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Sean Brawley

Sean Brawley

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Video Library (12 videos)

Name	FPS	Duration
Body Presence (1 of 2) Sean Brawley’s animation on balance and body presence in the mental game, filmed from an instructional presentation angle. The lower body focus is on how stable, grounded leg positioning and subtle hip awareness support a centered, balanced state before and during stroke preparation.		10s
Bounce Hit (1 of 18) Federer's forehand from the center of the baseline, filmed from a side angle. His hips and legs load with a clear knee bend and rhythmic weight shift that syncs the leg drive with the “bounce-hit” timing pattern.		7.5s
Towards More Effective Teaching (1 of 23) Roger’s mental game animation from a neutral court position, filmed from a court-level angle. The animation emphasizes how his lower body rhythm and hip alignment stay relaxed and synchronized with his routine between points, supporting a consistent mental reset.		8s
Towards More Effective Teaching (2 of 23) Sean Brawley discusses mental game concepts in a teaching-focused animation, filmed from a neutral, instructional angle. His body orientation and gestures stay relatively square and grounded, modeling a stable, neutral stance that mirrors the composed footwork and posture he advocates for players on court.		8.3s
Body Presence (2 of 2) Sean Brawley’s animation of the bounce-hit timing concept, filmed from a neutral instructional angle. The racket is shown with a relaxed grip and minimal wrist tension, emphasizing a soft hand that lets the wrist stay loose through the timing of “bounce” and “hit.”		6.4s
Bounce Hit (2 of 18) Sean Brawley’s mental game lesson with Animation Mike on the “Bounce Hit” concept, filmed from a teaching perspective. The player’s small adjustment steps before contact and stable, neutral stance as the ball arrives are used to illustrate how simple, repeatable footwork supports better timing and focus.		12s
Bounce Hit (3 of 18) Sean Brawley’s mental game session with Mike on the Bounce-Hit drill, filmed from a front instructional angle. At the verbal “bounce” and “hit” cues, Mike’s racket pauses briefly before contact, with the strings square to the incoming ball and contact occurring slightly in front of his lead hip.		15s
Bounce Hit (4 of 18) Roger Federer's visualization of the "Bounce-Hit" rhythm concept, filmed from a front angle. His relaxed follow-through into a calm, ready stance emphasizes tracking the ball with his eyes and resetting his hands in front of his body to reinforce the timing cue.		6.7s
Towards More Effective Teaching (4 of 23) Sean Brawley’s topspin forehand animation from a central baseline position, filmed from a side/court-level instructional angle. The shoulder and trunk rotation are clearly segmented, with a pronounced upper-body coil followed by a delayed, sequential uncoiling that trails the hip rotation.		4.4s
Towards More Effective Teaching (5 of 23) Sean Brawley’s mental game lesson on effective tennis learning and coaching, filmed from a presentation or interview-style angle. His follow-through in explaining concepts includes clear pauses and emphasis, allowing the listener time to mentally recover, refocus, and reset their attention between key teaching points.		3.4s
Towards More Effective Teaching (6 of 23) Sean Brawley’s mental game animation on footwork concepts, filmed from a neutral instructional angle. From this view you can clearly see how relaxed hands and a neutral, non-tight grip concept are emphasized to keep the wrists free of unnecessary tension during movement.		3.9s
Towards More Effective Teaching (3 of 23) Sean Brawley’s forehand volley from a central net position, filmed from a side animation angle. The racket face stays slightly open at contact with the ball meeting the strings just in front of the lead hip, and the swing path is short with minimal backswing and a compact forward punch.		3.8s