Joe Dinoffer
Active
Coach
Video Library (42 videos)
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FPS |
Duration |
Forehand Shot Making (8 of 10)
Joe Dinoffer’s forehand from the center of the court, filmed from a side CourtLevel angle. His hips load by turning sideways with a clear knee bend, then unwind forward as the legs drive through the cone targets during the swing.
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5.1s |
Developing the Serve: Part 2 (10 of 11)
Joe Dinoffer’s serve from the center baseline, filmed from a court-level rear angle. After contact he finishes with his hitting arm fully extended upward while his back leg swings forward into the court, helping him land balanced and ready for the next ball.
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4.6s |
Developing Junior Players: Introduction (10 of 11)
Joe Dinoffer's kneeling and standing FH/BH demo from center court, filmed from a front animation angle. The contact point is illustrated with the racket face staying square to the target zone as the hand leads slightly ahead of the racket head through impact.
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6.3s |
A New Forehand Teaching Progression (10 of 10)
Flash's forehand from the center of the court, filmed from a side CourtLevel angle. His hips stay closed as the legs load with a deep knee bend, then the rear leg drives forward late so the hips open only after the ball has already passed the ideal contact point.
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5.8s |
Forehand Shot Making (10 of 10)
Joe Dinoffer’s forehand from the center of the court, filmed from a court-level side angle. His follow-through wraps across his body with the non-hitting hand counterbalancing behind him before he recovers back toward a neutral ready position.
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13.3s |
Developing Junior Players: Introduction (11 of 11)
Kalindi’s forehand from the center of the baseline, filmed from a side CourtLevel angle. Her shoulders load well past 90 degrees relative to the hips before uncoiling, making the trunk rotation and sequential release through contact easy to compare with the teaching points in Joe Dinoffer’s junior development system.
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7.8s |
Developing the Serve: Part 2 (11 of 11)
Joe Dinoffer’s serve from the baseline, filmed from a tight front animation angle. His teaching focus is on how a firmer, “tight” grip affects the serve motion, with particular attention to how the stance stays stable and the feet remain grounded through the loading phase.
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13.9s |
Forehand Shot Making (1 of 10)
Ana’s forehand from a neutral position, filmed from a side animation angle. Her shoulders turn well past 90 degrees relative to the net while the trunk coils and then uncoils in sequence, with the torso rotation clearly leading the arm swing.
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11.9s |
Developing the Serve: Part 2 (1 of 11)
Junior player's serve from the center baseline, filmed from a court-level rear angle. The server uses a small hop into a pinpoint stance, with a clear front-foot adjustment inward just before the knee bend and upward drive.
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3s |
Developing Junior Players: Introduction (1 of 11)
Kalindi practices a neutral forehand from the center of the court, filmed from a front teaching angle. Her small adjustment steps into a neutral stance after the split-step are clearly visible as she aligns her body to swing through the ball.
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6.8s |
A New Forehand Teaching Progression (1 of 10)
Kalindi’s forehand from the center of the court, filmed from a rear court-level angle. After contact she extends her racquet forward with her non-hitting hand staying in front of her body, then quickly re-centers her stance into a ready position for the next ball.
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5.6s |
A New Forehand Teaching Progression (2 of 10)
Joe Dinoffer's forehand from the center of the court, filmed from a front animation angle with a beach ball visual aid. At contact, the racket face is slightly closed with the beach ball aligned in front of the lead hip, clearly illustrating a low-to-high swing path and contact height just below shoulder level.
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4.4s |
Forehand Shot Making (2 of 10)
TennisPlayer_Flash's forehand from the center of the court, filmed from a side animation angle. The contact point is slightly in front of the lead hip with the racket face nearly square to the ball and a low-to-high swing path visible through contact.
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5.2s |
Developing Junior Players: Introduction (2 of 11)
Joe Dinoffer’s forehand from the center of the court, filmed from a side angle. His hips load by turning sideways with a noticeable knee bend, then uncoil forward as his legs drive up and into the court during the forward swing.
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5.1s |
Developing the Serve: Part 2 (2 of 11)
Joe Dinoffer’s serve from a central baseline position, filmed from a side CourtLevel angle. His continental grip is clearly visible with the wrist laid back into a strong lag position before pronating through contact.
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9.8s |
A New Forehand Teaching Progression (3 of 10)
Joe Dinoffer's forehand from a neutral teaching position, filmed from a side animation angle. The hips and legs are shown in a simplified connect-the-dots sequence, clearly marking the progression from knee bend in the loading phase to hip rotation into contact.
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3.5s |
Developing Junior Players: Introduction (3 of 11)
Joe Dinoffer's forehand from the center of the baseline, filmed from a side CourtLevel angle. His hips load by turning sideways with a noticeable knee bend before uncoiling forward as his legs drive up and into the shot.
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3.4s |
Developing the Serve: Part 2 (3 of 11)
Tennis player's serve from the baseline, filmed from a side CourtLevel angle. At contact the racket face is slightly tilted forward with the ball struck just above head height, and the racket head accelerates up and across the ball on a relaxed, continuous swing path.
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5.4s |
A New Forehand Teaching Progression (4 of 10)
Joe Dinoffer's forehand from the center of the baseline, filmed from a side CourtLevel angle. After contact he finishes with a high windshield-wiper follow-through while quickly resetting his feet into a balanced ready position for the next ball.
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21.7s |
Developing Junior Players: Introduction (4 of 11)
Joe Dinoffer's teaching animation on “Seeing and Feeling” for developing junior players, filmed from a mixed on-screen and CourtLevel perspective. The player’s footwork pattern emphasizes an early split-step into short adjustment steps, reinforcing stable neutral stance positioning before each stroke.
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2.9s |
Developing the Serve: Part 2 (4 of 11)
Joe Dinnofer's serve from a central baseline position, filmed from a side court-level angle. The side view makes it easy to see the full shoulder turn and trunk coil as his back shoulder drops and hips stay closed before uncoiling upward into contact.
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3.3s |
A New Forehand Teaching Progression (5 of 10)
Joe Dinoffer's forehand from a central baseline position, filmed from a side CourtLevel angle using a ball-on-a-string tee system. At contact, the racket face is slightly closed with the ball meeting the strings around waist height, and the swing path drives forward and up with noticeable racket head acceleration through the contact point.
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7.4s |
Developing Junior Players: Introduction (5 of 11)
Flash's serve from the center hash, filmed from a side CourtLevel angle. The side view makes the shoulder-over-shoulder action and degree of trunk coil into the trophy position clear, as well as the timing of the torso uncoiling relative to the arm swing.
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3.7s |
Developing the Serve: Part 2 (5 of 11)
Joe Dinoffer’s serve from a central baseline position, filmed from a side court-level angle. His hips load by turning away from the net as the back knee flexes deeply, then the legs drive upward to extend the hips into contact.
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3.5s |
Developing Junior Players: Introduction (6 of 11)
Kalindi's serve from the center baseline, filmed from a court-level rear angle. Her follow-through brings the racket down across her body as her weight transfers into the court and she quickly organizes her hands into a balanced ready position for the next shot.
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5.8s |
Developing the Serve: Part 2 (6 of 11)
Joe Dinoffer’s serve load phase from a central baseline position, filmed from a side CourtLevel angle. The shoulder line turns significantly away from the net as the trunk coils over the back hip before uncoiling in sync with the leg drive.
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5.1s |
A New Forehand Teaching Progression (6 of 10)
Teaching pro’s forehand progression with sponge balls from the center of the court, filmed from a side CourtLevel angle. The forehand uses a semi-western grip with clear wrist lag on the takeback that straightens through contact to teach proper pronation.
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8.2s |
Developing Junior Players: Introduction (7 of 11)
Joe Dinoffer's forehand arm action from the center of the court, filmed from a side CourtLevel angle. The racket arm stays relaxed with a laid-back wrist at contact, with the racket face slightly closed and meeting the ball just in front of the lead hip.
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7.3s |
A New Forehand Teaching Progression (7 of 10)
TennisPlayer_Flash's forehand from the center of the baseline, filmed from a side CourtLevel angle. His footwork includes a small adjustment hop into a strong unit turn with a wide neutral stance, clearly loading on the outside leg before stepping into the ball.
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3.4s |
Developing the Serve: Part 2 (7 of 11)
Joe Dinnofer's serve from a central baseline position, filmed from a side CourtLevel angle. His continental grip is clearly visible, with a relaxed wrist that pronates aggressively through contact to create a distinct snap up and over the ball.
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4.8s |
Developing the Serve: Part 2 (8 of 11)
Flash's second serve from the baseline, filmed from a rear court-level angle. The contact point is slightly above head height with the racket face more closed, emphasizing an upward brushing motion that accelerates the racket head up and across the ball.
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10.9s |
Developing Junior Players: Introduction (8 of 11)
Joe Dinoffer’s throwing motion drill is filmed from a side CourtLevel angle to teach the kinetic chain for future serves and groundstrokes. The side view makes it easy to see a loose wrist with delayed wrist snap, emphasizing how relaxed grip pressure in the hand allows the wrist to whip through at release.
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3.2s |
Developing the Serve: Part 2 (9 of 11)
Joe Dinnofer's serve from the center baseline, filmed from a rear court-level angle. After contact, his racquet finishes across his body while his back leg swings forward, bringing him into a balanced landing and ready recovery stance.
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6.3s |
Developing Junior Players: Introduction (9 of 11)
Joe Dinoffer’s animation of a seated tennis player is presented from a front, instructional angle. The forehand grip is clearly shown in the hand closest to the camera, with a relaxed wrist that stays neutral rather than snapping excessively through the motion.
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4.4s |
A New Forehand Teaching Progression (9 of 10)
Joe Dinoffer’s forehand from the center of the baseline, filmed from a side CourtLevel angle. His stance transitions from a neutral preparation into a semi-open position as he steps into contact, with a clear timing of the split-step just before the incoming ball.
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4.6s |
Forehand Shot Making (9 of 10)
Flash’s forehand from the middle of the court, filmed from a side CourtLevel angle. The video makes it easy to see his deep knee bend on the loading leg and how his hips rotate forward as he drives up into the ball.
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11s |
Forehand Shot Making (3 of 10)
Flash's forehand from a central baseline position, filmed from an elevated rear court-level angle. The racket face is slightly closed at a contact point around waist to mid-torso height, with a visibly fast upward and forward swing path through the ball.
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4.4s |
Forehand Shot Making (4 of 10)
Flash's wide forehand from a neutral position, filmed from a side court-level angle. The side view makes the semi-western grip and the delayed wrist lag before snapping forward into contact especially clear.
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3.6s |
Forehand Shot Making (5 of 10)
Flash's forehand from the center of the baseline, filmed from a court-level rear angle. His feet perform a clear split step into a semi-open stance, followed by a controlled pivot and recovery step back to a ready position.
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4.1s |
Forehand Shot Making (6 of 10)
Flash's forehand from a central baseline position, filmed from a side CourtLevel angle. The video emphasizes a pronounced shoulder turn with the hitting-side shoulder rotating well behind the body line before contact, followed by a clear uncoiling of the trunk that leads the arm into the ball.
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10.2s |
Forehand Shot Making (7 of 10)
Flash's forehand from a central court position, filmed from a side CourtLevel angle. The side view makes it easy to see his semi-western grip and the way his wrist stays laid back through the swing before releasing slightly through contact.
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3.3s |
A New Forehand Teaching Progression (8 of 10)
Joe Dinoffer's two-handed forehand from the center of the court, filmed from a side angle. The side view makes the early unit turn and synchronized shoulder and trunk rotation very clear, with the torso coiling as a single unit and then uncoiling ahead of the arm swing in a distinct kinetic chain sequence.
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7.6s |
