Jason Frausto
United States
Coach
Tennis coach and instructor contributing technique analysis and instructional content.
Tennis coach and instructor.
Video Library (20 videos)
| Name |
FPS |
Duration |
Forehand Differences: Pro Men Versus Pro Women (10 of 11)
Jason Frausto's forehand from a neutral position, filmed from a side angle. His semi-western grip is clear as the wrist stays laid back through the forward swing, then gradually unwinds into contact with a controlled, compact pronation.
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2.6s |
Donald Young's Forehand (1 of 6)
Jason Frausto’s forehand from the center of the court, filmed from a court-level rear angle. His follow-through finishes high across his body while his non-hitting hand extends back for counterbalance before he recovers into a neutral ready position.
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5.3s |
Forehand Differences: Pro Men Versus Pro Women (1 of 11)
Jason Frausto's forehand from the center of the baseline, filmed from a side CourtLevel angle. His hips load with a noticeable coil as his knees flex deeply, then uncoil with strong leg drive into the court during the forward swing.
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15.1s |
How Rafael Nadal Changed His Forehand (1 of 4)
Jason Frausto's forehand from the center of the baseline, filmed from a side CourtLevel angle. At contact his racket face is noticeably open with the ball struck around waist height, and the swing path moves steeply up the back of the ball to emphasize heavy topspin.
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8.6s |
Donald Young's Forehand (2 of 6)
Jason Frausto's forehand from a neutral baseline position, filmed from a side angle. His footwork features a small adjustment hop into a closed stance, with the hitting-side leg loading as he completes the backswing before stepping into the ball.
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7.3s |
Forehand Differences: Pro Men Versus Pro Women (2 of 11)
Jason Frausto's forehand from the center of the baseline, filmed from a side CourtLevel angle. His follow-through finishes high with the racket tip well out in front as his weight transfers onto his front foot and his non-hitting hand tucks in to help him recover toward a neutral ready position.
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12.4s |
How Rafael Nadal Changed His Forehand (2 of 4)
Jason Frausto's upper-arm forehand animation from a neutral baseline position, filmed from a side instructional angle. The sequence emphasizes how a laid-back wrist is maintained as the racquet lags behind the hand, with a controlled grip that keeps the wrist stable through the forward swing into contact.
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9.4s |
Forehand Differences: Pro Men Versus Pro Women (3 of 11)
Jason Frausto's forehand from a neutral position, filmed from a side angle. His follow-through finishes high with the hitting elbow leading across his body while his non-hitting hand stays back to help control torso rotation into recovery.
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6.3s |
Donald Young's Forehand (3 of 6)
Jason Frausto’s forehand from the center of the court, filmed from a side angle. His semi-western grip is paired with a pronounced wrist lag on the forward swing, with the wrist uncoiling into contact while staying relatively firm through the hitting zone.
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6.6s |
How Rafael Nadal Changed His Forehand (3 of 4)
Jason Frausto's forehand from the center of the baseline, filmed from a side CourtLevel angle. His follow-through finishes high over the shoulder with his weight clearly transferring onto his front foot before he recovers back toward a neutral ready position.
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9.9s |
Donald Young's Forehand (4 of 6)
Jason Frausto’s forehand from a neutral position, filmed from a side angle. His shoulders stay relatively closed as the trunk coils early, then uncoils late in the swing, emphasizing how delayed torso rotation affects contact timing.
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2.2s |
Forehand Differences: Pro Men Versus Pro Women (4 of 11)
Jason Frausto's forehand technical animation from a neutral position, filmed from a side angle. The racket face angle and contact point are illustrated with the wrist and left arm positions clearly defined at impact, emphasizing how the racket tracks through the contact zone.
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6s |
How Rafael Nadal Changed His Forehand (4 of 4)
Jason Frausto’s forehand from the middle of the court, filmed from a side CourtLevel angle. His shoulders turn well past perpendicular to the net on the unit turn, creating a pronounced trunk coil that then uncoils in sequence from hips to shoulders through contact.
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10.6s |
Forehand Differences: Pro Men Versus Pro Women (5 of 11)
Jason Frausto's forehand from a neutral position, filmed from a side angle. His hips stay closed with a pronounced hand-behind-body position as he loads, while a deep knee bend and strong leg drive initiate the forward rotation into contact.
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7s |
Donald Young's Forehand (5 of 6)
Jason Frausto's forehand preparation from the center of the court, filmed from a side angle. His hips stay relatively closed while the knees load deeply, showing a clear squat and leg drive pattern before uncoiling into the forward swing.
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3.9s |
November 2008 Issue
Jason Frausto’s forehand from the center of the court, filmed from a side CourtLevel angle. At contact his racket face is slightly closed with the ball struck around waist height, and the racket head accelerates steeply upward along a low-to-high swing path.
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3.6s |
Forehand Differences: Pro Men Versus Pro Women (6 of 11)
Jason Frausto's forehand from the center of the baseline, filmed from a side angle. His neutral stance into contact is followed by a clear pivot on the front foot and a small recovery step that brings him back toward a ready position.
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5.8s |
Forehand Differences: Pro Men Versus Pro Women (7 of 11)
Jason Frausto's forehand from a neutral baseline position, filmed from a side CourtLevel angle. At contact his racket face is slightly closed with the ball struck just in front of his lead hip at roughly waist height, and the racket head accelerates on an upward windshield-wiper path.
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9.4s |
Forehand Differences: Pro Men Versus Pro Women (8 of 11)
Jason Frausto's FH from the Deuce side, filmed from a CourtLevel Side angle. His shoulders rotate well past 90 degrees relative to the net on the unit turn, then the trunk uncoils ahead of the arm swing to lead the kinetic chain into contact.
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9.3s |
Forehand Differences: Pro Men Versus Pro Women (9 of 11)
Jason Frausto's forehand DtheLine from the Deuce side, filmed from a CourtLevel angle. His footwork includes a small adjustment hop into a neutral stance before contact, followed by a clear cross-step recovery back toward the center.
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3.6s |
