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3.5s |
First Serve · Deuce · Arm-action · Rear #2
Ana Ivanovic's first serve from the deuce side, filmed from a rear angle. After contact she lets her hitting arm decelerate across her body while her back leg swings forward into the court, bringing her quickly into a balanced ready position for the next shot.
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2.8s |
First Serve · Deuce · Arm-action · Rear #3
Ana Ivanovic's first serve from the deuce side, filmed from a rear angle. Her legs load with a deep knee bend before driving upward, with the hips uncoiling toward the court as she extends into the serve.
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3.3s |
First Serve · Deuce · Body-rotation · Rear #1
Ana Ivanovic's first serve from the deuce court, filmed from a rear angle. At contact her racket face is slightly tilted forward with the ball struck just above full extension, and the rear view makes the upward swing path and rapid acceleration of the racket head clearly visible.
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3.6s |
First Serve Down The Middle · Deuce · Rear #1
Ana Ivanovic's first serve from the deuce court, filmed from a rear angle. After contact she drives her weight forward into the court and quickly brings both hands back to the center of her body, settling into a balanced ready position for the next shot.
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3.2s |
First Serve · Deuce · Leg-action · Rear #1
Ana Ivanovic's first serve from the deuce court, filmed from a rear angle. Her footwork detail is clear as she uses a pinpoint stance, bringing her back foot up to her front foot before driving up into the serve.
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3.3s |
First Serve · Deuce · Leg-action · Rear #2
Ana Ivanovic's first serve from the Deuce side, filmed from a rear angle. Her shoulder line turns well past perpendicular to the baseline while the trunk coils against a stable lower body, then uncoils in sync with the leg drive to transfer energy up the kinetic chain.
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3.3s |
First Serve · Deuce · Rear #1
Ana Ivanovic's first serve from the deuce court, filmed from a rear angle. Her footwork shows a controlled pinpoint stance with the back foot sliding up to join the front foot before she drives up into the serve.
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3.3s |
First Serve · Deuce · Rear #2
Ana Ivanovic's first serve from the deuce side, filmed from a rear angle. Her continental grip is clearly visible on the racquet handle, with a pronounced wrist pronation through contact that rotates the strings squarely into the ball.
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3.2s |
First Serve · Deuce · Toss · Rear #1
Ana Ivanovic's first serve from the deuce court, filmed from a rear angle. Her footwork shows a controlled pinpoint stance, bringing the back foot up to the front foot before driving upward, with minimal lateral movement during the toss.
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3.1s |
First Serve Wide · Deuce · Rear #1
Ana Ivanovic's first serve from the deuce court, filmed from a rear angle. Her continental grip is evident with a relaxed hand on the handle, and you can see pronounced wrist pronation through contact as the racquet edge leads and then snaps outward toward the wide target.
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3.2s |
First Serve · Ad · Body-rotation · Side #1
Ana Ivanovic's first serve from the Ad side, filmed from the side. Her deep knee bend and pronounced hip coil into the back hip are clearly visible before she drives upward off the front leg into the court.
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3s |
First Serve · Ad · Body-rotation · Side #2
Ana Ivanovic's first serve from the Ad court, filmed from the side. Her shoulder line turns well past 90 degrees relative to her hips on the toss, then her trunk uncoils in a clearly sequenced motion from hips through shoulders into the arm at contact.
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3.6s |
First Serve · Ad · Leg-action · Side #1
Ana Ivanovic's first serve from the Ad court, filmed from the side. Her continental grip is firm with a noticeable relaxed wrist during the racquet drop before a sharp pronation of the wrist and forearm through contact.
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3.3s |
First Serve · Ad · Leg-action · Side #2
Ana Ivanovic's first serve from the Ad court, filmed from the side. Her shoulder line loads with a pronounced upper-body coil before uncoiling in sequence from the trunk, making the chest rotate through contact while the tossing shoulder stays high.
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3.9s |
First Serve · Ad · Leg-action · Side #3
Ana Ivanovic's first serve from the Ad side, filmed from a side angle. Her legs load with a deep knee bend before driving upward, and you can clearly see her hips thrust forward into the court as she uncoils into the serve.
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3.2s |
First Serve · Ad · Side #1
Ana Ivanovic's first serve from the Ad side, filmed from the side. Her feet start in a platform stance and you can see a pronounced knee bend leading into an aggressive upward leg drive before she lands slightly inside the court.
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4.6s |
First Serve · Ad · Side #2
Ana Ivanovic's first serve from the Ad side, filmed from the side. Her shoulders load with a pronounced upper-body coil against the hips before uncoiling in sync with the upward trunk drive into contact.
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3.5s |
First Serve · Ad · Toss · Side #1
Ana Ivanovic's first serve from the Ad side, filmed from a side angle. Her legs load with a deep knee bend before driving upward, and her hips extend into the court as she uncoils toward the ball.
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3s |
First Serve · Ad · Toss · Side #2
Ana Ivanovic's first serve from the Ad court, filmed from a side angle. Her shoulder line rotates significantly away from the net during the toss, creating a pronounced trunk coil that then uncoils in sequence from hips to shoulders into contact.
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3.3s |
First Serve · Deuce · Body-rotation · Side #1
Ana Ivanovic's first serve from the deuce court, filmed from the side. Her shoulders rotate well past perpendicular to the baseline during the trophy phase, creating a pronounced trunk coil that uncoils sequentially from hips to shoulders into the contact.
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3.3s |
First Serve · Deuce · Body-rotation · Side #2
Ana Ivanovic's first serve from the deuce court, filmed from the side. After contact she rotates her torso fully into the court, with her back leg swinging through and landing inside the baseline as her tossing arm drops and she settles into a balanced ready stance.
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3.3s |
First Serve · Deuce · Leg-action · Side #1
Ana Ivanovic's first serve from the deuce side, filmed from the side. Her continental grip stays stable while her wrist pronates aggressively through contact, with a pronounced wrist snap visible just after full extension.
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3.2s |
First Serve · Deuce · Leg-action · Side #2
Ana Ivanovic's first serve from the deuce side, filmed from the side. Her continental grip stays firm while her wrist moves from a laid-back position into a pronounced pronation through contact, making the wrist snap clearly visible in profile.
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3.2s |
First Serve · Deuce · Side #1
Ana Ivanovic's first serve from the deuce side, filmed from the side. Her contact point is well out in front with a fully extended hitting arm and a slightly pronated racket face driving up and through the ball for maximum racket head speed.
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2.9s |
First Serve · Deuce · Side #2
Ana Ivanovic's first serve from the deuce side, filmed from the side. Her deep knee bend and strong leg drive into the court are clearly visible as her hips uncoil upward and forward through contact.
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3.3s |
First Serve · Deuce · Side #3
Ana Ivanovic's first serve from the deuce side, filmed from the side. Her continental grip is clearly visible with a relaxed hand, and you can see pronounced wrist pronation through contact as the racquet accelerates up and across the ball.
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3.5s |
First Serve · Deuce · Toss · Side #1
Ana Ivanovic's first serve from the deuce court, filmed from the side. The side view makes it easy to see her racket drop fully into a deep backscratch position before driving up to contact at a point clearly above her extended tossing arm.
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3.4s |
First Serve · Deuce · Toss · Side #2
Ana Ivanovic's first serve from the deuce court, filmed from the side. Her shoulder line turns significantly away from the net during the trophy position, with a pronounced trunk coil that uncoils sequentially from hips to shoulders into contact.
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3.5s |
FH Half Volley Center · Court-level-front
Ana Ivanovic's forehand from the center of the court, filmed from a court-level front angle. Her semi-western grip is evident with pronounced wrist lag on the take-back that unwinds into a strong pronation through contact.
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2.4s |
FH Center · Court-level-front · Open #1
Ana Ivanovic's forehand from the center of the baseline in an open stance, filmed from a front court-level angle. Her hips stay closed during the unit turn then unwind explosively as her legs drive up from a deep knee bend, with the right hip clearing toward the net at contact.
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2.7s |
FH Center · Court-level-front · Open #2
Ana Ivanovic's forehand from the center of the court in an open stance, filmed from a front court-level angle. Her semi-western grip is evident in the strong wrist lag on the takeback that unwinds into a pronounced forward wrist release right through contact.
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2.4s |
FH Center · Court-level-front · Open #3
Ana Ivanovic's forehand from the center in an open stance, filmed from a court-level front angle. Her semi-western grip is evident in the way the racquet face closes slightly at the top of the backswing, with a noticeable wrist lag that unwinds into a strong pronation through contact.
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2.8s |
FH Inside In · Court-level-front #1
Ana Ivanovic's forehand InsideIn from the middle of the court, filmed from CourtLevelFront. The contact point is well in front of her body with the racket face slightly closed, and you can see the racket head accelerate steeply upward through the ball for heavy topspin.
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4.7s |
FH Inside In · Court-level-front #2
Ana Ivanovic's forehand from an inside-in position, filmed from a court-level front angle. Her semi-western grip is evident with a pronounced wrist lag on the takeback that unwinds into a strong wrist snap just before and through contact.
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2.9s |
FH Inside Out · Arm-action · Court-level-front
Ana Ivanovic's forehand from the center of the baseline, filmed from a court-level front angle. Her hips stay closed through the loading phase with a deep right-knee bend, then drive explosively into an open position as her legs push up and into the court.
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7.3s |
FH Inside Out · Court-level-front #1
Ana Ivanovic's inside-out forehand from the middle of the court, filmed from a court-level front angle. At contact her racket face is slightly closed with the ball struck around waist to chest height, and the racket head accelerates steeply up and across the ball for heavy topspin.
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3.3s |
FH Inside Out · Court-level-front #2
Ana Ivanovic's forehand from an inside-out position, filmed from a court-level front angle. Her semi-western grip is evident with the racket face closed and a pronounced wrist lag that unwinds into a sharp pronation through contact.
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3.4s |
FH Inside Out · Court-level-front #3
Ana Ivanovic's forehand from the center of the court, filmed from a court_level front angle. Her shoulders load with a pronounced turn relative to her hips before uncoiling, with the trunk rotating aggressively through contact so the chest finishes facing well inside the court on the inside-out line.
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3s |
FH Inside Out · Court-level-front #4
Ana Ivanovic's inside-out forehand from a central baseline position, filmed from a court-level front angle. Her hips load into a strong semi-open stance with clear knee bend, then drive upward and uncoil aggressively through the shot, with the rear leg pushing off the ground to initiate rotation.
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2.5s |
FH Moves Back · Court-level-front #1
Ana Ivanovic's forehand from a central baseline position, filmed from a court_level front angle. Her hips load with a noticeable coil as she moves back, and her knees stay deeply flexed to drive up through the shot from a wide, athletic base.
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2.6s |
FH Moves Back · Court-level-front #2
Ana Ivanovic's forehand from the center of the baseline, filmed from a front court-level angle. After contact her follow-through finishes high across her body while her weight continues moving backward, and she quickly resets her feet into a neutral ready position with the non-hitting hand returning to the racket.
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2.5s |
FH Running · Court-level-front #1
Ana Ivanovic's running forehand from a central baseline position, filmed from a court_level front angle. She takes an open stance on the wide ball, using quick adjustment steps and a pronounced crossover recovery step to get back toward the middle after contact.
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3s |
FH Running · Court-level-front #2
Ana Ivanovic's running forehand from a neutral court position, filmed from a court-level front angle. Her shoulders rotate well past perpendicular to the net on the unit turn, then uncoil in sync with a strong trunk rotation that clearly leads the arm swing through contact.
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3.3s |
FH Half Volley Running · Court-level-front
Ana Ivanovic's running forehand half-volley from the middle of the court, filmed from a court-level front angle. Her hips stay relatively closed to the net as she lunges forward, with a deep knee bend in the outside leg providing the low base needed to get under the ball on the move.
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2.6s |
FH Wide · Arm-action · Court-level-front #1
Ana Ivanovic's wide forehand from the middle of the court, filmed from a court_level front angle. Her racket contacts the ball slightly in front of her lead hip with a closed racket face and a steep low-to-high swing path that accelerates the racket head through contact.
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2.7s |
FH Wide · Arm-action · Court-level-front #2
Ana Ivanovic's wide forehand from the middle of the court, filmed from a front court-level angle. Her footwork includes a quick adjustment shuffle into an open stance, with a pronounced load on the outside leg before pushing back toward the center.
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2.7s |
FH Wide · Court-level-front · Neutral
Ana Ivanovic's forehand from a wide neutral-stance position, filmed from a court-level front angle. Her hips stay relatively closed at the start with a pronounced knee bend, then drive forward as her legs push up and across into the court during the swing.
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4.7s |
FH Wide · Court-level-front · Open #1
Ana Ivanovic's wide forehand from the deuce side in an open stance, filmed from a court_level front angle. Her racket face is slightly closed at a contact point around waist to chest height, with the racket head accelerating steeply upward along an aggressive low-to-high swing path.
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2.9s |
FH Wide · Court-level-front · Open #2
Ana Ivanovic's wide forehand from the Deuce side, filmed from a court-level front angle. She plants in a strong open stance with her right leg loaded, using quick lateral adjustment steps before contact and a small hop-step to recover back toward the center.
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2.7s |
FH Wide · Court-level-front · Open #3
Ana Ivanovic's wide forehand from the center in an open stance, filmed from the front at court level. Her hips stay noticeably open toward the sideline as she loads on a deep knee bend, then drives up through her legs with an aggressive push off the outside leg.
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3s |
FH Wide · Court-level-front · Open #4
Ana Ivanovic's forehand from the Deuce side, filmed from a court_level front angle. Her open stance is clear as she plants her outside foot wide, using a quick lateral shuffle and a small recovery step to re-center after contact.
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2.7s |
FH Center · Arm-action · Front #1
Ana Ivanovic's forehand from the center of the court, filmed from the front. At contact her racket face is slightly closed with the ball struck around waist height, and you can clearly see the racket head accelerating steeply upward through the hitting zone.
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2.9s |
FH Center · Arm-action · Front #2
Ana Ivanovic's forehand from the center of the baseline, filmed from a front angle. Her shoulders load with a pronounced coil relative to her hips, and the uncoiling of her trunk into contact is clearly synchronized with the forward rotation of her hitting-side shoulder.
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2.6s |
FH Center · Arm-action · Front #3
Ana Ivanovic's forehand from the center of the court, filmed from the front. Her hips load into a semi-open position with a noticeable knee bend before driving upward and uncoiling through contact.
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2.6s |
FH Center Cross Court · Front
Ana Ivanovic's forehand from the center of the court, filmed from the front. Her semi-western grip is evident in the closed racket face at setup, and there is a pronounced wrist lag that releases into a sharp pronation through contact.
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3s |
FH Center Down The Line · Front
Ana Ivanovic's forehand from the center of the court, filmed from the front. Her shoulders load with a pronounced coil relative to her hips, and you can see a sharp uncoiling of the trunk into contact with the chest rotating fully toward the net.
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2.9s |
FH Half Volley Center · Arm-action · Front #1
Ana Ivanovic's forehand from a central baseline position, filmed from the front. Her hips stay relatively closed during the unit turn before driving forward, with a pronounced knee bend and upward leg drive that pushes her into the court through contact.
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2.5s |
FH Half Volley Center · Arm-action · Front #2
Ana Ivanovic's forehand from the center of the court, filmed from the front. Her hips stay relatively closed during the unit turn before driving forward, with a pronounced knee bend that loads the legs and then extends explosively into the court.
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3.3s |
FH Half Volley Center · Front #1
Ana Ivanovic's forehand from the center of the court, filmed from the front. Her hips load in a semi-open position with a pronounced knee bend, then uncoil as her legs drive upward and forward into the court.
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2.4s |
FH Half Volley Center · Front #2
Ana Ivanovic's forehand from the center of the court, filmed from a front angle. After contact her racquet finishes high across her body while her weight moves forward into the court, and she quickly brings both hands back toward a neutral ready position for the next shot.
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2.8s |
FH Half Volley Center · Front #3
Ana Ivanovic's forehand from the center of the court, filmed from a front angle. At contact her racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward through the hitting zone for heavy topspin.
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2.6s |
FH Center · Front · Neutral
Ana Ivanovic's forehand from the center of the baseline in a neutral stance, filmed from the front. After contact she finishes her follow-through high across her body while her non-hitting hand settles near her torso, then quickly brings both hands back to the racket handle to reestablish a forward-leaning ready position.
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3.4s |
FH Center · Front · Open #1
Ana Ivanovic's forehand from the center in an open stance, filmed from the front. Her semi-western grip is evident with the racquet laid back and strong wrist lag before a pronounced wrist snap through contact.
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3.1s |
FH Center · Front · Open #2
Ana Ivanovic's forehand from the center of the court in an open stance, filmed from the front. Her hips stay relatively open toward the net as she loads on a wide base, with a pronounced knee bend and strong upward leg drive into the ball.
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4.5s |
FH Center · Front · Open #3
Ana Ivanovic's forehand from the center of the court in an open stance, filmed from the front. Her shoulders and trunk load with a pronounced upper-body coil before contact, then uncoil in sync with her hips so the hitting shoulder finishes well across her body.
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3.2s |
FH Center · Front · Open #4
Ana Ivanovic's forehand from the center in an open stance, filmed from the front. Her hips stay noticeably open toward the net while a deep knee bend and strong leg drive upward are visible as she uncoils into the ball.
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3.3s |
FH Center · Front · Open #5
Ana Ivanovic's forehand from the center of the baseline in an open stance, filmed from the front. After contact she finishes with a high windshield-wiper follow-through and quickly brings both hands back toward the racket handle as she resets into a neutral ready position.
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2.3s |
FH Center · Front · Open #6
Ana Ivanovic's forehand from the center in an open stance, filmed from the front. After contact her racquet wraps high across her body while her weight continues moving into the court, and she quickly brings both hands back toward a neutral ready position.
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2.6s |
FH Center · Front · Open #7
Ana Ivanovic's forehand from the center of the baseline, filmed from the front. Her open stance is clear as she plants her outside (right) foot first, then uses a small adjustment step with her left foot to load before uncoiling into the shot.
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2.5s |
FH Inside In · Front #1
Ana Ivanovic's forehand InsideIn from the center of the baseline, filmed from the front. Her hips stay closed during the loading phase with a deep right-knee bend, then drive explosively forward as the left leg steps into the court to finish the rotation.
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2.7s |
FH Inside In · Front #2
Ana Ivanovic's forehand inside-in from the center of the baseline, filmed from the front. She uses a strong open stance with a pronounced split step into a quick pivot, then drives off her right leg before taking small recovery steps back toward the middle.
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3s |
FH Inside In · Front #3
Ana Ivanovic's forehand InsideIn from the center of the baseline, filmed from the front. Her hips stay relatively closed during the unit turn, then drive and open aggressively with a strong push off the right leg and deep left-knee bend into contact.
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3.7s |
FH Inside In · Front #4
Ana Ivanovic's forehand InsideIn from the center of the baseline, filmed from the front. She uses a pronounced split-step into an open stance, then pushes off her outside leg and takes a couple of quick recovery steps back toward the middle after contact.
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2.6s |
FH Inside In · Front #5
Ana Ivanovic's forehand InsideIn from the center of the baseline, filmed from the front. Her contact point is well in front of her body with the racket face slightly closed, and the racket head accelerates steeply upward through the ball.
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2.7s |
FH Inside Out · Arm-action · Front
Ana Ivanovic's inside-out forehand from a central baseline position, filmed from the front. Her split step is followed by a quick pivot into an open stance, with a strong right-leg push-off and a decisive recovery step back toward the center after contact.
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4.2s |
FH Inside Out · Front #1
Ana Ivanovic's forehand from an inside-out position, filmed from the front. Her split-step into a wide semi-open stance is followed by a strong push off the outside leg, with quick recovery steps bringing her back toward the center after contact.
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3.1s |
FH Inside Out · Front #2
Ana Ivanovic's inside-out forehand from the ad side, filmed from a front angle. Her semi-western forehand grip is evident with a pronounced wrist lag on the takeback that unwinds into a strong pronation through contact.
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3.4s |
FH Inside Out · Front #3
Ana Ivanovic's inside-out forehand from the middle of the court, filmed from the front. Her hips stay closed during the unit turn before driving explosively through the shot as her right leg pushes off the court and her left leg steps into the ball.
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4.7s |
FH Inside Out · Front #4
Ana Ivanovic's forehand InsideOut from the center, filmed from the front. Her footwork includes a quick adjustment hop into an open stance, followed by a strong push off the outside leg and a clear recovery step back toward the middle.
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2.7s |
FH Inside Out · Front #5
Ana Ivanovic's inside-out forehand from the center of the baseline, filmed from the front. Her hips stay closed during the unit turn before driving open with a strong push off the right leg and a deep left-knee bend into contact.
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2.8s |
FH Moves Back · Arm-action · Front
Ana Ivanovic's forehand from the center of the baseline, filmed from the front. Her follow-through finishes high across her body while her non-hitting arm extends back for counterbalance before she regroups into a neutral ready position.
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3.5s |
FH Moves Back · Front #1
Ana Ivanovic's forehand from the center of the court, filmed from the front. After contact she finishes with a high windshield-wiper follow-through and quickly brings both hands back toward the racket handle as she recovers into a neutral ready position.
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3s |
FH Moves Back · Front #2
Ana Ivanovic's forehand from the center of the baseline, filmed from the front. Her footwork includes a quick adjustment shuffle as she moves back before setting into a semi-open stance with a firm plant on the right leg before contact.
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5.9s |
FH Moves Back · Front #3
Ana Ivanovic's forehand from the center while moving back, filmed from the front. Her semi-western grip is evident with a pronounced wrist lag on the take-back that unwinds into a strong forward wrist release through contact.
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2.9s |
FH Moves Back · Front #4
Ana Ivanovic's forehand from the center of the baseline, filmed from a front angle. Her footwork includes a quick split-step into a small adjustment hop as she moves back, setting into a semi-open stance before driving through the ball and recovering toward the center.
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2.4s |
FH Half Volley Moves Back · Front #1
Ana Ivanovic's forehand from a moving-back position, filmed from the front. Her shoulders load with a pronounced closed turn relative to her hips, then her trunk uncoils aggressively into contact with a clear separation between upper and lower body.
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3s |
FH Half Volley Moves Back · Front #2
Ana Ivanovic's forehand from a moving-back position, filmed from the front. Her semi-western grip is evident with a pronounced wrist lag on the take-back that straightens into a strong, stable wrist at contact.
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2.5s |
FH Running · Arm-action · Front #1
Ana Ivanovic's running forehand from the center of the court, filmed from the front. Her contact point is well in front of her body with the racket face slightly closed, and you can see her racket head accelerating steeply upward through contact for heavy topspin.
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3.7s |
FH Running · Arm-action · Front #2
Ana Ivanovic's running forehand from the center of the court, filmed from the front. Her semi-western grip is evident as her hitting wrist stays laid back through the forward swing before releasing into a pronounced snap at contact.
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3.5s |
FH Running Cross Court · Front #1
Ana Ivanovic's running forehand from the center, filmed from the front. Her semi-western grip is evident with a pronounced wrist lag on the racquet drop that straightens into a strong, stable wrist position through contact.
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2.6s |
FH Running Cross Court · Front #2
Ana Ivanovic's running cross-court forehand from the center of the court, filmed from the front. Her shoulders load with a pronounced upper-body coil against the hips before uncoiling aggressively through contact, making the separation and rapid trunk rotation easy to see head-on.
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2.7s |
FH Running Down The Line · Front #1
Ana Ivanovic's running forehand down the line from a central baseline position, filmed from the front. At contact her racket face is slightly closed with the ball struck around waist height, and the racket head whips up steeply through the hitting zone for heavy topspin.
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3.9s |
FH Running Down The Line · Front #2
Ana Ivanovic's running forehand down the line from the deuce side, filmed from the front. Her racket face is slightly closed at a contact point around waist height, with the racket head accelerating steeply upward along an aggressive low-to-high swing path.
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3.2s |
FH Running · Front #1
Ana Ivanovic's running forehand from the center of the court, filmed from the front. Her hips stay relatively closed as she sprints forward, with a pronounced knee bend on the outside leg that loads before she drives up and across into the shot.
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4s |
FH Running · Front #2
Ana Ivanovic's running forehand from the center of the court, filmed from the front. Her hips stay relatively closed as she drives off the outside leg, with a pronounced knee bend that loads into a strong lateral push toward the ball.
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3.1s |
FH Running · Front #3
Ana Ivanovic's running forehand from the center, filmed from the front. After contact her follow-through finishes high across her body while her non-hitting arm extends back for counterbalance before she quickly regains a square, ready position on the baseline.
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5.6s |
FH Running · Front #4
Ana Ivanovic's running forehand from the center court position, filmed from the front. Her semi-western grip is evident with a pronounced laid-back wrist position that is maintained into contact before a sharp forearm and wrist pronation through the ball.
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2.6s |
FH Running · Front #5
Ana Ivanovic's running forehand from the front, filmed from a front angle. Her hips stay relatively closed as she sprints forward, with a deep right-knee bend and strong push off the outside leg to load and drive through the shot.
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2.9s |
FH Running · Front #6
Ana Ivanovic's running forehand from the center, filmed from the front. After contact her racket finishes high across her body while her weight continues moving forward into the court, quickly bringing both hands back to a ready position for the next shot.
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2.8s |
FH Running · Front #7
Ana Ivanovic's running forehand from the center, filmed from the front. After contact her forehand follow-through wraps high across her body while her weight continues moving forward into the court, with her non-hitting hand helping her quickly recover toward a neutral ready position.
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2.7s |
FH Running · Front #8
Ana Ivanovic's running forehand from the center of the court, filmed from the front. Her footwork features a quick adjustment hop into an open stance as she moves wide, followed by a pronounced crossover recovery step back toward the middle.
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2.6s |
FH Half Volley Running · Front
Ana Ivanovic's running forehand from the center of the court, filmed from the front. Her shoulders rotate aggressively into contact with a pronounced trunk uncoil, with the chest turning from closed to more square to the net as the kinetic chain unwinds through the shot.
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3s |
FH Short · Arm-action · Front #1
Ana Ivanovic's forehand from the center of the court, filmed from the front. Her hips stay relatively closed at the start with a deep knee bend, then drive upward and rotate aggressively through contact as her legs extend into the court.
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2.8s |
FH Short · Arm-action · Front #2
Ana Ivanovic's forehand from the center of the court, filmed from a front angle. Her compact arm action is paired with a wide, stable base and a semi-open stance, with a small adjustment step into contact and a quick recovery step back to ready position.
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5.3s |
FH Short Cross Court · Front #1
Ana Ivanovic's forehand from the center of the court, filmed from the front. Her quick split step into a semi-open stance is followed by a strong pivot on the right leg and a small recovery shuffle back toward the middle.
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3s |
FH Short Cross Court · Front #2
Ana Ivanovic's forehand from the middle of the court, filmed from the front. Her footwork includes a quick split-step into a semi-open stance, then a decisive pivot and recovery shuffle back toward the center after redirecting the ball short crosscourt.
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4s |
FH Short Down The Line · Front
Ana Ivanovic's forehand from a central court position, filmed from the front. Her shoulders rotate deeply away from the net on the unit turn, then uncoil in sync with an aggressive trunk rotation that drives her hitting shoulder forward through contact.
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3.3s |
FH Short · Front #1
Ana Ivanovic's forehand from the center of the court, filmed from the front. At contact her racket face is slightly closed with the ball meeting the strings around waist height, and the racket head accelerates steeply upward along a low-to-high swing path.
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2.8s |
FH Short · Front #2
Ana Ivanovic's forehand from the middle of the court, filmed from the front. Her hips load with a noticeable coil as her knees bend deeply, then uncoil with strong leg drive into the court as she strikes the short ball.
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2.8s |
FH Short · Front #3
Ana Ivanovic's forehand from the center, filmed from the front. Her hips load with a noticeable turn while her knees stay deeply flexed, then her legs drive upward and uncoil her hips into an open position through contact.
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4.4s |
FH Short · Front #4
Ana Ivanovic's forehand from the center of the court, filmed from the front. Her footwork includes a small adjustment hop into a semi-open stance, followed by a quick recovery step that brings her back toward a balanced ready position.
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2.8s |
FH Short · Front #5
Ana Ivanovic's forehand from the middle of the court, filmed from a front angle. Her semi-western grip is evident with a pronounced wrist lag on the takeback that straightens into a firm, stable wrist position through contact.
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3.6s |
FH Short · Front #6
Ana Ivanovic's forehand from the center of the court, filmed from the front. Her shoulders load with a pronounced upper-body coil before contact, then uncoil in sync with her hips so the trunk rotation leads the arm through the hitting zone.
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4.1s |
FH Short · Front #7
Ana Ivanovic's forehand from the middle of the court, filmed from the front. Her hips load with a noticeable coil before uncoiling into contact, while her knees stay deeply flexed to drive up and into the short ball.
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5.6s |
FH Short · Front #8
Ana Ivanovic's forehand from the middle of the baseline, filmed from the front. After contact her racket finishes high across her body while her weight moves forward into the court, and she quickly brings both hands back to a neutral ready position.
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3.2s |
FH Short · Front #9
Ana Ivanovic's forehand from the center of the baseline, filmed from the front. Her shoulders coil significantly relative to her hips before uncoiling, with the trunk rotation clearly initiating the forward swing before the arm accelerates through contact.
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3.9s |
FH Wide · Arm-action · Front
Ana Ivanovic's wide forehand from the center, filmed from the front. Her shoulders load with a pronounced upper-body coil, then uncoil ahead of the arm swing, making the trunk rotation clearly lead the kinetic chain into contact.
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2.9s |
FH Wide Cross Court · Front #1
Ana Ivanovic's wide forehand from the middle of the court, filmed from the front. Her racket meets the ball slightly in front of her body with the face moderately closed, and the contact point is around waist to mid-torso height as the racket accelerates steeply up the back of the ball.
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2.6s |
FH Wide Cross Court · Front #2
Ana Ivanovic's wide forehand from the middle of the court, filmed from the front. Her shoulders rotate well past perpendicular to the net on the unit turn, then the trunk uncoils aggressively with the hitting shoulder driving forward ahead of the hips in the kinetic chain.
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2.6s |
FH Wide Cross Court · Front #3
Ana Ivanovic's wide forehand from the center baseline, filmed from the front. Her hips load on a strong knee bend and then uncoil into an open stance, with the outside leg driving laterally to reach and stabilize for the wide contact.
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3.3s |
FH Wide Down The Line · Front
Ana Ivanovic's wide forehand from the center, filmed from the front. Her hips load with a pronounced knee bend on the outside leg, then drive up and into the court as her hips open aggressively toward the target line.
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3.2s |
FH Half Volley Wide · Arm-action · Front
Ana Ivanovic's wide forehand from the center, filmed from the front. Her shoulders rotate as a unit with a pronounced trunk coil, then uncoil aggressively into contact with the hitting-side shoulder finishing high and across her body.
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2.6s |
FH Half Volley Wide · Front #1
Ana Ivanovic's wide forehand from the middle of the court, filmed from the front. Her shoulders turn well past perpendicular to the net on the unit turn, then the trunk uncoils aggressively with the hitting-side shoulder finishing higher and fully rotated through the shot.
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2.9s |
FH Half Volley Wide · Front #2
Ana Ivanovic's wide forehand from the middle of the court, filmed from the front. From this angle, her semi-western grip is evident with a pronounced wrist lag on the takeback that unwinds into a strong, upward wrist release through contact.
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2.6s |
FH Wide · Front · Open #1
Ana Ivanovic's forehand from the center in an open stance, filmed from the front. Her hips stay noticeably open toward the net as she loads on a wide base, with strong knee bend and a pronounced push up through the legs into contact.
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2.9s |
FH Wide · Front · Open #10
Ana Ivanovic's forehand from a wide position in an open stance, filmed from the front. Her semi-western grip is evident with a pronounced wrist lag on the take-back that unwinds into a strong pronation through contact.
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2.6s |
FH Wide · Front · Open #2
Ana Ivanovic's wide forehand from the center in an open stance, filmed from the front. Her contact point is well in front of her body with the racket face slightly closed and the racket head accelerating steeply up the back of the ball.
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3s |
FH Wide · Front · Open #3
Ana Ivanovic's wide forehand from the middle of the court in an open stance, filmed from the front. Her follow-through wraps high across her body while her weight lands on the outside leg, and she quickly re-centers her stance with both hands returning to the racket in a ready position.
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3s |
FH Wide · Front · Open #4
Ana Ivanovic's forehand from a wide position in an open stance, filmed from the front. From this angle her semi-western grip and pronounced wrist lag are clear, with the racket head trailing well behind her hand before a strong forward wrist release into contact.
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3s |
FH Wide · Front · Open #5
Ana Ivanovic's wide forehand from an open stance, filmed from the front. Her contact point is well in front of her body with the racket face slightly closed, and the racket head accelerates steeply upward through contact to impart heavy topspin.
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3.3s |
FH Wide · Front · Open #6
Ana Ivanovic's wide forehand from the center in an open stance, filmed from the front. Her feet plant in a strong open base with a pronounced split step into a lateral push-off, then she uses quick recovery steps to return toward the middle after contact.
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3s |
FH Wide · Front · Open #7
Ana Ivanovic's wide forehand from an open stance, filmed from the front. Her semi-western grip is evident in the closed racket face on the takeback, and you can see pronounced wrist lag that unwinds into a sharp pronation through contact.
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2.9s |
FH Wide · Front · Open #8
Ana Ivanovic's wide forehand from the center in an open stance, filmed from the front. After contact her racquet finishes high across her body while her weight continues moving toward the court, and she quickly brings both hands back toward the racquet handle to recover into a ready position.
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2.6s |
FH Wide · Front · Open #9
Ana Ivanovic's wide forehand from the center in an open stance, filmed from the front. Her feet plant in a strong open base with a pronounced split-step into a lateral push, then she uses a quick recovery shuffle to get back toward the middle.
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3.2s |
FH Center · Arm-action · Rear #1
Ana Ivanovic's forehand from the center of the baseline, filmed from a rear angle. At contact her racket face is slightly closed with the ball struck around waist height, and the rear view makes the upward, windshield-wiper acceleration of her racket head very clear.
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2.6s |
FH Center · Arm-action · Rear #2
Ana Ivanovic's forehand from the center of the baseline, filmed from a rear angle. Her semi-western grip is evident in the closed racket face during the takeback, with a pronounced wrist lag that unwinds into a sharp pronation through contact.
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2.6s |
FH Center · Arm-action · Rear #3
Ana Ivanovic's forehand from the center of the baseline, filmed from a rear angle. Her semi-western grip is evident in the strong wrist lag on the takeback, followed by a pronounced wrist pronation through contact.
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2.4s |
FH Center · Arm-action · Rear #4
Ana Ivanovic's forehand from the center of the baseline, filmed from a rear angle. Her feet set up in a strong neutral stance with a small adjustment step forward just before contact, then she uses a quick recovery step to re-center after the swing.
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2.8s |
FH Center · Arm-action · Rear #5
Ana Ivanovic's forehand from the center of the baseline, filmed from a rear angle. After contact her racquet wraps high over her left shoulder while her non-hitting arm tucks in toward her body, and she quickly brings both hands back to the ready position as her weight finishes moving into the court.
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2.9s |
FH Center Cross Court · Rear
Ana Ivanovic's forehand from the center of the court, filmed from a rear angle. Her contact point is well in front of her body with the racket face slightly closed, and the racket head accelerates upward steeply to produce heavy topspin.
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2.9s |
FH Center Down The Line · Rear
Ana Ivanovic's forehand from the center of the court, hit down the line, filmed from a rear angle. From this view her semi-western grip is evident in the closed racket face on the takeback, with pronounced wrist lag maintained deep into the forward swing before a sharp release through contact.
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2.9s |
FH Half Volley Center · Rear
Ana Ivanovic's forehand from the center of the court, filmed from a rear angle. At contact her racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward along a pronounced low-to-high swing path.
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2.7s |
FH Center · Rear · Neutral #1
Ana Ivanovic's forehand from the center in a neutral stance, filmed from a rear angle. After contact her follow-through wraps high across her body while her weight drives forward into the court, quickly bringing both hands back to a ready position on the racquet.
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2.9s |
FH Center · Rear · Neutral #2
Ana Ivanovic's forehand from the center of the baseline in a neutral stance, filmed from a rear angle. The contact point is taken slightly in front of her lead hip with the racket face moderately closed, and the racket head accelerates steeply upward along an aggressive low-to-high swing path.
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2.7s |
FH Center · Rear · Neutral #3
Ana Ivanovic's forehand from the center of the baseline in a neutral stance, filmed from a rear angle. Her footwork includes a small adjustment shuffle into a square setup, followed by a clear cross-step recovery back to her ready position after contact.
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2.3s |
FH Center · Rear · Neutral #4
Ana Ivanovic's forehand from the center of the baseline in a neutral stance, filmed from a rear angle. Her footwork includes a small adjustment shuffle into a square alignment before contact, followed by a couple of quick recovery steps back to her ready position.
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3s |
FH Center · Rear · Open #1
Ana Ivanovic's forehand from the center in an open stance, filmed from a rear angle. Her semi-western grip is evident in the pronounced racket lag, with the wrist laid back and then releasing into contact with a controlled pronation.
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3.2s |
FH Center · Rear · Open #2
Ana Ivanovic's forehand from the center of the baseline in an open stance, filmed from a rear angle. Her shoulders turn well past perpendicular to the net before impact, then her trunk uncoils aggressively with a pronounced separation between hip and shoulder rotation through contact.
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3.1s |
FH Inside In · Arm-action · Rear #1
Ana Ivanovic's forehand inside-in from the ad side, filmed from a rear angle. Her racket contacts the ball slightly in front of her lead hip with a closed racket face and a steep low-to-high swing path that accelerates the racket head up and across her body.
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2.7s |
FH Inside In · Arm-action · Rear #2
Ana Ivanovic's forehand from an inside-in position, filmed from a rear angle. The racket contacts the ball slightly in front of her lead hip with a closed racket face and a steep low-to-high swing path that accelerates the racket head up and across her body.
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3.3s |
FH Inside In · Arm-action · Rear #3
Ana Ivanovic's forehand InsideIn from the center of the baseline, filmed from a rear angle. Her shoulders rotate well past 90 degrees relative to the net during the unit turn, then her trunk uncoils aggressively ahead of the arm, creating a pronounced separation between hip and shoulder rotation.
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3.2s |
FH Inside In · Arm-action · Rear #4
Ana Ivanovic's forehand from an inside-in position, filmed from a rear angle. After contact her follow-through finishes high across her body while her non-hitting arm extends back for counterbalance before she recovers to a neutral ready position on the baseline.
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2.6s |
FH Inside In · Rear #1
Ana Ivanovic's forehand InsideIn from the center of the baseline, filmed from a rear angle. She uses an open stance with a small adjustment hop into contact and then a quick crossover recovery step back toward the middle.
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3s |
FH Inside In · Rear #2
Ana Ivanovic's forehand InsideIn from the center of the baseline, filmed from a rear angle. Her shoulders rotate well past 90 degrees relative to the net before uncoiling, with the trunk leading the forward swing and the hitting arm lagging briefly to create a clear sequential kinetic chain.
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2.9s |
FH Inside In · Rear #3
Ana Ivanovic's forehand InsideIn from the rear. After contact she finishes with a high, across-the-body follow-through while her weight continues moving into the court and her non-hitting hand quickly returns toward a neutral ready position.
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2.7s |
FH Inside In · Rear #4
Ana Ivanovic's forehand InsideIn from the Ad court, filmed from a rear angle. Her shoulders rotate well past perpendicular to the baseline on the unit turn, then uncoil in sync with her hips so that her trunk finishes fully rotated toward the target.
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3.3s |
FH Inside In · Rear #5
Ana Ivanovic's forehand InsideIn from the center of the baseline, filmed from a rear angle. Her hips stay closed through the loading phase with a deep right-knee bend before driving upward and unwinding aggressively into the court.
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2.7s |
FH Inside In · Rear #6
Ana Ivanovic's forehand InsideIn from the center of the baseline, filmed from a rear angle. Her hips load in a closed position with a pronounced knee bend, then uncoil aggressively as her legs drive up and into the court during the forward swing.
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3.2s |
FH Inside In · Rear #7
Ana Ivanovic's forehand InsideIn from the rear court, filmed from a rear angle. Her footwork features a quick adjustment hop into an open stance before contact, followed by strong crossover recovery steps back toward the center.
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2.9s |
FH Inside Out · Arm-action · Rear #1
Ana Ivanovic's forehand from an inside-out position, filmed from a rear angle. After contact her follow-through wraps high across her body while her weight drives into the court and her non-hitting hand extends back to help her recover into a ready position.
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2.9s |
FH Inside Out · Arm-action · Rear #2
Ana Ivanovic's inside-out forehand from a central baseline position, filmed from a rear angle. Her hips load into a strong semi-open stance with a deep right-knee bend, then uncoil aggressively as her legs drive up and into the court toward the inside-out target.
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2.3s |
FH Inside Out · Arm-action · Rear #3
Ana Ivanovic's forehand from the center of the baseline, filmed from a rear angle. She uses a quick split step into a semi-open stance, then drives off her right leg with a strong hip rotation before taking a couple of small adjustment steps to recover back toward the middle.
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3.3s |
FH Inside Out · Arm-action · Rear #4
Ana Ivanovic's forehand from an inside-out position, filmed from a rear angle. Her shoulders turn well past perpendicular to the baseline on the unit turn, then her trunk uncoils aggressively ahead of the arm to drive the racquet through the inside-out contact line.
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3.3s |
FH Inside Out · Arm-action · Rear #5
Ana Ivanovic's inside-out forehand from the center of the baseline, filmed from a rear angle. From this view you can see her semi-western forehand grip creating pronounced wrist lag on the takeback that unwinds into a strong pronation of the hitting wrist through contact.
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3.1s |
FH Inside Out · Rear #1
Ana Ivanovic's inside-out forehand from the ad side, filmed from a rear angle. After contact her follow-through wraps high across her body while her weight drives into the court and she quickly resets her feet into a neutral ready position.
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3.3s |
FH Inside Out · Rear #10
Ana Ivanovic's inside-out forehand from the ad side, filmed from a rear angle. After contact her racquet finishes high across her body while her weight transfers into the court, and she quickly brings both hands back to the racquet throat to reset into a ready position.
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3.3s |
FH Inside Out · Rear #11
Ana Ivanovic's forehand InsideOut from the center of the baseline, filmed from a rear angle. She uses an open stance with a pronounced hip load and a quick recovery shuffle back to her ready position after contact.
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4s |
FH Inside Out · Rear #2
Ana Ivanovic's inside-out forehand from the ad side, filmed from a rear angle. Her semi-western grip and relaxed wrist lag are clearly visible from behind, with a pronounced wrist snap through contact as she drives the ball inside-out.
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2.9s |
FH Inside Out · Rear #3
Ana Ivanovic's forehand from an inside-out position, filmed from a rear angle. After contact her follow-through finishes high across her body as she drives her weight into the court and quickly recovers back to a balanced ready position on the baseline.
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3.9s |
FH Inside Out · Rear #4
Ana Ivanovic's inside-out forehand from the center of the court, filmed from a rear angle. Her semi-western forehand grip is clear from the racket face angle, and you can see pronounced wrist lag in the takeback that unwinds into a strong pronation through contact.
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3.4s |
FH Inside Out · Rear #5
Ana Ivanovic's forehand InsideOut from the center of the baseline, filmed from a rear angle. Her shoulders rotate well past perpendicular to the net in the backswing, then her trunk uncoils ahead of the arm swing, creating a clear sequential rotation from hips to shoulders.
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3.1s |
FH Inside Out · Rear #6
Ana Ivanovic's inside-out forehand from the center of the baseline, filmed from a rear angle. She uses a quick split-step into an open stance, then executes a strong lateral push off her right leg to load before driving out toward the forehand corner.
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3.2s |
FH Inside Out · Rear #7
Ana Ivanovic's inside-out forehand from the ad side, filmed from a rear angle. Her hips load in a closed position with a deep knee bend before driving upward and unwinding aggressively into the court.
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2.6s |
FH Inside Out · Rear #8
Ana Ivanovic's inside-out forehand from the middle of the court, filmed from a rear angle. At contact her racket face is slightly closed with the ball struck around waist to chest height, and the racket head accelerates steeply upward along an aggressive inside-out swing path.
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3.1s |
FH Inside Out · Rear #9
Ana Ivanovic's inside-out forehand from the center of the baseline, filmed from a rear angle. Her semi-western grip is evident in the closed racket face during the takeback, with pronounced wrist lag that unwinds into a strong pronation through contact.
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3.3s |
FH Lob · Rear
Ana Ivanovic's forehand lob from the center of the baseline, filmed from a rear angle. Her split-step leads into a quick open-stance adjustment with small lateral steps before she leans back and loads on her outside leg to send the ball high.
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2.5s |
FH Moves Back · Arm-action · Rear
Ana Ivanovic's forehand from a deep baseline position while moving back, filmed from a rear angle. After contact her racquet finishes high across her body as her left arm extends back for counterbalance before she regroups into a neutral ready position.
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2.9s |
FH Moves Back · Rear #1
Ana Ivanovic's forehand from a neutral central position, filmed from the rear. Her semi-western grip is evident in the strong wrist lag on the takeback that unwinds into a pronounced pronation through contact.
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3.3s |
FH Moves Back · Rear #2
Ana Ivanovic's forehand from a central baseline position, filmed from a rear angle. Her semi-western grip is evident in the strong wrist lag on the takeback that unwinds into a pronounced wrist snap through contact.
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2.9s |
FH Moves Back · Rear #3
Ana Ivanovic's forehand from a central baseline position, filmed from the rear. Her contact point is well in front of her body with the racket face slightly closed, and the swing path accelerates steeply upward through the ball, indicating heavy topspin.
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2.9s |
FH Moves Back · Rear #4
Ana Ivanovic's forehand while moving back from a neutral baseline position, filmed from a rear angle. Her hips stay relatively closed as she loads on the outside leg, with a pronounced knee bend and upward leg drive as she pushes up into the shot despite retreating.
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3.1s |
FH Moves Back · Rear #5
Ana Ivanovic's forehand while moving back from a neutral baseline position, filmed from a rear angle. Her shoulders turn well past 90 degrees relative to the baseline, creating a pronounced trunk coil that uncoils sequentially from hips to shoulders into contact.
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3.3s |
FH · Arm-action · Rear #1
Ana Ivanovic's running forehand from the center of the baseline, filmed from a rear angle. Her semi-western grip is evident in the laid-back wrist position on the racquet drop, with a pronounced wrist lag maintained until just before contact.
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3.3s |
FH Running · Arm-action · Rear #2
Ana Ivanovic's running forehand from the center of the court, filmed from a rear angle. After contact her follow-through finishes high across her body while her non-hitting arm extends back for counterbalance before she quickly regains a neutral ready position.
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3s |
FH Running · Rear #1
Ana Ivanovic's running forehand from the center of the baseline, filmed from a rear angle. After contact her follow-through finishes high across her body while her non-hitting arm extends back for counterbalance as she pushes off her outside leg to recover toward the middle.
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2.7s |
FH Running · Rear #2
Ana Ivanovic's running forehand from the center of the baseline, filmed from a rear angle. At contact her racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward on a heavy windshield-wiper path.
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3.1s |
FH Running · Rear #3
Ana Ivanovic's running forehand from the center of the baseline, filmed from a rear angle. Her shoulders turn well past 90 degrees relative to the baseline, with a visibly pronounced trunk coil that uncoils ahead of the arm swing to drive the kinetic chain forward.
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3.3s |
FH · Rear
Ana Ivanovic's forehand from a central baseline position, filmed from the rear. Her semi-western grip is evident in the way the racquet tip points down during the takeback before her wrist uncoils into a pronounced lag just prior to contact.
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3.2s |
FH Short Down The Line · Rear
Ana Ivanovic's forehand from the center of the baseline, filmed from a rear angle. Her semi-western grip is evident in the laid-back wrist position, with noticeable wrist lag that unwinds into a firm, slightly pronated wrist at contact.
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3.8s |
FH Short · Rear #1
Ana Ivanovic's forehand from the center of the court, filmed from a rear angle. At contact her racket face is slightly closed with the ball struck around waist to hip height, and the racket head accelerates steeply upward on a heavy topspin swing path.
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3.1s |
FH Short · Rear #2
Ana Ivanovic's forehand from the center of the baseline, filmed from a rear angle. Her hips load in a closed position with a deep right-knee bend before driving upward and uncoiling into the ball, with the left leg stepping through to finish.
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3.5s |
FH Short · Rear #3
Ana Ivanovic's forehand from the center of the baseline, filmed from a rear angle. Her semi-western grip is evident in the pronounced wrist lag on the takeback, followed by a strong pronation of the wrist through contact.
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3.2s |
FH Short · Rear #4
Ana Ivanovic's forehand from the center of the baseline, filmed from a rear angle. Her semi-western grip is clear from the racket face angle, and you can see pronounced wrist lag in the takeback that unwinds into a strong pronation through contact.
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2.9s |
FH Short · Rear #5
Ana Ivanovic's forehand from the center of the baseline, filmed from a rear angle. After contact her follow-through wraps high across her body as she steps forward into the court and quickly resets both hands on the racquet in a ready position.
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2.6s |
FH Short · Rear #6
Ana Ivanovic's forehand from the center of the court, filmed from a rear angle. At contact her racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward on a pronounced low-to-high swing path.
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2.6s |
FH Short · Rear #7
Ana Ivanovic's forehand from the center of the baseline, filmed from a rear angle. Her shoulders rotate well past perpendicular to the net on the unit turn, then her trunk uncoils aggressively ahead of the arm swing, with the rear hip driving through to complete the kinetic chain.
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5.7s |
FH Short · Rear #8
Ana Ivanovic's forehand from the middle of the court, filmed from a rear angle. Her shoulders rotate well past perpendicular to the baseline on the unit turn, then her trunk uncoils aggressively ahead of the arm to drive the racket through the short ball.
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5.7s |
FH Wide Down The Line · Rear #1
Ana Ivanovic's forehand from the deuce side, filmed from a rear angle. Her shoulders and trunk load with a pronounced coil away from the net before uncoiling in sequence, with the rear hip and trunk rotation clearly leading the arm through contact on this wide ball.
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3.3s |
FH Wide Down The Line · Rear #2
Ana Ivanovic's wide forehand from the deuce side, filmed from a rear angle. Her footwork includes a strong lateral push out to the sideline into an open stance, followed by quick recovery steps that bring her back toward the center after contact.
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3s |
FH Half Volley Wide · Rear
Ana Ivanovic's wide forehand from a neutral baseline position, filmed from the rear. After contact she finishes with a high windshield-wiper follow-through and quickly brings both hands back to the racket handle as she recovers toward the center.
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2.7s |
FH Wide · Rear · Open #1
Ana Ivanovic's wide forehand from the Deuce side in an open stance, filmed from a rear angle. Her shoulders rotate well past perpendicular to the baseline before uncoiling, with the trunk leading the swing so the hips initiate and the upper body whips through later in the kinetic chain.
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2.8s |
FH Wide · Rear · Open #2
Ana Ivanovic's wide forehand from an open stance, filmed from a rear angle. From this view her semi-western grip is evident in the strong racket lag with a laid-back wrist that rapidly unwinds into a firm, stable wrist position at contact.
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2.8s |
FH Wide · Rear · Open #3
Ana Ivanovic's wide forehand from an open stance, filmed from a rear angle. After contact her follow-through wraps high across her body as she pushes off the outside leg and quickly shuffles back toward a neutral ready position with both hands returning to the racquet.
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2.5s |
FH Wide · Rear · Open #4
Ana Ivanovic's wide forehand from the deuce side in an open stance, filmed from a rear angle. Her racket contacts the ball slightly in front of her right hip with the strings tilted marginally closed, and the racket head accelerates upward on a steep low-to-high path for heavy topspin.
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3.2s |
FH Wide · Rear · Open #5
Ana Ivanovic's wide forehand from an open stance, filmed from a rear angle. Her shoulders rotate well past perpendicular to the baseline on the unit turn, then her trunk uncoils aggressively into the ball with a pronounced separation between hip and shoulder rotation.
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3.2s |
FH Wide · Rear · Open #6
Ana Ivanovic's wide forehand from an open stance, filmed from a rear angle. Her shoulders rotate well past perpendicular to the baseline on the unit turn, then her trunk uncoils aggressively ahead of the arm swing, showing a clear separation between hip and shoulder rotation.
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2.9s |
FH Half Volley Center · Side
Ana Ivanovic's forehand from the center of the court, filmed from the side. Her footwork features a quick hop into an open stance with a strong load on the outside leg, followed by a pronounced recovery step back toward the middle after contact.
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2.6s |
FH Center · Side · Neutral #1
Ana Ivanovic's forehand from the center of the baseline in a neutral stance, filmed from the side. Her hips stay closed during the unit turn and then rotate explosively through contact as her legs drive up from a deep knee bend.
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4.2s |
FH Center · Side · Neutral #2
Ana Ivanovic's forehand from the center in a neutral stance, filmed from the side. Her follow-through finishes high across her body as her weight transfers forward into the court, quickly bringing both hands back to a ready position for the next shot.
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3.2s |
FH Center · Side · Neutral #3
Ana Ivanovic's forehand from the center in a neutral stance, filmed from the side. Her shoulders coil significantly past her hips on the unit turn, then uncoil in sequence so the trunk opens toward the net just after the racquet drops into the slot.
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3.1s |
FH Center · Side · Neutral #4
Ana Ivanovic's forehand from the center of the baseline in a neutral stance, filmed from the side. Her footwork includes a small adjustment hop into a neutral stance followed by a pronounced step-through with the back leg that carries her momentum into the court before she recovers.
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2.6s |
FH Center · Side · Neutral #5
Ana Ivanovic's forehand from the center in a neutral stance, filmed from the side. Her contact point is well in front of her body with the racket face slightly closed and accelerating steeply upward, emphasizing heavy topspin through the strike zone.
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3.5s |
FH Center · Side · Open #1
Ana Ivanovic's forehand from the center of the baseline in an open stance, filmed from the side. Her shoulders rotate well past perpendicular to the net on the unit turn, then her trunk uncoils aggressively ahead of the arm swing, showing clear separation between hip and shoulder rotation.
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7.1s |
FH Center · Side · Open #2
Ana Ivanovic's forehand from the center of the baseline in an open stance, filmed from the side. Her hips stay coiled as she sinks into a deep knee bend, then uncoil aggressively with a strong upward leg drive that propels her through the shot.
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3.3s |
FH Center · Side · Open #3
Ana Ivanovic's forehand from the center of the court in an open stance, filmed from the side. Her contact point is well in front of her body with the racket face slightly closed and the racket head accelerating steeply upward through the ball.
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2.9s |
FH Center · Side · Open #4
Ana Ivanovic's forehand from the center in an open stance, filmed from the side. Her follow-through wraps fully across her body with her weight driving into the court, and she quickly brings both hands back to a neutral ready position after the swing.
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3s |
FH Center · Side · Open #5
Ana Ivanovic's forehand from the center in an open stance, filmed from the side. Her shoulders coil significantly past her hips before uncoiling, creating a noticeable trunk rotation sequence where the torso leads the arm into contact.
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2.9s |
FH Center · Side · Open #6
Ana Ivanovic's forehand from the center of the baseline in an open stance, filmed from the side. At contact her racket face is slightly closed with the ball meeting the strings around waist to chest height, and the racket head accelerates steeply upward along a low-to-high swing path.
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2.4s |
FH Center · Side · Open #7
Ana Ivanovic's forehand from the center of the baseline in an open stance, filmed from the side. Her feet set early in a wide open base with a small adjustment hop into contact, and you can see a pronounced recovery step that brings her back to a neutral ready position after the swing.
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2.6s |
FH Inside In · Side #1
Ana Ivanovic's forehand InsideIn from the Deuce side, filmed from the Side angle. After contact her racket wraps fully across her body while her weight drives into the court, and she quickly brings both hands back toward the racket handle as she recovers into a compact ready position.
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4.6s |
FH Inside In · Side #10
Ana Ivanovic's inside-in forehand from the ad side, filmed from a side angle. Her footwork includes a quick adjustment shuffle into a semi-open stance, with a pronounced loading on the outside leg before driving through and recovering toward the center.
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3.1s |
FH Inside In · Side #11
Ana Ivanovic's forehand from the deuce court, filmed from the side. Her shoulders rotate well past 90 degrees in the backswing, creating a pronounced trunk coil that uncoils aggressively into contact with clear sequential rotation from hips to shoulders.
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3.6s |
FH Inside In · Side #12
Ana Ivanovic's forehand InsideIn from the deuce side, filmed from the side. After contact her racquet finishes high across her body as her weight drives into the court, and she quickly brings both hands back on the handle to reset into a ready position.
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3s |
FH Inside In · Side #3
Ana Ivanovic's forehand InsideIn from the Deuce side, filmed from the Side. Her follow-through wraps high across her body with her weight driving into the court, and she quickly brings both hands back to the racket in a ready position for the next shot.
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2.8s |
FH Inside In · Side #4
Ana Ivanovic's forehand from an inside-in position on the deuce side, filmed from a side angle. Her semi-western forehand grip is evident with a pronounced wrist lag on the take-back that unwinds into a strong, laid-back wrist position at contact.
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3.3s |
FH Inside In · Side #5
Ana Ivanovic's inside-in forehand from the ad side, filmed from a side angle. Her semi-western grip is evident with pronounced wrist lag on the takeback that unwinds into a strong pronation through contact.
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3.4s |
FH Inside In · Side #6
Ana Ivanovic's forehand InsideIn from the Deuce court, filmed from the Side. At contact her racket face is slightly closed with the ball struck around waist to chest height, and the racket head accelerates steeply upward along a pronounced low-to-high swing path.
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3.2s |
FH Inside In · Side #7
Ana Ivanovic's forehand InsideIn from the side, filmed from a side angle. Her shoulders coil well past 90 degrees relative to the net before uncoiling in sync with an aggressive trunk rotation that starts from the hips and whips through the torso into contact.
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5.2s |
FH Inside In · Side #8
Ana Ivanovic's forehand InsideIn from the deuce side, filmed from a side angle. Her contact point is well in front of her body with the racket face slightly closed, and the swing path accelerates steeply upward, indicating strong racket head speed through the ball.
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2.5s |
FH Inside In · Side #9
Ana Ivanovic's inside-in forehand from the deuce side, filmed from a side angle. Her semi-western grip is evident in the strong wrist lag on the forward swing, with a pronounced wrist snap up and across the ball at contact.
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3.4s |
FH Inside Out · Side #1
Ana Ivanovic's inside-out forehand from the deuce side, filmed from a side angle. After contact her racquet finishes high across her body while her weight drives forward into the court, quickly bringing both hands back to a neutral ready position for the next shot.
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4.8s |
FH Inside Out · Side #2
Ana Ivanovic's inside-out forehand from the deuce side, filmed from a side angle. Her shoulders turn well past 90 degrees relative to the baseline before uncoiling in sync with her trunk rotation, clearly showing how her torso leads the forward swing.
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4.2s |
FH Inside Out · Side #3
Ana Ivanovic's inside-out forehand from the Ad court, filmed from the side. Her upper body loads with a pronounced shoulder turn and trunk coil, then uncoils aggressively into contact with the shoulders finishing fully rotated toward the target.
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3.2s |
FH Inside Out · Side #4
Ana Ivanovic's inside-out forehand from the deuce side, filmed from a side angle. Her racket meets the ball slightly in front of her lead hip with a closed racket face and a steep low-to-high swing path that accelerates the racket head through contact.
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2.6s |
FH Inside Out · Side #5
Ana Ivanovic's inside-out forehand from the Deuce side, filmed from a side angle. At contact her racket face is slightly closed with the ball struck just in front of her lead hip at around waist height, and the racket head accelerates steeply upward along a pronounced low-to-high swing path.
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3.3s |
FH Lob · Side #1
Ana Ivanovic's forehand lob from the baseline, filmed from the side. Her shoulders load with a pronounced turn relative to her hips before the trunk uncoils upward and forward in a smooth, sequential motion to lift the ball high.
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2.6s |
FH Lob · Side #2
Ana Ivanovic's forehand lob from the baseline, filmed from the side. Her hips stay relatively closed through contact while a deep knee bend and strong upward leg drive are clearly visible as she lifts the ball high.
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3.1s |
FH Lob · Side #3
Ana Ivanovic's forehand lob from the baseline, filmed from the side. At contact her racket face is noticeably open with the ball struck above shoulder height, and the racket accelerates steeply upward to create a high, arcing trajectory.
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2.4s |
FH Half Volley Moves Back · Side #1
Ana Ivanovic's forehand while moving back from mid-court, filmed from a side angle. Her footwork features quick adjustment steps as she retreats and sets up in a semi-open stance before driving through the ball.
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2.3s |
FH Half Volley Moves Back · Side #2
Ana Ivanovic's forehand while moving back from a central baseline position, filmed from the side. The racket face is slightly closed at a contact point around waist to chest height, with the racket head accelerating steeply upward through the ball along an aggressive low-to-high swing path.
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2.6s |
FH Moves Back · Leg-action · Side
Ana Ivanovic's forehand while moving back from a neutral baseline position, filmed from the side. Her follow-through wraps high across her body as her weight finishes on the outside leg, with the non-hitting arm extending back to help her quickly regain a stable ready position.
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3.1s |
FH Moves Back · Side #1
Ana Ivanovic's forehand while moving back from a neutral baseline position, filmed from the side. Her hips stay closed longer during the loading phase with a noticeable knee bend, then drive upward through contact as her rear leg extends to stabilize her backward momentum.
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7.2s |
FH Moves Back · Side #2
Ana Ivanovic's forehand while moving back from a central baseline position, filmed from the side. Her split-step leads into a quick drop step and semi-open stance, with noticeable adjustment steps as she retreats to create spacing before rotating into the shot.
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3.1s |
FH Moves Back · Side #3
Ana Ivanovic's forehand while moving back from a neutral baseline position, filmed from the side. Her follow-through finishes high across her body with her weight still slightly on the back foot, and she quickly brings both hands back to the racket to recover into a ready stance.
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2.7s |
FH Moves Back · Side #4
Ana Ivanovic's forehand while moving back from a neutral baseline position, filmed from the side. The racket face is slightly closed at a contact point around waist to chest height, with a steep low-to-high swing path producing noticeable racket head acceleration through the ball.
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3s |
FH Moves Back · Side #5
Ana Ivanovic's forehand while moving back from a neutral baseline position, filmed from the side. The racket face is slightly closed at a contact point around waist to chest height, with the racket head accelerating steeply upward along a pronounced low-to-high swing path.
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3.3s |
FH Moves Back · Side #6
Ana Ivanovic's forehand while moving back from a neutral baseline position, filmed from the side. At contact her racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward along a pronounced low-to-high swing path.
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2.9s |
FH Moves Back · Side #7
Ana Ivanovic's forehand while moving back from a neutral baseline position, filmed from the side. Her semi-western grip is evident in the pronounced laid-back wrist position on the racket drop, with a late uncoiling of the wrist into contact.
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2.7s |
FH Moves Back · Side #8
Ana Ivanovic's forehand while moving back from a neutral position, filmed from the side. Her shoulders turn well past 90 degrees relative to her hips, and you can clearly see the trunk uncoil sequentially from pelvis to ribcage to shoulders as she drives forward into contact.
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3.2s |
FH Moves Back · Side #9
Ana Ivanovic's forehand while moving back from a neutral baseline position, filmed from the side. Her shoulders rotate well past 90 degrees in the unit turn, with a noticeable delay in trunk uncoil as the hips open first and the upper body unwinds slightly later into contact.
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2.7s |
FH Running · Arm-action · Side
Ana Ivanovic's running forehand from the deuce side, filmed from the side. Her shoulders rotate well past perpendicular to the net during the unit turn, then uncoil ahead of the hips so the trunk drives through contact while she sprints forward.
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3.3s |
FH Running · Side #1
Ana Ivanovic's forehand on the run from a neutral court position, filmed from the side. Her hips stay low with a deep knee bend as she plants the outside leg, then drive forward with noticeable hip rotation leading her upper body through contact.
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2.9s |
FH Running · Side #2
Ana Ivanovic's running forehand from the deuce side, filmed from the side. Her semi-western grip is evident in the strong wrist lag on the forward swing, with a pronounced upward wrist snap through contact.
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2.6s |
FH Running · Side #3
Ana Ivanovic's running forehand from the ad side, filmed from a side angle. Her footwork features a quick adjustment hop into an open stance before contact, followed by aggressive forward recovery steps back toward the baseline.
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2.9s |
FH Running · Side #4
Ana Ivanovic's running forehand from the deuce side, filmed from the side. Her torso loads with a pronounced shoulder turn against the direction of movement, then uncoils aggressively as the shoulders whip through ahead of the arm swing.
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2.5s |
FH Running · Side #5
Ana Ivanovic's running forehand from the deuce side, filmed from the side. Her footwork features a quick adjustment shuffle into a semi-open stance before contact, followed by aggressive forward recovery steps back toward the baseline position.
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2.6s |
FH Running · Side #6
Ana Ivanovic's running forehand from the deuce side, filmed from the side. At contact her racket face is slightly closed with the ball struck around waist height, and the racket head whips up steeply through the contact zone for heavy topspin.
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3.2s |
FH Short · Arm-action · Side
Ana Ivanovic's forehand from a central baseline position, filmed from the side. Her strong hip rotation is driven by a deep right-knee bend and explosive leg extension into the court as she uncoils into contact.
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7.2s |
FH Short · Side #1
Ana Ivanovic's forehand from the middle of the baseline, filmed from the side. Her hips load with a deep knee bend before driving upward, with the rear leg pushing through and the hips uncoiling toward the court as she strikes.
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4s |
FH Short · Side #10
Ana Ivanovic's forehand from the middle of the baseline, filmed from the side. After contact her racquet wraps high over her shoulder while her weight drives forward into the court, quickly bringing both hands back to a neutral ready position for the next shot.
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2.7s |
FH Short · Side #11
Ana Ivanovic's forehand from the middle of the court, filmed from the side. After contact her follow-through finishes high across her body with her weight moving into the court and her non-hitting arm extending back to help her recover quickly to a ready position.
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3.2s |
FH Short · Side #2
Ana Ivanovic's forehand from the Ad side, filmed from the side. At contact her racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward along a low-to-high swing path.
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6s |
FH Short · Side #3
Ana Ivanovic's forehand from the center of the baseline, filmed from the side. After contact her follow-through finishes high across her body while her weight transfers onto her front leg, and she quickly brings both hands back to a ready position for the next shot.
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5.1s |
FH Short · Side #4
Ana Ivanovic's forehand from the middle of the baseline, filmed from the side. At contact her racket face is slightly closed with the ball struck around waist to chest height, and the racket head accelerates steeply upward along a low-to-high swing path.
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6.4s |
FH Short · Side #5
Ana Ivanovic's forehand from the center of the baseline, filmed from the side. Her semi-western grip is evident in the strong racket lag with a laid-back wrist that whips forward into contact before quickly relaxing in the follow-through.
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3.2s |
FH Short · Side #6
Ana Ivanovic's forehand from the middle of the baseline, filmed from the side. Her feet set in a strong open stance after a small adjustment step, with a clear split-step into a quick pivot and lateral push through the shot before recovering.
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4.4s |
FH Short · Side #7
Ana Ivanovic's forehand from the middle of the baseline, filmed from the side. Her feet set up in a strong open stance with a pronounced split-step just before the hit, followed by a quick recovery shuffle back to her ready position.
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2.7s |
FH Short · Side #8
Ana Ivanovic's forehand from the center of the baseline, filmed from the side. At contact her racket face is slightly closed with the ball meeting the strings just in front of her lead hip, and the racket head accelerates steeply upward on a low-to-high path.
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2.9s |
FH Short · Side #9
Ana Ivanovic's forehand from the center of the baseline, filmed from the side. Her early, sharp split-step into a semi-open stance leads into a strong forward weight transfer with a pronounced pivot on the back foot before she recovers along the baseline.
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5s |
FH Half Volley Wide · Side #1
Ana Ivanovic's forehand from a wide position, filmed from the side. Her footwork includes a quick adjustment shuffle into an open stance followed by a pronounced pivot and recovery step back toward the center.
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2.6s |
FH Half Volley Wide · Side #2
Ana Ivanovic's wide forehand from the deuce side, filmed from the side. After contact her racquet finishes high across her body while her weight continues moving into the court, and she quickly brings both hands back toward the racquet handle to reestablish a ready position.
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3.2s |
FH Wide · Side · Neutral
Ana Ivanovic's wide forehand from a neutral stance, filmed from the side. Her follow-through finishes high across her body with her weight driving into the court, and she quickly brings both hands back to the racket to reset into a ready position.
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3.1s |
FH Wide · Side · Open #1
Ana Ivanovic's wide forehand from an open stance, filmed from the side. Her shoulders rotate well past perpendicular to the net on the unit turn, then uncoil ahead of the hips so the trunk leads the forward swing into contact.
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3s |
FH Wide · Side · Open #2
Ana Ivanovic's wide forehand from the Ad side, filmed from the side. Her open stance is clear as she plants her outside foot first, then uses a strong lateral push-off to recover back toward the center after contact.
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3.1s |
FH Wide · Side · Open #3
Ana Ivanovic's wide forehand from an open stance, filmed from the side. Her hips stay relatively open to the court as she loads, with a deep knee bend and strong leg drive upward and into the ball.
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2.9s |
FH Wide · Side · Open #4
Ana Ivanovic's wide forehand from an open stance on the baseline, filmed from the side. After contact her follow-through wraps high across her body as her weight continues moving toward the sideline before she recovers with her non-hitting hand helping the racquet return to a neutral ready position.
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2.8s |
FH Wide · Side · Open #5
Ana Ivanovic's wide forehand from an open stance, filmed from the side. Her contact point is well in front of her body with the racket face slightly closed, and the swing path accelerates steeply upward, giving the racket head noticeable speed through the hitting zone.
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2.7s |
FH Wide · Side · Open #6
Ana Ivanovic's wide forehand from an open stance, filmed from the side. Her semi-western grip is evident in the strong wrist lag on the takeback, followed by a pronounced wrist pronation through contact.
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2.9s |
FH Wide · Side · Open #7
Ana Ivanovic's wide forehand from an open stance on the baseline, filmed from the side. Her follow-through wraps high across her body as her weight lands on the outside leg, and she quickly brings both hands back toward the racket to recover into a ready position.
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2.7s |
FH Wide · Side · Open #8
Ana Ivanovic's wide forehand from an open stance, filmed from the side. Her semi-western grip is evident in the strong wrist lag on the takeback followed by a pronounced wrist pronation through contact.
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3.4s |
BH Return 1st Serve · Deuce · Arm-action · Court-level #1
Ana Ivanovic's first serve from the deuce side, filmed from court level front. Her footwork is minimal with a small pinpoint stance, and you can clearly see her front foot pivot inward as she drives up, then land slightly inside the baseline before a short recovery step.
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2.8s |
BH Return 2nd Serve · Deuce · Arm-action · Court-level #2
Ana Ivanovic's second serve from the deuce side, filmed from a court-level front angle. Her racket face is slightly closed at contact with the ball struck around head height, and the upward swing path produces noticeable racket head acceleration through the hitting zone.
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2.9s |
FH Return 2nd Serve → FH Swinging Volley · Deuce · Court-level #2
Ana Ivanovic's second-serve forehand swinging volley return from the deuce court, filmed from court-level in front. Her hips stay relatively open to the net as she drives off a strong right-leg push, with a noticeable knee bend that straightens through contact.
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8.3s |
BH Return 1st Serve · Deuce · Court-level-front #1
Ana Ivanovic's first serve from the deuce court, filmed from a court-level front angle. After contact she lands on her front foot, lets her hitting arm unwind across her body, and quickly brings both hands back to the racket handle to recover into a balanced ready position on the baseline.
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2.9s |
BH Return 2nd Serve · Ad · Arm-action · Court-level-front #1
Ana Ivanovic's second serve from the Ad side, filmed from a court-level front angle. Her hips stay relatively closed through the knee bend, with a strong upward leg drive that straightens the knees into contact.
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3.6s |
BH Return 2nd Serve · Ad · Arm-action · Court-level-front #2
Ana Ivanovic's second serve from the Ad court, filmed from a court-level front angle. Her continental grip is firm with a relaxed wrist that pronates clearly through contact, showing a distinct snap as the racquet accelerates up the back of the ball.
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3.5s |
BH Return 2nd Serve · Deuce · Court-level-front #1
Ana Ivanovic's second serve from the deuce side, filmed from a front court-level angle. Her feet stay staggered in a platform stance with a pronounced knee bend, and you can see a small front-foot adjustment just before she drives up into the serve.
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2.9s |
BH Return 2nd Serve · Deuce · Court-level-front #2
Ana Ivanovic's second serve from the deuce side, filmed from a court-level front angle. After contact she lets her hitting arm finish across her body while her back leg swings forward into the court, helping her land balanced and transition quickly toward a neutral ready position.
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2.4s |
BH Return 2nd Serve · Deuce · Court-level-front #3
Ana Ivanovic's second serve from the deuce side, filmed from a court-level front angle. At contact, her racket face is slightly closed with the ball struck just above head height, and the upward swing path creates visible racket head acceleration through the hitting zone.
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2.6s |
BH Return 2nd Serve · Deuce · Court-level-front #4
Ana Ivanovic's second serve from the deuce side, filmed from a court-level front angle. Her hips stay relatively closed through the knee bend and leg drive, with a noticeable push up off the back leg before her hips uncoil into the court.
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3.7s |
FH Return 1st Serve · Ad · Arm-action · Court-level-front #1
Ana Ivanovic's first serve from the Ad court, filmed from a court-level front angle. After contact her hitting arm extends fully toward the target before relaxing, and she brings both hands back in front of her torso as she lands and settles into a balanced ready position for the next shot.
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2.6s |
FH Return 1st Serve · Ad · Arm-action · Court-level-front #2
Ana Ivanovic's first serve from the Ad side, filmed from a court-level front angle. From this view, her relaxed continental grip is evident in the slightly open racket face, and you can see a pronounced wrist pronation through contact as the strings turn outward toward the target.
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2.1s |
FH Return 1st Serve · Ad · Court-level-front #1
Ana Ivanovic's first serve from the Ad side, filmed from a court-level front angle. Her continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a pronounced snap just after impact.
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3.6s |
FH Return 1st Serve · Ad · Court-level-front #2
Ana Ivanovic's first serve from the Ad side, filmed from a court-level front angle. Her hips stay closed through the knee bend before driving up and into the court, with the legs extending aggressively off the ground to initiate the upward motion.
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2.9s |
FH Return 2nd Serve · Deuce · Court-level-front #1
Ana Ivanovic's second serve from the deuce side, filmed from a court-level front angle. Her shoulders and trunk show a pronounced coil during the trophy phase, followed by a distinct uncoiling where the chest rotates toward the net before the arm whips up to contact.
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4.1s |
FH Return 2nd Serve · Deuce · Court-level-front #2
Ana Ivanovic's second serve from the deuce side, filmed from a court-level front angle. Her hips stay closed through the loading phase with a pronounced knee bend, then drive up and slightly into the court as her legs extend into the serve.
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2.6s |
BH Return 1st Serve · Ad · Court-level-rear #1
Ana Ivanovic's first serve from the Ad side, filmed from a court-level rear angle. Her hips load into a deep knee bend before driving upward, with the rear leg pushing off strongly to initiate hip rotation toward the court.
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4.2s |
BH Return 2nd Serve · Ad · Court-level-rear #1
Ana Ivanovic's second serve from the Ad side, filmed from a court-level rear angle. At contact her racket face is slightly closed with the ball struck just above head height, and the upward swing path creates a pronounced brushing action that increases racket head speed through the hit.
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2.9s |
BH Return 2nd Serve · Ad · Court-level-rear #2
Ana Ivanovic's second serve from the Ad side, filmed from a court-level rear angle. Her feet set in a neutral stance with a small front-foot adjustment before the ball toss, and she takes a pronounced diagonal recovery step toward the center after landing.
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3.5s |
BH Return Slice 1st Serve · Ad · Court-level-rear #1
Ana Ivanovic's backhand slice return of first serve from the Ad court, filmed from a court-level rear angle. Her racket face is slightly open at contact with the ball struck around waist height, and the racket head travels on a noticeably downward path to impart backspin.
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4.1s |
BH Return 2nd Serve · Deuce · Court-level-side #1
Ana Ivanovic's second serve from the deuce court, filmed from a court-level side angle. From this side view you can clearly see her continental grip stay relaxed through the toss and into the hitting phase, with a pronounced wrist pronation as she drives up and through the ball.
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3.5s |
BH Return 2nd Serve · Deuce · Court-level-side #2
Ana Ivanovic's second serve from the deuce court, filmed from a court-level side angle. After contact she lands on her front foot with her tossing arm dropping quickly into her side as she drives up and forward, finishing in a balanced stance that lets her reset into a ready position.
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2.9s |
FH Return 1st Serve · Ad · Arm-action · Court-level-side #1
Ana Ivanovic's first serve from the Ad court, filmed from a court-level side angle. After contact she lets her hitting arm fully unwind across her body while her back leg swings forward into the court, bringing her quickly into a balanced, square ready position for the next shot.
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3.2s |
BH Return 1st Serve · Ad · Front #1
Ana Ivanovic's first serve from the Ad court, filmed from the front. Her shoulders rotate as a unit with the trunk, with a pronounced coil during the trophy phase followed by a rapid uncoiling that brings the chest square to the net at contact.
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3.5s |
BH Return 1st Serve · Ad · Front #2
Ana Ivanovic's first serve from the Ad court, filmed from the front. After contact she drives her weight into the court and finishes with her tossing arm dropping quickly as she settles into a balanced ready position for the next shot.
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3.6s |
BH Return 1st Serve · Ad · Front #3
Ana Ivanovic's first serve from the Ad court, filmed from the front. Her shoulder line turns well past perpendicular to the net before uncoiling, with the trunk initiating rotation ahead of the arm swing to sequence the kinetic chain.
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2.6s |
BH Return 1st Serve · Ad · Front #4
Ana Ivanovic's first serve from the Ad side, filmed from the front. Her hips stay closed through the knee bend before driving upward, with an explosive push off the front leg clearly visible from this angle.
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2.6s |
BH Return 1st Serve · Ad · Front #5
Ana Ivanovic's first serve from the Ad court, filmed from the front. Her continental grip is clearly visible on the racquet handle, with a loose wrist that pronates sharply through contact to add spin and disguise.
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3.3s |
BH Return 1st Serve · Ad · Front #6
Ana Ivanovic's first serve from the Ad court, filmed from the front. Her feet start in a platform stance, and you can see a pronounced knee bend followed by a strong upward drive off the back leg into the court.
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3.8s |
BH Return 1st Serve · Ad · Front #7
Ana Ivanovic's first serve from the Ad court, filmed from the front. After contact she lands on her front leg and quickly brings both hands back toward her torso, transitioning into a compact ready position for the next shot.
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2.8s |
BH Return 1st Serve · Ad · Front #8
Ana Ivanovic's first serve from the Ad court, filmed from a front angle. Her continental grip is clearly visible on the racquet handle, and you can see pronounced wrist pronation through contact as her strings turn toward the target.
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2.6s |
BH Return 1st Serve · Deuce · Front #1
Ana Ivanovic's first serve from the deuce court, filmed from the front. Her hips stay relatively closed through the knee bend before driving upward, with a pronounced push off the front leg that straightens aggressively into the court.
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2.7s |
BH Return 1st Serve · Deuce · Front #2
Ana Ivanovic's first serve from the deuce court, filmed from the front. Her continental grip is clearly visible on the racket handle, and you can see pronounced wrist pronation through contact as the racket face turns down and across the ball.
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3.5s |
BH Return 1st Serve · Deuce · Front #3
Ana Ivanovic's first serve from the deuce court, filmed from the front. Her footwork includes a rhythmic rocker step into a pinpoint stance, with her back foot drawing up to the front foot before she drives up into the ball.
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3.2s |
BH Return 1st Serve · Deuce · Front #4
Ana Ivanovic's first serve from the deuce court, filmed from the front. Her shoulder line turns significantly away from the net during the trophy phase, with a pronounced trunk coil that uncoils in sequence from hips to shoulders as she drives up to contact.
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3.2s |
BH Return 1st Serve · Deuce · Front #5
Ana Ivanovic's first serve from the deuce side, filmed from a front angle. After contact she lets her hitting arm finish across her body while her back leg swings forward into the court, bringing her quickly into a balanced ready position for the next shot.
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2.7s |
BH Return 1st Serve · Deuce · Front #6
Ana Ivanovic's first serve from the deuce side, filmed from the front. Her shoulders rotate as a unit with a pronounced trunk coil during the toss, then uncoil aggressively into contact with the chest driving through toward the target before decelerating.
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2s |
BH Return 1st Serve · Deuce · Front #7
Ana Ivanovic's first serve return from the deuce court, filmed from the front. Her compact split step into a slightly open stance is followed by a quick pivot and small adjustment steps that set her feet before she drives into the backhand.
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2.5s |
BH Return 1st Serve · Deuce · Front #8
Ana Ivanovic's first serve from the deuce side, filmed from the front. At contact her racket face is slightly tilted upward with the ball struck just above full extension, and the racket head accelerates straight through the ball before pronating across her body.
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2.3s |
BH Return 2nd Serve · Ad · Front #1
Ana Ivanovic's second serve from the Ad side, filmed from the front. Her shoulders and trunk rotate together into a pronounced coil during the toss, then uncoil sequentially from hips to shoulders as she drives up into the serve.
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3.2s |
BH Return 2nd Serve · Ad · Front #2
Ana Ivanovic's second serve from the ad court, filmed from the front. After contact she lands into the court with her weight moving forward, her non-hitting arm dropping naturally as she quickly brings both hands back to the racket in a compact ready position.
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2.6s |
BH Return 2nd Serve · Ad · Front #3
Ana Ivanovic's second serve from the Ad court, filmed from the front. Her shoulders rotate as a unit with the trunk during the toss and then uncoil together into contact, with the chest clearly opening toward the target as the hitting arm comes up.
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3.2s |
BH Return 2nd Serve · Ad · Front #4
Ana Ivanovic's second serve from the Ad court, filmed from the front. After contact she lets her hitting arm finish across her body while her back leg swings forward into the court, bringing her quickly into a balanced ready position on the baseline.
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2.8s |
BH Return 2nd Serve · Ad · Front #5
Ana Ivanovic's second serve from the Ad court, filmed from the front. After contact she lands with her weight moving into the court, her tossing arm dropping quickly as both hands regroup on the racket while she settles into a compact ready position for the next shot.
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3.3s |
BH Return 2nd Serve · Ad · Front #6
Ana Ivanovic's second serve from the Ad side, filmed from the front. Her hips stay relatively closed through the knee bend, with a strong upward leg drive that straightens both knees aggressively into the hit.
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3s |
BH Return 2nd Serve · Ad · Front #7
Ana Ivanovic's second serve from the ad court, filmed from the front. Her continental grip is clearly visible on the serve, with a pronounced wrist pronation through contact that finishes with the racquet edge facing the target.
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3s |
BH Return 2nd Serve · Ad · Front #8
Ana Ivanovic's second serve from the Ad court, filmed from the front. After contact she lets her hitting arm finish across her body while her back leg swings forward into the court, bringing her quickly into a balanced ready position on the baseline.
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3.1s |
BH Return 2nd Serve · Ad · Front #9
Ana Ivanovic's second serve from the Ad court, filmed from the front. Her shoulders rotate as a unit with the trunk on the trophy phase, then uncoil together into contact with a noticeable upward drive of the torso.
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3.7s |
BH Return 2nd Serve · Deuce · Front #1
Ana Ivanovic's second serve from the deuce side, filmed from a front angle. Her footwork includes a rhythmic rocking motion into a pinpoint stance, with her back foot drawing up to the front before she drives up into the serve.
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3.6s |
BH Return 2nd Serve · Deuce · Front #2
Ana Ivanovic's second serve from the deuce side, filmed from a front angle. Her racket contacts the ball slightly above head level with a clearly pronated racket face, and the upward swing path creates visible topspin and kick.
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3.3s |
BH Return 2nd Serve · Deuce · Front #3
Ana Ivanovic's second serve from the deuce side, filmed from the front. After contact she lets her hitting arm finish across her body while her back leg swings forward into the court, bringing her quickly back toward a balanced ready position.
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3.9s |
BH Return 2nd Serve · Deuce · Front #4
Ana Ivanovic's second serve from the deuce side, filmed from the front. Her continental grip is clearly visible on the serve, with a loose wrist that pronates aggressively through contact to add spin.
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2.9s |
BH Return 2nd Serve · Deuce · Front #5
Ana Ivanovic's second serve from the deuce court, filmed from the front. Her footwork includes a controlled pinpoint stance, bringing the back foot up to the front before driving upward and landing inside the court with a small recovery step ready for the next shot.
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3.2s |
BH Return Slice 1st Serve · Ad · Front #1
Ana Ivanovic's backhand slice return of a first serve from the Ad court, filmed from the front. She sets up in a neutral stance with a small adjustment step into the ball, then takes a couple of quick recovery steps back toward the center after contact.
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3.7s |
BH Return Slice 1st Serve · Deuce · Front #1
Ana Ivanovic's first serve from the deuce side, filmed from the front. At contact her racket face is slightly tilted forward with the ball struck just above head height, and the racket head accelerates straight through the hitting zone before finishing across her body.
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3s |
FH Return 1st Serve · Ad · Front #1
Ana Ivanovic's first serve from the Ad side, filmed from the front. After contact she lands inside the court with her weight moving forward, her non-hitting arm dropping naturally as she quickly regains a square ready position for the next shot.
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2.7s |
FH Return 1st Serve · Ad · Front #3
Ana Ivanovic's first serve from the Ad court, filmed from the front. Her front-facing stance makes it clear how she uses a rhythmic knee bend and upward drive from a mostly platform base, with a small adjustment step to set her feet before initiating the service motion.
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3.3s |
FH Return 1st Serve · Deuce · Arm-action · Front #1
Ana Ivanovic's first serve return from the deuce side, filmed from the front. Her split-step is timed just before the opponent’s contact, leading into a quick pivot with a slightly open stance that lets her load on the outside leg before initiating the return.
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3.5s |
FH Return 1st Serve · Deuce · Front #1
Ana Ivanovic's first serve from the deuce side, filmed from the front. Her hips stay relatively closed through the knee bend before driving upward, with a strong push off the back leg that brings the front hip through into the court.
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3.2s |
FH Return 1st Serve · Deuce · Front #2
Ana Ivanovic's first serve from the deuce court, filmed from the front. Her footwork includes a rhythmic rocking motion into a pinpoint stance, with a pronounced front-foot plant before she drives up into the serve.
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3.3s |
FH Return 1st Serve · Deuce · Front #3
Ana Ivanovic's first serve from the deuce side, filmed from the front. Her footwork detail includes a rhythmic rocker step into a pinpoint stance, with her back foot drawing up to the front before she drives up into the court.
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3s |
FH Return 2nd Serve · Ad · Front #1
Ana Ivanovic's second serve from the Ad court, filmed from a front angle. Her knees load deeply with a noticeable bend before driving upward, and her hips uncoil toward the court as her back leg swings through the baseline.
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6.3s |
FH Return 2nd Serve · Ad · Front #2
Ana Ivanovic's second serve from the Ad court, filmed from the front. At contact her racket face is slightly closed with the ball struck around head height, and the upward swing path creates noticeable racket head acceleration through the hit.
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3.3s |
FH Return 2nd Serve · Ad · Front #3
Ana Ivanovic's second serve from the Ad side, filmed from the front. Her continental grip is clearly visible, with a relaxed hand and a pronounced wrist pronation through contact that finishes with the strings facing slightly left of the target.
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4.9s |
FH Return 2nd Serve · Ad · Front #4
Ana Ivanovic's second serve from the Ad court, filmed from the front. Her knee bend is clearly visible as she loads on her back leg, with her hips driving upward and into the court during the push-off phase.
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3.3s |
FH Return 2nd Serve · Ad · Front #5
Ana Ivanovic's second serve from the Ad court, filmed from the front. Her continental grip is clearly visible, with a relaxed hand that enables pronounced wrist pronation through contact.
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3.8s |
FH Return 2nd Serve · Ad · Front #6
Ana Ivanovic's second serve from the Ad court, filmed from the front. Her hips stay relatively closed through the toss and loading phase, with a deep knee bend and strong upward leg drive clearly visible as she pushes into the court.
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3.1s |
FH Return 2nd Serve · Ad · Front #7
Ana Ivanovic's second serve from the Ad court, filmed from the front. Her shoulder line rotates noticeably away from the target during the trophy phase, then her trunk uncoils in sequence with the shoulder girdle driving up into contact.
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2.9s |
FH Return 2nd Serve · Ad · Front #8
Ana Ivanovic's second serve from the Ad court, filmed from the front. At contact her racket face is slightly closed with the ball struck just above head height, and the upward swing path produces a pronounced acceleration of the racket head through the hitting zone.
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3.8s |
FH Return 2nd Serve · Ad · Front #9
Ana Ivanovic's second serve from the Ad court, filmed from the front. Her continental grip is evident with a relaxed hand, and you can see a pronounced wrist pronation through contact that finishes with the strings facing slightly toward the left side fence.
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2.4s |
FH Return 2nd Serve → FH Swinging Volley · Deuce · Front #2
Ana Ivanovic's second serve return forehand from the deuce court, filmed from the front. After contact she finishes with a high across-body follow-through and quickly brings both hands back toward the racket handle to reset into a ready position on the baseline.
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6.2s |
FH Return 2nd Serve · Deuce · Front #1
Ana Ivanovic's second serve from the deuce side, filmed from the front. Her hips stay relatively closed through the loading phase with a deep knee bend, then drive upward as both legs extend aggressively into the court.
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2.6s |
FH Return 2nd Serve · Deuce · Front #2
Ana Ivanovic's second serve from the deuce side, filmed from the front. After contact she lets her hitting arm finish across her body while her back leg swings forward into the court, bringing her quickly into a balanced, square ready position on the baseline.
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3.6s |
FH Return 2nd Serve · Deuce · Front #3
Ana Ivanovic's second serve from the deuce side, filmed from the front. At contact her racket face is slightly tilted up with the ball struck just above head height, and you can see the upward swing path accelerating through the ball to generate heavy spin.
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2.5s |
FH Return 2nd Serve · Deuce · Front #4
Ana Ivanovic's second serve from the deuce side, filmed from the front. Her hips stay relatively closed through the knee bend and loading phase, then uncoil upward as her back leg drives off the court to initiate her service motion.
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3s |
FH Return 2nd Serve · Deuce · Front #5
Ana Ivanovic's second serve from the deuce court, filmed from the front. After contact she lets her hitting arm finish across her body while her back leg swings forward into the court, bringing her quickly into a balanced ready position on the baseline.
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2.9s |
FH Return 2nd Serve · Deuce · Front #6
Ana Ivanovic's second serve from the deuce side, filmed from the front. Her shoulders and trunk rotate together as a single unit during the toss and early racquet drop, then uncoil sharply from the hips upward, showing a clear sequential trunk rotation into contact.
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4.2s |
FH Return 2nd Serve · Deuce · Front #7
Ana Ivanovic's second serve return from the deuce court, filmed from the front. She sets up with a balanced split step just before contact, then uses a small adjustment hop into a semi-open stance to load her right leg before driving into the return.
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3.4s |
FH Return 2nd Serve · Deuce · Front #8
Ana Ivanovic's second serve from the deuce side, filmed from the front. Her shoulders and trunk coil strongly away from the target during the toss, then uncoil in a clearly sequenced motion where the trunk rotation leads the arm swing into contact.
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3.3s |
FH Return 2nd Serve · Deuce · Front #9
Ana Ivanovic's second serve from the deuce side, filmed from the front. Her knees load deeply before she drives upward, and her hips uncoil toward the court as her back leg kicks back to finish the motion.
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3.3s |
BH Return 1st Serve · Ad · Arm-action · Rear #1
Ana Ivanovic's first serve from the Ad court, filmed from a rear angle. Her shoulders rotate well past perpendicular to the baseline in the trophy phase, then uncoil in sync with her trunk so that her chest and hitting shoulder square to the target just after contact.
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2.5s |
BH Return 1st Serve · Ad · Rear #1
Ana Ivanovic's first serve from the Ad court, filmed from a rear angle. Her continental grip is firm with a slightly relaxed wrist that pronates aggressively through contact, making the wrist snap especially visible from behind.
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2.7s |
BH Return 1st Serve · Ad · Rear #2
Ana Ivanovic's first serve from the Ad court, filmed from a rear angle. Her hips stay closed through the knee bend before uncoiling aggressively upward as her back leg drives off the court into the court.
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2.9s |
BH Return 1st Serve · Ad · Rear #3
Ana Ivanovic's first serve from the Ad court, filmed from a rear angle. At contact her racket face is slightly tilted forward with the ball struck just above full extension, and the racket head accelerates steeply upward along the baseline direction for heavy topspin and depth.
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3.2s |
BH Return 1st Serve · Ad · Rear #4
Ana Ivanovic's first serve from the Ad court, filmed from a rear angle. At contact her racket face is slightly tilted forward with the ball struck just above full extension, and the racket head accelerates steeply up and across the ball on a pronounced pronation-driven swing path.
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3s |
BH Return 1st Serve · Deuce · Arm-action · Rear #1
Ana Ivanovic's first serve from the deuce side, filmed from a rear angle. At contact her racket face is slightly tilted up with a fully extended arm, and the upward swing path and racket head speed are evident as the strings brush up and through the ball.
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3.3s |
BH Return 1st Serve · Deuce · Rear #1
Ana Ivanovic's first serve from the deuce court, filmed from a rear angle. Her shoulders turn significantly away from the court in the trophy position, then uncoil in sync with a strong trunk rotation that leads the arm upward into contact.
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2.1s |
BH Return 1st Serve · Deuce · Rear #2
Ana Ivanovic's first serve from the deuce court, filmed from a rear angle. Her hips load into a deep knee bend before driving upward, with the rear leg pushing explosively and the hips uncoiling toward the court as she lands slightly inside the baseline.
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3.9s |
BH Return 1st Serve · Deuce · Rear #3
Ana Ivanovic's first serve from the deuce court, filmed from a rear angle. After contact she lands on her front foot and lets her hitting arm finish across her body while her non-hitting hand drops quickly as she recovers toward a neutral ready position.
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3.5s |
BH Return 1st Serve · Deuce · Rear #4
Ana Ivanovic's first serve from the deuce court, filmed from a rear angle. At contact her racket face is slightly tilted forward with the ball struck just above full extension, and the rear view makes the upward, pronation-driven swing path and accelerating racket head speed clearly visible.
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2.7s |
BH Return 1st Serve · Deuce · Rear #5
Ana Ivanovic's first serve from the deuce side, filmed from a rear angle. From this view, you can clearly see her continental grip stay firm while her wrist pronates aggressively through contact, with the racquet head finishing to the right of her body.
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3.6s |
BH Return 1st Serve · Deuce · Rear #6
Ana Ivanovic's first serve from the deuce court, filmed from a rear angle. At contact her racket face is nearly square to the target with the ball struck slightly above full extension, and the racket head accelerates up and across her body, emphasizing a pronounced pronation through the strike.
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3s |
BH Return 1st Serve · Deuce · Rear #7
Ana Ivanovic's first serve from the deuce court, filmed from a rear angle. Her shoulders rotate well past perpendicular to the baseline in the trophy position, then uncoil in sync with a pronounced trunk rotation that leads the upward swing into contact.
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3.2s |
BH Return 2nd Serve · Ad · Rear #1
Ana Ivanovic's second serve from the Ad court, filmed from a rear angle. Her hips stay closed through the toss with a deep knee bend, then drive up into the court as her back leg kicks back to complete the leg-driven upward motion.
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3.8s |
BH Return 2nd Serve · Ad · Rear #2
Ana Ivanovic's second serve from the Ad court, filmed from a rear angle. She uses a rhythmic pinpoint stance with her back foot drawing up to the front before driving up and into the court, followed by a small hop and immediate recovery step toward the baseline center.
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3.9s |
BH Return 2nd Serve · Deuce · Arm-action · Rear #2
Ana Ivanovic's second serve from the deuce side, filmed from a rear angle. Her hips stay relatively closed through the loading phase with a deep knee bend, then drive up aggressively as her back leg extends to initiate upward thrust into the serve.
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2.7s |
BH Return 2nd Serve · Deuce · Rear #1
Ana Ivanovic's second serve from the deuce side, filmed from a rear angle. After contact she lets her hitting arm finish across her body while her back leg swings forward into the court, bringing her quickly into a balanced, ready position on the baseline.
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2.9s |
BH Return 2nd Serve · Deuce · Rear #2
Ana Ivanovic's second serve from the deuce side, filmed from a rear angle. At contact her racket face is only slightly open with the ball struck just above head height, and the upward swing path creates noticeable racket head acceleration up and across the ball.
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2.4s |
BH Return 2nd Serve · Deuce · Rear #3
Ana Ivanovic's second serve from the deuce side, filmed from a rear angle. Her shoulders and trunk rotate together into a deep coil during the trophy phase, then uncoil sequentially from hips to shoulders as she drives up to contact.
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3.2s |
BH Return 2nd Serve · Deuce · Rear #4
Ana Ivanovic's second serve from the deuce side, filmed from a rear angle. Her footwork includes a rhythmic rocker step into a pinpoint stance, with a pronounced knee bend before she drives up and lands slightly inside the baseline for recovery.
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3.8s |
BH Return 2nd Serve · Deuce · Rear #5
Ana Ivanovic's second serve from the deuce side, filmed from a rear angle. From this view you can clearly see her shoulders and trunk coil strongly away from the court during the toss, then uncoil in sequence so the left shoulder and chest rotate through toward the target before her arm extends up into contact.
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4.1s |
BH Return 2nd Serve · Deuce · Rear #6
Ana Ivanovic's second serve from the deuce side, filmed from a rear angle. Her shoulders and trunk rotate as a single unit during the toss and loading phase, then uncoil sequentially from hips to shoulders into contact, making the degree of upper-body turn and release easy to compare across serves.
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3.5s |
BH Return Slice 1st Serve · Ad · Rear #1
Ana Ivanovic's first serve from the Ad court, filmed from a rear angle. Her continental grip is firm with a relaxed wrist that pronates aggressively through contact, making the wrist snap especially clear from behind.
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3.4s |
BH Return Slice 1st Serve · Deuce · Rear #1
Ana Ivanovic's first serve from the deuce court, filmed from a rear angle. After contact she lands on her front foot with her torso unwinding toward the court, and her non-hitting arm drops back as she quickly regroups into a neutral ready position on the baseline.
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3.3s |
BH Return Slice 1st Serve · Deuce · Rear #2
Ana Ivanovic's first serve from the deuce court, filmed from a rear angle. After contact she lets her hitting arm finish across her body as her back leg swings forward into the court, bringing her quickly into a balanced, ready position on the baseline.
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2.5s |
FH Return 1st Serve · Ad · Rear #1
Ana Ivanovic's first serve from the ad court, filmed from a rear angle. From this view you can see her relaxed continental grip with a loose wrist that pronates aggressively through contact, finishing with a pronounced wrist snap toward the target.
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3.5s |
FH Return 1st Serve · Ad · Rear #2
Ana Ivanovic's first serve from the Ad court, filmed from a rear angle. At contact her racket face is slightly closed with the ball struck just above full extension, and the rear view makes the upward, pronated swing path and acceleration of the racket head clearly visible.
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3.2s |
FH Return 1st Serve · Ad · Rear #3
Ana Ivanovic's first serve from the Ad court, filmed from a rear angle. Her shoulders rotate well past perpendicular to the baseline in the trophy position, then her trunk uncoils in sequence with her arm swing, making the degree of upper-body rotation and its timing easy to compare between serves.
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2.8s |
FH Return 1st Serve · Ad · Rear #4
Ana Ivanovic's first serve from the Ad court, filmed from a rear angle. Her footwork includes a rhythmic rocking motion into a pinpoint stance, with a clear drive off the back leg and a small hop into the court to aid recovery.
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2.7s |
FH Return 1st Serve · Ad · Rear #5
Ana Ivanovic's first serve from the Ad court, filmed from a rear angle. Her shoulders rotate well past perpendicular to the baseline in the trophy phase, then her trunk uncoils ahead of the arm swing, creating a clear sequential rotation up through the kinetic chain.
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3.1s |
FH Return 1st Serve · Ad · Rear #6
Ana Ivanovic's first serve from the Ad side, filmed from a rear angle. Her hips load with a pronounced knee bend and then drive up into the court, with the rear leg pushing off strongly to initiate upward and forward motion into the serve.
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3.4s |
FH Return 1st Serve · Ad · Rear #7
Ana Ivanovic's first serve from the Ad court, filmed from a rear angle. At contact her racket face is slightly closed with the ball struck just above full extension, and the racket head accelerates steeply upward along the right side of her body.
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3.3s |
FH Return 1st Serve · Deuce · Rear #1
Ana Ivanovic's first serve from the deuce side, filmed from a rear angle. Her hips load into a deep knee bend before driving upward, with the rear view clearly showing the aggressive leg drive and hip uncoil into the court.
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2.9s |
FH Return 1st Serve · Deuce · Rear #2
Ana Ivanovic's first serve from the deuce court, filmed from a rear angle. After contact she lands on her front leg and lets her racket finish across her body while her non-hitting arm drops back, quickly returning to a balanced ready position on the baseline.
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2.6s |
FH Return 1st Serve · Deuce · Rear #3
Ana Ivanovic's first serve from the deuce side, filmed from a rear angle. Her shoulders and trunk coil deeply away from the court during the trophy phase, then uncoil in a clearly sequenced motion that drives her right shoulder up and through the ball before her torso fully rotates toward the target.
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4.2s |
FH Return 1st Serve · Deuce · Rear #4
Ana Ivanovic's first serve from the deuce side, filmed from a rear angle. Her hips load deeply with a pronounced knee bend before driving upward, and you can clearly see her back hip rotating through as her back leg extends into the court.
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3.3s |
FH Return 1st Serve · Deuce · Rear #5
Ana Ivanovic's first serve from the deuce court, filmed from a rear angle. The racket comes up to contact with a slightly pronated face and reaches its highest point just above her outstretched tossing arm, emphasizing a steep upward swing path and strong racket head acceleration through the ball.
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3.8s |
FH Return 1st Serve · Deuce · Rear #6
Ana Ivanovic's first serve from the deuce side, filmed from a rear angle. Her continental grip is clearly visible on the racquet handle, and you can see a pronounced wrist pronation through contact that turns the strings toward the target.
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3.3s |
FH Return 1st Serve · Deuce · Rear #7
Ana Ivanovic's first serve from the deuce side, filmed from a rear angle. At contact her racket face is nearly square to the ball with a slightly pronated forearm, and the ball is struck at full extension well above head height, emphasizing a steep upward swing path and high racket head speed through the hit.
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3.4s |
FH Return 2nd Serve · Ad · Rear #1
Ana Ivanovic's second serve from the Ad court, filmed from a rear angle. After contact she lets her hitting arm finish across her body while her back leg swings forward into the court, bringing her quickly back toward a neutral ready position on the baseline.
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5s |
FH Return 2nd Serve · Ad · Rear #2
Ana Ivanovic's second serve from the Ad court, filmed from a rear angle. Her footwork includes a rhythmic rocker step into a pinpoint stance, with a pronounced front-leg drive that lands her slightly inside the baseline before she takes a small recovery step back.
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3s |
FH Return 2nd Serve · Ad · Rear #3
Ana Ivanovic's second serve from the Ad court, filmed from a rear angle. After contact she lets her hitting arm finish across her body while her back leg swings forward into the court, helping her land balanced and quickly recover toward a neutral ready position on the baseline.
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3.1s |
FH Return 2nd Serve → BH Volley · Deuce · Rear #2
Ana Ivanovic's backhand volley return of a second serve from the deuce side, filmed from a rear angle. After contact, she drives her momentum forward into the court and quickly brings both hands back toward the racket's throat as she transitions into a compact ready position for the next shot.
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5.5s |
FH Return 2nd Serve · Deuce · Rear #1
Ana Ivanovic's second serve from the deuce side, filmed from a rear angle. Her footwork includes a rhythmic rocker step into a pinpoint stance, with a pronounced knee bend before she drives up and lands slightly inside the baseline for recovery.
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3.3s |
FH Return 2nd Serve · Deuce · Rear #2
Ana Ivanovic's second serve from the deuce side, filmed from a rear angle. Her racket contacts the ball at full extension with a slightly closed face and an upward brushing path that increases racket head speed for spin.
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2.9s |
FH Return 2nd Serve · Deuce · Rear #3
Ana Ivanovic's second serve from the deuce court, filmed from a rear angle. Her footwork includes a rhythmic rocker step into a pinpoint stance, with a pronounced knee bend and upward drive off both feet before she lands slightly inside the baseline ready for the next shot.
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2.7s |
FH Return 2nd Serve · Deuce · Rear #4
Ana Ivanovic's second serve from the deuce side, filmed from a rear angle. After contact she drives her right hip and shoulder through the court, with her non-hitting arm tucking in as she lands inside the baseline and quickly resets into a balanced ready position.
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4s |
FH Return 2nd Serve · Deuce · Rear #5
Ana Ivanovic's second serve from the deuce side, filmed from a rear angle. From this view her continental grip is evident, with a relaxed wrist that pronates aggressively through contact to add spin and control.
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2.7s |
FH Return 2nd Serve · Deuce · Rear #6
Ana Ivanovic's second serve from the deuce side, filmed from a rear angle. Her continental grip is clearly visible on the serve, with a relaxed wrist that pronates aggressively through contact to add spin.
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3.6s |
FH Return 2nd Serve · Deuce · Rear #7
Ana Ivanovic's second serve from the deuce side, filmed from a rear angle. After contact she lets her hitting arm finish across her body while her back leg swings forward into the court, bringing her quickly back toward a balanced ready position on the baseline.
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3.7s |
FH Return Slice 1st Serve · Deuce · Rear #1
Ana Ivanovic's first serve from the deuce side, filmed from a rear angle. Her racket face is slightly closed at contact with the ball struck just above head height, and the rear view makes the upward swing path and accelerating racket head speed clearly visible.
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4s |
BH Return 1st Serve · Ad · Side #1
Ana Ivanovic's first serve from the Ad court, filmed from the side. After contact she lands on her front (left) foot with her hitting arm finishing across her body while her non-hitting hand drops to help her recover quickly toward a neutral ready position.
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3.4s |
BH Return 1st Serve · Ad · Side #2
Ana Ivanovic's first-serve return from the Ad court, filmed from the side. She uses a compact split step into a semi-open stance, then takes a quick pivot and crossover recovery step back toward the center after making contact.
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3.3s |
BH Return 1st Serve · Ad · Side #3
Ana Ivanovic's first serve from the Ad side, filmed from a side angle. Her hips load with a pronounced knee bend before driving up into the ball, with the back leg extending strongly as the front hip opens toward the court.
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3.9s |
BH Return 1st Serve · Ad · Side #4
Ana Ivanovic's first serve from the Ad court, filmed from the side. The side angle makes it easy to see her racket face stay slightly closed at a contact point above her head, with the racket head accelerating steeply upward along the ball's right side.
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3.6s |
BH Return 1st Serve · Ad · Side #5
Ana Ivanovic's first serve from the Ad court, filmed from a side angle. Her shoulders load with a pronounced upper-body coil against the hips before uncoiling in sequence, making the trunk rotation and shoulder-over-shoulder action especially clear in the trophy and acceleration phases.
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3.1s |
BH Return 1st Serve · Deuce · Side #1
Ana Ivanovic's first-serve return from the deuce court, filmed from the side. She uses a compact split step into a semi-open stance, then drives off her outside leg and takes a small recovery step back toward the center baseline after contact.
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2.9s |
BH Return 1st Serve · Deuce · Side #2
Ana Ivanovic's first serve from the deuce side, filmed from a side angle. Her hips load with a deep knee bend before driving upward, with the back leg pushing through and the hips uncoiling toward the court as she reaches full extension.
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3.8s |
BH Return 1st Serve · Deuce · Side #3
Ana Ivanovic's first serve from the deuce court, filmed from a side angle. Her continental grip is evident with a relaxed hand on the racquet, and you can see clear wrist pronation through contact as the racquet face turns outward after impact.
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3.2s |
BH Return 2nd Serve · Ad · Arm-action · Side #2
Ana Ivanovic's second serve from the ad side, filmed from the side. Her footwork includes a rhythmic rocking motion into a pinpoint stance, with a clear upward drive off the front leg as she pushes into the court after contact.
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3.6s |
BH Return 2nd Serve · Ad · Side #1
Ana Ivanovic's second serve from the Ad court, filmed from the side. At contact her racket face is slightly closed with the ball struck just above head height, and the upward swing path and accelerating racket head are clearly visible in profile.
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3.8s |
BH Return 2nd Serve · Ad · Side #2
Ana Ivanovic's second serve from the Ad court, filmed from the side. Her knees dip into a deep loading position before she drives upward, with her hips extending and uncoiling toward the court as she reaches contact.
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3.4s |
BH Return 2nd Serve · Ad · Side #3
Ana Ivanovic's second serve from the Ad side, filmed from a side angle. At contact her racket face is slightly closed with the ball struck just above head height, and you can clearly see the upward swing path accelerating through the ball.
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3.3s |
BH Return 2nd Serve · Ad · Side #4
Ana Ivanovic's second serve from the Ad court, filmed from a side angle. She uses a rhythmic pinpoint stance with her back foot drawing up to the front before driving up into the court and landing on her front leg, ready for a small recovery step.
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3.1s |
BH Return 2nd Serve · Ad · Side #5
Ana Ivanovic's second serve from the Ad side, filmed from the side. Her continental grip is clearly visible with a relaxed hand, and you can see distinct wrist pronation through contact as the racket edge leads and then turns outward.
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3.3s |
BH Return 2nd Serve · Ad · Side #6
Ana Ivanovic's second serve from the Ad court, filmed from the side. Her shoulders and trunk coil together into a noticeable upper-body turn before uncoiling in sequence, with the torso rotation clearly leading the arm swing through contact.
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3.1s |
BH Return 2nd Serve · Ad · Side #7
Ana Ivanovic's second serve from the Ad side, filmed from a side angle. Her continental grip is clearly visible with a relaxed hand, and you can see distinct wrist pronation through contact as the racket face turns outward after impact.
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3.5s |
BH Return 2nd Serve · Deuce · Arm-action · Side #2
Ana Ivanovic's second serve from the deuce side, filmed from a side angle. Her continental grip is evident with a relaxed hand on the handle, and you can see a pronounced wrist pronation through contact as the racquet edge turns outward after impact.
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3.1s |
BH Return 2nd Serve · Deuce · Side #1
Ana Ivanovic's second serve from the deuce side, filmed from the side. At contact her racket face is slightly closed with the ball struck just above head height, and the upward swing path creates visible racket head acceleration through the strike.
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2.7s |
BH Return 2nd Serve · Deuce · Side #2
Ana Ivanovic's second serve from the deuce side, filmed from a side angle. Her footwork includes a rhythmic rocking motion into a pinpoint stance, with the back foot drawing up to the front before she drives up and into the court.
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3.3s |
BH Return 2nd Serve · Deuce · Side #3
Ana Ivanovic's second serve from the deuce side, filmed from a side angle. Her shoulders rotate as a unit with the trunk during the toss and loading phase, then uncoil sequentially from hips to shoulders into contact, making the degree of upper-body coil and release easy to distinguish.
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2.9s |
BH Return 2nd Serve · Deuce · Side #4
Ana Ivanovic's second serve from the deuce side, filmed from a side angle. Her hips load by turning away from the court with a pronounced knee bend, then uncoil as her back leg drives up and into the court during the serve motion.
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3.6s |
BH Return 2nd Serve · Deuce · Side #5
Ana Ivanovic's second serve from the deuce side, filmed from the side. Her continental grip is clearly visible on the serve, with a pronounced wrist pronation through contact that continues into a relaxed, extended wrist in the follow-through.
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3.6s |
BH Return 2nd Serve · Deuce · Side #6
Ana Ivanovic's second serve from the deuce side, filmed from a side angle. Her hips stay closed through the knee bend and loading phase, then uncoil upward as her back leg drives off the ground into the court.
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3.6s |
BH Return Slice 1st Serve · Ad · Side #1
Ana Ivanovic's first serve from the Ad court, filmed from the side. Her feet set in a platform stance with a pronounced knee bend before she drives up, and you can see a clear front-leg land and balanced recovery step toward the baseline.
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3.7s |
BH Return Slice 1st Serve · Ad · Side #2
Ana Ivanovic's first serve from the Ad court, filmed from the side. After contact she lands on her front foot with her hitting arm finishing down by her left hip as her non-hitting hand drops to help her recover quickly toward a neutral ready position.
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4.3s |
BH Return Slice 1st Serve · Deuce · Side #1
Ana Ivanovic's first serve from the deuce side, filmed from the side. Her legs load with a deep knee bend before driving upward, and her hips rotate from a closed position into a fully opened stance as she launches into the serve.
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3.2s |
BH Return Slice 1st Serve · Deuce · Side #2
Ana Ivanovic's first serve from the deuce court, filmed from the side. Her continental grip is firm with a relaxed wrist that pronates aggressively through contact, finishing with a pronounced wrist snap toward the target.
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3.8s |
FH Return 1st Serve · Ad · Side #1
Ana Ivanovic's first serve from the Ad court, filmed from the side. After contact she drives her weight into the court and finishes with her racket hand dropping toward her left hip while her non-hitting arm tucks in, quickly regaining a balanced ready position for the next shot.
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2.5s |
FH Return 1st Serve · Ad · Side #2
Ana Ivanovic's first serve from the Ad court, filmed from a side angle. Her shoulders load with a pronounced upper-body coil against the hips before uncoiling in sequence, making the trunk rotation and shoulder-over-shoulder action especially clear.
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2.8s |
FH Return 1st Serve · Ad · Side #3
Ana Ivanovic's first serve from the Ad court, filmed from a side angle. Her hips load with a deep knee bend before driving upward, and you can see her rear hip rotating through as her legs extend into the court.
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3.2s |
FH Return 1st Serve · Ad · Side #4
Ana Ivanovic's first serve from the Ad side, filmed from a side angle. At contact her racket face is slightly tilted forward with the ball struck just above full extension, and the racket head accelerates steeply upward along a pronounced, fast pronation path.
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2.7s |
FH Return 1st Serve · Deuce · Side #1
Ana Ivanovic's first serve from the deuce side, filmed from a side angle. Her continental grip is clearly visible with a loose hand that lets the wrist pronate fully through contact, finishing with the racquet wrapping across her body.
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2.6s |
FH Return 1st Serve · Deuce · Side #10
Ana Ivanovic's first serve from the deuce side, filmed from a side angle. Her shoulders load with a pronounced upper-body coil against the hips before uncoiling in sync with the leg drive, making the trunk rotation and shoulder-over-shoulder motion especially clear from this view.
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2.6s |
FH Return 1st Serve · Deuce · Side #11
Ana Ivanovic's first serve from the deuce side, filmed from the side. Her continental grip is firm with a relaxed wrist that pronates aggressively through contact, making the wrist snap clearly visible from this angle.
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3.1s |
FH Return 1st Serve · Deuce · Side #2
Ana Ivanovic's first serve from the deuce side, filmed from a side angle. At contact her racket face is slightly closed with the ball struck just above full extension, and the racket head accelerates upward along a pronounced pronation-driven swing path.
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3.2s |
FH Return 1st Serve · Deuce · Side #3
Ana Ivanovic's first serve from the deuce side, filmed from a side angle. Her hips load with a deep knee bend before driving up into contact, with the back leg pushing forward and the hips uncoiling toward the court.
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5.2s |
FH Return 1st Serve · Deuce · Side #4
Ana Ivanovic's first serve from the deuce side, filmed from the side. Her continental grip is firm with a relaxed wrist that pronates aggressively through contact, creating a distinct wrist snap visible as the racket accelerates up and into the ball.
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3.9s |
FH Return 1st Serve · Deuce · Side #5
Ana Ivanovic's first serve from the deuce court, filmed from the side. Her footwork shows a controlled pinpoint stance with the back foot drawing up to the front foot before she drives up into the court and lands well inside the baseline.
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3.9s |
FH Return 1st Serve · Deuce · Side #6
Ana Ivanovic's first serve from the deuce side, filmed from the side. Her shoulder line rotates well past perpendicular to the baseline in the trophy phase, then her trunk uncoils aggressively upward and forward in sync with her hitting arm to drive through contact.
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2.9s |
FH Return 1st Serve · Deuce · Side #7
Ana Ivanovic's first serve from the deuce court, filmed from the side. After contact she lets her hitting arm finish across her body while her back leg swings forward into the court, bringing her quickly back toward a balanced ready position.
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2.9s |
FH Return 1st Serve · Deuce · Side #8
Ana Ivanovic's first serve from the deuce court, filmed from a side angle. Her shoulders rotate well past 90 degrees relative to her hips in the trophy phase, then uncoil ahead of the trunk as the torso drives up into contact, clearly showing a strong upper-body kinetic chain.
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2.7s |
FH Return 1st Serve · Deuce · Side #9
Ana Ivanovic's first serve from the deuce court, filmed from the side. After contact she drives her weight into the court with a full pronation and finishes in a balanced stance, quickly bringing her non-hitting hand back toward her torso as she settles into a ready position for the next shot.
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4.4s |
FH Return 2nd Serve · Ad · Side #1
Ana Ivanovic's second serve from the Ad court, filmed from the side. Her compact service motion finishes with a controlled landing on her front foot, setting up a quick split-step and ready stance to attack the next ball.
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4.8s |
FH Return 2nd Serve · Ad · Side #2
Ana Ivanovic's second serve from the Ad side, filmed from a side angle. Her shoulders turn significantly away from the court during the trophy phase, then uncoil in sync with her trunk rotation to drive an upward motion through contact.
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3.3s |
FH Return 2nd Serve · Ad · Side #3
Ana Ivanovic's second serve from the Ad court, filmed from the side. Her shoulders rotate well past 90 degrees relative to the baseline before uncoiling, with a pronounced upward trunk extension that sequences into the arm swing.
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2.6s |
FH Return 2nd Serve · Ad · Side #4
Ana Ivanovic's second serve from the Ad court, filmed from the side. After contact she drives her weight into the court and finishes with her tossing arm dropping quickly as she settles into a compact ready position for the next ball.
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3.2s |
FH Return 2nd Serve · Ad · Side #5
Ana Ivanovic's second serve from the Ad court, filmed from the side. Her footwork includes a rhythmic rocker step into a pinpoint stance, with a pronounced knee bend and upward drive from the legs before she lands slightly inside the baseline and regains her balance.
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3.2s |
FH Return 2nd Serve · Deuce · Arm-action · Side #2
Ana Ivanovic's second serve from the deuce side, filmed from the side. Her continental grip is steady with moderate grip pressure, and you can clearly see her wrist pronating through contact to add spin while keeping the racquet face controlled.
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4.1s |
FH Return 2nd Serve → BH Volley · Deuce · Side #2
Ana Ivanovic's backhand volley return of a second serve from the deuce side, filmed from a side angle. Her feet set in a neutral stance with a small adjustment step as she moves forward into the ball, followed by a quick recovery step to prepare for the next shot.
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5.5s |
FH Return 2nd Serve · Deuce · Side #1
Ana Ivanovic's second serve from the deuce side, filmed from a side angle. Her shoulders rotate well past perpendicular to the baseline during the trophy phase, then uncoil in sync with her trunk as she drives up into the ball, showing a clear sequential loading from hips to torso to arm.
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3.1s |
FH Return 2nd Serve · Deuce · Side #2
Ana Ivanovic's second serve from the deuce side, filmed from a side angle. Her continental grip is clearly visible with a relaxed hand, and you can see distinct wrist pronation through contact as the racquet edge leads and then turns outward.
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3.3s |
FH Return 2nd Serve · Deuce · Side #3
Ana Ivanovic's second serve from the deuce side, filmed from the side. At contact her racket face is slightly tilted upward with the ball struck just above head height, and the upward swing path creates clear topspin with noticeable racket head acceleration through the hit.
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3.3s |
FH Return 2nd Serve · Deuce · Side #4
Ana Ivanovic's second serve from the deuce side, filmed from the side. At contact her racket face is slightly closed with the ball struck just above head height, and you can see a pronounced upward swing path creating strong racket head acceleration through the hit.
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3.6s |
FH Return 2nd Serve · Deuce · Side #5
Ana Ivanovic's second serve from the deuce court, filmed from the side. Her footwork includes a pronounced knee bend into a pinpoint stance, with a clear upward drive off the back leg before landing inside the baseline to begin her recovery.
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4.6s |
FH Return Slice 1st Serve · Ad · Side #1
Ana Ivanovic's first serve from the Ad side, filmed from a side angle. At contact her racket face is slightly tilted forward with the ball struck just above head height, and the racket head accelerates upward along a pronounced, continuous swing path.
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2.6s |
FH Return Slice 1st Serve · Ad · Side #2
Ana Ivanovic's first serve from the Ad court, filmed from the side. Her feet load in a platform stance with a pronounced knee bend, and after contact she lands on her front foot with a small recovery step that readies her to move toward the baseline.
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3.5s |
FH Return Slice 1st Serve · Deuce · Side #1
Ana Ivanovic's first serve from the deuce court, filmed from the side. After contact she lets her hitting arm finish across her body while her back leg swings forward into the court, landing in a balanced stance that sets up her quick recovery to a neutral ready position.
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3.8s |
Second Serve · Ad · Court-level-front #2
Ana Ivanovic's second serve from the Ad court, filmed from a court-level front angle. After contact she lands on her front foot with her tossing arm dropping quickly as she brings both hands back to a neutral ready position to recover for the next shot.
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3.2s |
Second Serve · Deuce · Body-rotation · Court-level-front #2
Ana Ivanovic's second serve from the deuce side, filmed from a court-level front angle. Her stance starts in a platform position, and you can see her front foot pivot and her hips uncoil into the court as she lands on her front leg to begin the recovery.
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3.2s |
Second Serve · Ad · Court-level-rear #2
Ana Ivanovic's second serve from the Ad court, filmed from a court-level rear angle. At contact her racket face is slightly closed with the ball struck just above head height, and the upward swing path creates noticeable racket head acceleration through the hitting zone.
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3.1s |
Second Serve · Ad · Arm-action · Front #1
Ana Ivanovic's second serve from the Ad side, filmed from the front. The racket face can be seen closing slightly just before contact with the ball at about head height, with a pronounced upward swing path that accelerates the racket head through the strike.
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3.6s |
Second Serve · Ad · Arm-action · Front #2
Ana Ivanovic's second serve from the Ad court, filmed from a front angle. Her continental grip is evident with a relaxed hand, and you can clearly see her wrist pronate through contact as the strings turn outward toward the target.
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2.9s |
Second Serve · Ad · Body-rotation · Front #2
Ana Ivanovic's second serve from the Ad court, filmed from the front. Her continental grip is evident with a relatively relaxed hand, and you can see clear wrist pronation through contact as her strings continue to rotate toward the target.
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3.2s |
Second Serve Down The Middle · Ad · Front #2
Ana Ivanovic's second serve from the Ad court, filmed from the front. Her split-step into a slightly closed stance is visible, followed by a controlled landing on her front (left) foot that sets up a quick recovery step back toward the center.
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3.5s |
Second Serve · Ad · Front #1
Ana Ivanovic's second serve from the Ad court, filmed from the front. Her continental grip is clearly visible with a relaxed hand, and the wrist pronates aggressively through contact to add spin and control.
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2.9s |
Second Serve · Ad · Front #2
Ana Ivanovic's second serve from the Ad court, filmed from the front. Her hips stay relatively closed through the toss and knee bend, with a noticeable upward leg drive that straightens both knees into contact.
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3.3s |
Second Serve · Ad · Front #3
Ana Ivanovic's second serve from the Ad court, filmed from the front. Her shoulders and trunk coil together on the toss side before uncoiling in a unified rotation, with the chest finishing square to slightly left of the target as the kinetic chain unwinds upward into contact.
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3.5s |
Second Serve · Ad · Leg-action · Front #2
Ana Ivanovic's second serve from the Ad court, filmed from the front. Her hips stay relatively closed through the toss and knee bend, then drive upward with a strong push off the back leg that brings her front hip through into the court.
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3.3s |
Second Serve · Ad · Toss · Front #1
Ana Ivanovic's second serve from the Ad court, filmed from a front angle. Her continental grip stays steady through the motion, while the wrist pronates distinctly after contact to impart spin and control.
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3.2s |
Second Serve · Ad · Toss · Front #2
Ana Ivanovic's second serve from the Ad court, filmed from the front. Her shoulders and trunk rotate together into a compact coil during the toss, then uncoil in sequence with a clear upward shoulder-over-shoulder action as she drives into the serve.
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3.3s |
Second Serve Wide · Ad · Front #1
Ana Ivanovic's second serve from the Ad court, hit wide, filmed from the front. Her continental grip is clearly visible, with a relaxed hand and pronounced wrist pronation through contact to direct the serve out wide.
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3.6s |
Second Serve Wide · Ad · Front #2
Ana Ivanovic's second serve from the ad court, hit wide, filmed from the front. Her knees dip into a pronounced bend before driving upward, and you can see her hips stay relatively closed toward the baseline until late in the motion when they uncoil into the court.
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3.3s |
Second Serve · Deuce · Body-rotation · Front #2
Ana Ivanovic's second serve from the deuce side, filmed from the front. Her follow-through finishes with her hitting arm relaxing across her body as her weight transfers onto her front leg, letting her quickly settle into a balanced ready position for the next shot.
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3.3s |
Second Serve Down The Middle · Deuce · Front #2
Ana Ivanovic's second serve from the deuce court, filmed from the front. Her shoulders rotate as a unit with the trunk on the toss and then uncoil together toward the target, with the chest finishing square to the net as the kinetic chain unwinds upward.
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3.3s |
Second Serve · Deuce · Front #1
Ana Ivanovic's second serve from the deuce court, filmed from the front. Her shoulder line rotates noticeably away from the net during the toss, then her trunk uncoils in sync with the upward swing, with the hitting-side shoulder finishing higher to transfer kinetic energy up the chain.
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3.5s |
Second Serve · Deuce · Front #2
Ana Ivanovic's second serve from the deuce side, filmed from a front angle. Her feet show a pronounced knee bend with a pinpoint stance, bringing the back foot up to the front before an explosive push up into the serve.
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3.2s |
Second Serve · Deuce · Front #3
Ana Ivanovic's second serve from the deuce side, filmed from the front. After contact she lets her hitting arm extend fully toward the target while her back leg swings through into the court, bringing her quickly into a balanced, forward-leaning ready position.
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3.2s |
Second Serve · Deuce · Leg-action · Front #2
Ana Ivanovic's second serve from the deuce side, filmed from the front. The racket face can be seen closing slightly just before contact, with the ball struck at full extension above her head and the racket accelerating on an upward swing path to impart spin.
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3.3s |
Second Serve · Deuce · Toss · Front #1
Ana Ivanovic's second serve from the deuce side, filmed from the front. The racket face can be seen closing slightly just before contact, with the ball struck at full arm extension above her head to create spin and control.
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3.1s |
Second Serve · Deuce · Toss · Front #2
Ana Ivanovic's second serve from the deuce side, filmed from the front. After contact she lets her hitting arm finish across her body while her weight lands on her front foot, bringing her quickly back into a balanced ready position.
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3.2s |
Second Serve Wide · Deuce · Front #1
Ana Ivanovic's second serve from the deuce court, hit wide and filmed from the front. At contact her racket face is slightly closed with the ball struck just above head height, showing a pronounced upward brushing motion that creates visible topspin.
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3.7s |
Second Serve Wide · Deuce · Front #2
Ana Ivanovic's second serve wide from the Deuce court, filmed from the front. The racket face can be seen pronating through contact with the ball struck slightly above head height, creating visible topspin and side spin for the wide angle.
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3.2s |
Second Serve Wide · Deuce · Front #3
Ana Ivanovic's second serve from the deuce court, hit wide, filmed from the front. Her feet show a rhythmic rocker step into a pinpoint stance, with a pronounced front-leg drive that brings her fully into the court before a small recovery adjustment.
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3.3s |
Second Serve · Ad · Arm-action · Rear #1
Ana Ivanovic's second serve from the Ad court, filmed from a rear angle. Her shoulders and trunk coil strongly away from the court during the toss, then uncoil in sequence so that the left shoulder opens first and the torso rotation drives the upward swing into contact.
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3.3s |
Second Serve · Ad · Arm-action · Rear #2
Ana Ivanovic's second serve from the Ad court, filmed from a rear angle. Her continental grip is evident with a relaxed hand, and you can see a pronounced wrist pronation through contact as the racquet edge leads and then turns outward into the follow-through.
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3.2s |
Second Serve · Ad · Arm-action · Rear #3
Ana Ivanovic's second serve from the Ad court, filmed from a rear angle. Her shoulders rotate as a unit with the trunk during the trophy phase, then uncoil sequentially from the hips upward, making the degree of upper-body coil and shoulder-over-shoulder action easy to distinguish.
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3.6s |
Second Serve · Ad · Arm-action · Rear #4
Ana Ivanovic's second serve from the Ad court, filmed from a rear angle. After contact her hitting arm extends fully toward the target while her back leg swings forward into the court, bringing her quickly into a balanced, neutral ready position on the baseline.
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3.1s |
Second Serve · Ad · Body-rotation · Rear #2
Ana Ivanovic's second serve from the Ad court, filmed from a rear angle. Her continental grip stays firm while her wrist pronates aggressively through contact, with a noticeable snap as she completes her service motion.
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3.3s |
Second Serve Down The Middle · Ad · Rear #2
Ana Ivanovic's second serve from the Ad court down the middle, filmed from a rear angle. Her shoulders and trunk coil strongly away from the court during the trophy phase, then uncoil in a smooth sequence so that the right shoulder and chest rotate through toward the target before contact.
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3.3s |
Second Serve · Ad · Leg-action · Rear #2
Ana Ivanovic's second serve from the Ad court, filmed from a rear angle. At contact her racket face is slightly closed with the ball struck just above head height, and you can see the racket accelerate up and across her body to generate strong topspin.
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3.5s |
Second Serve · Ad · Rear #2
Ana Ivanovic's second serve from the Ad court, filmed from a rear angle. After contact she drives her weight into the court, with her back leg swinging through and her tossing arm dropping quickly as she settles into a balanced ready position for the next shot.
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3.2s |
Second Serve · Ad · Toss · Rear #2
Ana Ivanovic's second serve from the Ad court, filmed from a rear angle. After contact she lets her hitting arm finish across her body while her back leg swings forward into the court, bringing her quickly back into a balanced ready position on the baseline.
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3s |
Second Serve · Deuce · Arm-action · Rear #1
Ana Ivanovic's second serve from the deuce side, filmed from a rear angle. After contact her racquet finishes high over her left shoulder while her back leg swings forward, helping her land inside the court and quickly square up into a ready position.
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3.4s |
Second Serve · Deuce · Arm-action · Rear #2
Ana Ivanovic's second serve from the deuce side, filmed from a rear angle. Her hip turn into the court is clearly driven by a strong push off the back leg, with noticeable knee bend in the loading phase before she uncoils upward.
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3.1s |
Second Serve · Deuce · Body-rotation · Rear #2
Ana Ivanovic's second serve from the deuce side, filmed from a rear angle. Her hips load in a closed position before uncoiling into the court, with a noticeable push off the back leg that drives her upward into the serve.
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3.4s |
Second Serve Down The Middle · Deuce · Rear #1
Ana Ivanovic's second serve from the deuce side, filmed from a rear angle. From this view, her continental grip is evident with a relaxed hand and a pronounced wrist pronation through contact that continues into the follow-through.
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3.3s |
Second Serve Down The Middle · Deuce · Rear #2
Ana Ivanovic's second serve from the deuce side, filmed from a rear angle. At contact her racket face is slightly closed with the ball struck just above head height, and the upward, brushing swing path creates noticeable racket head acceleration through the hitting zone.
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3.1s |
Second Serve · Deuce · Leg-action · Rear #1
Ana Ivanovic's second serve from the deuce side, filmed from a rear angle. Her hips stay closed longer during the toss and loading phase, with a deep knee bend and strong upward leg drive clearly visible as she pushes off the ground into contact.
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3.2s |
Second Serve · Deuce · Leg-action · Rear #2
Ana Ivanovic's second serve from the deuce side, filmed from a rear angle. Her footwork shows a deliberate platform stance with a pronounced knee bend and upward leg drive before landing on her front foot and taking a small recovery step behind the baseline.
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3.2s |
Second Serve · Deuce · Rear #2
Ana Ivanovic's second serve from the deuce side, filmed from a rear angle. Her footwork includes a rhythmic rocking motion into a pinpoint stance, with a pronounced front-foot pivot as she drives up into the serve and lands slightly inside the baseline before recovering.
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3.3s |
Second Serve · Deuce · Toss · Rear #2
Ana Ivanovic's second serve from the deuce side, filmed from a rear angle. Her hips load with a noticeable knee bend and then extend upward in sync with a strong leg drive into the court during the serve motion.
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2.9s |
Second Serve Wide · Deuce · Rear #1
Ana Ivanovic's second serve from the deuce court, hit wide, filmed from a rear angle. Her shoulders and trunk show a pronounced coil during the trophy position, then uncoil in sequence from hips to shoulders as she drives up and out into the wide serve.
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3.5s |
Second Serve Wide · Deuce · Rear #2
Ana Ivanovic's second serve from the deuce court, hit wide and filmed from a rear angle. Her legs show a deep knee bend on the loading phase with a strong upward leg drive that brings her hips through into an open position toward the target.
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3.2s |
Second Serve Wide · Deuce · Rear #001
Ana Ivanovic's second serve from the deuce side out wide, filmed from a rear angle. After contact she lets her hitting arm finish across her body while her back leg swings forward into the court, helping her land balanced and quickly recover toward a neutral ready position.
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3.2s |
Second Serve · Ad · Body-rotation · Side #1
Ana Ivanovic's second serve from the Ad court, filmed from the side. After contact she drives her weight into the court and finishes with her tossing arm dropping quickly as she flows into a compact, upright ready position.
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3.1s |
Second Serve · Ad · Body-rotation · Side #2
Ana Ivanovic's second serve from the Ad side, filmed from a side angle. Her continental grip stays firm while her wrist pronates late through contact, creating a distinct snap just after the ball leaves the strings.
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3.3s |
Second Serve · Ad · Body-rotation · Side #3
Ana Ivanovic's second serve from the Ad court, filmed from the side. Her rhythmic split step into a semi-open stance and forward-driving landing leg are clearly visible as she rotates up and through the serve.
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3.2s |
Second Serve · Ad · Leg-action · Side #1
Ana Ivanovic's second serve from the Ad court, filmed from the side. After contact she lands on her front (left) foot with her weight moving into the court and her tossing arm dropping back into a relaxed position as she uncoils into her recovery.
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3.2s |
Second Serve · Ad · Leg-action · Side #2
Ana Ivanovic's second serve from the Ad court, filmed from the side. The side view makes it easy to see her racket drop fully into the "trophy" position before accelerating up to contact at a point slightly above head height with a clearly closed racket face for spin.
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3.2s |
Second Serve · Ad · Leg-action · Side #3
Ana Ivanovic's second serve from the Ad side, filmed from a side angle. After contact she drives her weight into the court with a pronounced leg kick and lands balanced, bringing her non-hitting arm down and forward as she transitions smoothly into her ready position.
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3.7s |
Second Serve · Ad · Side #1
Ana Ivanovic's second serve from the Ad side, filmed from the side. Her racket drops into a deep backscratch position before driving up with a pronounced upward swing path to create spin, with contact made slightly above head height.
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3.3s |
Second Serve · Ad · Side #2
Ana Ivanovic's second serve from the Ad side, filmed from the side. Her deep knee bend and strong upward leg drive into the court are clearly visible, with her hips uncoiling vertically to support the serve motion.
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3.3s |
Second Serve · Ad · Toss · Side #1
Ana Ivanovic's second serve from the Ad court, filmed from a side angle. Her continental grip is evident with a relaxed hand and a pronounced wrist pronation through contact that continues into a full upward-and-forward snap.
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3.2s |
Second Serve · Ad · Toss · Side #2
Ana Ivanovic's second serve from the Ad court, filmed from the side. After contact she drives her weight into the court and quickly brings her tossing arm down into a compact position, finishing in a balanced stance ready for the next shot.
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3.1s |
Second Serve · Deuce · Body-rotation · Side #1
Ana Ivanovic's second serve from the deuce side, filmed from the side. Her hips load by turning sideways with a deep knee bend, then uncoil upward as her legs drive through the court into the court on contact.
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3.3s |
Second Serve · Deuce · Body-rotation · Side #2
Ana Ivanovic's second serve from the deuce side, filmed from a side angle. At contact her racket face is slightly closed with the ball struck just above head height, and you can clearly see the upward brushing swing path accelerating through the hit.
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3.3s |
Second Serve · Deuce · Leg-action · Side #2
Ana Ivanovic's second serve from the deuce side, filmed from the side. Her footwork shows a rhythmic rocking motion into a pinpoint stance, with the back foot drawing up to the front before she drives up and into the court.
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3.3s |
Second Serve · Deuce · Side #1
Ana Ivanovic's second serve from the deuce side, filmed from the side. Her continental grip is clearly visible with a relaxed hand, and you can see distinct wrist pronation through contact as the racket edge leads and then turns outward.
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3.1s |
Second Serve · Deuce · Side #2
Ana Ivanovic's second serve from the deuce side, filmed from the side. Her continental grip is clearly visible with a relaxed hand, and you can see pronounced wrist pronation through contact as the racquet edge leads and then turns outward.
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3.3s |
Second Serve · Deuce · Toss · Side #2
Ana Ivanovic's second serve from the deuce side, filmed from the side. At contact her racket face is slightly closed with the ball struck just above head height, and the upward swing path and accelerating racket head are clearly visible.
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3.1s |
BH Slice Center · Court-level-front #1
Ana Ivanovic's backhand slice from the center of the court, filmed from a front court-level angle. Her feet set up in a mostly neutral stance with a small adjustment step forward, and you can see a compact split and recovery step bringing her quickly back toward a ready position after contact.
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2.4s |
BH Slice Center · Court-level-front #2
Ana Ivanovic's backhand slice from the center of the court, filmed from a front court_level angle. Her stance stays mostly neutral with a pronounced upper-body turn, and her small adjustment steps set up a stable base before she carves through the slice.
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2.4s |
BH Slice Center · Court-level-front #3
Ana Ivanovic's backhand slice from the center of the court, filmed from a court_level front angle. After contact she extends the racquet forward with her non-hitting hand counterbalancing behind her body, then smoothly transitions her feet back into a neutral ready position.
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2.4s |
BH Slice Center · Court-level-front #4
Ana Ivanovic's backhand slice from the center of the court, filmed from a court_level front angle. Her shoulders stay relatively closed through contact while the trunk uncoils gradually, with the upper body tilt and mild rotation clearly coordinating the downward slicing motion.
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2.4s |
BH Slice Running · Court-level-front #1
Ana Ivanovic's running backhand slice from a neutral position, filmed from a court_level front angle. Her continental grip is clearly visible with a firm but relaxed hand, and the wrist stays laid back with minimal deviation through contact to keep the slice stable.
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2.8s |
BH Slice Running · Court-level-front #2
Ana Ivanovic's running backhand slice from the middle of the court, filmed from a court-level front angle. Her hips stay relatively closed to the net while her knees stay flexed on the wide step, showing how her outside leg plants and stabilizes as she carves through the slice.
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2.9s |
BH Slice Running · Court-level-front #3
Ana Ivanovic's running backhand slice from the middle of the court, filmed from a court-level front angle. Her shoulders stay relatively closed with a pronounced upper-body tilt, and the trunk rotation uncoils late as the non-dominant arm helps stabilize the torso through contact.
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3.2s |
BH Slice Running · Court-level-front #4
Ana Ivanovic's running backhand slice from a neutral position, filmed from a court-level front angle. Her continental grip is clearly visible with a firm but relaxed hand, and the racket face stays slightly open as her wrist remains stable through contact with minimal flexion.
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3.3s |
FH Slice Running · Court-level-front
Ana Ivanovic's forehand slice on the run from a neutral court position, filmed from a court-level front angle. Her hips stay relatively closed with a pronounced knee bend on the outside leg, showing a low, wide base as she plants and carves through the slice while moving forward.
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3.4s |
BH Slice Wide · Court-level-rear
Ana Ivanovic's wide backhand slice from the baseline, filmed from a court-level rear angle. The racket face is noticeably open at contact with the ball struck slightly below net height, and her swing path traces a distinct high-to-low carving motion that keeps the racket head moving through the outside of the ball.
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3.2s |
BH Slice Center · Front #1
Ana Ivanovic's backhand slice from the center of the court, filmed from the front. Her knees stay flexed with a noticeable lowering of the hips during the loading phase, and her lead leg steps slightly across to create a stable base for the slicing motion.
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2.6s |
BH Slice Center · Front #2
Ana Ivanovic's backhand slice from the center of the court, filmed from the front. Her hips stay relatively closed with a noticeable flex in the knees, and her front leg acts as a firm post while the back leg lightly loads then releases to stabilize the upper-body rotation through the slice.
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2.6s |
BH Slice Running · Front #1
Ana Ivanovic's running backhand slice from the center of the court, filmed from the front. After contact she extends her racket arm out in front while her non-hitting hand stays back for counterbalance, then she regathers her feet quickly into a neutral ready position.
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5.2s |
BH Slice Running · Front #2
Ana Ivanovic's running backhand slice from a neutral position, filmed from the front. At contact her racket face is slightly open with the ball struck around waist height, and the racket travels on a distinctly downward, cutting path through the hitting zone.
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2.7s |
BH Slice Short · Front
Ana Ivanovic's backhand slice from the center, filmed from the front. Her shoulders stay relatively closed as the trunk rotates minimally, with a controlled upper-body tilt creating a stable axis for the slicing motion.
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2.7s |
BH Slice Wide · Front #1
Ana Ivanovic's backhand slice from the deuce side, filmed from the front. Her stance is slightly open as she stretches wide, using a long lateral step and a small recovery shuffle to regain court position after contact.
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2.7s |
BH Slice Wide · Front #2
Ana Ivanovic's backhand slice from a wide position, filmed from the front. She uses a neutral stance with a pronounced step out toward the ball, then brings her back foot up to recover toward the center after contact.
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3.4s |
BH Slice Wide · Front #3
Ana Ivanovic's backhand slice from the wide position, filmed from the front. Her continental grip is clearly visible with a slightly laid-back wrist, maintaining a firm but relaxed wrist angle through contact to keep the racquet face stable.
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3.1s |
BH Slice Wide · Front #4
Ana Ivanovic's backhand slice from the center, hit to a wide target, filmed from the front. Her hips stay relatively closed while her knees maintain a moderate bend, with the outside leg acting as a stable base as she carves the slice out wide.
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3.1s |
FH Slice Running · Front
Ana Ivanovic's forehand slice on the run from a neutral position, filmed from the front. Her shoulders stay relatively closed with a subtle trunk rotation, and you can clearly see the upper body tilt and deceleration of the torso as the racket carves under the ball.
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3.9s |
BH Slice Running · Rear #1
Ana Ivanovic's running backhand slice from a neutral court position, filmed from a rear angle. The racket face stays slightly open at contact with the ball struck around waist height, and the swing path moves down and through the ball with a noticeable deceleration after impact.
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2.8s |
BH Slice Running · Rear #2
Ana Ivanovic's running backhand slice from the Rear court position, filmed from a rear angle. After contact she finishes with her hitting arm extended out in front while her weight continues moving toward the sideline, then quickly re-centers her feet into a neutral ready position.
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3.5s |
BH Slice Running · Rear #3
Ana Ivanovic's running backhand slice from the rear court, filmed from a rear angle. Her continental grip is clearly visible, with a firm but relaxed wrist that stays laid back through contact before slightly firming up to keep the slice low and controlled.
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3s |
BH Slice Short · Rear #1
Ana Ivanovic's backhand slice from the center of the baseline, filmed from a rear angle. Her continental grip is clearly visible with a firm but relaxed hand, and her hitting wrist stays laid back through the swing with minimal post-contact wrist roll.
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3.5s |
BH Slice Short · Rear #2
Ana Ivanovic's backhand slice from the center of the court, filmed from a rear angle. Her continental grip stays firm while the hitting wrist remains slightly laid back through contact, producing a controlled, skimming slice.
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3.4s |
BH Slice Short · Rear #3
Ana Ivanovic's backhand slice from the center of the court, filmed from a rear angle. At contact her racket face is slightly open with the ball struck around waist height, and the racket travels on a distinctly downward path that keeps the head stable through impact.
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3.1s |
BH Slice Wide · Rear #1
Ana Ivanovic's backhand slice from a wide position, filmed from a rear angle. Her shoulders stay closed longer than her hips on the take-back, creating a noticeable trunk coil that then unrolls gradually through contact to keep the slice low and controlled out wide.
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2.9s |
BH Slice Wide · Rear #2
Ana Ivanovic's backhand slice from a wide position, filmed from a rear angle. Her follow-through finishes with the racquet hand extending out toward the sideline while her weight transfers back toward the center, bringing her quickly into a ready position.
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3.3s |
BH Slice Wide · Rear #3
Ana Ivanovic's backhand slice from the deuce court, filmed from a rear angle. After contact she extends the racquet hand out toward the sideline while her weight continues moving laterally, then quickly brings both hands back toward the body to re-establish a neutral ready position.
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3.6s |
FH Slice Running · Rear #1
Ana Ivanovic's running forehand slice from the center of the court, filmed from a rear angle. Her shoulders stay relatively closed with a pronounced upper-body tilt, and you can see her trunk coil slightly against the direction of travel before unwinding through contact to keep the racquet path stable on the stretch.
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2.9s |
FH Slice Running · Rear #2
Ana Ivanovic's running forehand slice from the Rear court position, filmed from a rear angle. After contact she finishes with her racquet face slightly open and extended out front while her weight continues to carry her toward the sideline before she turns her shoulders to recover back toward the center.
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2.9s |
FH Slice Short · Rear
Ana Ivanovic's forehand slice from the center of the baseline, filmed from a rear angle. Her continental grip is evident with a relatively firm wrist that stays laid back through the swing, creating a stable racket face as it moves under and across the ball.
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3.3s |
BH Slice Center · Side #1
Ana Ivanovic's backhand slice from the center of the baseline, filmed from the side. At contact her racket face is slightly open with the ball struck around waist height, and the racket traces a distinctly downward, carving path through the ball.
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3.1s |
BH Slice Center · Side #2
Ana Ivanovic's backhand slice from the center of the court, filmed from the side. Her continental grip is clearly visible, with a firm but relaxed hand and a stable, slightly laid-back wrist that stays quiet through contact.
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2.8s |
BH Slice Running · Side #1
Ana Ivanovic's running backhand slice from the side, filmed from a side angle. Her shoulders stay noticeably closed as the trunk coils early, then uncoils in a controlled sequence with the non-dominant arm counter-rotating to stabilize the upper body through contact.
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3.3s |
BH Slice Running · Side #2
Ana Ivanovic's running backhand slice from the side, filmed from a side angle. Her footwork features quick adjustment steps as she moves laterally, settling into a slightly open stance with her weight staying low through the slicing motion.
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3.2s |
BH Slice Running · Side #3
Ana Ivanovic's running backhand slice from the side, filmed from a side angle. Her footwork includes quick crossover steps into the shot and she stays in a slightly open stance with her outside leg bracing as she slides through contact.
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3.1s |
BH Slice Running · Side #4
Ana Ivanovic's running backhand slice from the side, filmed from a side angle. Her shoulders turn early with the non-dominant arm briefly counterbalancing, while the trunk stays relatively upright and then subtly uncoils through contact to keep the racquet path stable on the stretch.
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3.4s |
BH Slice Running · Side #5
Ana Ivanovic's running backhand slice from the side, filmed from a side angle. Her outside leg plants deeply with noticeable knee bend while her hips stay relatively closed, allowing her to carve the slice while moving laterally.
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2.6s |
BH Slice Short · Side #1
Ana Ivanovic's backhand slice from the center of the court, filmed from the side. Her knees stay flexed with a wide base as her hips remain relatively closed through contact, emphasizing a strong, low stance over aggressive hip rotation.
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2.9s |
BH Slice Short · Side #2
Ana Ivanovic's backhand slice from the side, filmed from a side angle. Her footwork includes a small adjustment step into a neutral stance, with her weight transferring onto the front foot as she stays low through the shot.
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2.9s |
BH Slice Short · Side #3
Ana Ivanovic's backhand slice from the middle of the court, filmed from the side. Her knees stay flexed through the loading phase while her hips remain relatively closed, with the back leg lightly driving through to support a low, skimming contact.
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2.8s |
BH Slice Short · Side #4
Ana Ivanovic's backhand slice from the middle of the baseline, filmed from the side. After contact her racket finishes out in front with the hitting arm extended while her weight continues moving slightly forward into a balanced recovery stance.
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3.2s |
BH Slice Short · Side #5
Ana Ivanovic's backhand slice from the side, filmed from a side angle. Her shoulders stay relatively closed with a slight forward trunk tilt, and you can see a controlled uncoiling of the torso guiding the racquet path through the ball.
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5.1s |
BH Slice Short · Side #6
Ana Ivanovic's backhand slice from the side, filmed from a side angle. At contact her racket face is slightly open with the ball struck around waist height, and the racket moves on a distinctly downward path that keeps the strings traveling through the ball with controlled racket head speed.
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3.3s |
BH Slice Short · Side #7
Ana Ivanovic's backhand slice from the middle of the court, filmed from the side. After contact she extends the racquet forward with a long, low follow-through while her weight moves onto her front foot and she quickly begins to square her shoulders back into a neutral ready position.
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5.2s |
BH Slice Wide · Side #1
Ana Ivanovic's backhand slice from a wide position, filmed from the side. Her continental grip is clearly visible, with a firm but relaxed hand and a slightly laid-back wrist that stays stable through contact to keep the racket face open.
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2.6s |
BH Slice Wide · Side #2
Ana Ivanovic's backhand slice from a wide position, filmed from the side. Her shoulders stay almost parallel to the baseline while the trunk remains relatively quiet, with a subtle upper-body tilt forward initiating the downward cutting motion through contact.
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3s |
BH Slice Wide · Side #3
Ana Ivanovic's backhand slice from a wide position, filmed from the side. Her hips stay relatively closed as she steps out wide, with a noticeable knee bend on the outside leg that supports a low, gliding movement through the shot.
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2.7s |
BH Slice Wide · Side #4
Ana Ivanovic's backhand slice from a wide position, filmed from the side. The racket face stays noticeably open through contact with the ball struck around waist height, and the downward, slightly forward swing path produces a pronounced underspin effect.
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3.3s |
FH Slice Moves Back · Side
Ana Ivanovic's forehand slice while moving back from a neutral court position, filmed from the side. At contact her racket face is noticeably open with the ball struck around waist height, and the racket moves on a clear high-to-low path that keeps the racket head speed controlled through impact.
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3.3s |
FH Slice Running · Side
Ana Ivanovic's forehand slice on the run from the baseline, filmed from the side. Her footwork features quick adjustment steps into a semi-open stance, with her outside leg planting firmly before she carves the slice while continuing her lateral recovery.
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3.1s |
FH Slice Short · Side
Ana Ivanovic's forehand slice from the deuce side, filmed from the side. Her hips stay relatively closed with a pronounced knee bend on the front leg, creating a low, stable base as she carves under the ball.
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3.3s |
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